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MFSL 1-012 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- SOLD OUT = AUSVERKAUFT ----- ( EINE NOCH NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG)

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FLEETWOOD MAC ---- FLEETWOOD MAC ----- ORIGINAL MFSL-FIRST-JAPAN-LP/RECORD-SERIES (FIRST MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- OUT OF STOCK ----- MASTERED BY STAN RICKER IN USA ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1975 BEI WARNER BROS.RECORDS IN USA / ..... ORIGINAL RECORDING 1975 BY WARNER BROS.RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT !!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Weitere Details: ************************************************************************************************* Fleetwood Mac (Vinyl, LP, Album, Reissue, Remastered, Stereo) album cover Fleetwood Mac ‎– Fleetwood Mac Label: Mobile Fidelity Sound Lab ‎– MFSL 1-012 Series: Original Master Recording – Format: Vinyl, LP, Album, Reissue, Remastered, Stereo Country: US Released: Jan 1979 Genre: Rock Style: Pop Rock Tracklist A1 Monday Morning 2:48 A2 Warm Ways 3:50 A3 Blue Letter 2:31 A4 Rhiannon 4:12 A5 Over My Head 3:34 A6 Crystal 5:12 B1 Say You Love Me 4:11 B2 Landslide 3:05 B3 World Turning 4:25 B4 Sugar Daddy 4:09 B5 I'm So Afraid 4:15 Companies, etc. Recorded At – Sound City Studios Mixed At – Sound City Studios Mixed At – Kendun Recorders Phonographic Copyright (p) – Warner Bros. Records Inc. Copyright (c) – Warner Bros. Records Inc. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Warner Bros. Records Inc. Published By – Catpatch Music, Inc. Published By – Rockhopper Music, Inc. Published By – Buckingham Nicks Music Published By – Dona Marta Music Lacquer Cut At – JVC Cutting Center Credits Bass – John McVie Design [Album Design] – AGI (4), Des Strobel* Drums, Percussion – Mick Fleetwood Engineer [2nd Recording Engineer] – David Devore Engineer [Recording Engineer] – Keith Olsen Guitar [Guitars], Vocals – Lindsey Buckingham Keyboards, Synthesizer, Vocals – Christine McVie Mastered By [Half-speed Masters], Lacquer Cut By – Stan Ricker Photography By – Herbert Worthington* Producer – Fleetwood Mac, Keith Olsen Sleeve [Sleeve Concept] – Fleetwood Mac Vocals – Stevie Nicks Notes Recorded at Sound City, Los Angeles Mixed at Sound City & Kendun Recorders Super High Definition Vinyl Special Static Free Inner Sleeve Pressed In Japan. Half-speed masters cut by Stan Ricker, JVC Imported pressing and plating Barcode and Other Identifiers Matrix / Runout (Side 1, variant 1): MFSL-1-012-A SR/2 L 11 Matrix / Runout (Side 2, variant 1): MFSL-1-012-B SR/2 L 12 Matrix / Runout (Side 1, variant 2): L MFSL-1-012-A2 SR/2 1 2 1 Matrix / Runout (Side 2, variant 2): G L MFSL-1-012-B-1 RE-1 SR/2 1 3 1 Matrix / Runout (Side 1, variant 3): L MFSL-1-012-A1 SR/2 1 1 1 Matrix / Runout (Side 2, variant 3): G L MFSL-1-012-B-1 RE-1 SR/2 1 3 1 Matrix / Runout (Side 1, variant 4): L MFSL-1-012-A1 SR/2 1 1 1 + ************************************************************************************************ ............. Track Listing: ................. 1. Monday Morning ................ 2. Warm Ways ................ 3. Blue Letter ................ 4. Rhiannon ................ 5. Over My Head ................ 6. Crystal ................ 7. Say You Love Me ................ 8. Landslide ................ 9. World Turning ................ 10. Sugar Daddy ................ 11. I'm So Afraid ................ ************************************************************************************************** .............. Album Notes ................ With the "classic" Fleetwood Mac and departed guitarists Peter Green and Jeremy Spencer a fading memory, namesakes and rhythm section Mick Fleetwood (drums) and John McVie (bass), along with second generation survivor Christine McVie (vocals, keyboards), let go of their British blues heritage and linked with a failed Californian pop-rock duo, Lindsey Buckingham and Stevie Nicks. That move, born of desperation, yields this 1975 classic: unveiling a taut, well-oiled pop rock band boasting three distinctive singers and songwriters in Buckingham, Nicks, and Christine McVie; Buckingham's extraordinary arrangements and versatile acoustic and electric guitars; and the undeniable horsepower of the founding fathers' rock-solid rhythm work. Buckingham's rave-ups, Nicks's sultry rock ballads, and Christine McVie's soulful, sunny pop form the template for Rumours, which would follow two years later. .................................... ............. ************************************************************************************************* ................. The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- ....................... DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ************************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................ ---------------------------------------------------------------------------------------------------- ****************************************************************************************************

Zustand: M- / M- = EINE NOCH NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Preis: EUR ----- SOLD OUT = AUSVERKAUFT ----- M- / M- = EINE NOCH NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

In den Warenkorb


MFSL 1-014 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

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GREATEFUL DEAD ----- AMERICAN BEAUTY ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES(FIRST-MFSL-JAPANPRESSING-SERIES) ----- WITH ORIGINAL MFSL "SUPER HIGH FIDELITY" FRONTSTICKER ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!/ ..... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1970 BEI WARNER BROS.RECORDS IN USA / ..... ORIGINAL RECORDING 1970 BY WARNER BROS.RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD-JAPANPRESSUNG IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER - ORIGINAL VERSIEGELTEN - QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )

Weitere Details: *************************************************************************************************** American Beauty (Vinyl, LP, Album, Reissue, Limited Edition) album cover Grateful Dead* ‎– American Beauty Label: Mobile Fidelity Sound Lab ‎– MFSL 1-014 Series: Original Master Recording – Format: Vinyl, LP, Album, Reissue, Limited Edition Country: US Released: Apr 1979 Genre: Rock Style: Folk Rock, Country Rock, Psychedelic Rock Tracklist A1 Box Of Rain 5:16 A2 Friend Of The Devil 3:20 A3 Sugar Magnolia 3:15 A4 Operator 2:21 A5 Candyman 6:12 B1 Ripple 4:10 B2 Brokedown Palace 4:18 B3 Till The Morning Comes 3:13 B4 Attics Of My Life 5:09 B5 Truckin 5:09 Companies, etc. Recorded At – Wally Heider Studios Mastered At – Mobile Fidelity Sound Lab Lacquer Cut At – Mobile Fidelity Sound Lab Pressed By – Victor Company Of Japan, Ltd. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Warner Bros. Records Inc. Copyright (c) – Warner Bros. Records Inc. Credits Artwork – Kelly–Mouse Studios* Bass, Guitar, Piano, Vocals – Phil Lesh Co-producer [Audio] – Steve Barncard* Drums – Bill Kreutzmann Guitar, Pedal Steel Guitar [Pedal Steel], Piano, Vocals – Jerry Garcia Guitar, Vocals – Bob Weir Harmonica, Vocals – Pig Pen (Ron McKernan)* Mastered By [Half-speed], Lacquer Cut By – Stan Ricker Percussion – Mickey Hart Photography By [Rear Photo] – George Conger Producer – Grateful Dead* Songwriter – Robert Hunter Notes All selections Ice Nine Publishing Company (ASCAP). Recorded at Wally Heider Studios in San Francisco. Manufactured and distributed by the Mobile Fidelity Sound Lab, Olympic Valley, Ca. 95730, under license from Warner Bros. Records, Inc. © 1970 Warner Bros. Records, Inc. Super High Definition Vinyl Special Static Free Inner Sleeve Pressed In Japan Includes folding card stock insert with MFSL label info. Barcode and Other Identifiers Matrix / Runout (Side A Runout Etched): MFSL-1-014-A SR/2 12 : ✳ ✣ L (2 underneath A) Matrix / Runout (Side B Runout Etched): MFSL-1-014-B2 SR/2 12 : ✣ L ************************************************************************************************* .................. Ein Biograph von Jerry Garcia, Gitarrist von Grateful Dead, schrieb einmal: „Wenn man im Jahr 1970 Rockmusik mochte, aber nicht Grateful Dead, dann hatte man eben Pech, denn in diesem Jahr kam man um die Dead einfach nicht herum.“ Ein Grund dafür war sicher ihr 1970 erschienenes sechstes Album „American Beauty“. Die Dead verfolgten hier weiter den Pfad, den sie auf dem Vorgänger „Workingmans Dead“ eingeschlagen hatten, und kombinierten auf ihre ganz eigene Art Folk-Rock mit Country und Bluegrass. Erstmals gibt es hier als Gastmusiker auch Mandolinen-Meister David Grisman zu hören. Der originelle Bandsound auf „American Beauty“ verbreitet auch heute noch eine wohlige Melancholie wie ein warmes Kaminfeuer, und im MFSL-Remastering kann man sich dieses Kaminfeuer problemlos ins Wohnzimmer holen, denn genau so präsent hören sich die Dead jetzt an. Besonders gelungen sind hier die seidenweichen mehrstimmigen Gesangspassagen, in denen die Stimmen von Garcia, Phil Lesh und Bob Weir nahtlos miteinander verschmelzen und trotzdem transparent und klar unterscheidbar bleiben. Ein wundervolles Album, wie gemacht für lange Winterabende. Die Japanpressung von MFSL eröffnet scheinbar grenzenlose Dynamik und eine weite Bühne. Die Stimmen aller Bandmitglieder sind klar unterscheidbar und gleichzeitig wundervoll miteinander verwoben. gemastert von Stan Ricker für Mobile Fidelity Sound Lab kann diese Aufnahme in bester Qualität genossen werden. ................. *************************************************************************************************** ARTIST : GRATEFUL DEAD .................. TITLE : American Beauty .................. ........... TRACKLIST ............... Side One : .................. 1. Box Of Rain (Hunter, Lesh) (5:16) .................. 2. Friend Of The Devil (Hunter, Garcia, Dawson) (3:20) .................. 3. Sugar Magnolia (Hunter, Weir) (3:15) .................. 4. Operator (McKernan) (2:21) .................. 5. Candyman (Hunter, Garcia) (6:12) .................. Side Two : .................. 1. Ripple (Hunter, Garcia) (4:10) .................. 2. Brokedown Palace (Hunter, Garcia) (4:18) .................. 3. Till The Morning Comes (Hunter, Garcia) (3:13) .................. 4. Attics Of My Life (Hunter, Garcia) (5:09) .................. 5. Truckin (Hunter, Garcia, Lesh, Weir) (5:09) .................. LABEL : MOBILE FIDELITY SOUND LAB .................. NUMBER : MFSL 1-014 .................. ************************************************************************************************ ................... Description : ..................... .............. A Beautiful Copy Of This Audiophile Classic . A Prize Of Great Music And Great Sound, A Truly Breathtaking Addition To Any Vinyl Library . Here Half-Speed Production And Mastering By Original Mastering Works . Specially Plated And Pressed On High Definition Super Virgin Vinyl By Victor Company Of Japan, LTD . Comes With Insert Included . ....................... Grateful Dead: Jerry Garcia, Bob Weir (guitar); Ron "Pigpen" McKernan (harmonica); Phil Lesh (bass guitar); Bill Kreutzmann (drums); Mickey Hart (percussion).Additional personnel: David Nelson (electric guitar); David Grisman (mandolin); Ned Lagin (piano); Howard Wales (organ); Dave Torbert (bass guitar); New Riders of the Purple Sage.AMERICAN BEAUTY was an instant classic when it was first released November of 1970. It is among the most satisfying and enduring of the Grateful Dead's studio recordings, expanding as it does on the engaging mix of country, blues, and folk materials they first coined earlier in the year with WORKINGMAN'S DEAD.The musical vision of the Dead is more sharply focused on AMERICAN BEAUTY--from the serene reflection and compassion of the opening "Box Of Rain" and the earthy mysticism of "Ripple," to the sensual rock of "Sugar Magnolia" and the anthemic proto-boogie of the closing "Truckin'." But then, every tune on AMERICAN BEAUTY has attained a classic resonance, both from decades of steady airplay, and the way the Dead seemed to continually revive these popular standards for their concert repertoire. ............... **************************************************************************************************** ................. The Grateful Dead was an American rock band formed in 1965 in Palo Alto, California.[1][2] Ranging from quintet to septet, the band is known for its unique and eclectic style, which fused elements of rock, psychedelia, experimental music, modal jazz, country, folk, bluegrass, blues, reggae, and space rock,[3][4]for live performances of lengthy instrumental jams,[5][6] and for their devoted fan base, known as "Deadheads". "Their music," writes Lenny Kaye, "touches on ground that most other groups don't even know exists."[7] These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world".[8] The band was ranked 57th by Rolling Stone magazine in its The Greatest Artists of All Time issue.[9] The band was inducted into the Rock and Roll Hall of Fame in 1994[10] and a recording of their May 8, 1977 performance at Cornell University's Barton Hall was added to the National Recording Registry of the Library.................. ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ********************************************************************************************** DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE NOCH ORIGINAL VERSIEGELTE, AUDIOPHILE MFSL-LP/RECORD ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- WITH ORIGINAL MFSL "SUPER HIGH FIDELITY" FRONTSTICKER ----- MASTERED BY STAN RICKER IN USA ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

Preis: EUR 1199,99 (minus 50% discount/Rechnungsrabatt = 599,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE NOCH ORIGINAL VERSIEGELTE, AUDIOPHILE MFSL-LP/RECORD ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- WITH ORIGINAL MFSL "SUPER HIGH FIDELITY" FRONTSTICKER ----- MASTERED BY STAN RICKER IN USA ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

In den Warenkorb


MFSL 1-014 ----- SOLD OUT = AUSVERKAUFT = OUT OF STOCK ----- OUT OF PRINT - M ----- (ORIGINAL AUDIOPHILE MFSL-LP-RARITÄT !!)

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GREATEFUL DEAD ----- AMERICAN BEAUTY ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES(FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OFPRINT ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1970 BEI WARNER BROS.RECORDS IN USA / ..... ORIGINAL RECORDING 1970 BY WARNER BROS.RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH NEUWERTIG UND WURDE WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - PERFECT - QUALITY !! ...... EINE IN DIESER NEUWERTIGEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )

Weitere Details: *************************************************************************************************** .................. Ein Biograph von Jerry Garcia, Gitarrist von Grateful Dead, schrieb einmal: „Wenn man im Jahr 1970 Rockmusik mochte, aber nicht Grateful Dead, dann hatte man eben Pech, denn in diesem Jahr kam man um die Dead einfach nicht herum.“ Ein Grund dafür war sicher ihr 1970 erschienenes sechstes Album „American Beauty“. Die Dead verfolgten hier weiter den Pfad, den sie auf dem Vorgänger „Workingmans Dead“ eingeschlagen hatten, und kombinierten auf ihre ganz eigene Art Folk-Rock mit Country und Bluegrass. Erstmals gibt es hier als Gastmusiker auch Mandolinen-Meister David Grisman zu hören. Der originelle Bandsound auf „American Beauty“ verbreitet auch heute noch eine wohlige Melancholie wie ein warmes Kaminfeuer, und im MFSL-Remastering kann man sich dieses Kaminfeuer problemlos ins Wohnzimmer holen, denn genau so präsent hören sich die Dead jetzt an. Besonders gelungen sind hier die seidenweichen mehrstimmigen Gesangspassagen, in denen die Stimmen von Garcia, Phil Lesh und Bob Weir nahtlos miteinander verschmelzen und trotzdem transparent und klar unterscheidbar bleiben. Ein wundervolles Album, wie gemacht für lange Winterabende. Die Japanpressung von MFSL eröffnet scheinbar grenzenlose Dynamik und eine weite Bühne. Die Stimmen aller Bandmitglieder sind klar unterscheidbar und gleichzeitig wundervoll miteinander verwoben. gemastert von Stan Ricker für Mobile Fidelity Sound Lab kann diese Aufnahme in bester Qualität genossen werden. ................. *************************************************************************************************** ARTIST : GRATEFUL DEAD .................. TITLE : American Beauty .................. ........... TRACKLIST ............... Side One : .................. 1. Box Of Rain (Hunter, Lesh) (5:16) .................. 2. Friend Of The Devil (Hunter, Garcia, Dawson) (3:20) .................. 3. Sugar Magnolia (Hunter, Weir) (3:15) .................. 4. Operator (McKernan) (2:21) .................. 5. Candyman (Hunter, Garcia) (6:12) .................. Side Two : .................. 1. Ripple (Hunter, Garcia) (4:10) .................. 2. Brokedown Palace (Hunter, Garcia) (4:18) .................. 3. Till The Morning Comes (Hunter, Garcia) (3:13) .................. 4. Attics Of My Life (Hunter, Garcia) (5:09) .................. 5. Truckin (Hunter, Garcia, Lesh, Weir) (5:09) .................. LABEL : MOBILE FIDELITY SOUND LAB .................. NUMBER : MFSL 1-014 .................. ************************************************************************************************ ................... Description : ..................... .............. A Beautiful Copy Of This Audiophile Classic . A Prize Of Great Music And Great Sound, A Truly Breathtaking Addition To Any Vinyl Library . Here Half-Speed Production And Mastering By Original Mastering Works . Specially Plated And Pressed On High Definition Super Virgin Vinyl By Victor Company Of Japan, LTD . Comes With Insert Included . ....................... Grateful Dead: Jerry Garcia, Bob Weir (guitar); Ron "Pigpen" McKernan (harmonica); Phil Lesh (bass guitar); Bill Kreutzmann (drums); Mickey Hart (percussion).Additional personnel: David Nelson (electric guitar); David Grisman (mandolin); Ned Lagin (piano); Howard Wales (organ); Dave Torbert (bass guitar); New Riders of the Purple Sage.AMERICAN BEAUTY was an instant classic when it was first released November of 1970. It is among the most satisfying and enduring of the Grateful Dead's studio recordings, expanding as it does on the engaging mix of country, blues, and folk materials they first coined earlier in the year with WORKINGMAN'S DEAD.The musical vision of the Dead is more sharply focused on AMERICAN BEAUTY--from the serene reflection and compassion of the opening "Box Of Rain" and the earthy mysticism of "Ripple," to the sensual rock of "Sugar Magnolia" and the anthemic proto-boogie of the closing "Truckin'." But then, every tune on AMERICAN BEAUTY has attained a classic resonance, both from decades of steady airplay, and the way the Dead seemed to continually revive these popular standards for their concert repertoire. ............... **************************************************************************************************** ................. The Grateful Dead was an American rock band formed in 1965 in Palo Alto, California.[1][2] Ranging from quintet to septet, the band is known for its unique and eclectic style, which fused elements of rock, psychedelia, experimental music, modal jazz, country, folk, bluegrass, blues, reggae, and space rock,[3][4]for live performances of lengthy instrumental jams,[5][6] and for their devoted fan base, known as "Deadheads". "Their music," writes Lenny Kaye, "touches on ground that most other groups don't even know exists."[7] These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world".[8] The band was ranked 57th by Rolling Stone magazine in its The Greatest Artists of All Time issue.[9] The band was inducted into the Rock and Roll Hall of Fame in 1994[10] and a recording of their May 8, 1977 performance at Cornell University's Barton Hall was added to the National Recording Registry of the Library.................. ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ********************************************************************************************** DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************

Zustand: M- / M- = EINE NOCH NEUWERTIGE, AUDIOPHILE MFSL-LP/RECORD ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Preis: EUR ----- SOLD OUT = AUSVERKAUFT = OUT OF STOCK ----- ----- M- / M- = EINE NOCH NEUWERTIGE, AUDIOPHILE MFSL-LP/RECORD ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

In den Warenkorb


MFSL 1-015 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

XXL-Foto


XXL-Foto

HARRIS, EMMILOU ---- QUARTER MOON ----- ORIGINAL ANALOGE MFSL-LP/RECORD-(FIRST-MFSL-JAPANPRESSING-SERIES) ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1978 BEI WARNER BROS.RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY WARNER BROS.RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED - QUALITY !! ...... )

Weitere Details: ************************************************************************************************* Quarter Moon In A Ten Cent Town (Vinyl, LP, Album, Limited Edition, Remastered) album cover Emmylou Harris ‎– Quarter Moon In A Ten Cent Town Label: Mobile Fidelity Sound Lab ‎– MFSL 1-015 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Remastered Country: US Released: Apr 1979 Genre: Folk, World, & Country Style: Country Tracklist Show Credits A1 Easy From Now On 3:07 A2 Two More Bottles Of Wine 3:08 A3 To Daddy 2:45 A4 My Songbird 3:07 A5 Leaving Louisiana In The Broad Daylight 4:21 B1 Defying Gravity 4:16 B2 I Ain't Living Long Like This 4:08 B3 One Paper Kid 2:58 B4 Green Rolling Hills 3:38 B5 Burn That Candle 4:27 Companies, etc. Remastered At – Mobile Fidelity Sound Lab Phonographic Copyright (p) – Warner Bros. Records Inc. Copyright (c) – Warner Bros. Records Inc. Licensed From – Warner Bros. Records Inc. Distributed By – Mobile Fidelity Sound Lab Manufactured By – Mobile Fidelity Sound Lab Credits Acoustic Guitar – Rodney Crowell Bass – Emory Gordy* Drums – John Ware Electric Guitar – Albert Lee Mastered By [Half-Speed Masters Cut By] – Stan Ricker Pedal Steel Guitar – Hank Devito Piano – Glen Hardin Producer – Brian Ahern Notes Manufactured and distributed by the Mobile Fidelity Sound Lab, Olympic Valley, Ca. 95730 under license from Warner Bros. Records Inc. Half Speed Masters cut by Stan Ricker. JVC. Imported Pressing and Plating. Super High Definition Vinyl. Special Static Free Inner Sleeve. The two sets of dots stamped on both runouts look like a plus sign with four dots so the whole thing looks like it's supposed to make it look like a stylized square. They are stamped fairly lightly. From center label: Pressed in Japan. Barcode and Other Identifiers Matrix / Runout (Side A Runout Etched): MFSL-1-015A (Scratched out symbol) SR/2 2(In a circle ********************************************************************************************** Track Listing ............... 1. Easy from Now On ............... 2. Two More Bottles of Wine ............... 3. To Daddy ............... 4. My Songbird ............... 5. Leaving Louisiana in the Broad Daylight ............... 6. Defying Gravity ............... 7. I Ain't Living Long Like This ............... 8. One Paper Kid ............... 9. Green Rolling Hills - Fayssoux Starling ............... 10. Burn That Candle ............... ************************************************************************************************ Album Notes .............. Emmylou Harris & The Hot Band: Emmylou Harris (vocals, acoustic guitar); Rodney Crowell (acoustic guitar); Albert Lee (electric guitar); Hank DeVito (pedal steel guitar); Glen D. Hardin (piano); Emory Gordy (bass); John Ware (drums).Additional personnel: Willie Nelson (vocals); Brian Ahern, James Burton (guitar); Mickey Raphael (harmonica); Ricky Skaggs (fiddle, viola); Rick Danko (fiddle); Garth Hudson (baritone saxophone, accordion); Fayssoux Starling, Nicolette Larson, Diane Brooks (background vocals).Recorded at the Enactron Truck, Beverly Hills, California. Originally released on Warner Bros. (3141).All of Emmylou Harris' albums from the '70s and early '80s are flawless gems. But if there is one that rises above the others, then QUARTER MOON IN A TEN CENT TOWN is that album. From song selection to performance and production, MOON is the perfect distillation of Harris' remarkable work during this period. A wonderful duet with Willie Nelson ("One Paper Kid") and guest appearances from Rick Danko, Garth Hudson, and harmonica wizard Mickey Raphael are what puts this album over the top.At the time of MOON's release, Harris sat atop the country world. She was the genre's most widely respected artist and one of its most popular personalities. Not surprisingly, MOON yielded three hits: Delbert McClinton's rocking "Two More Bottles of Wine," Carlene Carter's "Easy from Now On," and "To Daddy," Dolly Parton's chilling evocation of a loveless marriage. Other standout tracks include "Defying Gravity," "Green Rolling Hills," and the Cajun-inflected "Leaving Louisiana in the Broad Daylight." But every track on this 1978 classic is a hands-down winner. ..................... *************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL ANALOGE MFSL-LP/RECORD-(FIRST-MFSL-JAPANPRESSING-SERIES) ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!)..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

Preis: EUR 599,99 (minus 50% discount/Rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL ANALOGE MFSL-LP/RECORD-(FIRST-MFSL-JAPANPRESSING-SERIES) ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!)..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

In den Warenkorb


MFSL 1-015 (FIRST-MFSL-JAPANPRESSING-DERIES)------- LIMITED EDITION ----- OUT OF PRINT ----- ( NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG = FIRST MFSL-SERIES !! )

XXL-Foto


XXL-Foto

HARRIS, EMMILOU ---- QUARTER MOON ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) ----- MASTERD BY STAN RICKER ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1978 BEI WARNER BROS.RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY WARNER BROS.RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Weitere Details: ************************************************************************************************* Quarter Moon In A Ten Cent Town (Vinyl, LP, Album, Limited Edition, Remastered) album cover Emmylou Harris ‎– Quarter Moon In A Ten Cent Town Label: Mobile Fidelity Sound Lab ‎– MFSL 1-015 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Remastered Country: US Released: Apr 1979 Genre: Folk, World, & Country Style:Country Tracklist Hide Credits A1 Easy From Now On Written-By – Carlene Carter, Susanna Clark 3:07 A2 Two More Bottles Of Wine Written-By – Delbert McClinton 3:08 A3 To Daddy Written-By – Dolly Parton 2:45 A4 My Songbird Written-By – Jesse Winchester 3:07 A5 Leaving Louisiana In The Broad Daylight Written-By – Donivan Coward*, Rodney Crowell 4:21 B1 Defying Gravity Written-By – Jesse Winchester 4:16 B2 I Ain't Living Long Like This Written-By – Rodney Crowell 4:08 B3 One Paper Kid Written-By – Walter Martin Cowart 2:58 B4 Green Rolling Hills Written-By – Utah Phillips 3:38 B5 Burn That Candle Written-By – Winfield Scott 4:27 Companies, etc. Remastered At – Mobile Fidelity Sound Lab Phonographic Copyright (p) – Warner Bros. Records Inc. Copyright (c) – Warner Bros. Records Inc. Licensed From – Warner Bros. Records Inc. Distributed By – Mobile Fidelity Sound Lab Manufactured By – Mobile Fidelity Sound Lab Credits Acoustic Guitar – Rodney Crowell Bass – Emory Gordy* Drums – John Ware Electric Guitar – Albert Lee Mastered By [Half-Speed Masters Cut By] – Stan Ricker Pedal Steel Guitar – Hank Devito Piano – Glen Hardin Producer – Brian Ahern Notes Manufactured and distributed by the Mobile Fidelity Sound Lab, Olympic Valley, Ca. 95730 under license from Warner Bros. Records Inc. Half Speed Masters cut by Stan Ricker. JVC. Imported Pressing and Plating. Super High Definition Vinyl. Special Static Free Inner Sleeve. The two sets of dots stamped on both runouts look like a plus sign with four dots so the whole thing looks like it's supposed to make it look like a stylized square. They are stamped fairly lightly. From center label: Pressed in Japan. Barcode and Other Identifiers Matrix / Runout (Side A Runout Etched): MFSL-1-015A (Scratched out symbol) SR/2 2(In a circle) RE-1 Matrix / Runout (Side A Runout Stamped): L 141 (Series of dots) + Matrix / Runout (Side B Runout Etched): MFSL-1-015B SR/2 Matrix / Runout (Side B Runout Stamped): L 111 + (Surrounded by 4 dots) (4 random dots) I *************************************************************************************************** Track Listing ............... 1. Easy from Now On ............... 2. Two More Bottles of Wine ............... 3. To Daddy ............... 4. My Songbird ............... 5. Leaving Louisiana in the Broad Daylight ............... 6. Defying Gravity ............... 7. I Ain't Living Long Like This ............... 8. One Paper Kid ............... 9. Green Rolling Hills - Fayssoux Starling ............... 10. Burn That Candle ............... ************************************************************************************************ Album Notes .............. Emmylou Harris & The Hot Band: Emmylou Harris (vocals, acoustic guitar); Rodney Crowell (acoustic guitar); Albert Lee (electric guitar); Hank DeVito (pedal steel guitar); Glen D. Hardin (piano); Emory Gordy (bass); John Ware (drums).Additional personnel: Willie Nelson (vocals); Brian Ahern, James Burton (guitar); Mickey Raphael (harmonica); Ricky Skaggs (fiddle, viola); Rick Danko (fiddle); Garth Hudson (baritone saxophone, accordion); Fayssoux Starling, Nicolette Larson, Diane Brooks (background vocals).Recorded at the Enactron Truck, Beverly Hills, California. Originally released on Warner Bros. (3141).All of Emmylou Harris' albums from the '70s and early '80s are flawless gems. But if there is one that rises above the others, then QUARTER MOON IN A TEN CENT TOWN is that album. From song selection to performance and production, MOON is the perfect distillation of Harris' remarkable work during this period. A wonderful duet with Willie Nelson ("One Paper Kid") and guest appearances from Rick Danko, Garth Hudson, and harmonica wizard Mickey Raphael are what puts this album over the top.At the time of MOON's release, Harris sat atop the country world. She was the genre's most widely respected artist and one of its most popular personalities. Not surprisingly, MOON yielded three hits: Delbert McClinton's rocking "Two More Bottles of Wine," Carlene Carter's "Easy from Now On," and "To Daddy," Dolly Parton's chilling evocation of a loveless marriage. Other standout tracks include "Defying Gravity," "Green Rolling Hills," and the Cajun-inflected "Leaving Louisiana in the Broad Daylight." But every track on this 1978 classic is a hands-down winner. ..................... *************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ************************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................ ---------------------------------------------------------------------------------------------------- *************************************************************************************************

Zustand: M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL JAPANPRESSING SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL JAPANPRESSING SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

In den Warenkorb


MFSL 1-016 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

XXL-Foto


XXL-Foto

SAMPLE, JOE ---- RAINBOW SEEKER ---- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1978 BEI ABC RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY ABC RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED - QUALITY !! ...... )

Weitere Details: ************************************************************************************************* .................. Track Listing .................... 1. Rainbow Seeker .................... 2. In All My Wildest Dreams .................... 3. There Are Many Stops Along the Way .................... 4. Melodies of Love .................... 5. Fly With Wings of Love .................... 6. As Long as It Lasts .................... 7. Islands in the Rain .................... 8. Together We'll Find a Way .................... ************************************************************************************************* ....................... Album Notes: ...................... Personnel: Joe Sample (keyboards); David T. Walker, Dean Parks, Ray Parker, Jr., Barry Finnerty, Billy Rogers, Marlo Henderson (guitar); Sid Sharp (strings); William Green (flute, wind); Ernie Watts (saxophone, wind); Freddy Johnson , Fred Jackson, Jr. (saxophone); Robert Bryant, Steve Madaio, Bobby Bryant , Jay DaVersa (trumpet); Garnett Brown (trombone); Stix Hooper (drums, percussion); Paulinho Da Costa (percussion).Back in 1978 when this set was recorded, fusion (the mixture of jazz improvisation with rock rhythms) was declining. Keyboardist Joe Sample, best-known for his work with the Crusaders, was in the process of being one of the founders of "contemporary jazz," an idiom that has since solidified into smooth jazz. Sample emphasized catchy melodies, light funk rhythms, appealing chord changes and a pop sensibility. For this accessible release, Sample is joined by the late legendary guitarist Billy Rogers, bassist Pops Popwell, his old Crusaders drummer Stix Hooper, a horn section and several guest guitarists. All eight tunes (which include "Fly with the Wings of Love" and "Islands in the Rain") are by the leader, who is heard throughout in melodic form, setting up a variety of light grooves that serve as superior background music. ~ Scott Yanow .................... ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- ................... DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... )

Preis: EUR 599,99 (minus 50% discount/rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... )

In den Warenkorb


MFSL 1-016 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT ----- LIMITED EDITION ----- ( EINE NOCH NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG )

XXL-Foto


XXL-Foto

SAMPLE, JOE ---- RAINBOW SEEKER ---- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1978 BEI ABC RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY ABC RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Weitere Details: ************************************************************************************************* .................. Track Listing .................... 1. Rainbow Seeker .................... 2. In All My Wildest Dreams .................... 3. There Are Many Stops Along the Way .................... 4. Melodies of Love .................... 5. Fly With Wings of Love .................... 6. As Long as It Lasts .................... 7. Islands in the Rain .................... 8. Together We'll Find a Way .................... ************************************************************************************************* ....................... Album Notes: ...................... Personnel: Joe Sample (keyboards); David T. Walker, Dean Parks, Ray Parker, Jr., Barry Finnerty, Billy Rogers, Marlo Henderson (guitar); Sid Sharp (strings); William Green (flute, wind); Ernie Watts (saxophone, wind); Freddy Johnson , Fred Jackson, Jr. (saxophone); Robert Bryant, Steve Madaio, Bobby Bryant , Jay DaVersa (trumpet); Garnett Brown (trombone); Stix Hooper (drums, percussion); Paulinho Da Costa (percussion).Back in 1978 when this set was recorded, fusion (the mixture of jazz improvisation with rock rhythms) was declining. Keyboardist Joe Sample, best-known for his work with the Crusaders, was in the process of being one of the founders of "contemporary jazz," an idiom that has since solidified into smooth jazz. Sample emphasized catchy melodies, light funk rhythms, appealing chord changes and a pop sensibility. For this accessible release, Sample is joined by the late legendary guitarist Billy Rogers, bassist Pops Popwell, his old Crusaders drummer Stix Hooper, a horn section and several guest guitarists. All eight tunes (which include "Fly with the Wings of Love" and "Islands in the Rain") are by the leader, who is heard throughout in melodic form, setting up a variety of light grooves that serve as superior background music. ~ Scott Yanow .................... ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ************************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................ ---------------------------------------------------------------------------------------------------- ***************************************************************************************************

Zustand: M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL JAPANPRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... )

Preis: EUR 199,99 (minus 50% discount with invoice/rechnungsrabatt = 99,99 euro) ----- M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL JAPANPRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... )

In den Warenkorb


MFSL 1-017 ----- OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

XXL-Foto


XXL-Foto

PINK FLOYD ----- DARK SIDE OF THE MOON ----- EINE SEHR WERTVOLLE ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-JAPANPRESSING SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- MADE IN JAPAN ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1973 BEI HARVEST RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1973 BY HARVEST RECORDS IN ENGLAND / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG !! ..... )

Weitere Details: *************************************************************************************************** Pink Floyd: The Dark Side of the Moon [MFSL 1-017] ................ This Sealed, New, Never Opened Original Master Recording has a gatefold jacket. ................ Recorded at Abbey Road Studios, London between June 1972 and January 1973. ................ Early releases by MFSL were pressed in Japan. ................ Source The original stereo master tape. ................ ******************************************************************************************** ........................ DARK SIDE OF THE MOON, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very wel because PINK FLOYD doesn´t rush anything; the songs are mainly slow and mid-temp, with attention paid throughout to musical texture and mood. The sound effects on songs like ON THE RUN and TIME ...... and especially MONEY (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably PINK FLOYD´s best known work. PINK FLOYD were incredibly talented pioneers and innovators who were a ground-breaking act who were many, many years ahead of their time capable of producing the most devastatingly original and brilliant music ever created. .................................... ************************************************************************************************* ............... Track listing .......................... All lyrics written by Roger Waters. .......................... Side one .......................... Track Title Music Lead vocals Length .......................... 1. "Speak to Me" Mason Instrumental 1:30 .......................... 2. "Breathe" Waters, Gilmour, Wright Gilmour 2:43 .......................... 3. "On the Run" Gilmour, Waters Instrumental 3:30 .......................... 4. "Time" (containing "Breathe (Reprise)") Mason, Waters, Wright, Gilmour Gilmour and Wright 6:53 .......................... 5. "The Great Gig in the Sky" Wright, Clare Torry Clare Torry 4:15 .......................... Side two .......................... Track Title Music Lead vocals Length .......................... 1. "Money" Waters Gilmour 6:30 .......................... 2. "Us and Them" Waters, Wright Gilmour and Wright 7:34 .......................... 3. "Any Colour You Like" Gilmour, Mason, Wright Instrumental 3:24 .......................... 4. "Brain Damage" Waters Waters 3:50 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... ******************************************************************************************** Pink Floyd .......................... * David Gilmour - vocals, pedal steel and electric guitar, VCS 3 synthesiser, production .......................... * Nick Mason - drums, percussion, tape effects, production .......................... * Roger Waters - bass guitar, vocals, VCS 3 synthesiser, tape effects, production .......................... * Richard Wright - keyboards, vocals, VCS 3 synthesiser, production .......................... Additional musicians .......................... * Dick Parry - saxophone on "Money" and "Us and Them" .......................... * Clare Torry - vocals on "The Great Gig in the Sky", background vocals .......................... * Lesley Duncan - background vocals .......................... * Barry St. John - background vocals .......................... * Liza Strike - background vocals .......................... * Doris Troy - background vocals .......................... Production .......................... * Alan Parsons - engineering .......................... * Peter James - assistant engineering (incorrectly identified as "Peter Jones" on first US pressings of the LP) .......................... * Chris Thomas - mixing consultant .......................... * George Hardie - illustrations, sleeve art .......................... * Hipgnosis - design, photography .......................... * Jill Furmanovsky - photography .......................... ************************************************************************************************ Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Es handelt sich hierbei um eine audiophile Rarität und eine der bestklingendsten Schallplatten die jemals hergestellt wurden. Das original Masterband welches zur Produktion dieses audiophilen Highlights zur Verfügung stand, war von exquisiter Qualität. Was dann die Spezialisten von MFSL daraus machten kann man nur als sensationell bezeichnen. Nie wieder wurde vermutlich solch ein Aufwand zur Herstellung einer LP betrieben (was vor über 20 Jahren für einen horrenden Preis sorgte). Sorgfältigst mit der Halfspeed Schneidetechnik geschnitten und in 140 Gramm Japan Virgin Vinyl gepresst wurden weltweit nur 50000 Exemplare hergestellt. MFSL Schallplatten wurden aus einem besonderen Kunststoff, mit der Bezeichnung „Japan Vinyl“ hergestellt. „Japan Vinyl“ wurde unter der Verwendung von hoch polimerisierten Kunstharzen, mit einem hohen Anteil an Vinylacetat gefertigt. Die Eigenschaften dieses Werkstoffs sind eine enorme Elastizität, extreme Strapazierfähigkeit und ein exzellenter Signal-Rauschabstand (signal-to-noise-ratio). Der Frequenzgang ist so präzise, dass über einen Bereich von 20Hz – 20kHz, Abweichungen von nur +/- 0,5 dB auftreten. ...................... Weitere technische Daten in Englisch. ........... ********************************************************************************************** Inside Cover: Black with heartbeat line, lyrics, and credits. To the right of the credits, it says: Imported Pressing and Plating ................ Super High Definition Vinyl (extended life) ................ Special Static Free-Dust Free Inner-Sleeve ................ Special Heavy Duty Protective Packaging ................ Source: the Original Stereo Master Tape ................ Inner Sleeve: The record is housed in a special static-free inner sleeve. ................ ********************************************************************************************* Inserts: ................ 1) A 4-page fold-open, heavy cardboard record cover with "LIMITED EDITIONS FROM THE ORIGINAL MASTERS" on the front, an MFSL catalog in the center, and the story of MFSL on the back. ................ 2) An 8 inch by 5 inch yellow certificate of Limited Warranty from Mobile Fidelity Sound Lab, with a form on back for return of a defective record. ................ 3) An 11 inch by 8 1/2 inch two-sided Geo-Disc ad with order form on back. Plastic Cover: Released covered in a clear-plastic cover. ................ ************************************************************************************************** Technical Specifications: ........... Distortion: Distortion was so low on MFSL UHQR records that nearly theoretical values were achieved. Low, mid, and high range distortions were improved by 12, 10 and 6 dB or more, respectively. Frequency Response: Frequency response on MFSL UHQR records is flat. Its accuracy is within plus or minus 0.5 dB, whereas conventional records have a frequency response of plus or minus 3 dB. Record Quality: Production of UHQR records by MFSL produced minimal individual disc quality variations. ........... Surface Vibration: Mid-range disc surface vibration at 700 Hz was reduced by 10 dB. Wear Resistance: Because MFSL UHQR records are flat, thick, and free from physical shape distortion, there is relatively little wear resistance. ........... Pressing made from the master stamper at the The Victor Company of Japan (JVC) in Yokohama, Japan during 1981. ........... ***************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING !! (FIRST-MFSL-JAPANPRESSING-SERIES !!) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! )..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

Preis: EUR 2399,99 (minus 50% discount/rabatt = 1199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING !! (FIRST-MFSL-JAPANPRESSING-SERIES !!) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! )..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

In den Warenkorb


MFSL 1-017 ----- LIMITED EDITION ----- OUT OF PRINT ----- EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES)

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PINK FLOYD ----- DARK SIDE OF THE MOON ----- EINE SEHR WERTVOLLE ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-JAPANPRESSING SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- ( ...... EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1973 BEI HARVEST RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1973 BY HARVEST RECORDS IN ENGLAND / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG !! ..... )

Weitere Details: *************************************************************************************************** The Dark Side Of The Moon (Vinyl, LP, Album, Limited Edition, Reissue, Remastered) album cover Pink Floyd ‎– The Dark Side Of The Moon Label: Mobile Fidelity Sound Lab ‎– MFSL 1-017, Harvest ‎– MFSL 1-017 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Country: US Released: Jun 1979 Genre: Rock Style: Classic Rock, Art Rock, Prog Rock, Psychedelic Rock Tracklist Hide Credits A1 Speak To Me A2 Breathe A3 On The Run A4 Time A5 The Great Gig In The Sky Vocals – Clare Torry B1 Money Saxophone – Dick Parry B2 Us And Them Saxophone – Dick Parry B3 Any Colour You Like B4 Brain Damage B5 Eclipse Companies, etc. Recorded At – Abbey Road Studios Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Phonographic Copyright (p) – The Gramophone Co. Ltd. Licensed From – Capitol Records, Inc. Published By – TRO-Hampshire House Publishing Corp. Copyright (c) – TRO-Hampshire House Publishing Corp. Credits Artwork [Sleeve Art, Stickers Art] – George Hardie N.T.A* Backing Vocals – Barry St John*, Doris Troy, Leslie Duncan*, Liza Strike Bass, Vocals, Synthesizer [Vcs3], Effects [Tape], Lyrics By – Roger Waters Design [Sleeve], Photography By – Hipgnosis (2) Engineer – Alan Parsons Engineer [Assistant] – Peter James Keyboards, Vocals, Synthesizer [Vcs3] – Richard Wright Lyrics By – Roger Waters Mastered By [Half-speed] – Stan Ricker Mixed By [Supervised] – Chris Thomas Percussion, Effects [Tape] – Nick Mason Producer, Music By – Pink Floyd Vocals, Guitar, Synthesizer [Vcs3] – David Gilmour Written-By – Gilmour* (tracks: A2 to A4, B3), Mason* (tracks: A1, A4, B3), Wright* (tracks: A2, A4, A5, B2, B3), Waters* (tracks: A2 to A4, B1, B2, B4, B5) Notes Originally released in 1973. Standard gatefold sleeve with warranty card. Recorded at Abbey Road Studios, London between June 1972 and January 1973. States "Pressed in Japan" on the LP label (see images), "imported pressing" and "Printed in the U.S.A." on spine of the sleeve. Early releases by MFSL were pressed in Japan. Came with two lists of other available MFSL releases and MFSL style inner. On innersleeve: Half-Speed Mastering by Stan Ricker, JVC Super High Definition Vinyl (extended life) Imported Pressing Static Free Inner-Sleeve Source: the Original Stereo Master Tape. Note on Credits: Though not specified in the liner notes, Barry St. John, Doris Troy, Lesley Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5. The 1979 release has an insert titled: "An Audiophile's Dream Come True" Also issued in 1981 with different inserts The Dark Side Of The Moon Barcode and Other Identifiers Matrix / Runout (Variant 1: Side A, etched): MFSL-1-017-A2-1 SR2 H213 Matrix / Runout (Variant 1: Side B, etched): MFSL-1-017-B2-1 SR2 H215 Matrix / Runout (Variant 2: Side A, etched): MFSL-1-017-A [something crossed out] 2-1 SR_2 [three unreadable spotted signs] F Matrix / Runout (Variant 2: Side A, stamped): 2 1 1 Matrix / Runout (Variant 2: Side B, etched): MFSL-1-017- [something crossed out] B2-1 SR_2 [two unreadable spotted signs] Matrix / Runout (Variant 2: Side B, stamped): 2 1 2 Matrix / Runout (Variant 3: Side A, etched): MFSL-1-017-A [something crossed out] 2-5 5R/2 Matrix / Runout (Variant 3: Side A, stamped): 252 [eight spotted signs] Matrix / Runout (Variant 3: Side B, etched): MFSL-1-017-B2-4 5R/2 Matrix / Runout (Variant 3: Side B, stamped): 241 [eight spotted signs] Matrix / Runout (Variant 4: Side A, etched): MFSL-1-017-A# 2-2 5R/2 221 ++ F Matrix / Runout (Variant 4: Side B, etched): MFSL-1-017-B# 2-1 5R/2 214 + Matrix / Runout (Variant 5: Side A, etched): MFSL-1-017-A2-1 SR 2 Matrix / Runout (Variant 5: Side A, stamped): H 2 1 5 + + + Matrix / Runout (Variant 5: Side B, etched): MFSL-1-017-B2 SR 2 Matrix / Runout (Variant 5: Side B, stamped): H 2 1 2 + + + + Matrix / Runout (Variant 6: Side A, etched): MFSL-1-017-A [something crossed out] 2-1 SR/2 Matrix / Runout (Variant 6: Side A, stamped): 2 11 + F Matrix / Runout (Variant 6: Side B, etched): MFSL-1-017-B2-4 SR/2 Matrix / Runout (Variant 6: Side B, stamped): 2 4 1 [three spotted signs] Matrix / Runout (Variant 7: Side A, etched): MFSL-1-017-A [something crossed out] 2-5 SR/2 Matrix / Runout (Variant 7: Side A, stamped): 2 5 2 [spotted sign] E Matrix / Runout (Variant 7: Side B, etched): MFSL-1-017-[B9 crossed out]B2-2 SR/2 Matrix / Runout (Variant 7: Side B, stamped): 2 2 1 [spotted sign] Matrix / Runout (Variant 8: Side A, etched): MFSL-1-017-A [something crossed out] 2-3 SR/2 Matrix / Runout (Variant 8: Side A, stamped): 2 3 1 [spotted sign] Matrix / Runout (Variant 8: Side B, etched): MFSL-1-017-[B10 crossed out]B2-1 SR/2 Matrix / Runout (Variant 8: Side B, stamped): 2 1 2 [spotted sign] Matrix / Runout (Variant 9: Side A): MFSL-1-017-A [something crossed out] 2-2 SR/2 2 2 + Matrix / Runout (Variant 9: Side B): MFSL-1-017-[B10 crossed out]B2-1 SR/2 2 1 2 + *************************************************************************************************** Pink Floyd: The Dark Side of the Moon [MFSL 1-017] ................ This Sealed, New, Never Opened Original Master Recording has a gatefold jacket. ................ Recorded at Abbey Road Studios, London between June 1972 and January 1973. ................ Early releases by MFSL were pressed in Japan. ................ Source The original stereo master tape. ................ ******************************************************************************************** ........................ DARK SIDE OF THE MOON, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very wel because PINK FLOYD doesn´t rush anything; the songs are mainly slow and mid-temp, with attention paid throughout to musical texture and mood. The sound effects on songs like ON THE RUN and TIME ...... and especially MONEY (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably PINK FLOYD´s best known work. PINK FLOYD were incredibly talented pioneers and innovators who were a ground-breaking act who were many, many years ahead of their time capable of producing the most devastatingly original and brilliant music ever created. .................................... ************************************************************************************************* ............... Track listing .......................... All lyrics written by Roger Waters. .......................... Side one .......................... Track Title Music Lead vocals Length .......................... 1. "Speak to Me" Mason Instrumental 1:30 .......................... 2. "Breathe" Waters, Gilmour, Wright Gilmour 2:43 .......................... 3. "On the Run" Gilmour, Waters Instrumental 3:30 .......................... 4. "Time" (containing "Breathe (Reprise)") Mason, Waters, Wright, Gilmour Gilmour and Wright 6:53 .......................... 5. "The Great Gig in the Sky" Wright, Clare Torry Clare Torry 4:15 .......................... Side two .......................... Track Title Music Lead vocals Length .......................... 1. "Money" Waters Gilmour 6:30 .......................... 2. "Us and Them" Waters, Wright Gilmour and Wright 7:34 .......................... 3. "Any Colour You Like" Gilmour, Mason, Wright Instrumental 3:24 .......................... 4. "Brain Damage" Waters Waters 3:50 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... ******************************************************************************************** Pink Floyd .......................... * David Gilmour - vocals, pedal steel and electric guitar, VCS 3 synthesiser, production .......................... * Nick Mason - drums, percussion, tape effects, production .......................... * Roger Waters - bass guitar, vocals, VCS 3 synthesiser, tape effects, production .......................... * Richard Wright - keyboards, vocals, VCS 3 synthesiser, production .......................... Additional musicians .......................... * Dick Parry - saxophone on "Money" and "Us and Them" .......................... * Clare Torry - vocals on "The Great Gig in the Sky", background vocals .......................... * Lesley Duncan - background vocals .......................... * Barry St. John - background vocals .......................... * Liza Strike - background vocals .......................... * Doris Troy - background vocals .......................... Production .......................... * Alan Parsons - engineering .......................... * Peter James - assistant engineering (incorrectly identified as "Peter Jones" on first US pressings of the LP) .......................... * Chris Thomas - mixing consultant .......................... * George Hardie - illustrations, sleeve art .......................... * Hipgnosis - design, photography .......................... * Jill Furmanovsky - photography .......................... ************************************************************************************************ Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Es handelt sich hierbei um eine audiophile Rarität und eine der bestklingendsten Schallplatten die jemals hergestellt wurden. Das original Masterband welches zur Produktion dieses audiophilen Highlights zur Verfügung stand, war von exquisiter Qualität. Was dann die Spezialisten von MFSL daraus machten kann man nur als sensationell bezeichnen. Nie wieder wurde vermutlich solch ein Aufwand zur Herstellung einer LP betrieben (was vor über 20 Jahren für einen horrenden Preis sorgte). Sorgfältigst mit der Halfspeed Schneidetechnik geschnitten und in 140 Gramm Japan Virgin Vinyl gepresst wurden weltweit nur 50000 Exemplare hergestellt. MFSL Schallplatten wurden aus einem besonderen Kunststoff, mit der Bezeichnung „Japan Vinyl“ hergestellt. „Japan Vinyl“ wurde unter der Verwendung von hoch polimerisierten Kunstharzen, mit einem hohen Anteil an Vinylacetat gefertigt. Die Eigenschaften dieses Werkstoffs sind eine enorme Elastizität, extreme Strapazierfähigkeit und ein exzellenter Signal-Rauschabstand (signal-to-noise-ratio). Der Frequenzgang ist so präzise, dass über einen Bereich von 20Hz – 20kHz, Abweichungen von nur +/- 0,5 dB auftreten. ...................... Weitere technische Daten in Englisch. ........... ********************************************************************************************** Inside Cover: Black with heartbeat line, lyrics, and credits. To the right of the credits, it says: Imported Pressing and Plating ................ Super High Definition Vinyl (extended life) ................ Special Static Free-Dust Free Inner-Sleeve ................ Special Heavy Duty Protective Packaging ................ Source: the Original Stereo Master Tape ................ Inner Sleeve: The record is housed in a special static-free inner sleeve. ................ ********************************************************************************************* Inserts: ................ 1) A 4-page fold-open, heavy cardboard record cover with "LIMITED EDITIONS FROM THE ORIGINAL MASTERS" on the front, an MFSL catalog in the center, and the story of MFSL on the back. ................ 2) An 8 inch by 5 inch yellow certificate of Limited Warranty from Mobile Fidelity Sound Lab, with a form on back for return of a defective record. ................ 3) An 11 inch by 8 1/2 inch two-sided Geo-Disc ad with order form on back. Plastic Cover: Released covered in a clear-plastic cover. ................ ************************************************************************************************** Technical Specifications: ........... Distortion: Distortion was so low on MFSL UHQR records that nearly theoretical values were achieved. Low, mid, and high range distortions were improved by 12, 10 and 6 dB or more, respectively. Frequency Response: Frequency response on MFSL UHQR records is flat. Its accuracy is within plus or minus 0.5 dB, whereas conventional records have a frequency response of plus or minus 3 dB. Record Quality: Production of UHQR records by MFSL produced minimal individual disc quality variations. ........... Surface Vibration: Mid-range disc surface vibration at 700 Hz was reduced by 10 dB. Wear Resistance: Because MFSL UHQR records are flat, thick, and free from physical shape distortion, there is relatively little wear resistance. ........... Pressing made from the master stamper at the The Victor Company of Japan (JVC) in Yokohama, Japan during 1981. ........... ***************************************************************************************************

Zustand: MINT / MINT = DIESE LP WURDE NUR 1x ZU PRÜFZWECKEN MIT EINEM HOCHWERTIGEN ORTOFON-TONABNEHMER ABGESPIELT ----- EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING !! (FIRST-MFSL-JAPANPRESSING-SERIES !!) MASTERED BY STAN RICKER IN USA ----- ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! )..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " MINT / MINT " QUALITY !! ...... )

Preis: EUR 1599,99 (minus 50% discount/rabatt = 799,99 euro) ----- MINT / MINT = DIESE LP WURDE NUR 1x ZU PRÜFZWECKEN MIT EINEM HOCHWERTIGEN ORTOFON-TONABNEHMER ABGESPIELT ----- EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING !! (FIRST-MFSL-JAPANPRESSING-SERIES !!) ----- MASTERED BY STAN RICKER IN USA ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! )..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " MINT / MINT " QUALITY !! ...... )

In den Warenkorb


MFSL 1-018 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT - M ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- ORIGINAL JAPANPRESSING !! -----

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GORDON LIGHTFOOD ----- SUNDOWN ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) ----- LIMITED EDITION ----- LONG OUT OF PRINT ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1973 BEI WARNER BROS. RECORDS IN USA / ..... ORIGINAL RECORDING 1973 BY WARNER BROS.RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )

Weitere Details: **************************************************************************************************** ************************************* LONG-OUT OF PRINT ********************************************* *************************************************************************************************** ************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! ******************* *************************************************************************************************** **************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ***************************** *************************************************************************************************** ***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-*** *************************************************************************************************** ****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ********************** *************************************************************************************************** ************************************************************************************************** ........... Track Listings .................... 1. Somewhere U.S.A..................... 2. High and Dry.................... 3. Seven Island Suite.................... 4. Circle of Steel.................... 5. Is There Anyone Home.................... 6. Watchman's Gone.................... 7. Sundown.................... 8. Carefree Highway.................... 9. List.................... 10. Too Late for Prayin' .................... ************************************************************************************************** ....... Album Notes: ................. Recording information: Eastern Sound Studios, Toronto.Photographer: John Reeves.By the mid-1970s, Gordon Lightfoot had become a full-fledged pop star, a staple of AM radio, and a regular denizen of the Billboard charts. While his production sensibilities at the time had expanded a bit by the time of SUNDOWN, he was never a folk purist to begin with, and it's a superficial distinction at best. What's important is that Lightfoot's songwriting acumen actually grew with his fame. "Circle of Steel," for example, is a cutting sociopolitical commentary that he probably wouldn't have been able to turn out a few years earlier. On the other side of the fence, the casual sensuality of the title track would have stuck out like a sore thumb on Lightfoot's earliest, more mannered albums. The easy blend of folk and pop on the hit "Carefree Highway" represents the unique paradigm that was always at the heart of both Lightfoot's gift and his wide appeal. ................ ************************************************************************************************** -------------------------------------------------------------------------------------------------- ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** --------------------------------------------------------------------------------------------------

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! ) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

Preis: EUR 799,99 (minus 50% discount/rechnungsrabatt = 399,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! ) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

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Willi Hutmacher - Weissenstein 61, 40764 Langenfeld - analoge, audiophile LP's und CD's aus Privatsammlung - Tel.: (+49) (0)2173-85 53 64 - Fax: (+49) (0)2173-854 91 86
E-Mail: ..... willihutm@t-online.de .....
E-Mail: ..... audiophile-lp-cd@t-online.de .....

Umsatzsteuer Identifikationsnummer (Ust-IdNr.): DE340485997 (Angemeldet als Kleinunternehmer ? 19 Absatz 1 UStG. Der angegebene Preis ist ein Endpreis zuz?glich der im Angebot angegebenen Versandkosten. Die Umsatzsteuer kann nicht ausgewiesen werden.)

Bei technischen Fragen zu meinem Online-Angebot oder zu Produktanfragen mailen Sie bitte an: ..... audiophile-lp-cd@t-online.de ..... oder .....willihutm@t-online.de

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Zuletzt aktualisiert am 20. März 2021