Audiophile LP's und CD's aus Privatsammlung

Produktsuche

Gesamtkatalog
Audiophile Pop -Rock LP's MFSL - HALFSPEED-LP`s USA (Out of Print ) DCC-audiophile LP`s USA(180gVinyl-Out of Print) Nautilus-audiophile Half-Speed Lp`s(Out of Print) Sweet Thunder-Halfspeed Lp`s-USA (Out of Print) A & M Half-Speed LP`s (Out of Print ) Simply Vinyl - LP`s (180g Reissue´s) Audiophile Pop-Rock Lp`s (viele Japanpressungen) Pop-Rock-Folk Lp`s (Normalpressungen) EASY LISTENING LP ( ORIGINALE & REISSUES ) Testpressungen - LP (Pop-Jazz-Classic) Sheffield Lab - LP`s USA (Jazz/Pop & Classic) Stereoplay-Highlights (audiophile Halfspeed LP`s) American Grammaphone LP`s (Mannheim Steamroller) CBS-Mastersound LP`s (Half-Speed-USA) Telarc (audiophile LP`s / Classic-Jazz) Audiophile Cassetten (MFSL) 45RPM-SINGLES / MAXI-SINGLES POP/ROCK POP-ROCK-LP´s / JAPANPRESSUNGEN Audiophile Jazz LP's Audiophile Classic LP's Audiophile Pop - Rock - Jazz - Classic CD's

MFSL - HALFSPEED-LP`s USA (Out of Print )
Gefundene Artikel: 721
Anzeige Produkte 41 bis 50
MFSL 1-016 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT ----- LIMITED EDITION ----- ( EINE NOCH NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG ) XXL-Foto XXL-Foto	SAMPLE, JOE ---- RAINBOW SEEKER ---- EINE NEUWERTIGE, AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1978 BEI ABC RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY ABC RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) Weitere Details: *********************************************************************************************** *********************************************************************************************** Joe Sample – Rainbow Seeker Joe Sample - Rainbow Seeker album cover Label: Mobile Fidelity Sound Lab – MFSL 1-016, ABC Records – MFSL 1-016 Series: Original Master Recording Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Country: US Released: Apr 1979 Genre: Jazz Style: Fusion A1 Rainbow Seeker Guitar – Dean Parks 5:23 A2 In All My Wildest Dreams Featuring [Lead Guitar], Guitar – David T. Walker 4:07 A3 There Are Many Stops Along The Way Featuring [Tenor Lead] – Ernest J. Watts* Featuring [Trumpet Lead], Soloist [Trumpet] – Robert O. Bryant* Guitar, Soloist – Billy Rogers (2) Rhythm Guitar – Ray Parker* 5:56 A4 Melodies Of Love Guitar – Barry Finnerty 4:36 B1 Fly With Wings Of Love Guitar, Soloist – Barry Finnerty 7:31 B2 As Long As It Lasts Guitar – Billy Rogers (2) Rhythm Guitar – Ray Parker* 4:05 B3 Islands In The Rain Guitar – Barry Finnerty 4:15 B4 Together We'll Find A Way 6:35 Phonographic Copyright ℗ – ABC Records, Inc. Copyright © – ABC Records, Inc. Recorded At – ABC Recording Studios Recorded At – Warner Bros. Recording Studios Recorded At – Hollywood Sound Recorders Lacquer Cut At – Victor Company Of Japan, Ltd. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – ABC Records, Inc. Published By – Four Knights Music Art Direction – Frank Mulvey Bass – Robert 'Pops' Popwell* Design – Philip Chiang Drums, Percussion – 'Stix' Hooper* Engineer [Assistant Engineer, ABC Studios] – Leslie Jones* Engineer, Mixed By – Rik Pekkonen Keyboards – Joe Sample Lacquer Cut By – Stan Ricker Orchestrated By [Strings] – Joe Sample Percussion – Paulinho DaCosta* Photography – Norman Seeff Producer – Stix Hooper, Joe Sample, Wilton Felder Saxophone – Fred Jackson Saxophone, Flute, Piccolo Flute – Ernest J. Watts, William Green Strings – Sid Sharp (tracks:) Trombone – Garnett Brown Trumpet – Jay Daversa, Robert O. Bryant, Steven Madaio* Written-By – Joe Sample Pressed in Japan Manufactured and distributed by Mobile Fidelity Sound Lab under license from ABC Records, Inc. .................. Track Listing .................... 1. Rainbow Seeker .................... 2. In All My Wildest Dreams .................... 3. There Are Many Stops Along the Way .................... 4. Melodies of Love .................... 5. Fly With Wings of Love .................... 6. As Long as It Lasts .................... 7. Islands in the Rain .................... 8. Together We'll Find a Way .................... *********************************************************************************************** ....................... Album Notes: ...................... Personnel: Joe Sample (keyboards); David T. Walker, Dean Parks, Ray Parker, Jr., Barry Finnerty, Billy Rogers, Marlo Henderson (guitar); Sid Sharp (strings); William Green (flute, wind); Ernie Watts (saxophone, wind); Freddy Johnson , Fred Jackson, Jr. (saxophone); Robert Bryant, Steve Madaio, Bobby Bryant , Jay DaVersa (trumpet); Garnett Brown (trombone); Stix Hooper (drums, percussion); Paulinho Da Costa (percussion).Back in 1978 when this set was recorded, fusion (the mixture of jazz improvisation with rock rhythms) was declining. Keyboardist Joe Sample, best-known for his work with the Crusaders, was in the process of being one of the founders of "contemporary jazz," an idiom that has since solidified into smooth jazz. Sample emphasized catchy melodies, light funk rhythms, appealing chord changes and a pop sensibility. For this accessible release, Sample is joined by the late legendary guitarist Billy Rogers, bassist Pops Popwell, his old Crusaders drummer Stix Hooper, a horn section and several guest guitarists. All eight tunes (which include "Fly with the Wings of Love" and "Islands in the Rain") are by the leader, who is heard throughout in melodic form, setting up a variety of light grooves that serve as superior background music. ~ Scott Yanow .................... ***************************** ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *********************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ******************************************************************************************* -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ********************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................WITH MONEY BACK GUARANTEE ............................ ---------------------------------------------------------------------------------------------------- *********************************************************************************************** Zustand: M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS (LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... ) Preis:** EUR 199,99 (minus 50% discount with invoice/rechnungsrabatt = 99,99 euro) ----- M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS (LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... ) In den Warenkorb


MFSL 1-017 ----- OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) XXL-Foto XXL-Foto	PINK FLOYD ----- DARK SIDE OF THE MOON ----- EINE SEHR WERTVOLLE ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-JAPANPRESSING SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- MADE IN JAPAN ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1973 BEI HARVEST RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1973 BY HARVEST RECORDS IN ENGLAND / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG !! ..... ) Weitere Details: ************************************************************************************************* Pink Floyd: The Dark Side of the Moon [MFSL 1-017] ................ This Sealed, New, Never Opened Original Master Recording has a gatefold jacket. ................ Recorded at Abbey Road Studios, London between June 1972 and January 1973. ................ Early releases by MFSL were pressed in Japan. ................ Source The original stereo master tape. ................ **************************************************************************************** ........................ DARK SIDE OF THE MOON, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very wel because PINK FLOYD doesn´t rush anything; the songs are mainly slow and mid-temp, with attention paid throughout to musical texture and mood. The sound effects on songs like ON THE RUN and TIME ...... and especially MONEY (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably PINK FLOYD´s best known work. PINK FLOYD were incredibly talented pioneers and innovators who were a ground-breaking act who were many, many years ahead of their time capable of producing the most devastatingly original and brilliant music ever created. .................................... ********************************************************************************************* ............... Track listing .......................... All lyrics written by Roger Waters. .......................... Side one .......................... Track Title Music Lead vocals Length .......................... 1. "Speak to Me" Mason Instrumental 1:30 .......................... 2. "Breathe" Waters, Gilmour, Wright Gilmour 2:43 .......................... 3. "On the Run" Gilmour, Waters Instrumental 3:30 .......................... 4. "Time" (containing "Breathe (Reprise)") Mason, Waters, Wright, Gilmour Gilmour and Wright 6:53 .......................... 5. "The Great Gig in the Sky" Wright, Clare Torry Clare Torry 4:15 .......................... Side two .......................... Track Title Music Lead vocals Length .......................... 1. "Money" Waters Gilmour 6:30 .......................... 2. "Us and Them" Waters, Wright Gilmour and Wright 7:34 .......................... 3. "Any Colour You Like" Gilmour, Mason, Wright Instrumental 3:24 .......................... 4. "Brain Damage" Waters Waters 3:50 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... ****************************************************************************************** Pink Floyd .......................... * David Gilmour - vocals, pedal steel and electric guitar, VCS 3 synthesiser, production .......................... * Nick Mason - drums, percussion, tape effects, production .......................... * Roger Waters - bass guitar, vocals, VCS 3 synthesiser, tape effects, production .......................... * Richard Wright - keyboards, vocals, VCS 3 synthesiser, production .......................... Additional musicians .......................... * Dick Parry - saxophone on "Money" and "Us and Them" .......................... * Clare Torry - vocals on "The Great Gig in the Sky", background vocals .......................... * Lesley Duncan - background vocals .......................... * Barry St. John - background vocals .......................... * Liza Strike - background vocals .......................... * Doris Troy - background vocals .......................... Production .......................... * Alan Parsons - engineering .......................... * Peter James - assistant engineering (incorrectly identified as "Peter Jones" on first US pressings of the LP) .......................... * Chris Thomas - mixing consultant .......................... * George Hardie - illustrations, sleeve art .......................... * Hipgnosis - design, photography .......................... * Jill Furmanovsky - photography .......................... ********************************************************************************************** Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Es handelt sich hierbei um eine audiophile Rarität und eine der bestklingendsten Schallplatten die jemals hergestellt wurden. Das original Masterband welches zur Produktion dieses audiophilen Highlights zur Verfügung stand, war von exquisiter Qualität. Was dann die Spezialisten von MFSL daraus machten kann man nur als sensationell bezeichnen. Nie wieder wurde vermutlich solch ein Aufwand zur Herstellung einer LP betrieben (was vor über 20 Jahren für einen horrenden Preis sorgte). Sorgfältigst mit der Halfspeed Schneidetechnik geschnitten und in 140 Gramm Japan Virgin Vinyl gepresst wurden weltweit nur 50000 Exemplare hergestellt. MFSL Schallplatten wurden aus einem besonderen Kunststoff, mit der Bezeichnung „Japan Vinyl“ hergestellt. „Japan Vinyl“ wurde unter der Verwendung von hoch polimerisierten Kunstharzen, mit einem hohen Anteil an Vinylacetat gefertigt. Die Eigenschaften dieses Werkstoffs sind eine enorme Elastizität, extreme Strapazierfähigkeit und ein exzellenter Signal-Rauschabstand (signal-to-noise-ratio). Der Frequenzgang ist so präzise, dass über einen Bereich von 20Hz – 20kHz, Abweichungen von nur +/- 0,5 dB auftreten. ...................... Weitere technische Daten in Englisch. ........... ****************************************************************************************** Inside Cover: Black with heartbeat line, lyrics, and credits. To the right of the credits, it says: Imported Pressing and Plating ................ Super High Definition Vinyl (extended life) ................ Special Static Free-Dust Free Inner-Sleeve ................ Special Heavy Duty Protective Packaging ................ Source: the Original Stereo Master Tape ................ Inner Sleeve: The record is housed in a special static-free inner sleeve. ................ ***************************************************************************************** Inserts: ................ 1) A 4-page fold-open, heavy cardboard record cover with "LIMITED EDITIONS FROM THE ORIGINAL MASTERS" on the front, an MFSL catalog in the center, and the story of MFSL on the back. ................ 2) An 8 inch by 5 inch yellow certificate of Limited Warranty from Mobile Fidelity Sound Lab, with a form on back for return of a defective record. ................ 3) An 11 inch by 8 1/2 inch two-sided Geo-Disc ad with order form on back. Plastic Cover: Released covered in a clear-plastic cover. ................ ********************************************************************************************** Technical Specifications: ........... Distortion: Distortion was so low on MFSL UHQR records that nearly theoretical values were achieved. Low, mid, and high range distortions were improved by 12, 10 and 6 dB or more, respectively. Frequency Response: Frequency response on MFSL UHQR records is flat. Its accuracy is within plus or minus 0.5 dB, whereas conventional records have a frequency response of plus or minus 3 dB. Record Quality: Production of UHQR records by MFSL produced minimal individual disc quality variations. ........... Surface Vibration: Mid-range disc surface vibration at 700 Hz was reduced by 10 dB. Wear Resistance: Because MFSL UHQR records are flat, thick, and free from physical shape distortion, there is relatively little wear resistance. ........... Pressing made from the master stamper at the The Victor Company of Japan (JVC) in Yokohama, Japan during 1981. ........... *********************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING !! (FIRST-MFSL-JAPANPRESSING-SERIES !!) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! )..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... ) Preis:** EUR 2999,99 (minus 50% discount/rechnungsrabatt = 1499,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING !! (FIRST-MFSL-JAPANPRESSING-SERIES !!) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! )..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... ) In den Warenkorb


MFSL 1-017 ----- LIMITED EDITION ----- OUT OF PRINT ----- EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) XXL-Foto XXL-Foto	PINK FLOYD ----- DARK SIDE OF THE MOON ----- EINE SEHR WERTVOLLE ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-JAPANPRESSING SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- ( ...... EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1973 BEI HARVEST RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1973 BY HARVEST RECORDS IN ENGLAND / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG !! ..... ) Weitere Details: *************************************************************************************************** The Dark Side Of The Moon (Vinyl, LP, Album, Limited Edition, Reissue, Remastered) album cover Pink Floyd ‎– The Dark Side Of The Moon Label: Mobile Fidelity Sound Lab ‎– MFSL 1-017, Harvest ‎– MFSL 1-017 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Country: US Released: Jun 1979 Genre: Rock Style: Classic Rock, Art Rock, Prog Rock, Psychedelic Rock Tracklist Hide Credits A1 Speak To Me A2 Breathe A3 On The Run A4 Time A5 The Great Gig In The Sky Vocals – Clare Torry B1 Money Saxophone – Dick Parry B2 Us And Them Saxophone – Dick Parry B3 Any Colour You Like B4 Brain Damage B5 Eclipse Companies, etc. Recorded At – Abbey Road Studios Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Phonographic Copyright (p) – The Gramophone Co. Ltd. Licensed From – Capitol Records, Inc. Published By – TRO-Hampshire House Publishing Corp. Copyright (c) – TRO-Hampshire House Publishing Corp. Credits Artwork [Sleeve Art, Stickers Art] – George Hardie N.T.A* Backing Vocals – Barry St John, Doris Troy, Leslie Duncan, Liza Strike Bass, Vocals, Synthesizer [Vcs3], Effects [Tape], Lyrics By – Roger Waters Design [Sleeve], Photography By – Hipgnosis (2) Engineer – Alan Parsons Engineer [Assistant] – Peter James Keyboards, Vocals, Synthesizer [Vcs3] – Richard Wright Lyrics By – Roger Waters Mastered By [Half-speed] – Stan Ricker Mixed By [Supervised] – Chris Thomas Percussion, Effects [Tape] – Nick Mason Producer, Music By – Pink Floyd Vocals, Guitar, Synthesizer [Vcs3] – David Gilmour Written-By – Gilmour* (tracks: A2 to A4, B3), Mason* (tracks: A1, A4, B3), Wright* (tracks: A2, A4, A5, B2, B3), Waters* (tracks: A2 to A4, B1, B2, B4, B5) Notes Originally released in 1973. Standard gatefold sleeve with warranty card. Recorded at Abbey Road Studios, London between June 1972 and January 1973. States "Pressed in Japan" on the LP label (see images), "imported pressing" and "Printed in the U.S.A." on spine of the sleeve. Early releases by MFSL were pressed in Japan. Came with two lists of other available MFSL releases and MFSL style inner. On innersleeve: Half-Speed Mastering by Stan Ricker, JVC Super High Definition Vinyl (extended life) Imported Pressing Static Free Inner-Sleeve Source: the Original Stereo Master Tape. Note on Credits: Though not specified in the liner notes, Barry St. John, Doris Troy, Lesley Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5. The 1979 release has an insert titled: "An Audiophile's Dream Come True" Also issued in 1981 with different inserts The Dark Side Of The Moon Barcode and Other Identifiers Matrix / Runout (Variant 1: Side A, etched): MFSL-1-017-A2-1 SR2 H213 Matrix / Runout (Variant 1: Side B, etched): MFSL-1-017-B2-1 SR2 H215 Matrix / Runout (Variant 2: Side A, etched): MFSL-1-017-A [something crossed out] 2-1 SR_2 [three unreadable spotted signs] F Matrix / Runout (Variant 2: Side A, stamped): 2 1 1 Matrix / Runout (Variant 2: Side B, etched): MFSL-1-017- [something crossed out] B2-1 SR_2 [two unreadable spotted signs] Matrix / Runout (Variant 2: Side B, stamped): 2 1 2 Matrix / Runout (Variant 3: Side A, etched): MFSL-1-017-A [something crossed out] 2-5 5R/2 Matrix / Runout (Variant 3: Side A, stamped): 252 [eight spotted signs] Matrix / Runout (Variant 3: Side B, etched): MFSL-1-017-B2-4 5R/2 Matrix / Runout (Variant 3: Side B, stamped): 241 [eight spotted signs] Matrix / Runout (Variant 4: Side A, etched): MFSL-1-017-A# 2-2 5R/2 221 ++ F Matrix / Runout (Variant 4: Side B, etched): MFSL-1-017-B# 2-1 5R/2 214 + Matrix / Runout (Variant 5: Side A, etched): MFSL-1-017-A2-1 SR 2 Matrix / Runout (Variant 5: Side A, stamped): H 2 1 5 + + + Matrix / Runout (Variant 5: Side B, etched): MFSL-1-017-B2 SR 2 Matrix / Runout (Variant 5: Side B, stamped): H 2 1 2 + + + + Matrix / Runout (Variant 6: Side A, etched): MFSL-1-017-A [something crossed out] 2-1 SR/2 Matrix / Runout (Variant 6: Side A, stamped): 2 11 + F Matrix / Runout (Variant 6: Side B, etched): MFSL-1-017-B2-4 SR/2 Matrix / Runout (Variant 6: Side B, stamped): 2 4 1 [three spotted signs] Matrix / Runout (Variant 7: Side A, etched): MFSL-1-017-A [something crossed out] 2-5 SR/2 Matrix / Runout (Variant 7: Side A, stamped): 2 5 2 [spotted sign] E Matrix / Runout (Variant 7: Side B, etched): MFSL-1-017-[B9 crossed out]B2-2 SR/2 Matrix / Runout (Variant 7: Side B, stamped): 2 2 1 [spotted sign] Matrix / Runout (Variant 8: Side A, etched): MFSL-1-017-A [something crossed out] 2-3 SR/2 Matrix / Runout (Variant 8: Side A, stamped): 2 3 1 [spotted sign] Matrix / Runout (Variant 8: Side B, etched): MFSL-1-017-[B10 crossed out]B2-1 SR/2 Matrix / Runout (Variant 8: Side B, stamped): 2 1 2 [spotted sign] Matrix / Runout (Variant 9: Side A): MFSL-1-017-A [something crossed out] 2-2 SR/2 2 2 + Matrix / Runout (Variant 9: Side B): MFSL-1-017-[B10 crossed out]B2-1 SR/2 2 1 2 + ************************************************************************************************* Pink Floyd: The Dark Side of the Moon [MFSL 1-017] ................ This Sealed, New, Never Opened Original Master Recording has a gatefold jacket. ................ Recorded at Abbey Road Studios, London between June 1972 and January 1973. ................ Early releases by MFSL were pressed in Japan. ................ Source The original stereo master tape. ................ **************************************************************************************** ........................ DARK SIDE OF THE MOON, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very wel because PINK FLOYD doesn´t rush anything; the songs are mainly slow and mid-temp, with attention paid throughout to musical texture and mood. The sound effects on songs like ON THE RUN and TIME ...... and especially MONEY (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably PINK FLOYD´s best known work. PINK FLOYD were incredibly talented pioneers and innovators who were a ground-breaking act who were many, many years ahead of their time capable of producing the most devastatingly original and brilliant music ever created. .................................... ********************************************************************************************* ............... Track listing .......................... All lyrics written by Roger Waters. .......................... Side one .......................... Track Title Music Lead vocals Length .......................... 1. "Speak to Me" Mason Instrumental 1:30 .......................... 2. "Breathe" Waters, Gilmour, Wright Gilmour 2:43 .......................... 3. "On the Run" Gilmour, Waters Instrumental 3:30 .......................... 4. "Time" (containing "Breathe (Reprise)") Mason, Waters, Wright, Gilmour Gilmour and Wright 6:53 .......................... 5. "The Great Gig in the Sky" Wright, Clare Torry Clare Torry 4:15 .......................... Side two .......................... Track Title Music Lead vocals Length .......................... 1. "Money" Waters Gilmour 6:30 .......................... 2. "Us and Them" Waters, Wright Gilmour and Wright 7:34 .......................... 3. "Any Colour You Like" Gilmour, Mason, Wright Instrumental 3:24 .......................... 4. "Brain Damage" Waters Waters 3:50 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... ****************************************************************************************** Pink Floyd .......................... * David Gilmour - vocals, pedal steel and electric guitar, VCS 3 synthesiser, production .......................... * Nick Mason - drums, percussion, tape effects, production .......................... * Roger Waters - bass guitar, vocals, VCS 3 synthesiser, tape effects, production .......................... * Richard Wright - keyboards, vocals, VCS 3 synthesiser, production .......................... Additional musicians .......................... * Dick Parry - saxophone on "Money" and "Us and Them" .......................... * Clare Torry - vocals on "The Great Gig in the Sky", background vocals .......................... * Lesley Duncan - background vocals .......................... * Barry St. John - background vocals .......................... * Liza Strike - background vocals .......................... * Doris Troy - background vocals .......................... Production .......................... * Alan Parsons - engineering .......................... * Peter James - assistant engineering (incorrectly identified as "Peter Jones" on first US pressings of the LP) .......................... * Chris Thomas - mixing consultant .......................... * George Hardie - illustrations, sleeve art .......................... * Hipgnosis - design, photography .......................... * Jill Furmanovsky - photography .......................... ********************************************************************************************** Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Es handelt sich hierbei um eine audiophile Rarität und eine der bestklingendsten Schallplatten die jemals hergestellt wurden. Das original Masterband welches zur Produktion dieses audiophilen Highlights zur Verfügung stand, war von exquisiter Qualität. Was dann die Spezialisten von MFSL daraus machten kann man nur als sensationell bezeichnen. Nie wieder wurde vermutlich solch ein Aufwand zur Herstellung einer LP betrieben (was vor über 20 Jahren für einen horrenden Preis sorgte). Sorgfältigst mit der Halfspeed Schneidetechnik geschnitten und in 140 Gramm Japan Virgin Vinyl gepresst wurden weltweit nur 50000 Exemplare hergestellt. MFSL Schallplatten wurden aus einem besonderen Kunststoff, mit der Bezeichnung „Japan Vinyl“ hergestellt. „Japan Vinyl“ wurde unter der Verwendung von hoch polimerisierten Kunstharzen, mit einem hohen Anteil an Vinylacetat gefertigt. Die Eigenschaften dieses Werkstoffs sind eine enorme Elastizität, extreme Strapazierfähigkeit und ein exzellenter Signal-Rauschabstand (signal-to-noise-ratio). Der Frequenzgang ist so präzise, dass über einen Bereich von 20Hz – 20kHz, Abweichungen von nur +/- 0,5 dB auftreten. ...................... Weitere technische Daten in Englisch. ........... ****************************************************************************************** Inside Cover: Black with heartbeat line, lyrics, and credits. To the right of the credits, it says: Imported Pressing and Plating ................ Super High Definition Vinyl (extended life) ................ Special Static Free-Dust Free Inner-Sleeve ................ Special Heavy Duty Protective Packaging ................ Source: the Original Stereo Master Tape ................ Inner Sleeve: The record is housed in a special static-free inner sleeve. ................ ***************************************************************************************** Inserts: ................ 1) A 4-page fold-open, heavy cardboard record cover with "LIMITED EDITIONS FROM THE ORIGINAL MASTERS" on the front, an MFSL catalog in the center, and the story of MFSL on the back. ................ 2) An 8 inch by 5 inch yellow certificate of Limited Warranty from Mobile Fidelity Sound Lab, with a form on back for return of a defective record. ................ 3) An 11 inch by 8 1/2 inch two-sided Geo-Disc ad with order form on back. Plastic Cover: Released covered in a clear-plastic cover. ................ ********************************************************************************************** Technical Specifications: ........... Distortion: Distortion was so low on MFSL UHQR records that nearly theoretical values were achieved. Low, mid, and high range distortions were improved by 12, 10 and 6 dB or more, respectively. Frequency Response: Frequency response on MFSL UHQR records is flat. Its accuracy is within plus or minus 0.5 dB, whereas conventional records have a frequency response of plus or minus 3 dB. Record Quality: Production of UHQR records by MFSL produced minimal individual disc quality variations. ........... Surface Vibration: Mid-range disc surface vibration at 700 Hz was reduced by 10 dB. Wear Resistance: Because MFSL UHQR records are flat, thick, and free from physical shape distortion, there is relatively little wear resistance. ........... Pressing made from the master stamper at the The Victor Company of Japan (JVC) in Yokohama, Japan during 1981. ........... *********************************************************************************************** Zustand: MINT / MINT = DIESE LP WURDE NUR 1x ZU PRÜFZWECKEN MIT EINEM HOCHWERTIGEN ORTOFON-TONABNEHMER ABGESPIELT ----- EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING !! (FIRST-MFSL-JAPANPRESSING-SERIES !!) MASTERED BY STAN RICKER IN USA ----- ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! )..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " MINT / MINT " QUALITY !! ...... ) Preis:** EUR SOLD OUT In den Warenkorb


MFSL 1-018 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT - M ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- ORIGINAL JAPANPRESSING !! ----- XXL-Foto XXL-Foto	GORDON LIGHTFOOD ----- SUNDOWN ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) ----- LIMITED EDITION ----- LONG OUT OF PRINT ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1973 BEI WARNER BROS. RECORDS IN USA / ..... ORIGINAL RECORDING 1973 BY WARNER BROS.RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... ) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ******************** ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** -EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!- *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** ********************************************************************************************** ........... Track Listings .................... 1. Somewhere U.S.A..................... 2. High and Dry.................... 3. Seven Island Suite.................... 4. Circle of Steel.................... 5. Is There Anyone Home.................... 6. Watchman's Gone.................... 7. Sundown.................... 8. Carefree Highway.................... 9. List.................... 10. Too Late for Prayin' .................... ********************************************************************************************** ....... Album Notes: ................. Recording information: Eastern Sound Studios, Toronto.Photographer: John Reeves.By the mid-1970s, Gordon Lightfoot had become a full-fledged pop star, a staple of AM radio, and a regular denizen of the Billboard charts. While his production sensibilities at the time had expanded a bit by the time of SUNDOWN, he was never a folk purist to begin with, and it's a superficial distinction at best. What's important is that Lightfoot's songwriting acumen actually grew with his fame. "Circle of Steel," for example, is a cutting sociopolitical commentary that he probably wouldn't have been able to turn out a few years earlier. On the other side of the fence, the casual sensuality of the title track would have stuck out like a sore thumb on Lightfoot's earliest, more mannered albums. The easy blend of folk and pop on the hit "Carefree Highway" represents the unique paradigm that was always at the heart of both Lightfoot's gift and his wide appeal. ................ ********************************************************************************************** -------------------------------------------------------------------------------------------------- ***************************** ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *********************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ******************************************************************************************* -------------------------------------------------------------------------------------------------- Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! ) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... ) Preis:** EUR 799,99 (minus 50% discount/rechnungsrabatt = 399,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! ) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... ) In den Warenkorb


MFSL 1-019 (WOC) -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT - M ----- ( NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG = FIRST MFSL-SE XXL-Foto XXL-Foto	JARREAU, AL ---- ALL FLY HOME ----- ORIGINAL MFSL-JAPANPRESSING-LP/RECORD(FIRST MFSL-JAPANPRESSING SERIES) - MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1978 BEI WARNER BROS.RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY WARNER BROS.RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......LEIDER FEHLT DAS MFSL-INNERCOVER .....) ) Weitere Details: ************************************************************************************************* Al Jarreau ‎– All Fly Home Label: Mobile Fidelity Sound Lab ‎– MFSL 1-019 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Stereo Country: US Released: Sep 1979 Genre: Jazz, Funk / Soul, Pop Style: Soul-Jazz, Soul, Vocal Tracklist Hide Credits A1 Thinkin' About It Too Written-By – Al Jarreau, Tom Canning 3:18 A2 I'm Home Written-By – Dave Frishberg, Greg Mathieson 5:18 A3 Brite 'N' Sunny Babe Written-By – Al Jarreau 3:28 A4 I Do Written-By – Al Jarreau, Tom Canning 4:22 A5 Fly Written-By – Al Jarreau 3:49 B1 Wait A Little While Written-By – Eva Ein Loggins, Kenny Loggins 3:38 B2 She's Leaving Home Written-By – John Lennon, Paul McCartney* 7:00 B3 All Written-By – Al Jarreau, Tom Canning 3:51 B4 (Sittin' On) The Dock Of The Bay Written-By – Otis Redding, Steve Cropper 4:00 Companies, etc. Copyright (c) – Warner Bros. Records Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Recorded At – Sound Labs, Hollywood Mixed At – Cherokee Studios Lacquer Cut At – JVC Cutting Center Mastered At – Victor Company Of Japan, Ltd. Pressed By – Victor Company Of Japan, Ltd. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Warner Bros. Records Inc. Record Company – Mobile Fidelity Productions, Inc Published By – Aljarreau Music Published By – Desperate Music Published By – LMNOP Pub. Co. Published By – Swiftwater Music Published By – Milk Money Music Published By – Maclen Music, Inc. Published By – East/Memphis Music Corp. Published By – Time Music Co. Inc. Credits Art Direction – John Cabalka Backing Vocals – Al Jarreau Bass – Reggie McBride Coordinator [Production Co-ordinator] – Noel Newbolt Design – Brad Kanawyer Drums – Joe Correro Engineer – Hank Cicalo Engineer [Assistant Engineer] – John Sands (2), Linda Tyler Flugelhorn – Freddie Hubbard Guitar – Lee Ritenour Illustration [Front, Back Cover] – Michael Nelson (3) Keyboards [Additional Keyboards And Synthesizers], Synthesizer [Additional Keyboards And Synthesizers] – Larry Williams Keyboards, Piano [Acoustic Piano], Synthesizer [Rhodes Synthesizer] – Tom Canning Keyboards, Vibraphone, Organ, Synthesizer – Lynn Blessing Lacquer Cut By – SR/2* Management – Patrick Rains & Associates Mastered By – Stan Ricker Mixed By – Rick Ruggieri Percussion – Paulinho Da Costa Producer – Al Schmitt Notes Issued in rice-paper inner sleeve with fold-out cardboard stiffener, mail-in registration card and catalog cut-sheet. Half-speed masters cut by Stan Ricker, JVC Recorded at Sound Labs, May & June 1978. Pressed in Japan Publishing credit for B4, East/Memphis Music Corp., is misspelt "Bast/Memphis Music Corp." on label. Barcode and Other Identifiers Rights Society (A1, A3 to A5, B2 to B4): BMI Rights Society (A2, B1): ASCAP Matrix / Runout (Label A): MFSL 1-019 A Matrix / Runout (Label B): MFSL 1-019 B Matrix / Runout (Runout A): G MFSL-1-019 - A3 SR/2 131⁜ G Matrix / Runout (Runout B): MFSL-1-019 - B3 SR/2 131⁜ *********************************************************************************************** .................... Artist: AL JARREAU ..................... Title: All Fly Home ..................... Format: 12 Inch Vinyl Album (33 RPM) Label and Catalog Number: MFSL 1-019 ..................... Country of Origin: USA ..................... Type of Recording: Stereo halfspeed-mastering ..................... Year of Issue: 1978 ..................... Cover Grade: M- (MINT -) ..................... Vinyl Grade: M- (MINT -) ..................... Notes: ..................... Produced by Al Schmitt ..................... with Inner Sleeve showing lyrics, drawing of Al by Susan Player Jarreau Back Cover shows color photo of Al + musicians, artwork, song titles, credits Musicians: ..................... Al Jarreau (vocals, background vocals) ..................... Tom Canning (keyboards, acoustic piano, rhodes synthesizer) ..................... Lynn Blessing (keyboards + vibes, organ, synthesizer) ..................... Reggie McBride (bass) ..................... Joe Correro (drums) ..................... Paulinho DaCosta (percussion) ..................... Freddie Hubbard (flugelhorn) ..................... Lee Ritenour (guitar) ..................... Larry Williams (additional keyboards, synthesizers) ..................... ********************************************************************************************** ............... Track List: ..................... Thinkin' About It Too (3:18) ..................... I'm Home (5:18) ..................... Brite 'N' Sunny Babe (3:28) ..................... I Do (4:22) ..................... Fly (3:49) ..................... Wait a Little While (3:38) ..................... She's Leaving Home (7:00) --- written by John Lennon + Paul McCartney ..................... All (3:51) ..................... Sittin' On the Dock of the Bay (4:00) ..................... ********************************************************************************************* ................. With a restrained yet potent funk band and a few cameos from luminaries in the jazz world, Al Jarreau gets plenty of opportunities to wrap his rubbery, ever-changing timbre around an agreeable collection of tunes, the majority of which he wrote or co-wrote. Of the cover tunes, Jarreau completely transforms Kenny Loggins' 'Wait a Little While,' the Beatles' 'She's Leaving Home' and Otis Redding's 'Dock of the Bay' into personal vehicles for vocal acrobatics, and his own 'Fly' revives his uncanny ability to skitter and sail along with a Brazilian-based rhythm track. Freddie Hubbard puts in a soulful guest appearance on flugelhorn on Dave Frishberg's 'I'm Home' and applies a more outgoing obligato to 'Fly'; Lee Ritenour and Paulinho Da Costa also make appearances on the record. While Jarreau could still be technically classified as a jazz singer at this point, he is really inhabiting a zone of his own. ~ Richard S. Ginell, All Music Guide *********************************************************************************************** ---------------------------------------------------------------------------------------------------- .................. WELTWEIT BESTE WIEDERGABE QUALITÄT!!.....BEST QUALITY - WORLDWIDE !! ***************************** ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *********************************** ..................... The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ******************************************************************************************* -------------------------------------------------------------------------------------------------- ..................... DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ********************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................WITH MONEY BACK GUARANTEE ............................ ---------------------------------------------------------------------------------------------------- *********************************************************************************************** Zustand: M- / VG = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES ----- MADE IN JAPAN!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......LEIDER FEHLT DAS MFSL-INNERCOVER .....) Preis:** EUR OUT OF STOCK In den Warenkorb


MFSL 1-019- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- DEMONSTRATION COPY ----- LIMITED EDITION ----- EINE NEUWERTIGE MFSL-HALFSPEED LP/RECORD	JARREAU, AL ---- ALL FLY HOME ----- ANALOGE DEMONSTRATION COPY !! ----- ORIGINAL MFSL-JAPANPRESSING-LP/RECORD(FIRST MFSL-JAPANPRESSING SERIES) - MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ..... DEMONSTRATION COPY !! / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1978 BEI WARNER BROS.RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY WARNER BROS.RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......) Weitere Details: ************************************************************************************************* Al Jarreau ‎– All Fly Home Label: Mobile Fidelity Sound Lab ‎– MFSL 1-019 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Stereo Country: US Released: Sep 1979 Genre: Jazz, Funk / Soul, Pop Style: Soul-Jazz, Soul, Vocal Tracklist Hide Credits A1 Thinkin' About It Too Written-By – Al Jarreau, Tom Canning 3:18 A2 I'm Home Written-By – Dave Frishberg, Greg Mathieson 5:18 A3 Brite 'N' Sunny Babe Written-By – Al Jarreau 3:28 A4 I Do Written-By – Al Jarreau, Tom Canning 4:22 A5 Fly Written-By – Al Jarreau 3:49 B1 Wait A Little While Written-By – Eva Ein Loggins, Kenny Loggins 3:38 B2 She's Leaving Home Written-By – John Lennon, Paul McCartney* 7:00 B3 All Written-By – Al Jarreau, Tom Canning 3:51 B4 (Sittin' On) The Dock Of The Bay Written-By – Otis Redding, Steve Cropper 4:00 Companies, etc. Copyright (c) – Warner Bros. Records Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Recorded At – Sound Labs, Hollywood Mixed At – Cherokee Studios Lacquer Cut At – JVC Cutting Center Mastered At – Victor Company Of Japan, Ltd. Pressed By – Victor Company Of Japan, Ltd. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Warner Bros. Records Inc. Record Company – Mobile Fidelity Productions, Inc Published By – Aljarreau Music Published By – Desperate Music Published By – LMNOP Pub. Co. Published By – Swiftwater Music Published By – Milk Money Music Published By – Maclen Music, Inc. Published By – East/Memphis Music Corp. Published By – Time Music Co. Inc. Credits Art Direction – John Cabalka Backing Vocals – Al Jarreau Bass – Reggie McBride Coordinator [Production Co-ordinator] – Noel Newbolt Design – Brad Kanawyer Drums – Joe Correro Engineer – Hank Cicalo Engineer [Assistant Engineer] – John Sands (2), Linda Tyler Flugelhorn – Freddie Hubbard Guitar – Lee Ritenour Illustration [Front, Back Cover] – Michael Nelson (3) Keyboards [Additional Keyboards And Synthesizers], Synthesizer [Additional Keyboards And Synthesizers] – Larry Williams Keyboards, Piano [Acoustic Piano], Synthesizer [Rhodes Synthesizer] – Tom Canning Keyboards, Vibraphone, Organ, Synthesizer – Lynn Blessing Lacquer Cut By – SR/2* Management – Patrick Rains & Associates Mastered By – Stan Ricker Mixed By – Rick Ruggieri Percussion – Paulinho Da Costa Producer – Al Schmitt Notes Issued in rice-paper inner sleeve with fold-out cardboard stiffener, mail-in registration card and catalog cut-sheet. Half-speed masters cut by Stan Ricker, JVC Recorded at Sound Labs, May & June 1978. Pressed in Japan Publishing credit for B4, East/Memphis Music Corp., is misspelt "Bast/Memphis Music Corp." on label. Barcode and Other Identifiers Rights Society (A1, A3 to A5, B2 to B4): BMI Rights Society (A2, B1): ASCAP Matrix / Runout (Label A): MFSL 1-019 A Matrix / Runout (Label B): MFSL 1-019 B Matrix / Runout (Runout A): G MFSL-1-019 - A3 SR/2 131⁜ G Matrix / Runout (Runout B): MFSL-1-019 - B3 SR/2 131⁜ *********************************************************************************************** .................... Artist: AL JARREAU ..................... Title: All Fly Home ..................... Format: 12 Inch Vinyl Album (33 RPM) Label and Catalog Number: MFSL 1-019 ..................... Country of Origin: USA ..................... Type of Recording: Stereo halfspeed-mastering ..................... Year of Issue: 1978 ..................... Cover Grade: M- (MINT -) ..................... Vinyl Grade: M- (MINT -) ..................... Notes: ..................... Produced by Al Schmitt ..................... with Inner Sleeve showing lyrics, drawing of Al by Susan Player Jarreau Back Cover shows color photo of Al + musicians, artwork, song titles, credits Musicians: ..................... Al Jarreau (vocals, background vocals) ..................... Tom Canning (keyboards, acoustic piano, rhodes synthesizer) ..................... Lynn Blessing (keyboards + vibes, organ, synthesizer) ..................... Reggie McBride (bass) ..................... Joe Correro (drums) ..................... Paulinho DaCosta (percussion) ..................... Freddie Hubbard (flugelhorn) ..................... Lee Ritenour (guitar) ..................... Larry Williams (additional keyboards, synthesizers) ..................... ********************************************************************************************** ............... Track List: ..................... Thinkin' About It Too (3:18) ..................... I'm Home (5:18) ..................... Brite 'N' Sunny Babe (3:28) ..................... I Do (4:22) ..................... Fly (3:49) ..................... Wait a Little While (3:38) ..................... She's Leaving Home (7:00) --- written by John Lennon + Paul McCartney ..................... All (3:51) ..................... Sittin' On the Dock of the Bay (4:00) ..................... ********************************************************************************************* ................. With a restrained yet potent funk band and a few cameos from luminaries in the jazz world, Al Jarreau gets plenty of opportunities to wrap his rubbery, ever-changing timbre around an agreeable collection of tunes, the majority of which he wrote or co-wrote. Of the cover tunes, Jarreau completely transforms Kenny Loggins' 'Wait a Little While,' the Beatles' 'She's Leaving Home' and Otis Redding's 'Dock of the Bay' into personal vehicles for vocal acrobatics, and his own 'Fly' revives his uncanny ability to skitter and sail along with a Brazilian-based rhythm track. Freddie Hubbard puts in a soulful guest appearance on flugelhorn on Dave Frishberg's 'I'm Home' and applies a more outgoing obligato to 'Fly'; Lee Ritenour and Paulinho Da Costa also make appearances on the record. While Jarreau could still be technically classified as a jazz singer at this point, he is really inhabiting a zone of his own. ~ Richard S. Ginell, All Music Guide *********************************************************************************************** ---------------------------------------------------------------------------------------------------- .................. WELTWEIT BESTE WIEDERGABE QUALITÄT!!.....BEST QUALITY - WORLDWIDE !! ***************************** ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *********************************** ..................... The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ******************************************************************************************* -------------------------------------------------------------------------------------------------- ..................... DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ********************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................WITH MONEY BACK GUARANTEE ............................ ---------------------------------------------------------------------------------------------------- *********************************************************************************************** Zustand: VINYL = M- / COVER = VERYGOOD + = EINE NOCH NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG ----- ANALOGE DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- MADE IN JAPAN !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) Preis:** EUR 199,99 (minus 50% discount/rechnungsrabatt = 99,99 euro) ----- VINYL = M- / COVER = VERYGOOD + = EINE NOCH NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG ----- ANALOGE DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- MADE IN JAPAN !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......) In den Warenkorb


MFSL 1-020 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- SOLD OUT = AUSVERKAUFT ----- LIMITED EDITION ----- ( EINE NOCH NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG ) XXL-Foto XXL-Foto	POCO ----- LEGEND ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OFPRINT ----- LEIDER OHNE INNERCOVER ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1979 BEI MCA RECORDS IN USA / ..... ORIGINAL RECORDING 1979 BY MCA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DASMFSL INNERCOVER ..... ) Weitere Details: ************************************************************************************************* ..................... Track Listings ................... 1. Boomerang ................... 2. Spellbound................... 3. Barbados................... 4. Little Darlin'................... 5. Love Comes Love Goes................... 6. Heart of the Night................... 7. Crazy Love................... 8. Last Goodbye................... 9. Legend ................... ******************************************************************************************** ...................... ALBUM NOTES ...... This is one of those albums that's fallen between the cracks of time. Virtually every song here is worth a listen. Crazy Love, In the Heart of the Night, Legend are classics. I can't figure out why a lot of reviewers insist on comparing Poco with the Eagles. I know, they had similar country rock roots. But by the late 70s, the Eagles had formulated a harder-edged sound that had little in common with their first couple of albums. In fact, Legend has more in common with the early Eagle material than than with what the Eagles were doing in 1978, when Poco released this record. So check it out. It's good stuff. ................ ******************************************************************************************* ................. Personnel: Rusty Young (vocals, guitar, steel guitar); Paul Cotton (vocals, guitar); Charlie Harrison (vocals, drums); Phil Kenzie (saxophone); Jai Winding, Tom Stephenson (keyboards); Michael Boddicker (synthesizer); Steve Chapman (drums); Steve Forman (percussion).Audio Mixer: Joe Chiccarelli.Recording information: Crystal Studios, Hollywood, CA (04/1978-08/1978).Poco's biggest-selling album of all time also presented the biggest personnel change at one time for the then-decade-old group, whose lineup had hardly been a model of stability up to that time. Co-founding drummer/singer George Grantham and longtime bassist/singer Timothy B. Schmit were both gone, the latter off to the Eagles. Listening to parts of this album, one gets the sense that, with the arrival of Charlie Harrison (bass, harmony vocals) and Steve Chapman (drums) in the group, Poco was deliberately adopting a change in sound similar to what the Eagles went through when Joe Walsh joined, into much harder rocking territory, at least part of the time. Longtime fans were probably disheartened to hear Rusty Young and Paul Cotton give up any semblance of their country roots on the opening track, "Boomerang," a bracing, heavy rock number (for this band) that didn't sound a great deal like the Poco of previous years. Most of the rest of the album, however, was closer to what one wanted and expected from this band -- "Spellbound" a beautifully lyrical ballad that benefited from Young's instrumental range and his and Cotton's harmonizing, and Cotton's "Barbados" offering similarly alluring musical textures with more of a beat. Cotton's "Heart of the Night," however, dominated everything around it, as one of the most finely crafted songs in the group's history, highlighted by a beautiful sax solo from Phil Kenzie. And then there's "Crazy Love" (composed by Rusty Young), with its soft, ethereal textures, which was a little lightweight for this band but unassuming enough to dominate the adult contemporary charts at the time. Young's "The Last Goodbye" and "Legend" closed out the album on a more thickly textured, higher-wattage note, representing the group's newer sound, the latter with a memorably driving beat that, with "Boomerang," bookended the album. ~ Bruce Eder .................... ***************************** ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *********************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ******************************************************************************************* -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ********************************************************************************************** *********************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................WITH MONEY BACK GUARANTEE ............................ ---------------------------------------------------------------------------------------------------- *********************************************************************************************** Zustand: M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) Preis:** EUR ----- SOLD OUT = AUSVERKAUFT ----- M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) In den Warenkorb


MFSL 1-020 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) XXL-Foto XXL-Foto	POCO ----- LEGEND ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OFPRINT ----- ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1979 BEI MCA RECORDS IN USA / ..... ORIGINAL RECORDING 1979 BY MCA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED - QUALITY !! ...... ) Weitere Details: ************************************************************************************************* ..................... Track Listings ................... 1. Boomerang ................... 2. Spellbound................... 3. Barbados................... 4. Little Darlin'................... 5. Love Comes Love Goes................... 6. Heart of the Night................... 7. Crazy Love................... 8. Last Goodbye................... 9. Legend ................... ******************************************************************************************** ...................... ALBUM NOTES ...... This is one of those albums that's fallen between the cracks of time. Virtually every song here is worth a listen. Crazy Love, In the Heart of the Night, Legend are classics. I can't figure out why a lot of reviewers insist on comparing Poco with the Eagles. I know, they had similar country rock roots. But by the late 70s, the Eagles had formulated a harder-edged sound that had little in common with their first couple of albums. In fact, Legend has more in common with the early Eagle material than than with what the Eagles were doing in 1978, when Poco released this record. So check it out. It's good stuff. ................ ******************************************************************************************* ................. Personnel: Rusty Young (vocals, guitar, steel guitar); Paul Cotton (vocals, guitar); Charlie Harrison (vocals, drums); Phil Kenzie (saxophone); Jai Winding, Tom Stephenson (keyboards); Michael Boddicker (synthesizer); Steve Chapman (drums); Steve Forman (percussion).Audio Mixer: Joe Chiccarelli.Recording information: Crystal Studios, Hollywood, CA (04/1978-08/1978).Poco's biggest-selling album of all time also presented the biggest personnel change at one time for the then-decade-old group, whose lineup had hardly been a model of stability up to that time. Co-founding drummer/singer George Grantham and longtime bassist/singer Timothy B. Schmit were both gone, the latter off to the Eagles. Listening to parts of this album, one gets the sense that, with the arrival of Charlie Harrison (bass, harmony vocals) and Steve Chapman (drums) in the group, Poco was deliberately adopting a change in sound similar to what the Eagles went through when Joe Walsh joined, into much harder rocking territory, at least part of the time. Longtime fans were probably disheartened to hear Rusty Young and Paul Cotton give up any semblance of their country roots on the opening track, "Boomerang," a bracing, heavy rock number (for this band) that didn't sound a great deal like the Poco of previous years. Most of the rest of the album, however, was closer to what one wanted and expected from this band -- "Spellbound" a beautifully lyrical ballad that benefited from Young's instrumental range and his and Cotton's harmonizing, and Cotton's "Barbados" offering similarly alluring musical textures with more of a beat. Cotton's "Heart of the Night," however, dominated everything around it, as one of the most finely crafted songs in the group's history, highlighted by a beautiful sax solo from Phil Kenzie. And then there's "Crazy Love" (composed by Rusty Young), with its soft, ethereal textures, which was a little lightweight for this band but unassuming enough to dominate the adult contemporary charts at the time. Young's "The Last Goodbye" and "Legend" closed out the album on a more thickly textured, higher-wattage note, representing the group's newer sound, the latter with a memorably driving beat that, with "Boomerang," bookended the album. ~ Bruce Eder .................... ***************************** ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *********************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ******************************************************************************************* -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ********************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... ) Preis:** EUR 599,99(minus 50% discount/rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... ) In den Warenkorb


MFSL 1-021 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- XXL-Foto XXL-Foto	STEVE MILLER BAND ----- FLY LIKE AN EAGLE ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1976 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1976 BY CAPITOL RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... ) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ******************** ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** -EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!- *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** ************************************************************************************************* Steve Miller Band – Fly Like An Eagle Steve Miller Band - Fly Like An Eagle album cover Label: Mobile Fidelity Sound Lab – MFSL 1-021, Capitol Records – MFSL 1-021 Series: Original Master Recording Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Country: US Released: Oct 1979 Genre: Rock Style: Pop Rock A1 Space Intro Written-By – S. Miller* 1:15 A2 Fly Like An Eagle Written-By – S. Miller* 4:42 A3 Wild Mountain Honey Written-By – Steve McCarty 4:50 A4 Serenade Written-By – Chris McCarty, S. Miller* 3:10 A5 Dance, Dance, Dance Written-By – Brenda Cooper, Jason Cooper (2), S. Miller* 2:16 A6 Mercury Blues Written-By – K.C. Douglas 3:43 B1 Take The Money And Run Written-By – S. Miller* 2:48 B2 Rock 'N Me Written-By – S. Miller* 3:05 B3 You Send Me Written-By – Sam Cooke 2:40 B4 Blue Odyssey Written-By – S. Miller* 1:00 B5 Sweet Maree Written-By – S. Miller* 4:16 B6 The Window Written-By – Jason Cooper (2), S. Miller* 4:19 Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Capitol Records Phonographic Copyright ℗ – Haworth Enterprises Copyright © – Haworth Enterprises Published By – B Flat Music Co. Published By – Kags Music Corp. Recorded At – CBS Studios, San Francisco Mixed At – Kaye-Smith Studios Artwork [Art] – Van Hamersveld, Casarini Bass – Charles Calamise (tracks: B6), Lonnie Turner Dobro – John McFee (tracks: A5) Drums – Kenny Johnson (tracks: B6) Drums, Percussion – Gary Mallaber Engineer [Assisted By] – Win Kutz Engineer [Master Mix] – Jim Gains* Engineer [Track Engineer] – Mike Fusaro Executive-Producer – John Paladino* Harmonica – James Cotton (tracks: B4, B5) Organ [B-3 Organ] – Joachim Young (tracks: A2, B6) Photography By [Back] – David Stahl (2) Photography By [Front] – Susan McCardle Remastered By [Half-Speed Mastering By] – Stan Ricker Rhythm Guitar – Curley Cooke (tracks: B6) Slide Guitar – Les Dudak* (tracks: B6) Vocals, Guitar, Synthesizer, Sitar, Producer [Produced By] – Steve Miller "Original Master Recording", (Half-Speed Mastering) "Pressed in Japan" "Super-High Definition Vinyl (extended life)". "Source: the original stereo master tape". "Under license from Capitol Records Inc. (C) (P) 1976" Goldmine deems the year to be 1979. ************************************************************************************************* Track listing ..................... 1. Space Intro ..................... 2. Fly Like An Eagle ..................... 3. Wild Mountain Honey ..................... 4. Serenade ..................... 5. Dance, Dance, Dance ..................... 6. Mercury Blues ..................... 7. Take The Money And Run ..................... 8. Rock'n Me ..................... 9. You Send Me ..................... 10. Blue Odyssey ..................... 11. Sweet Maree ..................... 12. Window, The ..................... ******************************************************************************************* ............ Tutored at a young age by no less than guitar whiz Les Paul and blues legend T-Bone Walker, Steve Miller's life seemed destined to be dominated by music. Still, Miller's evolution from 1960s white-boy Chicago blues journeyman to '70s Top 40 hit machine was meteoric. ................................... Building on the success of his mainstream breakthrough The Joker, Miller's mastery of the indelibly catchy pop song yielded not only the radio-staple title track (since successfully revived by Seal), but an almost embarrassing wealth of other deceptively simple, hook-laden songs (including the standout "Wild Mountain Honey" as well as the hit singles "Take the Money and Run" and "Rock'n Me") to make FLY LIKE AN EAGLE play more like a greatest hits album than a standard collection of songs. This is Miller at his '76 pop-perfectionist peak, and one of the decade's most enduring surprises. .................... ********************************************************************************************** .............. ALBUM NOTES: ............... ........... Personnel: Steve Miller (vocals, guitar, sitar, Roland organ); Lonnie Turner (bass); Gary Mallaber (drums, percussion). Additional personnel: Curley Cooke (guitar); Les Dudek (slide guitar); Kenny Johnson (drums). Recorded at C.B.S. Studios, San Francisco, California. ........ Miller forsook his love of the blues for this and its sister project Book Of Dreams. In turning to mainstream pop/rock he became a huge star and developed the knack of delivering high-quality three-minute songs that were perfect for FM radio. The album is linked by Miller's fascination with electronic sounds, sandwiched between the irresistible title track, the Bonnie and Clyde tale of 'Take The Money And Run', the irritatingly simple 'Rock 'n' Me' and the subdued 'The Window', with its quirky lyric 'ask my baby what she wants to be, she says a monkey in a tree'. His baby replies 'there's nothing greater than love', true enough. After all, it was Miller who rhymed 'northern California' with 'girls are warm yeah'. ........ ******************************************************************************************* -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ********************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- MIT TEXTBEIBLATT (WITH ALL LYRICS) ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... ) Preis:** EUR 799,99 (minus 50% discount/Rechnungsrabatt = 399,99 euro) ------- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... ) In den Warenkorb


MFSL 1-021 -- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT ----- ( NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG = FIRST MFSL-SE XXL-Foto XXL-Foto	STEVE MILLER BAND ---- FLY LIKE AN EAGLE ---- EINE NOCH NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER ATMOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1976 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1976 BY CAPITOL RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) Weitere Details: ************************************************************************************************* ************************************************************************************************* Steve Miller Band – Fly Like An Eagle Steve Miller Band - Fly Like An Eagle album cover Label: Mobile Fidelity Sound Lab – MFSL 1-021, Capitol Records – MFSL 1-021 Series: Original Master Recording Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Country: US Released: Oct 1979 Genre: Rock Style: Pop Rock A1 Space Intro Written-By – S. Miller* 1:15 A2 Fly Like An Eagle Written-By – S. Miller* 4:42 A3 Wild Mountain Honey Written-By – Steve McCarty 4:50 A4 Serenade Written-By – Chris McCarty, S. Miller* 3:10 A5 Dance, Dance, Dance Written-By – Brenda Cooper, Jason Cooper (2), S. Miller* 2:16 A6 Mercury Blues Written-By – K.C. Douglas 3:43 B1 Take The Money And Run Written-By – S. Miller* 2:48 B2 Rock 'N Me Written-By – S. Miller* 3:05 B3 You Send Me Written-By – Sam Cooke 2:40 B4 Blue Odyssey Written-By – S. Miller* 1:00 B5 Sweet Maree Written-By – S. Miller* 4:16 B6 The Window Written-By – Jason Cooper (2), S. Miller* 4:19 Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Capitol Records Phonographic Copyright ℗ – Haworth Enterprises Copyright © – Haworth Enterprises Published By – B Flat Music Co. Published By – Kags Music Corp. Recorded At – CBS Studios, San Francisco Mixed At – Kaye-Smith Studios Artwork [Art] – Van Hamersveld, Casarini Bass – Charles Calamise (tracks: B6), Lonnie Turner Dobro – John McFee (tracks: A5) Drums – Kenny Johnson (tracks: B6) Drums, Percussion – Gary Mallaber Engineer [Assisted By] – Win Kutz Engineer [Master Mix] – Jim Gains* Engineer [Track Engineer] – Mike Fusaro Executive-Producer – John Paladino* Harmonica – James Cotton (tracks: B4, B5) Organ [B-3 Organ] – Joachim Young (tracks: A2, B6) Photography By [Back] – David Stahl (2) Photography By [Front] – Susan McCardle Remastered By [Half-Speed Mastering By] – Stan Ricker Rhythm Guitar – Curley Cooke (tracks: B6) Slide Guitar – Les Dudak* (tracks: B6) Vocals, Guitar, Synthesizer, Sitar, Producer [Produced By] – Steve Miller "Original Master Recording", (Half-Speed Mastering) "Pressed in Japan" "Super-High Definition Vinyl (extended life)". "Source: the original stereo master tape". "Under license from Capitol Records Inc. (C) (P) 1976" Goldmine deems the year to be 1979. ************************************************************************************************* Track listing ..................... 1. Space Intro ..................... 2. Fly Like An Eagle ..................... 3. Wild Mountain Honey ..................... 4. Serenade ..................... 5. Dance, Dance, Dance ..................... 6. Mercury Blues ..................... 7. Take The Money And Run ..................... 8. Rock'n Me ..................... 9. You Send Me ..................... 10. Blue Odyssey ..................... 11. Sweet Maree ..................... 12. Window, The ..................... ******************************************************************************************* ............ Tutored at a young age by no less than guitar whiz Les Paul and blues legend T-Bone Walker, Steve Miller's life seemed destined to be dominated by music. Still, Miller's evolution from 1960s white-boy Chicago blues journeyman to '70s Top 40 hit machine was meteoric. ................................... Building on the success of his mainstream breakthrough The Joker, Miller's mastery of the indelibly catchy pop song yielded not only the radio-staple title track (since successfully revived by Seal), but an almost embarrassing wealth of other deceptively simple, hook-laden songs (including the standout "Wild Mountain Honey" as well as the hit singles "Take the Money and Run" and "Rock'n Me") to make FLY LIKE AN EAGLE play more like a greatest hits album than a standard collection of songs. This is Miller at his '76 pop-perfectionist peak, and one of the decade's most enduring surprises. .................... ********************************************************************************************** ALBUM NOTES: ............... Personnel: Steve Miller (vocals, guitar, sitar, Roland organ); Lonnie Turner (bass); Gary Mallaber (drums, percussion). Additional personnel: Curley Cooke (guitar); Les Dudek (slide guitar); Kenny Johnson (drums). Recorded at C.B.S. Studios, San Francisco, California. Miller forsook his love of the blues for this and its sister project Book Of Dreams. In turning to mainstream pop/rock he became a huge star and developed the knack of delivering high-quality three-minute songs that were perfect for FM radio. The album is linked by Miller's fascination with electronic sounds, sandwiched between the irresistible title track, the Bonnie and Clyde tale of 'Take The Money And Run', the irritatingly simple 'Rock 'n' Me' and the subdued 'The Window', with its quirky lyric 'ask my baby what she wants to be, she says a monkey in a tree'. His baby replies 'there's nothing greater than love', true enough. After all, it was Miller who rhymed 'northern California' with 'girls are warm yeah'. ******************************************************************************************* ***************************** ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *********************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ******************************************************************************************* -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ********************************************************************************************** *********************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................WITH MONEY BACK GUARANTEE ............................ ---------------------------------------------------------------------------------------------------- *********************************************************************************************** Zustand: M- / M- = EINE NOCH NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER ATMOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... ) Preis:** EUR 399,99 (minus 50% discount/Rechnungsrabatt = 199,99 euro) ----- M- / M- = EINE NOCH NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER ATMOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... ) In den Warenkorb


< 1 2 3 4 5 6 7 8 ... 73 > gehe zu Seite