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KHACHATURAIN ----- MASQUERADE SUITE ---- KABALEWSKY - THE COMEDIANS ----- RCA VICTOR SYMPHONY ORCHESTRA - CONDUCTOR - KIRIL KONDRASHIN ----- EINE IN DIESER QUALITÄT SEHR SELTENE UND SEHR GESUCHTE ANALOGUE, AUDIOPHILE CLASSIC RECORDS-KLASSIK-LP-RE-ISSUE ----- LIMITED EDITION ---- WITH SPECIAL LIMITED NUMBER ----- ( ..... SEHR SELTENES CLASSIC RECORDS USA - REISSUE 1995 / ..... ORIGINAL RCA LIVING STEREO RECORDING IN USA / ..... HIGH QUALITY 180g PREMIUM VINYL / ..... HIGH QUALITY PRESSING BY RTI-RECORD TECHNOLOGY IN USA / ..... AUDIOPHILE AUFNAHME VOM ORIGINAL MASTERBAND / ..... MASTERD FROM THE ORIGINAL ANALOGUE MASTERTAPES / ..... ORIGINAL AUFNAHMEN 1960 BEI RCA LIVING STEREO RECORDS IN USA / ..... ORIGINAL RECORDING 1960 BY RCA LIVING STEREO RECORDS IN USA / ..... PRODUCED BY RICHARD MOHR / ..... RECORDING ENGINEER: LEWIS LAYTON / ..... OUT OF PRINT ..... LIMITED EDITION ..... DIESE SEHR WERTVOLLE KLASSIK-LP IST = NEU = NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = UNPLAYED - QUALITY !! ..... (ALTO-IMPORT 1995) .....TAS EMPFEHLUNG !! ..... KLANG EMPFEHLUNG !! .....) ----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! -----

************************************************************************************************ ************************************************************************************** Aram Khachaturian - "The Masquerade" Suite Dmitry Kabalevsky - "The Comedians" The RCA Victor Symphony Orchestra dirigiert von Kiril Kondrashin. Auf dieser höchst unterhaltsamen Platte aus dem Jahre 1958 zeigt sich die klassische Musik Russlands von einer Seite, die man viel zu selten hört. Schwermut, Melancholie und düster Atmosphärisches sucht man hier vergebens, denn die beiden Orchestersuiten „Masquerade“ von Aram Khachaturian und „Die Komödianten“ von Dimitri Kabalesvky aus den Jahren 1939 bzw. 1938 halten, was ihre Titel versprechen: Fröhlich ungebremst dahinrauschende, beinah überdrehte Musik, zwar mit dem einen oder anderen nachdenklich zurückgenommenen Moment, aber stets mit der burlesken Note der beiden gleichnamigen Theaterstücke, für welche die Suiten ursprünglich entstanden. Das RCA Victor Symphony Orchestra unter dem russischen Dirigenten Kirill Kondrashin wirft sich mit Elan in diesen Parforce-Ritt, und das Ergebnis kann sich hören lassen. Leider kennt man hierzulande diese beiden in Russland höchst populären Werke kaum - ein Grund mehr sich diese klanglich überragende Aufnahme zu besorgen. Diese Platte wird keine Sekunde langweilig, so viel ist garantiert. ****************************************************************************************** Titel: 1. Khachaturian: The Masquerade Suite 2. Kabalevsky: The Comedians ************************************************************************************************* ........................................................................... UNITED in this lively and attractive recording are three big K's of Soviet music—Kabalevsky, Khachaturian, and Kondrashin. The first two are masters of colorful symphonic writing, the third a master of symphonic interpretation. All three are known to the American public—Kabalevsky and Khachaturian through their brash and energetic music, Kondrashin through his conducting, both on and off the record. Few will forget Kondrashin's vitality on the podium on the occasion of the triumphal series of homecoming concerts given by the prize-winning young Texan pianist Van Cliburn in New York City, Philadelphia and Washington in May of 1958. .............................................................................. If vitality is the keynote of Kondrashin, it is most conspicuously the keynote of the music of his two compatriots. Indeed, whole sections of these Suites possess a parallel spirit of almost rowdy festivity. They bear, too, the frank stamp of theater. Both Suites, in fact, were by-products of plays, and both plays concerned people acting out roles—in Masquerade, the puppet-like flunkeys of a sham aristocracy; in The Comedians, a jolly troupe of strolling players. .............................................................................. In Masquerade, Aram Khachaturian abandons the lure of his native Armenia to succumb to the broader Western tradition of Glinka, Borodin, and Tchaikovsky. The reason isn't far to seek. The setting is no longer the exotic terrain of south Russia, but the Russia of the tragic romantic poet Lermontov, an early nineteenth-century Russia of titled gamblers and sumptuous masquerades—of sophisticated passion and intrigue. In his play Lermontov indicts the festive glitter and masked pretense beneath which lurk coarseness and hypocrisy. Amid costly elegance and elaborate ceremony, insensate jealousy and rivalry are rife. Through it all run the twin themes of romantic brooding and brilliant frivolity. ............................................................................... Such, too, are the main themes of Khachaturian's music, written as a set of entr'actes and interludes for a Moscow production of Lermontov's tragedy in 1939. Of these, five were assembled for the concert suite that became an immediate favorite of the public. While each section boasts an appeal of its own, together they evoke an atmosphere of impassioned reverie and ballroom festivity. There is the "Waltz," for instance, with its chief motive coiling and swirling like dancing couples in a setting of dazzling finery and furnishings . . . and undefined sadness. A violin chants dreamily over velvety harmonies in the "Nocturne," as if it were Lermontov himself discoursing poetry to the night. The "Mazurka" brings a brief interlude of courtly cheer, heightened by vivid effects of color. Yet here too, amid the bustle and sparkle, a note of melancholy quietly intrudes. The wistful note is still stronger in the "Romance"—a suave meditation of distinct Russian mood tinged with Armenian color and a melodic turn of phrase. ............................................................................ In the final "Galop," Khachaturian seems to have the last laugh on the empty pageantry surveyed. This is a racing tour de force, crisscrossed with slashing rhythms and snarling colors. At times the orchestra fairly sizzles à la Offenbach. A riotous carnival commotion spreads over the music. Suddenly a brass band guffaws mockingly. Rasping and impudent, the music whirls ahead at a breakneck clip, pauses in brief pastoral calm as if to catch its breath, and makes a last plunge in a wild carrousel of rhythm. .............................................................................. Written for a play staged by the Central Children's Theater of Moscow in 1938, Kabalevsky's music is a series of episodes depicting the gay, carefree life of an itinerant company of buffoons. The Suite of ten numbers begins with a "Prologue" that sets the brisk pace and cheery mood and ends with an "Epilogue" of clownish merriment. There is a "Galop" of breezy circus impudence, and a catchy "Waltz," mildly streaked with nostalgia. A grotesquely angular "March" suggests Prokofieff. Two or three numbers offer gently lyrical divertissements, but largely the music is a spirited romp. It is a child's world of endless bustle and bright holiday gimmicks. Instruments frolic through the fabric like acrobats, and rhythms tumble over one another like clowns. One thinks again of the impertinent mirth of Offenbach, but only at times. For this is a child's carnival—good fast fun free of implications beyond its bright revelry. Here the young of all ages may settle back in festive ease for a breath of light entertainment. ........................................................................ *************************************************************************************************

Zustand121: NEU = NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! ----- EINE SEHR SELTENE UND GESUCHTE ORIGINAL CLASSIC RECORDS LP/RECORD RE-ISSUE AUS DEN USA (ALTO-IMPORT 1995) ----- OUT OF PRINT ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE COPY)!! ...... SIEHE XXL-FOTO (LOOK AT THE XXL-PICTURE) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURE !! ..... )

Best.-Nr.: CLASSIC RECORDS RCA VICTOR LIVING STEREO LSC 2398 ----- ( SALE = AUSVERKAUF-C 10/18 ) ----- OUT OF PRINT ----- (NEU = NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! )

Preis: EUR 99,99 Euro (zuzüglich der Versandkosten / plus shipping costs)


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Zuletzt aktualisiert am 08.09.2023