Produktsuche

Gesamtkatalog

• Audiophile Pop -Rock LP's
• Audiophile Jazz LP's
• Audiophile Classic LP's
  • Decca-Lp`s (180gVinyl Reissues & Originale)
  • Reference Recordings USA-LP`s (Classic,Jazz & Pop)
  • Mercury-Lp`s (Originale+180gVinyl-Reissue)
  • RCA - Living Stereo - Lp`s (180g Reissue`s)
  • Super Analogue Disc-(Classic Lp`s-Reissue´s) Japan
  • Audiophile Classic Lp`s (180g Vinyl/Japan-LP´s/Rar
  • Classic Lp`s (Normalpressungen)
  • Classic Lp`s (Original LP`s -USA )
  • 45 rpm audiophile LP's (Classic, Pop & Jazz)
  • Chesky Recordings - LP`s USA (Classic & Jazz)
  • Philips Classic LP`s(Japanpressungen)
  • Edition Phönix LP`s-AAA- (Classic&Jazz)
  • EMI/Testament LP`s(Classic-180gVinyl Reissue)
  • LYRITA - CLASSIC - LP`s (Originale - England)
• Audiophile Pop - Rock - Jazz - Classic CD's

Produkt Detailansicht:

GERSHWIN ---- CONCERTO-CUBAN OVERTURE -- I GOT RHYTHM ---- PIANIST-EARL WILD ----- BOSTON POPS ORCHESTRA - CONDUCTOR-ATHUR FIEDLER ----- FIRST CLASSIC RECORDS REISSUE SERIES - 180GRAM VINYL ----- HIGH QUALITY RECORDING IN USA ----- EINE IN DIESER QUALITÄT SEHR SELTENE UND SEHR WERTVOLLE ANALOGUE, AUDIOPHILE CLASSIC RECORDS-KLASSIK-LP/RECORD-REISSUE ----- LIMITED EDITION ---- LONG - OUT OF PRINT ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... SEHR SELTENES CLASSIC RECORDS USA - REISSUE / ..... ORIGINAL RCA LIVING STEREO RECORDING IN USA / ..... HIGH QUALITY 180g PREMIUM VINYL / ..... HIGH QUALITY PRESSING BY RTI-RECORD TECHNOLOGY IN USA / ..... AUDIOPHILE AUFNAHME VOM ORIGINAL MASTERBAND / ..... MASTERD FROM THE ORIGINAL ANALOGUE MASTERTAPES / ..... ORIGINAL AUFNAHMEN 1960 BEI RCA LIVING STEREO RECORDS IN USA / ..... ORIGINAL RECORDING 1960 BY RCA LIVING STEREO RECORDS IN USA / ..... OUT OF PRINT ..... LIMITED EDITION ..... DIESE SEHR WERTVOLLE KLASSIK-LP IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! - QUALITY !! ..... )

*************************************************************************************************** .......Boston Pops u.d.Ltg.v. Arthur Fiedler Earl Wild - Piano............ Ohne Zweifel gehört diese LP zu den dynamischsten Aufnahmen von Living Stereo. Hier bekommt der Hörer die geballte Kraft eines Orchesters demonstriert. Musikalisch zählen diese populären Gershwin-Stücke zu den eher leichter zu verarbeitenden Klassikwerken des 20. Jahrhunderts. Fiedler verstand es ausgezeichnet, der Musik eine heitere Stimmung und Lebendigkeit zu verleihen...... Interpret: Gershwin.......... Titel: Concerto In F/Cuban Overture/"I Got Rhythm" Variations................ Label: RCA Living Stereo / Classic Records................ Audiophile LP .......... ************************************************************************************************** Royland Earl Wild (November 26, 1915 – January 23, 2010) was an American pianist, renowned as a leading virtuoso of his generation. Harold C. Schonberg called him a "super-virtuoso in the Horowitz class". He was well known for his transcriptions of classical music and jazz and he was a composer. Born in Pittsburgh, Pennsylvania, Wild was a musically precocious child and studied under Selmar Janson, Simon Barere and Egon Petri, among others. As a teenager, he started making transcriptions of romantic music and composition. In 1937, Wild was hired as a staff pianist for the NBC Symphony Orchestra. In 1939, he became the first pianist to perform a recital on U.S. television. Wild later recalled that the small studio became so hot under the bright lights that the ivory piano keys started to warp. In 1997 he was also the first pianist to stream a performance over the Internet. In 1942, Arturo Toscanini invited him for a performance of Gershwin's Rhapsody in Blue, which was a resounding success and made him a household name. During World War II, Wild served in the United States Navy as a musician. He often traveled with Eleanor Roosevelt while she toured the United States supporting the war effort. Wild's duty was to perform the national anthem on the piano before she spoke. A few years after the war he moved to the newly formed American Broadcasting Company (ABC) as a staff pianist, conductor and composer until 1968. He performed many times for the Peabody Mason Concert series in Boston, in 1952, 1968, and 1971 and three concerts of Liszt in 1986. Wild was renowned for his virtuoso recitals and master classes held around the world, from Seoul, Beijing, and Tokyo to Argentina, England and throughout the United States. Earl Wild created numerous virtuoso solo piano transcriptions - 14 songs by Rachmaninoff, and works on themes by Gershwin. His Grand Fantasy on Airs from Porgy and Bess, the first extended piano paraphrase on an American opera, was recorded in 1976 and had its concert premiere in Pasadena on December 17, 1977. He also wrote Seven Virtuoso Études on Popular Songs, based on Gershwin songs such as "The Man I Love", "Fascinating Rhythm" and "I Got Rhythm". He also wrote a number of original works. These included a large-scale Easter oratorio, Revelations (1962), the choral work The Turquoise Horse (1976), and the Doo-Dah Variations, on a theme by Stephen Foster (1992), for piano and orchestra. His Sonata 2000 had its first performance by Bradley Bolen in 2003 and was recorded by Wild for Ivory Classics. Wild recorded for several labels, including RCA Records, where he recorded an album of Liszt and a collection of music by George Gershwin including "Rhapsody in Blue," "Cuban Overure," "Concerto in F," and "I Got Rhythm Variations," all with the Boston Pops and Arthur Fiedler. Later in his career, Wild recorded for Ivory Classics. Wild, who was openly gay, lived in Columbus, Ohio and Palm Springs, California with his domestic partner of 38 years, Michael Rolland Davis. He died aged 94 of congestive heart disease at home in Palm Springs. *************************************************************************************************** ................ As some audiophiles are keenly aware, Classic Record titles that were issued on 180 gram vinyl (or of less weight), sounded much better than the later 200 gram versions of the same title. Apparently this has to do with the vinyl presses that were used to make the LPs when they switched over to 200 gram vinyl. These machines were never set up to handle the extra thick, 200 gram versions. And to simply flip from 180 to 200 proved very problematic. The vinyl was noisy. There were pressing flaws. All in all, an inferior product when compared to the heavy, but much better sounding 180 gram vinyl. Classic Records came out with all kinds of variants for their 200 gram pressings - remember all that? If you lived through that period, you likely were wondering why there were so many versions of the same music being made by the same company! It was simply that the 200 gram versions were inferior to the earlier pressings made on 180 gram vinyl. This is the reason why the 180 gram versions not only cost much more to acquire now, but they did, in fact, sound much better. As a collector, you will probably want to try a few versions yourself to see if audiophiles were simply imagining what they were hearing - this is your chance to acquire one such title. This LP is on 180 gram vinyl. It is one of the first pressings made of this title and best of all, it's factory sealed! Don't wait too long to get these LPs as supplies are disappearing. When they are gone, they are gone forever and we all know what that means insofar as (increasing) prices are concerned. ................ ************************************************************************************************** ................ Royland Earl Wild (November 26, 1915 – January 23, 2010) was an American pianist, renowned as a leading virtuoso of his generation. Harold C. Schonberg called him a "super-virtuoso in the Horowitz class". He was well known for his transcriptions of classical music and jazz and he was a composer. ................ Born in Pittsburgh, Pennsylvania, Wild was a musically precocious child and studied under Selmar Janson, Simon Barere and Egon Petri, among others. As a teenager, he started making transcriptions of romantic music and composition. ................ In 1937, Wild was hired as a staff pianist for the NBC Symphony Orchestra. In 1939, he became the first pianist to perform a recital on U.S. television. Wild later recalled that the small studio became so hot under the bright lights that the ivory piano keys started to warp. In 1997 he was also the first pianist to stream a performance over the Internet. ................ In 1942, Arturo Toscanini invited him for a performance of Gershwin's Rhapsody in Blue, which was a resounding success and made him a household name. During World War II, Wild served in the United States Navy as a musician. He often traveled with Eleanor Roosevelt while she toured the United States supporting the war effort. Wild's duty was to perform the national anthem on the piano before she spoke. A few years after the war he moved to the newly formed American Broadcasting Company (ABC) as a staff pianist, conductor and composer until 1968. He performed many times for the Peabody Mason Concert series in Boston, in 1952, 1968, and 1971 and three concerts of Liszt in 1986. Wild was renowned for his virtuoso recitals and master classes held around the world, from Seoul, Beijing, and Tokyo to Argentina, England and throughout the United States. ................ Earl Wild created numerous virtuoso solo piano transcriptions - 14 songs by Rachmaninoff, and works on themes by Gershwin. His Grand Fantasy on Airs from Porgy and Bess, the first extended piano paraphrase on an American opera, was recorded in 1976 and had its concert premiere in Pasadena on December 17, 1977. He also wrote Seven Virtuoso Études on Popular Songs, based on Gershwin songs such as "The Man I Love", "Fascinating Rhythm" and "I Got Rhythm". ................ He also wrote a number of original works. These included a large-scale Easter oratorio, Revelations (1962), the choral work The Turquoise Horse (1976), and the Doo-Dah Variations, on a theme by Stephen Foster (1992), for piano and orchestra. His Sonata 2000 had its first performance by Bradley Bolen in 2003 and was recorded by Wild for Ivory Classics. ................ Wild recorded for several labels, including RCA Records, where he recorded an album of Liszt and a collection of music by George Gershwin including "Rhapsody in Blue," "Cuban Overure," "Concerto in F," and "I Got Rhythm Variations," all with the Boston Pops and Arthur Fiedler. Later in his career, Wild recorded for Ivory Classics. ................ Wild, who was openly gay, lived in Columbus, Ohio and Palm Springs, California with his domestic partner of 38 years, Michael Rolland Davis. He died aged 94 of congestive heart disease at home in Palm Springs. ................ *************************************************************************************************

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Best.-Nr.: CLASSIC RECORDS RCA VICTOR LIVING STEREO LSC 2586 ----- ( SALE = AUSVERKAUF-C 10/18 ) ----- OUT OF PRINT ----- ( OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! )

Preis: EUR 199,99 Euro (zuzüglich der Versandkosten / plus shipping costs)