Produktsuche

Gesamtkatalog

MFSL - HALFSPEED-LP`s USA (Out of Print )

Gefundene Artikel: 730

Anzeige Produkte 51 bis 60

MFSL 1-019 (WOC) -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT - M ----- ( NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG = FIRST MFSL-SE

XXL-Foto


XXL-Foto

JARREAU, AL ---- ALL FLY HOME ----- ORIGINAL MFSL-JAPANPRESSING-LP/RECORD(FIRST MFSL-JAPANPRESSING SERIES) - MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1978 BEI WARNER BROS.RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY WARNER BROS.RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......LEIDER FEHLT DAS MFSL-INNERCOVER .....) )

Weitere Details: ************************************************************************************************* Al Jarreau ‎– All Fly Home Label: Mobile Fidelity Sound Lab ‎– MFSL 1-019 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Stereo Country: US Released: Sep 1979 Genre: Jazz, Funk / Soul, Pop Style: Soul-Jazz, Soul, Vocal Tracklist Hide Credits A1 Thinkin' About It Too Written-By – Al Jarreau, Tom Canning 3:18 A2 I'm Home Written-By – Dave Frishberg, Greg Mathieson 5:18 A3 Brite 'N' Sunny Babe Written-By – Al Jarreau 3:28 A4 I Do Written-By – Al Jarreau, Tom Canning 4:22 A5 Fly Written-By – Al Jarreau 3:49 B1 Wait A Little While Written-By – Eva Ein Loggins, Kenny Loggins 3:38 B2 She's Leaving Home Written-By – John Lennon, Paul McCartney* 7:00 B3 All Written-By – Al Jarreau, Tom Canning 3:51 B4 (Sittin' On) The Dock Of The Bay Written-By – Otis Redding, Steve Cropper 4:00 Companies, etc. Copyright (c) – Warner Bros. Records Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Recorded At – Sound Labs, Hollywood Mixed At – Cherokee Studios Lacquer Cut At – JVC Cutting Center Mastered At – Victor Company Of Japan, Ltd. Pressed By – Victor Company Of Japan, Ltd. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Warner Bros. Records Inc. Record Company – Mobile Fidelity Productions, Inc Published By – Aljarreau Music Published By – Desperate Music Published By – LMNOP Pub. Co. Published By – Swiftwater Music Published By – Milk Money Music Published By – Maclen Music, Inc. Published By – East/Memphis Music Corp. Published By – Time Music Co. Inc. Credits Art Direction – John Cabalka Backing Vocals – Al Jarreau Bass – Reggie McBride Coordinator [Production Co-ordinator] – Noel Newbolt Design – Brad Kanawyer Drums – Joe Correro Engineer – Hank Cicalo Engineer [Assistant Engineer] – John Sands (2), Linda Tyler Flugelhorn – Freddie Hubbard Guitar – Lee Ritenour Illustration [Front, Back Cover] – Michael Nelson (3) Keyboards [Additional Keyboards And Synthesizers], Synthesizer [Additional Keyboards And Synthesizers] – Larry Williams Keyboards, Piano [Acoustic Piano], Synthesizer [Rhodes Synthesizer] – Tom Canning Keyboards, Vibraphone, Organ, Synthesizer – Lynn Blessing Lacquer Cut By – SR/2* Management – Patrick Rains & Associates Mastered By – Stan Ricker Mixed By – Rick Ruggieri Percussion – Paulinho Da Costa Producer – Al Schmitt Notes Issued in rice-paper inner sleeve with fold-out cardboard stiffener, mail-in registration card and catalog cut-sheet. Half-speed masters cut by Stan Ricker, JVC Recorded at Sound Labs, May & June 1978. Pressed in Japan Publishing credit for B4, East/Memphis Music Corp., is misspelt "Bast/Memphis Music Corp." on label. Barcode and Other Identifiers Rights Society (A1, A3 to A5, B2 to B4): BMI Rights Society (A2, B1): ASCAP Matrix / Runout (Label A): MFSL 1-019 A Matrix / Runout (Label B): MFSL 1-019 B Matrix / Runout (Runout A): G MFSL-1-019 - A3 SR/2 131⁜ G Matrix / Runout (Runout B): MFSL-1-019 - B3 SR/2 131⁜ ************************************************************************************************* .................... Artist: AL JARREAU ..................... Title: All Fly Home ..................... Format: 12 Inch Vinyl Album (33 RPM) Label and Catalog Number: MFSL 1-019 ..................... Country of Origin: USA ..................... Type of Recording: Stereo halfspeed-mastering ..................... Year of Issue: 1978 ..................... Cover Grade: M- (MINT -) ..................... Vinyl Grade: M- (MINT -) ..................... Notes: ..................... Produced by Al Schmitt ..................... with Inner Sleeve showing lyrics, drawing of Al by Susan Player Jarreau Back Cover shows color photo of Al + musicians, artwork, song titles, credits Musicians: ..................... Al Jarreau (vocals, background vocals) ..................... Tom Canning (keyboards, acoustic piano, rhodes synthesizer) ..................... Lynn Blessing (keyboards + vibes, organ, synthesizer) ..................... Reggie McBride (bass) ..................... Joe Correro (drums) ..................... Paulinho DaCosta (percussion) ..................... Freddie Hubbard (flugelhorn) ..................... Lee Ritenour (guitar) ..................... Larry Williams (additional keyboards, synthesizers) ..................... ************************************************************************************************** ............... Track List: ..................... Thinkin' About It Too (3:18) ..................... I'm Home (5:18) ..................... Brite 'N' Sunny Babe (3:28) ..................... I Do (4:22) ..................... Fly (3:49) ..................... Wait a Little While (3:38) ..................... She's Leaving Home (7:00) --- written by John Lennon + Paul McCartney ..................... All (3:51) ..................... Sittin' On the Dock of the Bay (4:00) ..................... ************************************************************************************************* ................. With a restrained yet potent funk band and a few cameos from luminaries in the jazz world, Al Jarreau gets plenty of opportunities to wrap his rubbery, ever-changing timbre around an agreeable collection of tunes, the majority of which he wrote or co-wrote. Of the cover tunes, Jarreau completely transforms Kenny Loggins' 'Wait a Little While,' the Beatles' 'She's Leaving Home' and Otis Redding's 'Dock of the Bay' into personal vehicles for vocal acrobatics, and his own 'Fly' revives his uncanny ability to skitter and sail along with a Brazilian-based rhythm track. Freddie Hubbard puts in a soulful guest appearance on flugelhorn on Dave Frishberg's 'I'm Home' and applies a more outgoing obligato to 'Fly'; Lee Ritenour and Paulinho Da Costa also make appearances on the record. While Jarreau could still be technically classified as a jazz singer at this point, he is really inhabiting a zone of his own. ~ Richard S. Ginell, All Music Guide *************************************************************************************************** ---------------------------------------------------------------------------------------------------- .................. WELTWEIT BESTE WIEDERGABE QUALITÄT!!.....BEST QUALITY - WORLDWIDE !! ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** ..................... The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- ..................... DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ************************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................ ---------------------------------------------------------------------------------------------------- ***************************************************************************************************

Zustand: M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES ----- MADE IN JAPAN!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......LEIDER FEHLT DAS MFSL-INNERCOVER .....)

Preis: EUR 159,99 (minus 50% discount/rechnungsrabatt = 79,99 euro) ----- M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES ----- MADE IN JAPAN!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......LEIDER FEHLT DAS MFSL-INNERCOVER .....)

In den Warenkorb


MFSL 1-019- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- DEMONSTRATION COPY ----- LIMITED EDITION ----- EINE NEUWERTIGE MFSL-HALFSPEED LP/RECORD

JARREAU, AL ---- ALL FLY HOME ----- ANALOGE DEMONSTRATION COPY !! ----- ORIGINAL MFSL-JAPANPRESSING-LP/RECORD(FIRST MFSL-JAPANPRESSING SERIES) - MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ..... DEMONSTRATION COPY !! / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1978 BEI WARNER BROS.RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY WARNER BROS.RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......)

Weitere Details: ************************************************************************************************* Al Jarreau ‎– All Fly Home Label: Mobile Fidelity Sound Lab ‎– MFSL 1-019 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Stereo Country: US Released: Sep 1979 Genre: Jazz, Funk / Soul, Pop Style: Soul-Jazz, Soul, Vocal Tracklist Hide Credits A1 Thinkin' About It Too Written-By – Al Jarreau, Tom Canning 3:18 A2 I'm Home Written-By – Dave Frishberg, Greg Mathieson 5:18 A3 Brite 'N' Sunny Babe Written-By – Al Jarreau 3:28 A4 I Do Written-By – Al Jarreau, Tom Canning 4:22 A5 Fly Written-By – Al Jarreau 3:49 B1 Wait A Little While Written-By – Eva Ein Loggins, Kenny Loggins 3:38 B2 She's Leaving Home Written-By – John Lennon, Paul McCartney* 7:00 B3 All Written-By – Al Jarreau, Tom Canning 3:51 B4 (Sittin' On) The Dock Of The Bay Written-By – Otis Redding, Steve Cropper 4:00 Companies, etc. Copyright (c) – Warner Bros. Records Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Recorded At – Sound Labs, Hollywood Mixed At – Cherokee Studios Lacquer Cut At – JVC Cutting Center Mastered At – Victor Company Of Japan, Ltd. Pressed By – Victor Company Of Japan, Ltd. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Warner Bros. Records Inc. Record Company – Mobile Fidelity Productions, Inc Published By – Aljarreau Music Published By – Desperate Music Published By – LMNOP Pub. Co. Published By – Swiftwater Music Published By – Milk Money Music Published By – Maclen Music, Inc. Published By – East/Memphis Music Corp. Published By – Time Music Co. Inc. Credits Art Direction – John Cabalka Backing Vocals – Al Jarreau Bass – Reggie McBride Coordinator [Production Co-ordinator] – Noel Newbolt Design – Brad Kanawyer Drums – Joe Correro Engineer – Hank Cicalo Engineer [Assistant Engineer] – John Sands (2), Linda Tyler Flugelhorn – Freddie Hubbard Guitar – Lee Ritenour Illustration [Front, Back Cover] – Michael Nelson (3) Keyboards [Additional Keyboards And Synthesizers], Synthesizer [Additional Keyboards And Synthesizers] – Larry Williams Keyboards, Piano [Acoustic Piano], Synthesizer [Rhodes Synthesizer] – Tom Canning Keyboards, Vibraphone, Organ, Synthesizer – Lynn Blessing Lacquer Cut By – SR/2* Management – Patrick Rains & Associates Mastered By – Stan Ricker Mixed By – Rick Ruggieri Percussion – Paulinho Da Costa Producer – Al Schmitt Notes Issued in rice-paper inner sleeve with fold-out cardboard stiffener, mail-in registration card and catalog cut-sheet. Half-speed masters cut by Stan Ricker, JVC Recorded at Sound Labs, May & June 1978. Pressed in Japan Publishing credit for B4, East/Memphis Music Corp., is misspelt "Bast/Memphis Music Corp." on label. Barcode and Other Identifiers Rights Society (A1, A3 to A5, B2 to B4): BMI Rights Society (A2, B1): ASCAP Matrix / Runout (Label A): MFSL 1-019 A Matrix / Runout (Label B): MFSL 1-019 B Matrix / Runout (Runout A): G MFSL-1-019 - A3 SR/2 131⁜ G Matrix / Runout (Runout B): MFSL-1-019 - B3 SR/2 131⁜ ************************************************************************************************* .................... Artist: AL JARREAU ..................... Title: All Fly Home ..................... Format: 12 Inch Vinyl Album (33 RPM) Label and Catalog Number: MFSL 1-019 ..................... Country of Origin: USA ..................... Type of Recording: Stereo halfspeed-mastering ..................... Year of Issue: 1978 ..................... Cover Grade: M- (MINT -) ..................... Vinyl Grade: M- (MINT -) ..................... Notes: ..................... Produced by Al Schmitt ..................... with Inner Sleeve showing lyrics, drawing of Al by Susan Player Jarreau Back Cover shows color photo of Al + musicians, artwork, song titles, credits Musicians: ..................... Al Jarreau (vocals, background vocals) ..................... Tom Canning (keyboards, acoustic piano, rhodes synthesizer) ..................... Lynn Blessing (keyboards + vibes, organ, synthesizer) ..................... Reggie McBride (bass) ..................... Joe Correro (drums) ..................... Paulinho DaCosta (percussion) ..................... Freddie Hubbard (flugelhorn) ..................... Lee Ritenour (guitar) ..................... Larry Williams (additional keyboards, synthesizers) ..................... ************************************************************************************************** ............... Track List: ..................... Thinkin' About It Too (3:18) ..................... I'm Home (5:18) ..................... Brite 'N' Sunny Babe (3:28) ..................... I Do (4:22) ..................... Fly (3:49) ..................... Wait a Little While (3:38) ..................... She's Leaving Home (7:00) --- written by John Lennon + Paul McCartney ..................... All (3:51) ..................... Sittin' On the Dock of the Bay (4:00) ..................... ************************************************************************************************* ................. With a restrained yet potent funk band and a few cameos from luminaries in the jazz world, Al Jarreau gets plenty of opportunities to wrap his rubbery, ever-changing timbre around an agreeable collection of tunes, the majority of which he wrote or co-wrote. Of the cover tunes, Jarreau completely transforms Kenny Loggins' 'Wait a Little While,' the Beatles' 'She's Leaving Home' and Otis Redding's 'Dock of the Bay' into personal vehicles for vocal acrobatics, and his own 'Fly' revives his uncanny ability to skitter and sail along with a Brazilian-based rhythm track. Freddie Hubbard puts in a soulful guest appearance on flugelhorn on Dave Frishberg's 'I'm Home' and applies a more outgoing obligato to 'Fly'; Lee Ritenour and Paulinho Da Costa also make appearances on the record. While Jarreau could still be technically classified as a jazz singer at this point, he is really inhabiting a zone of his own. ~ Richard S. Ginell, All Music Guide *************************************************************************************************** ---------------------------------------------------------------------------------------------------- .................. WELTWEIT BESTE WIEDERGABE QUALITÄT!!.....BEST QUALITY - WORLDWIDE !! ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** ..................... The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- ..................... DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ************************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................ ---------------------------------------------------------------------------------------------------- ***************************************************************************************************

Zustand: VINYL = M- / COVER = VERYGOOD + = EINE NOCH NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG ----- ANALOGE DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- MADE IN JAPAN !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Preis: EUR 199,99 (minus 50% discount/rechnungsrabatt = 99,99 euro) ----- VINYL = M- / COVER = VERYGOOD + = EINE NOCH NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG ----- ANALOGE DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- MADE IN JAPAN !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......)

In den Warenkorb


MFSL 1-020 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- SOLD OUT = AUSVERKAUFT ----- LIMITED EDITION ----- ( EINE NOCH NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG )

XXL-Foto


XXL-Foto

POCO ----- LEGEND ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OFPRINT ----- LEIDER OHNE INNERCOVER ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1979 BEI MCA RECORDS IN USA / ..... ORIGINAL RECORDING 1979 BY MCA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DASMFSL INNERCOVER ..... )

Weitere Details: *************************************************************************************************** ..................... Track Listings ................... 1. Boomerang ................... 2. Spellbound................... 3. Barbados................... 4. Little Darlin'................... 5. Love Comes Love Goes................... 6. Heart of the Night................... 7. Crazy Love................... 8. Last Goodbye................... 9. Legend ................... ************************************************************************************************ ...................... ALBUM NOTES ...... This is one of those albums that's fallen between the cracks of time. Virtually every song here is worth a listen. Crazy Love, In the Heart of the Night, Legend are classics. I can't figure out why a lot of reviewers insist on comparing Poco with the Eagles. I know, they had similar country rock roots. But by the late 70s, the Eagles had formulated a harder-edged sound that had little in common with their first couple of albums. In fact, Legend has more in common with the early Eagle material than than with what the Eagles were doing in 1978, when Poco released this record. So check it out. It's good stuff. ................ *********************************************************************************************** ................. Personnel: Rusty Young (vocals, guitar, steel guitar); Paul Cotton (vocals, guitar); Charlie Harrison (vocals, drums); Phil Kenzie (saxophone); Jai Winding, Tom Stephenson (keyboards); Michael Boddicker (synthesizer); Steve Chapman (drums); Steve Forman (percussion).Audio Mixer: Joe Chiccarelli.Recording information: Crystal Studios, Hollywood, CA (04/1978-08/1978).Poco's biggest-selling album of all time also presented the biggest personnel change at one time for the then-decade-old group, whose lineup had hardly been a model of stability up to that time. Co-founding drummer/singer George Grantham and longtime bassist/singer Timothy B. Schmit were both gone, the latter off to the Eagles. Listening to parts of this album, one gets the sense that, with the arrival of Charlie Harrison (bass, harmony vocals) and Steve Chapman (drums) in the group, Poco was deliberately adopting a change in sound similar to what the Eagles went through when Joe Walsh joined, into much harder rocking territory, at least part of the time. Longtime fans were probably disheartened to hear Rusty Young and Paul Cotton give up any semblance of their country roots on the opening track, "Boomerang," a bracing, heavy rock number (for this band) that didn't sound a great deal like the Poco of previous years. Most of the rest of the album, however, was closer to what one wanted and expected from this band -- "Spellbound" a beautifully lyrical ballad that benefited from Young's instrumental range and his and Cotton's harmonizing, and Cotton's "Barbados" offering similarly alluring musical textures with more of a beat. Cotton's "Heart of the Night," however, dominated everything around it, as one of the most finely crafted songs in the group's history, highlighted by a beautiful sax solo from Phil Kenzie. And then there's "Crazy Love" (composed by Rusty Young), with its soft, ethereal textures, which was a little lightweight for this band but unassuming enough to dominate the adult contemporary charts at the time. Young's "The Last Goodbye" and "Legend" closed out the album on a more thickly textured, higher-wattage note, representing the group's newer sound, the latter with a memorably driving beat that, with "Boomerang," bookended the album. ~ Bruce Eder .................... ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ************************************************************************************************** *************************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................ ---------------------------------------------------------------------------------------------------- ***************************************************************************************************

Zustand: M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Preis: EUR ----- SOLD OUT = AUSVERKAUFT ----- M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

In den Warenkorb


MFSL 1-020 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

XXL-Foto


XXL-Foto

POCO ----- LEGEND ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OFPRINT ----- ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1979 BEI MCA RECORDS IN USA / ..... ORIGINAL RECORDING 1979 BY MCA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED - QUALITY !! ...... )

Weitere Details: *************************************************************************************************** ..................... Track Listings ................... 1. Boomerang ................... 2. Spellbound................... 3. Barbados................... 4. Little Darlin'................... 5. Love Comes Love Goes................... 6. Heart of the Night................... 7. Crazy Love................... 8. Last Goodbye................... 9. Legend ................... ************************************************************************************************ ...................... ALBUM NOTES ...... This is one of those albums that's fallen between the cracks of time. Virtually every song here is worth a listen. Crazy Love, In the Heart of the Night, Legend are classics. I can't figure out why a lot of reviewers insist on comparing Poco with the Eagles. I know, they had similar country rock roots. But by the late 70s, the Eagles had formulated a harder-edged sound that had little in common with their first couple of albums. In fact, Legend has more in common with the early Eagle material than than with what the Eagles were doing in 1978, when Poco released this record. So check it out. It's good stuff. ................ *********************************************************************************************** ................. Personnel: Rusty Young (vocals, guitar, steel guitar); Paul Cotton (vocals, guitar); Charlie Harrison (vocals, drums); Phil Kenzie (saxophone); Jai Winding, Tom Stephenson (keyboards); Michael Boddicker (synthesizer); Steve Chapman (drums); Steve Forman (percussion).Audio Mixer: Joe Chiccarelli.Recording information: Crystal Studios, Hollywood, CA (04/1978-08/1978).Poco's biggest-selling album of all time also presented the biggest personnel change at one time for the then-decade-old group, whose lineup had hardly been a model of stability up to that time. Co-founding drummer/singer George Grantham and longtime bassist/singer Timothy B. Schmit were both gone, the latter off to the Eagles. Listening to parts of this album, one gets the sense that, with the arrival of Charlie Harrison (bass, harmony vocals) and Steve Chapman (drums) in the group, Poco was deliberately adopting a change in sound similar to what the Eagles went through when Joe Walsh joined, into much harder rocking territory, at least part of the time. Longtime fans were probably disheartened to hear Rusty Young and Paul Cotton give up any semblance of their country roots on the opening track, "Boomerang," a bracing, heavy rock number (for this band) that didn't sound a great deal like the Poco of previous years. Most of the rest of the album, however, was closer to what one wanted and expected from this band -- "Spellbound" a beautifully lyrical ballad that benefited from Young's instrumental range and his and Cotton's harmonizing, and Cotton's "Barbados" offering similarly alluring musical textures with more of a beat. Cotton's "Heart of the Night," however, dominated everything around it, as one of the most finely crafted songs in the group's history, highlighted by a beautiful sax solo from Phil Kenzie. And then there's "Crazy Love" (composed by Rusty Young), with its soft, ethereal textures, which was a little lightweight for this band but unassuming enough to dominate the adult contemporary charts at the time. Young's "The Last Goodbye" and "Legend" closed out the album on a more thickly textured, higher-wattage note, representing the group's newer sound, the latter with a memorably driving beat that, with "Boomerang," bookended the album. ~ Bruce Eder .................... ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... )

Preis: EUR 599,99(minus 50% discount/rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... )

In den Warenkorb


MFSL 1-021 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) -----

XXL-Foto


XXL-Foto

STEVE MILLER BAND ----- FLY LIKE AN EAGLE ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1976 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1976 BY CAPITOL RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )

Weitere Details: **************************************************************************************************** ************************************* LONG-OUT OF PRINT ********************************************* *************************************************************************************************** ************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! ******************* *************************************************************************************************** **************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ***************************** *************************************************************************************************** ***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-*** *************************************************************************************************** ****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ********************** *************************************************************************************************** *************************************************************************************************** Steve Miller Band – Fly Like An Eagle Steve Miller Band - Fly Like An Eagle album cover Label: Mobile Fidelity Sound Lab – MFSL 1-021, Capitol Records – MFSL 1-021 Series: Original Master Recording Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Country: US Released: Oct 1979 Genre: Rock Style: Pop Rock A1 Space Intro Written-By – S. Miller* 1:15 A2 Fly Like An Eagle Written-By – S. Miller* 4:42 A3 Wild Mountain Honey Written-By – Steve McCarty 4:50 A4 Serenade Written-By – Chris McCarty, S. Miller* 3:10 A5 Dance, Dance, Dance Written-By – Brenda Cooper, Jason Cooper (2), S. Miller* 2:16 A6 Mercury Blues Written-By – K.C. Douglas 3:43 B1 Take The Money And Run Written-By – S. Miller* 2:48 B2 Rock 'N Me Written-By – S. Miller* 3:05 B3 You Send Me Written-By – Sam Cooke 2:40 B4 Blue Odyssey Written-By – S. Miller* 1:00 B5 Sweet Maree Written-By – S. Miller* 4:16 B6 The Window Written-By – Jason Cooper (2), S. Miller* 4:19 Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Capitol Records Phonographic Copyright ℗ – Haworth Enterprises Copyright © – Haworth Enterprises Published By – B Flat Music Co. Published By – Kags Music Corp. Recorded At – CBS Studios, San Francisco Mixed At – Kaye-Smith Studios Artwork [Art] – Van Hamersveld*, Casarini* Bass – Charles Calamise (tracks: B6), Lonnie Turner Dobro – John McFee (tracks: A5) Drums – Kenny Johnson (tracks: B6) Drums, Percussion – Gary Mallaber Engineer [Assisted By] – Win Kutz Engineer [Master Mix] – Jim Gains* Engineer [Track Engineer] – Mike Fusaro Executive-Producer – John Paladino* Harmonica – James Cotton (tracks: B4, B5) Organ [B-3 Organ] – Joachim Young (tracks: A2, B6) Photography By [Back] – David Stahl (2) Photography By [Front] – Susan McCardle Remastered By [Half-Speed Mastering By] – Stan Ricker Rhythm Guitar – Curley Cooke (tracks: B6) Slide Guitar – Les Dudak* (tracks: B6) Vocals, Guitar, Synthesizer, Sitar, Producer [Produced By] – Steve Miller "Original Master Recording", (Half-Speed Mastering) "Pressed in Japan" "Super-High Definition Vinyl (extended life)". "Source: the original stereo master tape". "Under license from Capitol Records Inc. (C) (P) 1976" Goldmine deems the year to be 1979. *************************************************************************************************** Track listing ..................... 1. Space Intro ..................... 2. Fly Like An Eagle ..................... 3. Wild Mountain Honey ..................... 4. Serenade ..................... 5. Dance, Dance, Dance ..................... 6. Mercury Blues ..................... 7. Take The Money And Run ..................... 8. Rock'n Me ..................... 9. You Send Me ..................... 10. Blue Odyssey ..................... 11. Sweet Maree ..................... 12. Window, The ..................... *********************************************************************************************** ............ Tutored at a young age by no less than guitar whiz Les Paul and blues legend T-Bone Walker, Steve Miller's life seemed destined to be dominated by music. Still, Miller's evolution from 1960s white-boy Chicago blues journeyman to '70s Top 40 hit machine was meteoric. ................................... Building on the success of his mainstream breakthrough The Joker, Miller's mastery of the indelibly catchy pop song yielded not only the radio-staple title track (since successfully revived by Seal), but an almost embarrassing wealth of other deceptively simple, hook-laden songs (including the standout "Wild Mountain Honey" as well as the hit singles "Take the Money and Run" and "Rock'n Me") to make FLY LIKE AN EAGLE play more like a greatest hits album than a standard collection of songs. This is Miller at his '76 pop-perfectionist peak, and one of the decade's most enduring surprises. .................... ************************************************************************************************** .............. ALBUM NOTES: ............... ........... Personnel: Steve Miller (vocals, guitar, sitar, Roland organ); Lonnie Turner (bass); Gary Mallaber (drums, percussion). Additional personnel: Curley Cooke (guitar); Les Dudek (slide guitar); Kenny Johnson (drums). Recorded at C.B.S. Studios, San Francisco, California. ........ Miller forsook his love of the blues for this and its sister project Book Of Dreams. In turning to mainstream pop/rock he became a huge star and developed the knack of delivering high-quality three-minute songs that were perfect for FM radio. The album is linked by Miller's fascination with electronic sounds, sandwiched between the irresistible title track, the Bonnie and Clyde tale of 'Take The Money And Run', the irritatingly simple 'Rock 'n' Me' and the subdued 'The Window', with its quirky lyric 'ask my baby what she wants to be, she says a monkey in a tree'. His baby replies 'there's nothing greater than love', true enough. After all, it was Miller who rhymed 'northern California' with 'girls are warm yeah'. ........ *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- MIT TEXTBEIBLATT (WITH ALL LYRICS) ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )

Preis: EUR 799,99 (minus 50% discount/Rechnungsrabatt = 399,99 euro) ------- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

In den Warenkorb


MFSL 1-021 -- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT ----- ( NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG = FIRST MFSL-SE

XXL-Foto


XXL-Foto

STEVE MILLER BAND ---- FLY LIKE AN EAGLE ---- EINE NOCH NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER ATMOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1976 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1976 BY CAPITOL RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Weitere Details: *************************************************************************************************** *************************************************************************************************** Steve Miller Band – Fly Like An Eagle Steve Miller Band - Fly Like An Eagle album cover Label: Mobile Fidelity Sound Lab – MFSL 1-021, Capitol Records – MFSL 1-021 Series: Original Master Recording Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Country: US Released: Oct 1979 Genre: Rock Style: Pop Rock A1 Space Intro Written-By – S. Miller* 1:15 A2 Fly Like An Eagle Written-By – S. Miller* 4:42 A3 Wild Mountain Honey Written-By – Steve McCarty 4:50 A4 Serenade Written-By – Chris McCarty, S. Miller* 3:10 A5 Dance, Dance, Dance Written-By – Brenda Cooper, Jason Cooper (2), S. Miller* 2:16 A6 Mercury Blues Written-By – K.C. Douglas 3:43 B1 Take The Money And Run Written-By – S. Miller* 2:48 B2 Rock 'N Me Written-By – S. Miller* 3:05 B3 You Send Me Written-By – Sam Cooke 2:40 B4 Blue Odyssey Written-By – S. Miller* 1:00 B5 Sweet Maree Written-By – S. Miller* 4:16 B6 The Window Written-By – Jason Cooper (2), S. Miller* 4:19 Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Capitol Records Phonographic Copyright ℗ – Haworth Enterprises Copyright © – Haworth Enterprises Published By – B Flat Music Co. Published By – Kags Music Corp. Recorded At – CBS Studios, San Francisco Mixed At – Kaye-Smith Studios Artwork [Art] – Van Hamersveld*, Casarini* Bass – Charles Calamise (tracks: B6), Lonnie Turner Dobro – John McFee (tracks: A5) Drums – Kenny Johnson (tracks: B6) Drums, Percussion – Gary Mallaber Engineer [Assisted By] – Win Kutz Engineer [Master Mix] – Jim Gains* Engineer [Track Engineer] – Mike Fusaro Executive-Producer – John Paladino* Harmonica – James Cotton (tracks: B4, B5) Organ [B-3 Organ] – Joachim Young (tracks: A2, B6) Photography By [Back] – David Stahl (2) Photography By [Front] – Susan McCardle Remastered By [Half-Speed Mastering By] – Stan Ricker Rhythm Guitar – Curley Cooke (tracks: B6) Slide Guitar – Les Dudak* (tracks: B6) Vocals, Guitar, Synthesizer, Sitar, Producer [Produced By] – Steve Miller "Original Master Recording", (Half-Speed Mastering) "Pressed in Japan" "Super-High Definition Vinyl (extended life)". "Source: the original stereo master tape". "Under license from Capitol Records Inc. (C) (P) 1976" Goldmine deems the year to be 1979. *************************************************************************************************** Track listing ..................... 1. Space Intro ..................... 2. Fly Like An Eagle ..................... 3. Wild Mountain Honey ..................... 4. Serenade ..................... 5. Dance, Dance, Dance ..................... 6. Mercury Blues ..................... 7. Take The Money And Run ..................... 8. Rock'n Me ..................... 9. You Send Me ..................... 10. Blue Odyssey ..................... 11. Sweet Maree ..................... 12. Window, The ..................... *********************************************************************************************** ............ Tutored at a young age by no less than guitar whiz Les Paul and blues legend T-Bone Walker, Steve Miller's life seemed destined to be dominated by music. Still, Miller's evolution from 1960s white-boy Chicago blues journeyman to '70s Top 40 hit machine was meteoric. ................................... Building on the success of his mainstream breakthrough The Joker, Miller's mastery of the indelibly catchy pop song yielded not only the radio-staple title track (since successfully revived by Seal), but an almost embarrassing wealth of other deceptively simple, hook-laden songs (including the standout "Wild Mountain Honey" as well as the hit singles "Take the Money and Run" and "Rock'n Me") to make FLY LIKE AN EAGLE play more like a greatest hits album than a standard collection of songs. This is Miller at his '76 pop-perfectionist peak, and one of the decade's most enduring surprises. .................... ************************************************************************************************** ALBUM NOTES: ............... Personnel: Steve Miller (vocals, guitar, sitar, Roland organ); Lonnie Turner (bass); Gary Mallaber (drums, percussion). Additional personnel: Curley Cooke (guitar); Les Dudek (slide guitar); Kenny Johnson (drums). Recorded at C.B.S. Studios, San Francisco, California. Miller forsook his love of the blues for this and its sister project Book Of Dreams. In turning to mainstream pop/rock he became a huge star and developed the knack of delivering high-quality three-minute songs that were perfect for FM radio. The album is linked by Miller's fascination with electronic sounds, sandwiched between the irresistible title track, the Bonnie and Clyde tale of 'Take The Money And Run', the irritatingly simple 'Rock 'n' Me' and the subdued 'The Window', with its quirky lyric 'ask my baby what she wants to be, she says a monkey in a tree'. His baby replies 'there's nothing greater than love', true enough. After all, it was Miller who rhymed 'northern California' with 'girls are warm yeah'. *********************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ************************************************************************************************** *************************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................ ---------------------------------------------------------------------------------------------------- ***************************************************************************************************

Zustand: M- / M- = EINE NOCH NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER ATMOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... )

Preis: EUR 399,99 (minus 50% discount/Rechnungsrabatt = 199,99 euro) ----- M- / M- = EINE NOCH NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER ATMOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... )

In den Warenkorb


MFSL 1-022 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- ORIGINAL JAPANPRES

XXL-Foto


XXL-Foto

MANHATTAN TRANSFER, THE ----- LIVE ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG(REISSUE) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- MASTERED BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1978 BEI ATLANTIC RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY ATLANTIC RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )

Weitere Details: *********************************************************************************************** The Manhattan Transfer ‎– Live Label: Mobile Fidelity Sound Lab ‎– MFSL 1-022 Series: Original Master Recording – Format: Vinyl, LP, Album, Remastered, Stereo Country: US Released: Oct 1979 Genre: Jazz, Pop Style: Music Hall, Chanson, Swing Tracklist Hide Credits A1 That Cat Is High Written By – Williams* A2 Snootie Little Cutie Written By – Troup* A3 Four Brothers Written By – Giuffre*, Hendricks* A4 On A Little Street In Singapore Written By – Hill*, De Rose* A5 Java Jive Written By – Oakland*, Drake* A6 Walk In Love Written By – Batteau*, Klemmer* A7 Chanson D'Amour Written By – Shanklin* A8 The Speak Up Mambo (Cuentame) Written By – Castellanos* A9 15 Minute Intermission Written By – Skylar* B1 In The Dark Written By – Green* B2 Je Voulais (Te Dire Que Je T'Attends) Written By – Jonasz*, Grosz* B3 Sunday Written By – Kreuger*, Conn*, Styne*, Miller* B4 Candy Written By – Kramer*, Whitney*, David* B5 Well, Well, Well Written By – Moll*, Robertson*, Shand* B6 Freddy Morris Monologue Written By – Paul* B7 Bacon Fat Written By – Williams* B8 Turn Me Loose Written By – Pomus/Schuman* B9 Operator Written By – Spivery* B10 Tuxedo Junction Written By – Feyne*, Hawkins*, Dash*, Johnson* Companies, etc. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Atlantic Recording Corporation Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Recorded By – Rolling Stones Mobile Recorded At – Hammersmith Odeon Remixed At – Olympic Studios Published By – Leeds Music Published By – Dorsey Bros. Music Published By – Chappell Morris Published By – Francis, Day & Hunter Published By – Chappell & Co. Published By – Rondor Music (London) Ltd. Published By – Carlin Music Published By – Tro Essex Music Published By – Duchess Music Published By – Wabash Music Published By – EMI Music Publishing Published By – Leo Feist, Inc. Published By – Big 3 Music Published By – Skidmore Music Published By – Heen Publishing Published By – Planetary-Nom Published By – Frankie Avalon Music Published By – Unichappell Music Published By – Tristan Music Credits Backing Band – The Man Tran Band* Bass – Michael Schnoebelen Bass Trombone – Geoff Perkins Contractor – David Katz Drums – Peter Johnson (3) Ensemble – The Manhattan Transfer Guitar – Wayne Johnson (4) Keyboards – Dave Wallace (3) Management – Brian Avnet, Shep Gordon Management [Assistant] – Joanna FitzPatrick Mastered By [Half-Speed Mastering], Lacquer Cut By – Stan Ricker Reeds, Flute – Don Roberts Saxophone – Derek Grossmith, Eddie Mordue, Keith Bird, Stan Sultzman* Trombone – Cliff Hardie, David Horler Trumpet – Bobby Haughey, Derek Watkins, Ronnie Hughes, Tony Fisher (2) Vocals – Alan Paul, Janis Siegel, Laurel Masse*, Tim Hauser Notes Recorded by the Rolling Stones Mobile Unit at Manchester on April 23, 1978, Bristol (April 28, 1978) and Hammersmith Odeon London (May 2nd, 1978) The Man Tran Band are: Michael Schnoebelen (Bass), Wayne Johnson (Guitars), Don Roberts (Reeds and flute), Peter Johnson (Drums), Dave Wallace (Keyboards) Pressed in Japan. Barcode and Other Identifiers Matrix / Runout (Runout etched side A [stamped 1 2 1 +]): MFSL-1-022 A2 SR/2 1 2 1 + Matrix / Runout (Runout etched side B [stamped 1 1 2 +]): MFSL-1-022-B1 SR/2 1 1 2 + **************************************************************************************************** ************************************* LONG-OUT OF PRINT ********************************************* *************************************************************************************************** ************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! ******************* *************************************************************************************************** **************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ***************************** *************************************************************************************************** ***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-*** *************************************************************************************************** ****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ********************** *************************************************************************************************** *************************************************************************************************** *************************************************************************************************** Track listing: ........................... 1. "That Cat Is High" ........................... 2. "Snootie Little Cutie" ........................... 3. "Four Brothers" ........................... 4. "On A Little Street In Singapore" ........................... 5. "Java Jive" ........................... 6. "Walk In Love" ........................... 7. "Chanson d'Amour" ........................... 8. "Speak Up Mambo (Cuentame)" ........................... 9. "In The Dark" ........................... 10. "Je Voulais (Te Dire Que Je T'Attends)" ........................... 11. "Sunday" ........................... 12. "Candy" ........................... 13. "Well, Well, Well" ........................... 14. "Freddy Morris Monologue" ........................... 15. "Bacon Fat" ........................... 16. "Turn Me Loose" ........................... 17. "Operator" ........................... 18. "Tuxedo Junction"" ........................... ************************************************************************************************* The Manhattan Transfer Live was recorded by The Manhattan Transfer live at Manchester on 23 April 1978, Bristol on 28 April 1978, and the Hammersmith Odeon Theatre, London, on 2 May 1978. The album was produced by Tim Hauser and Janis Siegel. This was the final album made with Laurel Massé. The Manhattan Transfer Live was recorded when group was very successful and had become very popular in Europe; the enthusiasm heard in the audiences is evident in this recording. ************************************************************************************************ -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG(REISSUE) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- MASTERED BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!)..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG(REISSUE) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- MASTERED BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!)..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

In den Warenkorb


MFSL 1-022 (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- OUT OF PRINT -----( EINE NOCH NEUWERTIGE MFSL-JAPANPRESSUNG !!)

XXL-Foto


XXL-Foto

MANHATTAN TRANSFER, THE ----- LIVE ----- EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1978 BEI ATLANTIC RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY ATLANTIC RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD-JAPANPRESSUNG IST MINT = EINE ABSOLUT NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD !! ..... DIESE LP WURDE NUR WENIGE MALE ZU PRÜFZWECKEN GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... EINE IN DIESER PERFEKTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )

Weitere Details: *************************************************************************************************** Live (Vinyl, LP, Album, Remastered) album cover The Manhattan Transfer ‎– Live Label: Mobile Fidelity Sound Lab ‎– MFSL 1-022 Series: Original Master Recording – Format: Vinyl, LP, Album, Remastered Country: US Released: Oct 1979 Genre: Jazz, Pop Style: Music Hall, Chanson, Swing Tracklist A1 That Cat Is High A2 Snootie Little Cutie A3 Four Brothers A4 On A Little Street In Singapore A5 Java Jive A6 Walk In Love A7 Chanson D'Amour A8 The Speak Up Mambo (Cuentame) A9 15 Minute Intermission B1 In The Dark B2 Je Voulais (Te Dire Que Je T'Attends) B3 Sunday B4 Candy B5 Well, Well, Well B6 Freddy Morris Monologue B7 Bacon Fat B8 Turn Me Loose B9 Operator B10 Tuxedo Junction Companies, etc. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Atlantic Recording Corporation Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Recorded By – Rolling Stones Mobile Recorded At – Hammersmith Odeon Credits Backing Band – The Man Tran Band* Bass – Michael Schnoebelen Bass Trombone – Geoff Perkins Contractor – David Katz Drums – Peter Johnson (3) Guitar – Wayne Johnson (4) Keyboards – Dave Wallace (3) Management – Brian Avnet, Shep Gordon Management [Assistant] – Joanna FitzPatrick Mastered By [Half-Speed Mastering] – Stan Ricker Reeds, Flute – Don Roberts Saxophone – Derek Grossmith, Eddie Mordue, Keith Bird, Stan Sultzman* Trombone – Cliff Hardie, David Horler Trumpet – Bobby Haughey, Derek Watkins, Ronnie Hughes, Tony Fisher (2) Notes Recorded by the Rolling Stones Mobile Unit at Manchester on April 23, 1978, Bristol (April 28, 1978) and Hammersmith Odeon London (May 2nd, 1978) The Man Tran Band are: Michael Schnoebelen (Bass), Wayne Johnson (Guitars), Don Roberts (Reeds and flute), Peter Johnson (Drums), Dave Wallace (Keyboards) Pressed in Japan. ********************************************************************************************* Track listing: ........................... 1. "That Cat Is High" ........................... 2. "Snootie Little Cutie" ........................... 3. "Four Brothers" ........................... 4. "On A Little Street In Singapore" ........................... 5. "Java Jive" ........................... 6. "Walk In Love" ........................... 7. "Chanson d'Amour" ........................... 8. "Speak Up Mambo (Cuentame)" ........................... 9. "In The Dark" ........................... 10. "Je Voulais (Te Dire Que Je T'Attends)" ........................... 11. "Sunday" ........................... 12. "Candy" ........................... 13. "Well, Well, Well" ........................... 14. "Freddy Morris Monologue" ........................... 15. "Bacon Fat" ........................... 16. "Turn Me Loose" ........................... 17. "Operator" ........................... 18. "Tuxedo Junction"" ........................... ************************************************************************************************* The Manhattan Transfer Live was recorded by The Manhattan Transfer live at Manchester on 23 April 1978, Bristol on 28 April 1978, and the Hammersmith Odeon Theatre, London, on 2 May 1978. The album was produced by Tim Hauser and Janis Siegel. This was the final album made with Laurel Massé. The Manhattan Transfer Live was recorded when group was very successful and had become very popular in Europe; the enthusiasm heard in the audiences is evident in this recording. ************************************************************************************************ -------------------------------------------------------------------------------------------------- ************************************************************************************************* DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ************************************************************************************************** ************************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................ ---------------------------------------------------------------------------------------------------- ***************************************************************************************************

Zustand: M- / M- = EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS (LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... ) ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

Preis: EUR 199,99 (minus 50% discount/rechnungsrabatt = 99,99 euro) ----- M- / M- = EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS (LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... ) ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )

In den Warenkorb


MFSL 1-023 -- (FIRST MFSL JAPANPRESSING SERIES) ----- LIMITED EDITION ----- OUT OF PRINT ----- ( EINE ABSOLUT NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG)

XXL-Foto


XXL-Foto

THE BEATLES ---- ABBEY ROAD ---- EINE ABSOLUT NEUWERTIGE, AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG (FIRST MFSL-JAPAN-PRESSING SERIES) !! ----- DIESE LP/RECORD WURDE BISLANG NUR 1x ZU PRÜFZWECKEN GESPIELT !! ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1969 BEI EMI-ODEON-PARLOPHONE RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1969 BY EMI-ODEON-PALOPHONE RECORDS IN ENGLAND / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST EINE NOCH SEHR GUT ERHALTENENE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG UND WURDE NUR 1x ZU PRÜFZWECKEN GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ......( DIESE LP/RECORD IST ABSOLUT NEU UND WURDE BISLANG NUR 1x ZU PRÜFZWECKEN GESPIELT !!) VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = MINT - QUALITY !! ...... )

Weitere Details: ************************************************************************************************* The Beatles – Abbey Road Label: Mobile Fidelity Sound Lab – MFSL 1-023, Capitol Records – MFSL 1-023 Series: Original Master Recording Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo Country: US Released: Jan 1980 Genre: Rock Style: Pop Rock, Classic Rock Tracklist A1 Come Together Written-By – Lennon-McCartney 4:16 A2 Something Written-By – George Harrison 2:59 A3 Maxwell's Silver Hammer Written-By – Lennon-McCartney 3:24 A4 Oh! Darling Written-By – Lennon-McCartney 3:28 A5 Octopus's Garden Written-By – Richard Starkey 2:49 A6 I Want You (She's So Heavy) Written-By – Lennon-McCartney 7:49 B1 Here Comes The Sun Written-By – George Harrison 3:04 B2 Because Written-By – Lennon-McCartney 2:45 B3 You Never Give Me Your Money Written-By – Lennon-McCartney 3:57 B4 Sun King Written-By – Lennon-McCartney 2:31 B5 Mean Mr. Mustard Written-By – Lennon-McCartney 1:06 B6 Polythene Pam Written-By – Lennon-McCartney 1:13 B7 She Came In Through The Bathroom Window Written-By – Lennon-McCartney 1:58 B8 Golden Slumbers Written-By – Lennon-McCartney 1:31 B9 Carry That Weight Written-By – Lennon-McCartney 1:37 B10 The End Written-By – Lennon-McCartney 2:04 B11 Her Majesty Written-By – Lennon-McCartney 0:23 Companies, etc. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Capitol Records, Inc. Copyright © – Mobile Fidelity Sound Lab Credits Engineer [Thanks to, Uncredited] – Geoff Emerick, Phillip McDonald* Lacquer Cut By [Runout Etch] – SR/2* Photography By [Photographs By] – Iain MacMillan Producer – George Martin Remastered By [Half-speed Mastering] – Stan Ricker Notes Original master recording, remastered edition of the 1969 album. Mobile Fidelity's first Beatles release. Yellow banner at the top cover "Original Master Recording" White Mo-Fi label has the Capitol C logo. Early pressings came with a posterboard fold-out insert protecting the LP. On one side is a description of Mo-Fi's background called "An Audiophile's Dream Come True!" and the other side "Superdiscs Supertapes Superstars Super Quality" Later inserts had a photo of historical-looking figures holding up Mo-Fi LPs stating "Limited Editions From the Original Masters" Some later copies have a posterboard 4 page b&w foldout insert: front cover reads "Original Master Recordings" at top with an image of a man's back looking at the cover of the Beatles' White Album Original Master Recording. Page 2 has "What Is An Original Master Recording?". Page 3 has a catalog of LPs and cassettes. Back cover has UHQR and Geo-Disc information. The LP itself is translucent (hold it up to a bright light and you can see through it) and it comes in a paper-line rice paper sleeve. Pressed in Japan. Recorded in England. © 1979 Runouts: Entire string is stamped, with the exception hand-etching of "SR/2" and the # in the following part of the string: "MFSL-1-023 - $#" (where $ is an letter that is also stamped). Barcode and Other Identifiers Rights Society: BMI Matrix / Runout (Label A): MFSL 1-023 A Matrix / Runout (Label B): MFSL 1-023 B Matrix / Runout (Variant 1: Runout side A ): MFSL1-023 - A5 SR/2 151 ✽ ✣ Matrix / Runout (Variant 1: Runout side B): MFSL1-023 - B1 SR/2 111 ✣ Matrix / Runout (Variant 2: Runout side A): MFSL1-023 - A5 151 ✽ ✣ Matrix / Runout (Variant 2: Runout side B): MFSL-1-023 - B3 131 ✣ SR/2 Matrix / Runout (Variant 3: Runout side A): MFSL1-023 - A6 161 ✽ ✣ Matrix / Runout (Variant 3: Runout side B): MFSL1-023 - B6 161 ✽ ✣ Matrix / Runout (Variant 4: Runout side A): MFSL1-023 - A12 SR/2 1 1 2 1 ✽ ✣ Matrix / Runout (Variant 4: Runout side B): MFSL-1-023 - B5 SR/2 1 5 1 ✽ Matrix / Runout (Variant 5: Runout side A ): MFSL1-023 - A3 SR/2 1 3 1 ✽ Matrix / Runout (Variant 5: Runout side B): MFSL1-023 - B5 SR/2 1 5 1 ✣ Matrix / Runout (Variant 6: Runout side A): MFSL1-023 - A11 SR/2 1 1 1 1 ✣ Matrix / Runout (Variant 6: Runout side B): MFSL1-023 - B2 SR/2 1 2 1 ✽ Matrix / Runout (Variant 7: Runout side A): MFSL1-023 - A5 SR/2 1 5 1 ✽ ✣ Matrix / Runout (Variant 7: Runout side B): MFSL1-023 - B7 SR/2 1 7 1 ✣ Matrix / Runout (Variant 8: Runout side A): MFSL1-023 - A9 SR/2 1 9 1 ✽ ✣ Matrix / Runout (Variant 8: Runout side B): MFSL1-023 - B8 SR/2 1 8 1 ✽ ✣ Matrix / Runout (Variant 9: Runout side A): MFSL1-023 - A12 SR/2 1 1 2 1 ✽ Matrix / Runout (Variant 9: Runout side B): MFSL1-023 - B6 SR/2 161 ✽ Matrix / Runout (Variant 10: Runout side A): MFSL-1-023 - A10 SR/2 1 1 0 1 ✽ ✣ Matrix / Runout (Variant 10: Runout side B): MFSL-1-023 - B2 SR/2 1 2 1 ✣ ************************************************************************************************** TRACKLISTING: ......................... 1 Come Together ................... 2 Something ......................... 3 Maxwell's Silver Hammer ......................... 4 Oh! Darling ......................... 5 Octopus's Garden ......................... 6 I Want You (She's So Heavy) ......................... 7 Here Comes The Sun ......................... 8 Because ......................... 9 You Never Give Me Your Money ......................... 10 Sun King ......................... 11 Mean Mr. Mustard ......................... 12 Polythene Pam ......................... 13 She Came In Through The Bathroom Window ......................... 14 Golden Slumbers ......................... 15 Carry That Weight ......................... 16 The End ............................ ************************************************************************************************ The Beatles last days as a band were as productive as any major phenomenon that was about to split up. After recording LET IT BE LP, the group held on for this ambitious effort - an album that was to become their best seller. On Side One, all four Beatles contribute with John Lennon’s hard rocking COME TOGETHER and I WANT YOU SO; George Harrison’s SOMETHING; Ringo’s OCTOPUS’S GARDEN and Paul McCartney’s MAXWELL SILVER HAMMER and OH DARLING complete this first side. A series of long fragments edited together in a sweet form dominates Side Two. Songs like George Harrison’s HERE COMES THE SUN, BECAUSE, SUN KING, MEAN MR. MUSTARD, POLYTHENE PAM, CAME THROUGH THE BATHROOM WINDOW, NEVER GIVE ME YOUR MONEY, GOLDEN SLUMBERS, and the fitting end to The Beatles last cut forever - THE END have a way of taking you in, up and out. You can feel your energy level rise as you listen to these songs and when you hit the crescendo, they take you down gently. ABBEY ROAD has to be one of the great classic rock albums of all-times. This is one album that Beatles fans will want to add to their album collection as it shows what a force The Beatles were in rock and roll. *************************************************************************************************** ABBEY ROAD, recorded in the summer of 1969, was the last album recorded by the Beatles (LET IT BE was released in 1970, but recorded in early '69).The Beatles: Paul McCartney (vocals, guitar, keyboards, bass); John Lennon (vocals, guitar, keyboards); George Harrison (vocals, guitar, synthesizer); Ringo Starr (vocals, drums, percussion).Personnel: Paul McCartney (vocals, guitar, piano, bass guitar); John Lennon, George Harrison (vocals, guitar); Ringo Starr (vocals, drums); Billy Preston (organ); Mike Vickers (Moog synthesizer).Liner Note Authors: Alan Rouse; Kevin Howlett.Recording information: EMI Abbey Road Studios, London, England.Photographers: Ian MacMillan; Ian MacMillan.After the laborious disorganization and infighting that characterized early 1969's LET IT BE sessions (as famously captured on film), the fractious four were willing to let George Martin take the reins and to work with him as a cohesive unit for the much more succinct production of their (and the decade's) swan song, ABBEY ROAD. The superb performances make the album an artistic high point for all members of the group. Paul McCartney inspired the suite of songs that begins with "You Never Give Me Your Money." Often thought of as two long medleys, the songs that fill most of the second half of ABBEY ROAD segue seamlessly into one another, but are programmed as separate CD tracks. George Harrison had his first A-side on a Beatles' single ("Something"); John Lennon contributed a pair of heavy rockers ("Come Together" and "I Want You"); and Ringo Starr's "Octopus's Garden" was a favorite with children. .......................... *************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ************************************************************************************************** *************************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................ ---------------------------------------------------------------------------------------------------- *************************************************************************************************** ---------------------------------------------------------------------------------------------------- *************************************************************************************************

Zustand: NEW = MINT = EINE ABSOLUT NEUWERTIGE, AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG (FIRST MFSL-JAPAN-PRESSING SERIES) !! ----- DIESE LP/RECORD WURDE BISLANG NUR 1x ZU PRÜFZWECKEN GESPIELT !! ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " NEW = MINT " - QUALITY !! ...... )

Preis: EUR 1199,99 (minus 50% discount/rechnungsrabatt = 599,99 euro) ----- NEW = MINT = EINE ABSOLUT NEUWERTIGE, AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG (FIRST MFSL-JAPAN-PRESSING SERIES) !! ----- DIESE LP/RECORD WURDE BISLANG NUR 1x ZU PRÜFZWECKEN GESPIELT !! ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " NEW = MINT " - QUALITY !! ...... )

In den Warenkorb


MFSL 1-023 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

XXL-Foto


XXL-Foto

THE BEATLES ----- ABBEY ROAD ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1969 BEI EMI-ODEON-PARLOPHONE RECORDS IN ENGLAND(U.K.) / ..... ORIGINAL RECORDING 1969 BY EMI-ODEON-PALOPHONE RECORDS IN ENGLAND(U.K.) / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST EINE NOCH ORIGINAL VERSIEGELTE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG UND WURDE NOCH NICHT GESPIELT !! (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-PRESSING-SERIES) ----- MADE IN JAPAN ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

Weitere Details: ************************************************************************************************* The Beatles – Abbey Road Label: Mobile Fidelity Sound Lab – MFSL 1-023, Capitol Records – MFSL 1-023 Series: Original Master Recording Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo Country: US Released: Jan 1980 Genre: Rock Style: Pop Rock, Classic Rock Tracklist A1 Come Together Written-By – Lennon-McCartney 4:16 A2 Something Written-By – George Harrison 2:59 A3 Maxwell's Silver Hammer Written-By – Lennon-McCartney 3:24 A4 Oh! Darling Written-By – Lennon-McCartney 3:28 A5 Octopus's Garden Written-By – Richard Starkey 2:49 A6 I Want You (She's So Heavy) Written-By – Lennon-McCartney 7:49 B1 Here Comes The Sun Written-By – George Harrison 3:04 B2 Because Written-By – Lennon-McCartney 2:45 B3 You Never Give Me Your Money Written-By – Lennon-McCartney 3:57 B4 Sun King Written-By – Lennon-McCartney 2:31 B5 Mean Mr. Mustard Written-By – Lennon-McCartney 1:06 B6 Polythene Pam Written-By – Lennon-McCartney 1:13 B7 She Came In Through The Bathroom Window Written-By – Lennon-McCartney 1:58 B8 Golden Slumbers Written-By – Lennon-McCartney 1:31 B9 Carry That Weight Written-By – Lennon-McCartney 1:37 B10 The End Written-By – Lennon-McCartney 2:04 B11 Her Majesty Written-By – Lennon-McCartney 0:23 Companies, etc. Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Licensed From – Capitol Records, Inc. Copyright © – Mobile Fidelity Sound Lab Credits Engineer [Thanks to, Uncredited] – Geoff Emerick, Phillip McDonald* Lacquer Cut By [Runout Etch] – SR/2* Photography By [Photographs By] – Iain MacMillan Producer – George Martin Remastered By [Half-speed Mastering] – Stan Ricker Notes Original master recording, remastered edition of the 1969 album. Mobile Fidelity's first Beatles release. Yellow banner at the top cover "Original Master Recording" White Mo-Fi label has the Capitol C logo. Early pressings came with a posterboard fold-out insert protecting the LP. On one side is a description of Mo-Fi's background called "An Audiophile's Dream Come True!" and the other side "Superdiscs Supertapes Superstars Super Quality" Later inserts had a photo of historical-looking figures holding up Mo-Fi LPs stating "Limited Editions From the Original Masters" Some later copies have a posterboard 4 page b&w foldout insert: front cover reads "Original Master Recordings" at top with an image of a man's back looking at the cover of the Beatles' White Album Original Master Recording. Page 2 has "What Is An Original Master Recording?". Page 3 has a catalog of LPs and cassettes. Back cover has UHQR and Geo-Disc information. The LP itself is translucent (hold it up to a bright light and you can see through it) and it comes in a paper-line rice paper sleeve. Pressed in Japan. Recorded in England. © 1979 Runouts: Entire string is stamped, with the exception hand-etching of "SR/2" and the # in the following part of the string: "MFSL-1-023 - $#" (where $ is an letter that is also stamped). Barcode and Other Identifiers Rights Society: BMI Matrix / Runout (Label A): MFSL 1-023 A Matrix / Runout (Label B): MFSL 1-023 B Matrix / Runout (Variant 1: Runout side A ): MFSL1-023 - A5 SR/2 151 ✽ ✣ Matrix / Runout (Variant 1: Runout side B): MFSL1-023 - B1 SR/2 111 ✣ Matrix / Runout (Variant 2: Runout side A): MFSL1-023 - A5 151 ✽ ✣ Matrix / Runout (Variant 2: Runout side B): MFSL-1-023 - B3 131 ✣ SR/2 Matrix / Runout (Variant 3: Runout side A): MFSL1-023 - A6 161 ✽ ✣ Matrix / Runout (Variant 3: Runout side B): MFSL1-023 - B6 161 ✽ ✣ Matrix / Runout (Variant 4: Runout side A): MFSL1-023 - A12 SR/2 1 1 2 1 ✽ ✣ Matrix / Runout (Variant 4: Runout side B): MFSL-1-023 - B5 SR/2 1 5 1 ✽ Matrix / Runout (Variant 5: Runout side A ): MFSL1-023 - A3 SR/2 1 3 1 ✽ Matrix / Runout (Variant 5: Runout side B): MFSL1-023 - B5 SR/2 1 5 1 ✣ Matrix / Runout (Variant 6: Runout side A): MFSL1-023 - A11 SR/2 1 1 1 1 ✣ Matrix / Runout (Variant 6: Runout side B): MFSL1-023 - B2 SR/2 1 2 1 ✽ Matrix / Runout (Variant 7: Runout side A): MFSL1-023 - A5 SR/2 1 5 1 ✽ ✣ Matrix / Runout (Variant 7: Runout side B): MFSL1-023 - B7 SR/2 1 7 1 ✣ Matrix / Runout (Variant 8: Runout side A): MFSL1-023 - A9 SR/2 1 9 1 ✽ ✣ Matrix / Runout (Variant 8: Runout side B): MFSL1-023 - B8 SR/2 1 8 1 ✽ ✣ Matrix / Runout (Variant 9: Runout side A): MFSL1-023 - A12 SR/2 1 1 2 1 ✽ Matrix / Runout (Variant 9: Runout side B): MFSL1-023 - B6 SR/2 161 ✽ Matrix / Runout (Variant 10: Runout side A): MFSL-1-023 - A10 SR/2 1 1 0 1 ✽ ✣ Matrix / Runout (Variant 10: Runout side B): MFSL-1-023 - B2 SR/2 1 2 1 ✣ ************************************************************************************************* Aufnahemn vom 22. Februar 1969 bis 20. August 1969 in den Abbey Road Studios, Olympic Studios, und Trident Studios. Erstveröffentlichung September 1969. "Abbey Road", das vorletzte Album der legendären Pilzköpfe, erschien erstmals 1969 und wurde immer wieder neu aufgelegt. Inoffiziell ist "Abbey Road" der letzte Akt der Ära Beatles - "Let It Be" wurde vorher aufgenommen, allerdings erst mit dem gleichnamigen Film 1970 veröffentlicht. Wieder mit dabei war George Martin, der schon Hitalben wie "Rubber Soul", "Revolver" und "Sgt. Pepper's Lonely Hearts Club Band" produzierte. Ergebnis sind perfekte und harmonische Arrangements. Nicht unerwähnt bleiben dürfen natürlich "Come Together", "I Want You (She's So Heavy)" sowie "Something", die einen sehr starken Eindruck hinterlassen. Aber auch Stücke wie "Oh! Darling" und "Because" beeindrucken durch zauberhafte Gesangsharmonien. Das Medley auf der zweiten Seite besteht aus bruchstückhaften und unvollendeten Einzelsongs von McCartney und Lennon. "Sun King", "Golden Slumbers" und die ergreifende Schlusshymne "The End" zeigen sich von ihrer schönen Seite. Ein wahrer Klassiker, der in keinem Plattenschrank fehlen darf. ************************************************************************************************* TRACKLISTING: ......................... 1 Come Together ................... 2 Something ......................... 3 Maxwell's Silver Hammer ......................... 4 Oh! Darling ......................... 5 Octopus's Garden ......................... 6 I Want You (She's So Heavy) ......................... 7 Here Comes The Sun ......................... 8 Because ......................... 9 You Never Give Me Your Money ......................... 10 Sun King ......................... 11 Mean Mr. Mustard ......................... 12 Polythene Pam ......................... 13 She Came In Through The Bathroom Window ......................... 14 Golden Slumbers ......................... 15 Carry That Weight ......................... 16 The End ............................ ************************************************************************************************ The Beatles last days as a band were as productive as any major phenomenon that was about to split up. After recording LET IT BE LP, the group held on for this ambitious effort - an album that was to become their best seller. On Side One, all four Beatles contribute with John Lennon’s hard rocking COME TOGETHER and I WANT YOU SO; George Harrison’s SOMETHING; Ringo’s OCTOPUS’S GARDEN and Paul McCartney’s MAXWELL SILVER HAMMER and OH DARLING complete this first side. A series of long fragments edited together in a sweet form dominates Side Two. Songs like George Harrison’s HERE COMES THE SUN, BECAUSE, SUN KING, MEAN MR. MUSTARD, POLYTHENE PAM, CAME THROUGH THE BATHROOM WINDOW, NEVER GIVE ME YOUR MONEY, GOLDEN SLUMBERS, and the fitting end to The Beatles last cut forever - THE END have a way of taking you in, up and out. You can feel your energy level rise as you listen to these songs and when you hit the crescendo, they take you down gently. ABBEY ROAD has to be one of the great classic rock albums of all-times. This is one album that Beatles fans will want to add to their album collection as it shows what a force The Beatles were in rock and roll. *************************************************************************************************** ABBEY ROAD, recorded in the summer of 1969, was the last album recorded by the Beatles (LET IT BE was released in 1970, but recorded in early '69).The Beatles: Paul McCartney (vocals, guitar, keyboards, bass); John Lennon (vocals, guitar, keyboards); George Harrison (vocals, guitar, synthesizer); Ringo Starr (vocals, drums, percussion).Personnel: Paul McCartney (vocals, guitar, piano, bass guitar); John Lennon, George Harrison (vocals, guitar); Ringo Starr (vocals, drums); Billy Preston (organ); Mike Vickers (Moog synthesizer).Liner Note Authors: Alan Rouse; Kevin Howlett.Recording information: EMI Abbey Road Studios, London, England.Photographers: Ian MacMillan; Ian MacMillan.After the laborious disorganization and infighting that characterized early 1969's LET IT BE sessions (as famously captured on film), the fractious four were willing to let George Martin take the reins and to work with him as a cohesive unit for the much more succinct production of their (and the decade's) swan song, ABBEY ROAD. The superb performances make the album an artistic high point for all members of the group. Paul McCartney inspired the suite of songs that begins with "You Never Give Me Your Money." Often thought of as two long medleys, the songs that fill most of the second half of ABBEY ROAD segue seamlessly into one another, but are programmed as separate CD tracks. George Harrison had his first A-side on a Beatles' single ("Something"); John Lennon contributed a pair of heavy rockers ("Come Together" and "I Want You"); and Ringo Starr's "Octopus's Garden" was a favorite with children. .......................... *************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )

Preis: EUR 1999,99 (minus 50% discount/rechnungsrabatt = 999,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )

In den Warenkorb


<  1 ... 3  4  5  6  7  8  9 ... 73 >

Willi Hutmacher - Weissenstein 61, 40764 Langenfeld - analoge, audiophile LP's und CD's aus Privatsammlung - Tel.: (+49) (0)2173-85 53 64 - Fax: (+49) (0)2173-854 91 86
E-Mail: ..... willihutm@t-online.de .....
E-Mail: ..... audiophile-lp-cd@t-online.de .....

Umsatzsteuer Identifikationsnummer (Ust-IdNr.): DE340485997 (Angemeldet als Kleinunternehmer ? 19 Absatz 1 UStG. Der angegebene Preis ist ein Endpreis zuz?glich der im Angebot angegebenen Versandkosten. Die Umsatzsteuer kann nicht ausgewiesen werden.)

Bei technischen Fragen zu meinem Online-Angebot oder zu Produktanfragen mailen Sie bitte an: ..... audiophile-lp-cd@t-online.de ..... oder .....willihutm@t-online.de

Copyright © 2001 Willi Hutmacher. Alle Rechte vorbehalten.

Zuletzt aktualisiert am 20. März 2021