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MFSL - HALFSPEED-LP`s USA (Out of Print ) |
Gefundene Artikel: 721 | | Anzeige Produkte 51 bis 60 | MFSL 1-022 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- ORIGINAL JAPANPRES
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| MANHATTAN TRANSFER, THE ----- LIVE ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG(REISSUE) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- MASTERED BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1978 BEI ATLANTIC RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY ATLANTIC RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )
Weitere Details: ***********************************************************************************************
The Manhattan Transfer – Live
Label: Mobile Fidelity Sound Lab – MFSL 1-022
Series: Original Master Recording –
Format: Vinyl, LP, Album, Remastered, Stereo
Country: US
Released: Oct 1979
Genre: Jazz, Pop
Style: Music Hall, Chanson, Swing
Tracklist
Hide Credits
A1 That Cat Is High
Written By – Williams*
A2 Snootie Little Cutie
Written By – Troup*
A3 Four Brothers
Written By – Giuffre*, Hendricks*
A4 On A Little Street In Singapore
Written By – Hill*, De Rose*
A5 Java Jive
Written By – Oakland*, Drake*
A6 Walk In Love
Written By – Batteau*, Klemmer*
A7 Chanson D'Amour
Written By – Shanklin*
A8 The Speak Up Mambo (Cuentame)
Written By – Castellanos*
A9 15 Minute Intermission
Written By – Skylar*
B1 In The Dark
Written By – Green*
B2 Je Voulais (Te Dire Que Je T'Attends)
Written By – Jonasz*, Grosz*
B3 Sunday
Written By – Kreuger*, Conn*, Styne*, Miller*
B4 Candy
Written By – Kramer*, Whitney*, David*
B5 Well, Well, Well
Written By – Moll*, Robertson*, Shand*
B6 Freddy Morris Monologue
Written By – Paul*
B7 Bacon Fat
Written By – Williams*
B8 Turn Me Loose
Written By – Pomus/Schuman*
B9 Operator
Written By – Spivery*
B10 Tuxedo Junction
Written By – Feyne*, Hawkins*, Dash*, Johnson*
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Atlantic Recording Corporation
Phonographic Copyright (p) – Atlantic Recording Corporation
Copyright (c) – Atlantic Recording Corporation
Recorded By – Rolling Stones Mobile
Recorded At – Hammersmith Odeon
Remixed At – Olympic Studios
Published By – Leeds Music
Published By – Dorsey Bros. Music
Published By – Chappell Morris
Published By – Francis, Day & Hunter
Published By – Chappell & Co.
Published By – Rondor Music (London) Ltd.
Published By – Carlin Music
Published By – Tro Essex Music
Published By – Duchess Music
Published By – Wabash Music
Published By – EMI Music Publishing
Published By – Leo Feist, Inc.
Published By – Big 3 Music
Published By – Skidmore Music
Published By – Heen Publishing
Published By – Planetary-Nom
Published By – Frankie Avalon Music
Published By – Unichappell Music
Published By – Tristan Music
Credits
Backing Band – The Man Tran Band*
Bass – Michael Schnoebelen
Bass Trombone – Geoff Perkins
Contractor – David Katz
Drums – Peter Johnson (3)
Ensemble – The Manhattan Transfer
Guitar – Wayne Johnson (4)
Keyboards – Dave Wallace (3)
Management – Brian Avnet, Shep Gordon
Management [Assistant] – Joanna FitzPatrick
Mastered By [Half-Speed Mastering], Lacquer Cut By – Stan Ricker
Reeds, Flute – Don Roberts
Saxophone – Derek Grossmith, Eddie Mordue, Keith Bird, Stan Sultzman*
Trombone – Cliff Hardie, David Horler
Trumpet – Bobby Haughey, Derek Watkins, Ronnie Hughes, Tony Fisher (2)
Vocals – Alan Paul, Janis Siegel, Laurel Masse*, Tim Hauser
Notes
Recorded by the Rolling Stones Mobile Unit at Manchester on April 23, 1978, Bristol (April 28, 1978) and Hammersmith Odeon London (May 2nd, 1978)
The Man Tran Band are: Michael Schnoebelen (Bass), Wayne Johnson (Guitars), Don Roberts (Reeds and flute), Peter Johnson (Drums), Dave Wallace (Keyboards)
Pressed in Japan.
Barcode and Other Identifiers
Matrix / Runout (Runout etched side A [stamped 1 2 1 +]): MFSL-1-022 A2 SR/2 1 2 1 +
Matrix / Runout (Runout etched side B [stamped 1 1 2 +]): MFSL-1-022-B1 SR/2 1 1 2 +
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************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *******************
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**************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! *****************************
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***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-***
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****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! **********************
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Track listing: ...........................
1. "That Cat Is High" ...........................
2. "Snootie Little Cutie" ...........................
3. "Four Brothers" ...........................
4. "On A Little Street In Singapore" ...........................
5. "Java Jive" ...........................
6. "Walk In Love" ...........................
7. "Chanson d'Amour" ...........................
8. "Speak Up Mambo (Cuentame)" ...........................
9. "In The Dark" ...........................
10. "Je Voulais (Te Dire Que Je T'Attends)" ...........................
11. "Sunday" ...........................
12. "Candy" ...........................
13. "Well, Well, Well" ...........................
14. "Freddy Morris Monologue" ...........................
15. "Bacon Fat" ...........................
16. "Turn Me Loose" ...........................
17. "Operator" ...........................
18. "Tuxedo Junction"" ...........................
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The Manhattan Transfer Live was recorded by The Manhattan Transfer live at Manchester on 23 April 1978, Bristol on 28 April 1978, and the Hammersmith Odeon Theatre, London, on 2 May 1978. The album was produced by Tim Hauser and Janis Siegel. This was the final album made with Laurel Massé.
The Manhattan Transfer Live was recorded when group was very successful and had become very popular in Europe; the enthusiasm heard in the audiences is evident in this recording.
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG(REISSUE) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- MASTERED BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!)..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG(REISSUE) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- MASTERED BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!)..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
In den Warenkorb |
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MFSL 1-022 (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- OUT OF PRINT -----( EINE NOCH NEUWERTIGE MFSL-JAPANPRESSUNG !!)
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| MANHATTAN TRANSFER, THE ----- LIVE ----- EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1978 BEI ATLANTIC RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY ATLANTIC RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD-JAPANPRESSUNG IST MINT = EINE ABSOLUT NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD !! ..... DIESE LP WURDE NUR WENIGE MALE ZU PRÜFZWECKEN GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... EINE IN DIESER PERFEKTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )
Weitere Details: ***************************************************************************************************
Live (Vinyl, LP, Album, Remastered) album cover
The Manhattan Transfer – Live
Label: Mobile Fidelity Sound Lab – MFSL 1-022
Series: Original Master Recording –
Format: Vinyl, LP, Album, Remastered
Country: US
Released: Oct 1979
Genre: Jazz, Pop
Style: Music Hall, Chanson, Swing
Tracklist
A1 That Cat Is High
A2 Snootie Little Cutie
A3 Four Brothers
A4 On A Little Street In Singapore
A5 Java Jive
A6 Walk In Love
A7 Chanson D'Amour
A8 The Speak Up Mambo (Cuentame)
A9 15 Minute Intermission
B1 In The Dark
B2 Je Voulais (Te Dire Que Je T'Attends)
B3 Sunday
B4 Candy
B5 Well, Well, Well
B6 Freddy Morris Monologue
B7 Bacon Fat
B8 Turn Me Loose
B9 Operator
B10 Tuxedo Junction
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Atlantic Recording Corporation
Phonographic Copyright (p) – Atlantic Recording Corporation
Copyright (c) – Atlantic Recording Corporation
Recorded By – Rolling Stones Mobile
Recorded At – Hammersmith Odeon
Credits
Backing Band – The Man Tran Band*
Bass – Michael Schnoebelen
Bass Trombone – Geoff Perkins
Contractor – David Katz
Drums – Peter Johnson (3)
Guitar – Wayne Johnson (4)
Keyboards – Dave Wallace (3)
Management – Brian Avnet, Shep Gordon
Management [Assistant] – Joanna FitzPatrick
Mastered By [Half-Speed Mastering] – Stan Ricker
Reeds, Flute – Don Roberts
Saxophone – Derek Grossmith, Eddie Mordue, Keith Bird, Stan Sultzman*
Trombone – Cliff Hardie, David Horler
Trumpet – Bobby Haughey, Derek Watkins, Ronnie Hughes, Tony Fisher (2)
Notes
Recorded by the Rolling Stones Mobile Unit at Manchester on April 23, 1978, Bristol (April 28, 1978) and Hammersmith Odeon London (May 2nd, 1978)
The Man Tran Band are: Michael Schnoebelen (Bass), Wayne Johnson (Guitars), Don Roberts (Reeds and flute), Peter Johnson (Drums), Dave Wallace (Keyboards)
Pressed in Japan.
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Track listing: ...........................
1. "That Cat Is High" ...........................
2. "Snootie Little Cutie" ...........................
3. "Four Brothers" ...........................
4. "On A Little Street In Singapore" ...........................
5. "Java Jive" ...........................
6. "Walk In Love" ...........................
7. "Chanson d'Amour" ...........................
8. "Speak Up Mambo (Cuentame)" ...........................
9. "In The Dark" ...........................
10. "Je Voulais (Te Dire Que Je T'Attends)" ...........................
11. "Sunday" ...........................
12. "Candy" ...........................
13. "Well, Well, Well" ...........................
14. "Freddy Morris Monologue" ...........................
15. "Bacon Fat" ...........................
16. "Turn Me Loose" ...........................
17. "Operator" ...........................
18. "Tuxedo Junction"" ...........................
*************************************************************************************************
The Manhattan Transfer Live was recorded by The Manhattan Transfer live at Manchester on 23 April 1978, Bristol on 28 April 1978, and the Hammersmith Odeon Theatre, London, on 2 May 1978. The album was produced by Tim Hauser and Janis Siegel. This was the final album made with Laurel Massé.
The Manhattan Transfer Live was recorded when group was very successful and had become very popular in Europe; the enthusiasm heard in the audiences is evident in this recording.
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: M- / M- = EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS (LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... ) ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
Preis: EUR 199,99 (minus 50% discount/rechnungsrabatt = 99,99 euro) ----- M- / M- = EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS (LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... ) ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!)..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
In den Warenkorb |
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|
MFSL 1-023 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)
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XXL-Foto
| THE BEATLES ----- ABBEY ROAD ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1969 BEI EMI-ODEON-PARLOPHONE RECORDS IN ENGLAND(U.K.) / ..... ORIGINAL RECORDING 1969 BY EMI-ODEON-PALOPHONE RECORDS IN ENGLAND(U.K.) / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST EINE NOCH ORIGINAL VERSIEGELTE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG UND WURDE NOCH NICHT GESPIELT !! (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-PRESSING-SERIES) ----- MADE IN JAPAN ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Weitere Details: *************************************************************************************************
The Beatles – Abbey Road
Label: Mobile Fidelity Sound Lab – MFSL 1-023, Capitol Records – MFSL 1-023
Series: Original Master Recording
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo
Country: US
Released: Jan 1980
Genre: Rock
Style: Pop Rock, Classic Rock
Tracklist
A1 Come Together
Written-By – Lennon-McCartney
4:16
A2 Something
Written-By – George Harrison
2:59
A3 Maxwell's Silver Hammer
Written-By – Lennon-McCartney
3:24
A4 Oh! Darling
Written-By – Lennon-McCartney
3:28
A5 Octopus's Garden
Written-By – Richard Starkey
2:49
A6 I Want You (She's So Heavy)
Written-By – Lennon-McCartney
7:49
B1 Here Comes The Sun
Written-By – George Harrison
3:04
B2 Because
Written-By – Lennon-McCartney
2:45
B3 You Never Give Me Your Money
Written-By – Lennon-McCartney
3:57
B4 Sun King
Written-By – Lennon-McCartney
2:31
B5 Mean Mr. Mustard
Written-By – Lennon-McCartney
1:06
B6 Polythene Pam
Written-By – Lennon-McCartney
1:13
B7 She Came In Through The Bathroom Window
Written-By – Lennon-McCartney
1:58
B8 Golden Slumbers
Written-By – Lennon-McCartney
1:31
B9 Carry That Weight
Written-By – Lennon-McCartney
1:37
B10 The End
Written-By – Lennon-McCartney
2:04
B11 Her Majesty
Written-By – Lennon-McCartney
0:23
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Capitol Records, Inc.
Copyright © – Mobile Fidelity Sound Lab
Credits
Engineer [Thanks to, Uncredited] – Geoff Emerick, Phillip McDonald*
Lacquer Cut By [Runout Etch] – SR/2*
Photography By [Photographs By] – Iain MacMillan
Producer – George Martin
Remastered By [Half-speed Mastering] – Stan Ricker
Notes
Original master recording, remastered edition of the 1969 album.
Mobile Fidelity's first Beatles release.
Yellow banner at the top cover "Original Master Recording"
White Mo-Fi label has the Capitol C logo.
Early pressings came with a posterboard fold-out insert protecting the LP. On one side is a description of Mo-Fi's background called "An Audiophile's Dream Come True!" and the other side "Superdiscs Supertapes Superstars Super Quality"
Later inserts had a photo of historical-looking figures holding up Mo-Fi LPs stating "Limited Editions From the Original Masters"
Some later copies have a posterboard 4 page b&w foldout insert: front cover reads "Original Master Recordings" at top with an image of a man's back looking at the cover of the Beatles' White Album Original Master Recording. Page 2 has "What Is An Original Master Recording?". Page 3 has a catalog of LPs and cassettes. Back cover has UHQR and Geo-Disc information.
The LP itself is translucent (hold it up to a bright light and you can see through it) and it comes in a paper-line rice paper sleeve.
Pressed in Japan.
Recorded in England.
© 1979
Runouts: Entire string is stamped, with the exception hand-etching of "SR/2" and the # in the following part of the string: "MFSL-1-023 - $#" (where $ is an letter that is also stamped).
Barcode and Other Identifiers
Rights Society: BMI
Matrix / Runout (Label A): MFSL 1-023 A
Matrix / Runout (Label B): MFSL 1-023 B
Matrix / Runout (Variant 1: Runout side A ): MFSL1-023 - A5 SR/2 151 ✽ ✣
Matrix / Runout (Variant 1: Runout side B): MFSL1-023 - B1 SR/2 111 ✣
Matrix / Runout (Variant 2: Runout side A): MFSL1-023 - A5 151 ✽ ✣
Matrix / Runout (Variant 2: Runout side B): MFSL-1-023 - B3 131 ✣ SR/2
Matrix / Runout (Variant 3: Runout side A): MFSL1-023 - A6 161 ✽ ✣
Matrix / Runout (Variant 3: Runout side B): MFSL1-023 - B6 161 ✽ ✣
Matrix / Runout (Variant 4: Runout side A): MFSL1-023 - A12 SR/2 1 1 2 1 ✽ ✣
Matrix / Runout (Variant 4: Runout side B): MFSL-1-023 - B5 SR/2 1 5 1 ✽
Matrix / Runout (Variant 5: Runout side A ): MFSL1-023 - A3 SR/2 1 3 1 ✽
Matrix / Runout (Variant 5: Runout side B): MFSL1-023 - B5 SR/2 1 5 1 ✣
Matrix / Runout (Variant 6: Runout side A): MFSL1-023 - A11 SR/2 1 1 1 1 ✣
Matrix / Runout (Variant 6: Runout side B): MFSL1-023 - B2 SR/2 1 2 1 ✽
Matrix / Runout (Variant 7: Runout side A): MFSL1-023 - A5 SR/2 1 5 1 ✽ ✣
Matrix / Runout (Variant 7: Runout side B): MFSL1-023 - B7 SR/2 1 7 1 ✣
Matrix / Runout (Variant 8: Runout side A): MFSL1-023 - A9 SR/2 1 9 1 ✽ ✣
Matrix / Runout (Variant 8: Runout side B): MFSL1-023 - B8 SR/2 1 8 1 ✽ ✣
Matrix / Runout (Variant 9: Runout side A): MFSL1-023 - A12 SR/2 1 1 2 1 ✽
Matrix / Runout (Variant 9: Runout side B): MFSL1-023 - B6 SR/2 161 ✽
Matrix / Runout (Variant 10: Runout side A): MFSL-1-023 - A10 SR/2 1 1 0 1 ✽ ✣
Matrix / Runout (Variant 10: Runout side B): MFSL-1-023 - B2 SR/2 1 2 1 ✣
*************************************************************************************************
Aufnahemn vom 22. Februar 1969 bis 20. August 1969 in den Abbey Road Studios, Olympic Studios, und Trident Studios.
Erstveröffentlichung September 1969.
"Abbey Road", das vorletzte Album der legendären Pilzköpfe, erschien erstmals 1969 und wurde immer wieder neu aufgelegt. Inoffiziell ist "Abbey Road" der letzte Akt der Ära Beatles - "Let It Be" wurde vorher aufgenommen, allerdings erst mit dem gleichnamigen Film 1970 veröffentlicht. Wieder mit dabei war George Martin, der schon Hitalben wie "Rubber Soul", "Revolver" und "Sgt. Pepper's Lonely Hearts Club Band" produzierte. Ergebnis sind perfekte und harmonische Arrangements. Nicht unerwähnt bleiben dürfen natürlich "Come Together", "I Want You (She's So Heavy)" sowie "Something", die einen sehr starken Eindruck hinterlassen. Aber auch Stücke wie "Oh! Darling" und "Because" beeindrucken durch zauberhafte Gesangsharmonien. Das Medley auf der zweiten Seite besteht aus bruchstückhaften und unvollendeten Einzelsongs von McCartney und Lennon. "Sun King", "Golden Slumbers" und die ergreifende Schlusshymne "The End" zeigen sich von ihrer schönen Seite.
Ein wahrer Klassiker, der in keinem Plattenschrank fehlen darf.
*************************************************************************************************
TRACKLISTING: .........................
1 Come Together ...................
2 Something .........................
3 Maxwell's Silver Hammer .........................
4 Oh! Darling .........................
5 Octopus's Garden .........................
6 I Want You (She's So Heavy) .........................
7 Here Comes The Sun .........................
8 Because .........................
9 You Never Give Me Your Money .........................
10 Sun King .........................
11 Mean Mr. Mustard .........................
12 Polythene Pam .........................
13 She Came In Through The Bathroom Window .........................
14 Golden Slumbers .........................
15 Carry That Weight .........................
16 The End ............................
************************************************************************************************
The Beatles last days as a band were as productive as any major phenomenon that was about to split up. After recording LET IT BE LP, the group held on for this ambitious effort - an album that was to become their best seller.
On Side One, all four Beatles contribute with John Lennon’s hard rocking COME TOGETHER and I WANT YOU SO; George Harrison’s SOMETHING; Ringo’s OCTOPUS’S GARDEN and Paul McCartney’s MAXWELL SILVER HAMMER and OH DARLING complete this first side. A series of long fragments edited together in a sweet form dominates
Side Two. Songs like George Harrison’s HERE COMES THE SUN, BECAUSE, SUN KING, MEAN MR. MUSTARD, POLYTHENE PAM, CAME THROUGH THE BATHROOM WINDOW, NEVER GIVE ME YOUR MONEY, GOLDEN SLUMBERS, and the fitting end to The Beatles last cut forever - THE END have a way of taking you in, up and out. You can feel your energy level rise as you listen to these songs and when you hit the crescendo, they take you down gently. ABBEY ROAD has to be one of the great classic rock albums of all-times. This is one album that Beatles fans will want to add to their album collection as it shows what a force The Beatles were in rock and roll.
***************************************************************************************************
ABBEY ROAD, recorded in the summer of 1969, was the last album recorded by the Beatles (LET IT BE was released in 1970, but recorded in early '69).The Beatles: Paul McCartney (vocals, guitar, keyboards, bass); John Lennon (vocals, guitar, keyboards); George Harrison (vocals, guitar, synthesizer); Ringo Starr (vocals, drums, percussion).Personnel: Paul McCartney (vocals, guitar, piano, bass guitar); John Lennon, George Harrison (vocals, guitar); Ringo Starr (vocals, drums); Billy Preston (organ); Mike Vickers (Moog synthesizer).Liner Note Authors: Alan Rouse; Kevin Howlett.Recording information: EMI Abbey Road Studios, London, England.Photographers: Ian MacMillan; Ian MacMillan.After the laborious disorganization and infighting that characterized early 1969's LET IT BE sessions (as famously captured on film), the fractious four were willing to let George Martin take the reins and to work with him as a cohesive unit for the much more succinct production of their (and the decade's) swan song, ABBEY ROAD. The superb performances make the album an artistic high point for all members of the group. Paul McCartney inspired the suite of songs that begins with "You Never Give Me Your Money." Often thought of as two long medleys, the songs that fill most of the second half of ABBEY ROAD segue seamlessly into one another, but are programmed as separate CD tracks. George Harrison had his first A-side on a Beatles' single ("Something"); John Lennon contributed a pair of heavy rockers ("Come Together" and "I Want You"); and Ringo Starr's "Octopus's Garden" was a favorite with children. ..........................
***************************************************************************************************
********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ ***************************************
The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND.
***********************************************************************************************
DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
**************************************************************************************************
Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
Preis: EUR 1999,99 (minus 50% discount/rechnungsrabatt = 999,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-025 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)
XXL-Foto
XXL-Foto
| KLUGH, EARL ------ FINGER PAINTINGS ------ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1977 BEI BLUE NOTE RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY BLUE NOTE RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Weitere Details: **************************************************************************************************
Earl Klugh – Finger Paintings
Label: Mobile Fidelity Sound Lab – MFSL 1-025, Blue Note – MFSL 1-025
Series: Original Master Recording –
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo
Country: US
Released: Mar 1980
Genre: Jazz, Funk / Soul
Style: Jazz-Funk, Contemporary Jazz
Tracklist
Hide Credits
A1 Dr. Macumba
Written-By – E. Klugh*
4:25
A2 Long Ago And Far Away
Written-By – J. Taylor*
5:34
A3 Cabo Frio
Written-By – E. Klugh*
3:30
A4 Keep Your Eyes On The Sparrow (Baretta's Theme)
Written-By – D. Grusin*, M. Ames*
4:35
B1 Catherine
Written-By – Earl Klugh
4:10
B2 Dance With Me
Written-By – J. Hall*, J. Hall*
3:25
B3 Jolanta
Written-By – Earl Klugh
3:00
B4 Summer Song
Written-By – Earl Klugh
4:05
B5 This Time
Written-By – Earl Klugh
3:40
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Liberty/United Artists, Inc.
Produced For – Grusin/Rosen Productions
Phonographic Copyright (p) – United Artists Music And Records Group, Inc.
Copyright (c) – United Artists Music And Records Group, Inc.
Recorded At – Kendun Recorders
Recorded At – Electric Lady Studios
Recorded At – Columbia 30th Street Studio
Mixed At – Kendun Recorders
Mixed At – Electric Lady Studios
Pressed By – Victor Company Of Japan, Ltd.
Published By – United Artists Music Co., Inc.
Published By – Klughmoon Music Co.
Published By – Country Road Music, Inc.
Published By – Blackwood Music Inc.
Published By – Leeds Music Corp.
Published By – Duchess Music Corp.
Published By – Hall Music
Published By – Mojohanna Music
Credits
Coordinator [Production Coordinator] – Alicia Johnson
Design [Album Design] – Bill Burks (2)
Executive-Producer – Dr. George Butler*
Featuring – Anthony Jackson, Dave Grusin, Harvey Mason, Lee Ritenour, Lewis Johnson*, Ralph MacDonald, Steve Gadd
Lacquer Cut By [Runount Etchings] – SR/2*
Mastered By [Half-speed Mastering] – Stan Ricker
Photography By – Greg Heisler*
Producer, Arranged By, Conductor – Dave Grusin
Producer, Recorded By, Mixed By – Larry Rosen
Recorded By [Strings And Horns] – Phil Schier
Recorded By, Mixed By [Assisted By] – Michael Ebert (2), Michael Shulman
Notes
Manufactured & distributed by Mobile Fidelity Sound Lab under license from Liberty / United Artists, Inc
Imported Pressing and Plating. Super high definition vinyl (extended life). Special static free-dust free inner sleeve. Special heavy duty protective packaging. Source: The original master tape.
Recorded and mixed at Kendun Recorders, Burbank, Calif. except for track B4 recorded at Electric Lady Studios, N. Y., N. Y. Strings recorded at Columbia Studios, 30th Street, N. Y., N. Y.
℗ 1977 United Artists Music and Records Group, Inc
Pressed in Japan
Mastered with the Ortofon Cutting System
The LP itself is translucent (hold it up to a bright light and you can see through it).
Barcode and Other Identifiers
Rights Society: ASCAP
Rights Society: BMI
Matrix / Runout (Side A Label): MFSL 1-025 A
Matrix / Runout (Side B Label): MFSL 1-025 B
Matrix / Runout (Side A Runout Hand Etched, variant 1: B#=scratch over B): MFSL-1-025-AB#5 ORTOFON SR/2 161⁜
Matrix / Runout (Side B Runout Hand Etched, variant 1: A#=scratch over A): MFSL-1-025-BA#6 ORTOFON SR/2 T 152⁜D
Matrix / Runout (Side A Runout Hand Etched, variant 2: B#=scratch over B): MFSL-1-025-AB#5 ORTOFON SR/2 T 152⁜ ⁜ ⁜
Matrix / Runout (Side B Runout Hand Etched, variant 2: A#=scratch over A): MFSL-1-025-BA#6 ORTOFON SR/2 T 161⁜
***************************************************************************************************
....................... TRACKLISTING: ............................
1. Dr. Macumba ............................
2. Long Ago And Far Away ............................
3. Keep Your Eye On The Sparrow ............................
4. Catherine ............................
5. Dance With Me ............................
6. Jolana ............................
7. Summer Song ............................
8. This Tim ............................
********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ ***************************************
.................... Album notes ........................
Personnel: Earl Klugh, Lee Ritenour (guitar), Dave Grusin (keyboards), Louis Johnson, Anthony Jackson (bass), Steve Gadd, Harvey Mason (drums), Ralph MacDonald (percussion).
Acoustic guitarist Earl Klugh has always had an appealing sound. This early session was reissued as a Blue Note LP in the 1970s. The melodic music that Klugh creates is quite pleasant, and he is accompanied by fellow guitarist Lee Ritenour, a rhythm section, and occasional horns and strings. ~ Scott Yanow .......................................
**************************************************************************************************
............... The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. .................
Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
Preis: EUR 799,99 (minus 50% discount = 399,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-025 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT ----- ( NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRE
XXL-Foto
XXL-Foto
| KLUGH, EARL ------ FINGER PAINTINGS ------ M- / M- = EINE NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1977 BEI BLUE NOTE RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY BLUE NOTE RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
Weitere Details: **************************************************************************************************
**************************************************************************************************
Earl Klugh – Finger Paintings
Label: Mobile Fidelity Sound Lab – MFSL 1-025, Blue Note – MFSL 1-025
Series: Original Master Recording –
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo
Country: US
Released: Mar 1980
Genre: Jazz, Funk / Soul
Style: Jazz-Funk, Contemporary Jazz
Tracklist
Hide Credits
A1 Dr. Macumba
Written-By – E. Klugh*
4:25
A2 Long Ago And Far Away
Written-By – J. Taylor*
5:34
A3 Cabo Frio
Written-By – E. Klugh*
3:30
A4 Keep Your Eyes On The Sparrow (Baretta's Theme)
Written-By – D. Grusin*, M. Ames*
4:35
B1 Catherine
Written-By – Earl Klugh
4:10
B2 Dance With Me
Written-By – J. Hall*, J. Hall*
3:25
B3 Jolanta
Written-By – Earl Klugh
3:00
B4 Summer Song
Written-By – Earl Klugh
4:05
B5 This Time
Written-By – Earl Klugh
3:40
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Liberty/United Artists, Inc.
Produced For – Grusin/Rosen Productions
Phonographic Copyright (p) – United Artists Music And Records Group, Inc.
Copyright (c) – United Artists Music And Records Group, Inc.
Recorded At – Kendun Recorders
Recorded At – Electric Lady Studios
Recorded At – Columbia 30th Street Studio
Mixed At – Kendun Recorders
Mixed At – Electric Lady Studios
Pressed By – Victor Company Of Japan, Ltd.
Published By – United Artists Music Co., Inc.
Published By – Klughmoon Music Co.
Published By – Country Road Music, Inc.
Published By – Blackwood Music Inc.
Published By – Leeds Music Corp.
Published By – Duchess Music Corp.
Published By – Hall Music
Published By – Mojohanna Music
Credits
Coordinator [Production Coordinator] – Alicia Johnson
Design [Album Design] – Bill Burks (2)
Executive-Producer – Dr. George Butler*
Featuring – Anthony Jackson, Dave Grusin, Harvey Mason, Lee Ritenour, Lewis Johnson*, Ralph MacDonald, Steve Gadd
Lacquer Cut By [Runount Etchings] – SR/2*
Mastered By [Half-speed Mastering] – Stan Ricker
Photography By – Greg Heisler*
Producer, Arranged By, Conductor – Dave Grusin
Producer, Recorded By, Mixed By – Larry Rosen
Recorded By [Strings And Horns] – Phil Schier
Recorded By, Mixed By [Assisted By] – Michael Ebert (2), Michael Shulman
Notes
Manufactured & distributed by Mobile Fidelity Sound Lab under license from Liberty / United Artists, Inc
Imported Pressing and Plating. Super high definition vinyl (extended life). Special static free-dust free inner sleeve. Special heavy duty protective packaging. Source: The original master tape.
Recorded and mixed at Kendun Recorders, Burbank, Calif. except for track B4 recorded at Electric Lady Studios, N. Y., N. Y. Strings recorded at Columbia Studios, 30th Street, N. Y., N. Y.
℗ 1977 United Artists Music and Records Group, Inc
Pressed in Japan
Mastered with the Ortofon Cutting System
The LP itself is translucent (hold it up to a bright light and you can see through it).
Barcode and Other Identifiers
Rights Society: ASCAP
Rights Society: BMI
Matrix / Runout (Side A Label): MFSL 1-025 A
Matrix / Runout (Side B Label): MFSL 1-025 B
Matrix / Runout (Side A Runout Hand Etched, variant 1: B#=scratch over B): MFSL-1-025-AB#5 ORTOFON SR/2 161⁜
Matrix / Runout (Side B Runout Hand Etched, variant 1: A#=scratch over A): MFSL-1-025-BA#6 ORTOFON SR/2 T 152⁜D
Matrix / Runout (Side A Runout Hand Etched, variant 2: B#=scratch over B): MFSL-1-025-AB#5 ORTOFON SR/2 T 152⁜ ⁜ ⁜
Matrix / Runout (Side B Runout Hand Etched, variant 2: A#=scratch over A): MFSL-1-025-BA#6 ORTOFON SR/2 T 161⁜
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TRACKLISTING: ............................
1. Dr. Macumba ............................
2. Long Ago And Far Away ............................
3. Keep Your Eye On The Sparrow ............................
4. Catherine ............................
5. Dance With Me ............................
6. Jolana ............................
7. Summer Song ............................
8. This Tim ............................
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Album notes ........................
Personnel: Earl Klugh, Lee Ritenour (guitar), Dave Grusin (keyboards), Louis Johnson, Anthony Jackson (bass), Steve Gadd, Harvey Mason (drums), Ralph MacDonald (percussion).
Acoustic guitarist Earl Klugh has always had an appealing sound. This early session was reissued as a Blue Note LP in the 1970s. The melodic music that Klugh creates is quite pleasant, and he is accompanied by fellow guitarist Lee Ritenour, a rhythm section, and occasional horns and strings. ~ Scott Yanow .......................................
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The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: M- / M- = EINE NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... )
Preis: EUR 199,99 = (minus 50% discount with invoice/minus rechnungsrabatt = 99,99 euro) ----- M- / M- = EINE NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... )
In den Warenkorb |
| |
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MFSL 1-026 -- (FIRST MFSL JAPANPRESSING SERIES) ----- SOLD OUT= AUSVERKAUFT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- ORIGINAL JAPANPRESSING !! -----
XXL-Foto
XXL-Foto
| STYX ----- THE GRAND ILLUSION ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1977 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY A&M RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )
Weitere Details: ****************************************************************************************************
************************************* LONG-OUT OF PRINT *********************************************
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************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *******************
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**************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! *****************************
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***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-***
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****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! **********************
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.......... Track Listing ..........
1. The Grand Illusion ..........
2. Fooling Yourself (The Angry Young Man)..........
3. Superstars..........
4. Come Sail Away..........
5. Miss America..........
6. Man in the Wilderness..........
7. Castle Walls..........
8. The Grand Finale ..........
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............. Album Notes .....................
Styx: Dennis DeYoung (vocals, keyboards, synthesizer); Tommy Shaw(acoustic & electric guitars, background vocals); James Young (guitar, background vocals); Chuck Panozzo (bass, background vocals); John Panozzo (drums, percussion, background vocals).Recorded at Paragon Studios, Chicago, Illinois.Personnel: Tommy Shaw (vocals, guitar, acoustic guitar, electric guitar, 12-string guitar); Chuck Panozzo (vocals, guitar, bass guitar); James Young (vocals, guitar); Dennis DeYoung (vocals, keyboards, synthesizer); John Panozzo (vocals, drums, percussion).Recording information: Paragon Recording Studios, Chicago, IL.THE GRAND ILLUSION was the album that rocketed Styx to superstardom after all their years of hard work. That time spent in the trenches was clearly not wasted, as the group displays an unprecedented level of tightness here in their writing, arrangements, and performance. This is something of a concept album, the theme being the hypocrisy and self-deception inherent in modern American society. The songs that tackle this concept most directly are James Young's bristling rocker "Miss America," Dennis DeYoung's appropriately grandiose-sounding title tune, and "Superstars," Tommy Shaw's evisceration of the rock star life.Some of the most effective songs here are Shaw's inspirational "Fooling Yourself," the more obscure, moody tunes "Castle Walls" and "Man in the Wilderness," and DeYoung's epic tale of interstellar experiences "Come Sail Away," which would become one of the most loved songs in the band's catalog. Achieving the perfect balance between pop appeal, rock muscle, and prog-influenced flavoring, GRAND ILLUSION is Styx at the top of its collective game...........
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**************************************** ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ ************************************
The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ..................................
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Preis: EUR ----- SOLD OUT= AUSVERKAUFT ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-027 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)
XXL-Foto
XXL-Foto
| STEELY SPAN ----- ALL AROUND MY HEAD ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1975 BEI CRYSALIS RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1975 BY CRYSALIS RECORDS IN ENGLAND / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! - QUALITY !! ...... )
Weitere Details: **************************************************************************************************** ......................... Track Listing ...................
1. Black Jack Davey ...................
2. Hard Times of Old England ...................
3. Cadgwith Anthem ...................
4. All Around My Hat ...................
5. Gamble Gold (Robin Hood) ...................
6. Wife of Usher's Well, The ...................
7. Sum Waves ...................
8. Dance with Me ...................
9. Bachelor's Hall ...................
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........................... Album Notes: ...................
Personnel: Tim Hart (vocals, guitar, dulcimer); Bob Johnson (vocals, guitar); Peter Knight (vocals, violin, keyboards); Maddy Prior, Rick Kemp (vocals); Nigel Pegrum (flute, drums).Liner Note Author: John Tobler.Recording information: AIR Studios.Unknown Contributor Roles: Maddy Prior; Tim Hart; Bob Johnson.Arrangers: Peter Knight; Prior; Bob Johnson.Steeleye Span's eighth album, 1975's ALL AROUND MY HAT, is a fan favorite, up there with PLEASE TO SEE THE KING as one of the band's most beloved records. It's a superlative piece of folk-rock, where both halves of that genre come into equal play. Produced by Mike Batt, best known for his bubblegum singles with British children's show stars The Wombles, the results, while undeniably commercial--several songs have orchestral strings and brass supporting the fiddles--are crisp and inviting. It's not surprising that this is Steeleye Span's best-selling album.Besides the lovely title track, highlights include an excellent version of the standard "Black Jack Davy," the gloomy "Hard Times of Old England" and the beautiful, unaccompanied "Cadgwith Anthem." If you're a pop fan with little knowledge of English folk music, this may be Steeleye Span's most immediately accessible and rewarding album...............
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*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- .............. DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... )
Preis: EUR 599,99 (minus 50% discount/Rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... )
In den Warenkorb |
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|
MFSL 1-028 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- DEMONSTRATION-COPY !! ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)
XXL-Foto
XXL-Foto
| MANCHESTER, MELISSA ----- MELISSA ----- ORIGINAL DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-FIRST-JAPAN-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) - MADE IN JAPAN ----- MASTERED BY STAN RICKER ----- LIMITED EDITION ----- LONG OUT OF PRINT ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... ORIGINAL DEMONSTRATION-COPY !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1975 BEI ARISTA RECORDS IN USA / ..... ORIGINAL RECORDING 1975 BY ARISTA RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY (ORIGINAL DEMONSTRATION-COPY !!) !! ...... EINE IN DIESER " ORIGINAL VERSIEGELTEN " QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )
Weitere Details: **************************************************************************************************
Melissa Manchester – Melissa
Label: Mobile Fidelity Sound Lab – MFSL 1-028
Series: Original Master Recording –
Format: Vinyl, LP, Album, Remastered, Limited Edition
Country: US
Released: May 1980
Genre: Rock, Funk / Soul, Pop
Style: Soft Rock
Tracklist
Hide Credits
A1 We've Got Time
Written-By – Carole Bayer Sager, Melissa Manchester
4:22
A2 Party Music
Written-By – David Wolfert, Melissa Manchester
3:28
A3 Just Too Many People
Written-By – Melissa Manchester, Vini Poncia
3:38
A4 Stevie's Wonder
Written-By – Carole Bayer Sager, Melissa Manchester
3:33
A5 This Lady's Not Home Today
Written-By – Carole Bayer Sager, Melissa Manchester
4:31
B1 Love Havin' You Around
Written-By – Stevie Wonder, Syreeta Wright
4:40
B2 Midnight Blue
Written-By – Carole Bayer Sager, Melissa Manchester
3:55
B3 It's Gonna Be Alright
Written-By – Adrienne Anderson, Melissa Manchester
3:32
B4 I Got Eyes
Written-By – Melissa Manchester
2:43
B5 I Don't Want To Hear It Anymore
Written-By – Randy Newman
5:02
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Arista Records, Inc.
Phonographic Copyright (p) – Arista Records, Inc.
Credits
Engineer – Bob Schaper
Executive Producer – Richard Perry
Producer – Vini Poncia
Remastered By [Half-Speed Mastering By] – Stan Ricker
Remix – Bill Schnee
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************************************* LONG-OUT OF PRINT *********************************
************************************* DEMONSTRATION-COPY !! ***********************************
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************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *******************
***************************************************************************************************
**************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! *****************************
***************************************************************************************************
***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-***
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****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! **********************
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....................Track Listings : .....
Song Titles: ..................
- "We've Got Time; ..................
- Party Music; ..................
- Just Too Many People; ..................
- Stevie's Wonder; ..................
- This Lady's Not Home Today; ..................
- Love Havin' You Around; ..................
- Midnight Blue; ..................
- It's Gonna Be Alright; ..................
- I Got Eyes; ..................
- I Don't Want To Hear It Anymore". ..................
**************************************************************************************************
...... Album Notes: ..................
# Fired by Columbia Records in 1973, Clive Davis took over tiny Bell Records in 1974 and turned it into Arista, determined to re-establish his record-selling credentials. One beneficiary of this was Melissa Manchester, who had made two good, but poor-selling albums for Bell. Davis turned on the money tap, and the result was this L.A.-recorded Vini Poncia/Richard Perry production that seemed determined to turn Manchester into a pop diva. She had demonstrated an eclecticism on her previous records, and she was run through a series of pop styles -- disco on "Party Music," Philly soul on "Just Too Many People" (a Top 4 hit), Stevie Wonder on both "Stevie's Wonder" and Wonder's own "Love Havin' You Around." Returning to pop lyricist Carole Bayer Sager, Manchester reined in the tendency toward sensitive singer/songwriterism she had revealed on Bright Eyes, with the hoped-for commercial result. "Midnite Blue" may have been more obvious and generic a romantic ballad than the beautiful "Inclined" from the previous album, but it was also sexier and had a more pronounced hook and a sweeter production, which, along with Arista's promotional muscle, made it a Top Ten hit and Melissa a gold album. (Originally released as Arista 4031, Melissa was reissued as Arista 8055.) ~ William Ruhlmann, All Music Guide ..................
*************************************************************************************************
Biography:
Melissa Manchester biography by Steve Huey, All Music Guide
# MOR singer-songwriter Melissa Manchester, whose father was a bassoonist for the New York Metropolitan Opera, began singing commercial jingles at age 15 and went on to become a staff writer for Chappell Music while attending the High School of Performing Arts. After taking a songwriting class at New York University taught by Paul Simon, Manchester took her talents to the Manhattan club scene, where she was discovered by Bette Midler and Barry Manilow; the two hired her as a backup singer in 1971. She recorded her debut album, Home to Myself, in 1973, co-writing many of the songs with Carole Bayer Sager. 1975's Melissa produced her first Top Ten hit, "Midnight Blue," and set the tone for most of her career with its direct, slickly produced MOR pop sound. She and Kenny Loggins co-wrote the latter's 1978 duet hit with Stevie Nicks, "Whenever I Call You Friend," and the following year, Manchester returned to the Top Ten with "Don't Cry Out Loud." 1980 saw Manchester become the first singer to have two movie themes nominated for Academy Awards (Ice Castles and The Promise); two years later she achieved her highest Billboard singles chart placing with the number five hit "You Should Hear How She Talks About You," which won a Grammy for Best Female Vocal Performance. Through the '80s and '90s, Manchester has alternated occasional recording with scriptwriting and acting, appearing with Bette Midler in For the Boys and on the television series Blossom as the title character's birth mother. In spring 2004, Manchester returned with her first album in 10 years. When I Look Down That Road, which included collaborations with Beth Nielsen Chapman and Keb' Mo, marked her first proper release with Koch. ......
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Preis: EUR 799,99 (minus 50% discount/rechnungsrabatt = 399,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
In den Warenkorb |
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MFSL 1-028 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT ----- LIMITED EDITION ---- (EINE ABSOLUT NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!)
XXL-Foto
XXL-Foto
| MANCHESTER, MELISSA ----- MELISSA ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1975 BEI ARISTA RECORDS IN USA / ..... ORIGINAL RECORDING 1975 BY ARISTA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
Weitere Details: ***************************************************************************************************
....................Track Listings : .....
Song Titles: ..................
- "We've Got Time; ..................
- Party Music; ..................
- Just Too Many People; ..................
- Stevie's Wonder; ..................
- This Lady's Not Home Today; ..................
- Love Havin' You Around; ..................
- Midnight Blue; ..................
- It's Gonna Be Alright; ..................
- I Got Eyes; ..................
- I Don't Want To Hear It Anymore". ..................
**************************************************************************************************
...... Album Notes: ..................
# Fired by Columbia Records in 1973, Clive Davis took over tiny Bell Records in 1974 and turned it into Arista, determined to re-establish his record-selling credentials. One beneficiary of this was Melissa Manchester, who had made two good, but poor-selling albums for Bell. Davis turned on the money tap, and the result was this L.A.-recorded Vini Poncia/Richard Perry production that seemed determined to turn Manchester into a pop diva. She had demonstrated an eclecticism on her previous records, and she was run through a series of pop styles -- disco on "Party Music," Philly soul on "Just Too Many People" (a Top 4 hit), Stevie Wonder on both "Stevie's Wonder" and Wonder's own "Love Havin' You Around." Returning to pop lyricist Carole Bayer Sager, Manchester reined in the tendency toward sensitive singer/songwriterism she had revealed on Bright Eyes, with the hoped-for commercial result. "Midnite Blue" may have been more obvious and generic a romantic ballad than the beautiful "Inclined" from the previous album, but it was also sexier and had a more pronounced hook and a sweeter production, which, along with Arista's promotional muscle, made it a Top Ten hit and Melissa a gold album. (Originally released as Arista 4031, Melissa was reissued as Arista 8055.) ~ William Ruhlmann, All Music Guide ..................
*************************************************************************************************
................ Biography: ...................
Melissa Manchester biography by Steve Huey, All Music Guide
# MOR singer-songwriter Melissa Manchester, whose father was a bassoonist for the New York Metropolitan Opera, began singing commercial jingles at age 15 and went on to become a staff writer for Chappell Music while attending the High School of Performing Arts. After taking a songwriting class at New York University taught by Paul Simon, Manchester took her talents to the Manhattan club scene, where she was discovered by Bette Midler and Barry Manilow; the two hired her as a backup singer in 1971. She recorded her debut album, Home to Myself, in 1973, co-writing many of the songs with Carole Bayer Sager. 1975's Melissa produced her first Top Ten hit, "Midnight Blue," and set the tone for most of her career with its direct, slickly produced MOR pop sound. She and Kenny Loggins co-wrote the latter's 1978 duet hit with Stevie Nicks, "Whenever I Call You Friend," and the following year, Manchester returned to the Top Ten with "Don't Cry Out Loud." 1980 saw Manchester become the first singer to have two movie themes nominated for Academy Awards (Ice Castles and The Promise); two years later she achieved her highest Billboard singles chart placing with the number five hit "You Should Hear How She Talks About You," which won a Grammy for Best Female Vocal Performance. Through the '80s and '90s, Manchester has alternated occasional recording with scriptwriting and acting, appearing with Bette Midler in For the Boys and on the television series Blossom as the title character's birth mother. In spring 2004, Manchester returned with her first album in 10 years. When I Look Down That Road, which included collaborations with Beth Nielsen Chapman and Keb' Mo, marked her first proper release with Koch.
**************************************************************************************************
*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. .....................
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: M- / VG - = EINE NOCH NEUWERTIGE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! (SORRY,..... COVER WITH A SEAMSPLIT = COVER IST AN EINER KANTE EINGERISSEN ) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
Preis: EUR SOLD OUT
In den Warenkorb |
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MFSL 1-028 (WOC) ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT ----- LIMITED EDITION ---- (EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!)
XXL-Foto
XXL-Foto
| MANCHESTER, MELISSA ----- MELISSA ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1975 BEI ARISTA RECORDS IN USA / ..... ORIGINAL RECORDING 1975 BY ARISTA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......)
Weitere Details: ***************************************************************************************************
....................Track Listings : .....
Song Titles: ..................
- "We've Got Time; ..................
- Party Music; ..................
- Just Too Many People; ..................
- Stevie's Wonder; ..................
- This Lady's Not Home Today; ..................
- Love Havin' You Around; ..................
- Midnight Blue; ..................
- It's Gonna Be Alright; ..................
- I Got Eyes; ..................
- I Don't Want To Hear It Anymore". ..................
**************************************************************************************************
...... Album Notes: ..................
# Fired by Columbia Records in 1973, Clive Davis took over tiny Bell Records in 1974 and turned it into Arista, determined to re-establish his record-selling credentials. One beneficiary of this was Melissa Manchester, who had made two good, but poor-selling albums for Bell. Davis turned on the money tap, and the result was this L.A.-recorded Vini Poncia/Richard Perry production that seemed determined to turn Manchester into a pop diva. She had demonstrated an eclecticism on her previous records, and she was run through a series of pop styles -- disco on "Party Music," Philly soul on "Just Too Many People" (a Top 4 hit), Stevie Wonder on both "Stevie's Wonder" and Wonder's own "Love Havin' You Around." Returning to pop lyricist Carole Bayer Sager, Manchester reined in the tendency toward sensitive singer/songwriterism she had revealed on Bright Eyes, with the hoped-for commercial result. "Midnite Blue" may have been more obvious and generic a romantic ballad than the beautiful "Inclined" from the previous album, but it was also sexier and had a more pronounced hook and a sweeter production, which, along with Arista's promotional muscle, made it a Top Ten hit and Melissa a gold album. (Originally released as Arista 4031, Melissa was reissued as Arista 8055.) ~ William Ruhlmann, All Music Guide ..................
*************************************************************************************************
................ Biography: ...................
Melissa Manchester biography by Steve Huey, All Music Guide
# MOR singer-songwriter Melissa Manchester, whose father was a bassoonist for the New York Metropolitan Opera, began singing commercial jingles at age 15 and went on to become a staff writer for Chappell Music while attending the High School of Performing Arts. After taking a songwriting class at New York University taught by Paul Simon, Manchester took her talents to the Manhattan club scene, where she was discovered by Bette Midler and Barry Manilow; the two hired her as a backup singer in 1971. She recorded her debut album, Home to Myself, in 1973, co-writing many of the songs with Carole Bayer Sager. 1975's Melissa produced her first Top Ten hit, "Midnight Blue," and set the tone for most of her career with its direct, slickly produced MOR pop sound. She and Kenny Loggins co-wrote the latter's 1978 duet hit with Stevie Nicks, "Whenever I Call You Friend," and the following year, Manchester returned to the Top Ten with "Don't Cry Out Loud." 1980 saw Manchester become the first singer to have two movie themes nominated for Academy Awards (Ice Castles and The Promise); two years later she achieved her highest Billboard singles chart placing with the number five hit "You Should Hear How She Talks About You," which won a Grammy for Best Female Vocal Performance. Through the '80s and '90s, Manchester has alternated occasional recording with scriptwriting and acting, appearing with Bette Midler in For the Boys and on the television series Blossom as the title character's birth mother. In spring 2004, Manchester returned with her first album in 10 years. When I Look Down That Road, which included collaborations with Beth Nielsen Chapman and Keb' Mo, marked her first proper release with Koch.
**************************************************************************************************
*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. .....................
*********************************************************************************************
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: M- / M - = EINE NEUWERTIGE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
Preis: EUR 199,99 ( minus 50% DISCOUNT / RECHNUNGSRABATT = 99,99 euro ) ----- M- / M - = EINE NEUWERTIGE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
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