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MFSL - HALFSPEED-LP`s USA (Out of Print ) |
Gefundene Artikel: 730 | | Anzeige Produkte 61 bis 70 | MFSL 1-023 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

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XXL-Foto
| THE BEATLES ----- ABBEY ROAD ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1969 BEI EMI-ODEON-PARLOPHONE RECORDS IN ENGLAND(U.K.) / ..... ORIGINAL RECORDING 1969 BY EMI-ODEON-PALOPHONE RECORDS IN ENGLAND(U.K.) / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST EINE NOCH ORIGINAL VERSIEGELTE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG UND WURDE NOCH NICHT GESPIELT !! (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-PRESSING-SERIES) ----- MADE IN JAPAN ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Weitere Details: *************************************************************************************************
The Beatles – Abbey Road
Label: Mobile Fidelity Sound Lab – MFSL 1-023, Capitol Records – MFSL 1-023
Series: Original Master Recording
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo
Country: US
Released: Jan 1980
Genre: Rock
Style: Pop Rock, Classic Rock
Tracklist
A1 Come Together
Written-By – Lennon-McCartney
4:16
A2 Something
Written-By – George Harrison
2:59
A3 Maxwell's Silver Hammer
Written-By – Lennon-McCartney
3:24
A4 Oh! Darling
Written-By – Lennon-McCartney
3:28
A5 Octopus's Garden
Written-By – Richard Starkey
2:49
A6 I Want You (She's So Heavy)
Written-By – Lennon-McCartney
7:49
B1 Here Comes The Sun
Written-By – George Harrison
3:04
B2 Because
Written-By – Lennon-McCartney
2:45
B3 You Never Give Me Your Money
Written-By – Lennon-McCartney
3:57
B4 Sun King
Written-By – Lennon-McCartney
2:31
B5 Mean Mr. Mustard
Written-By – Lennon-McCartney
1:06
B6 Polythene Pam
Written-By – Lennon-McCartney
1:13
B7 She Came In Through The Bathroom Window
Written-By – Lennon-McCartney
1:58
B8 Golden Slumbers
Written-By – Lennon-McCartney
1:31
B9 Carry That Weight
Written-By – Lennon-McCartney
1:37
B10 The End
Written-By – Lennon-McCartney
2:04
B11 Her Majesty
Written-By – Lennon-McCartney
0:23
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Capitol Records, Inc.
Copyright © – Mobile Fidelity Sound Lab
Credits
Engineer [Thanks to, Uncredited] – Geoff Emerick, Phillip McDonald*
Lacquer Cut By [Runout Etch] – SR/2*
Photography By [Photographs By] – Iain MacMillan
Producer – George Martin
Remastered By [Half-speed Mastering] – Stan Ricker
Notes
Original master recording, remastered edition of the 1969 album.
Mobile Fidelity's first Beatles release.
Yellow banner at the top cover "Original Master Recording"
White Mo-Fi label has the Capitol C logo.
Early pressings came with a posterboard fold-out insert protecting the LP. On one side is a description of Mo-Fi's background called "An Audiophile's Dream Come True!" and the other side "Superdiscs Supertapes Superstars Super Quality"
Later inserts had a photo of historical-looking figures holding up Mo-Fi LPs stating "Limited Editions From the Original Masters"
Some later copies have a posterboard 4 page b&w foldout insert: front cover reads "Original Master Recordings" at top with an image of a man's back looking at the cover of the Beatles' White Album Original Master Recording. Page 2 has "What Is An Original Master Recording?". Page 3 has a catalog of LPs and cassettes. Back cover has UHQR and Geo-Disc information.
The LP itself is translucent (hold it up to a bright light and you can see through it) and it comes in a paper-line rice paper sleeve.
Pressed in Japan.
Recorded in England.
© 1979
Runouts: Entire string is stamped, with the exception hand-etching of "SR/2" and the # in the following part of the string: "MFSL-1-023 - $#" (where $ is an letter that is also stamped).
Barcode and Other Identifiers
Rights Society: BMI
Matrix / Runout (Label A): MFSL 1-023 A
Matrix / Runout (Label B): MFSL 1-023 B
Matrix / Runout (Variant 1: Runout side A ): MFSL1-023 - A5 SR/2 151 ✽ ✣
Matrix / Runout (Variant 1: Runout side B): MFSL1-023 - B1 SR/2 111 ✣
Matrix / Runout (Variant 2: Runout side A): MFSL1-023 - A5 151 ✽ ✣
Matrix / Runout (Variant 2: Runout side B): MFSL-1-023 - B3 131 ✣ SR/2
Matrix / Runout (Variant 3: Runout side A): MFSL1-023 - A6 161 ✽ ✣
Matrix / Runout (Variant 3: Runout side B): MFSL1-023 - B6 161 ✽ ✣
Matrix / Runout (Variant 4: Runout side A): MFSL1-023 - A12 SR/2 1 1 2 1 ✽ ✣
Matrix / Runout (Variant 4: Runout side B): MFSL-1-023 - B5 SR/2 1 5 1 ✽
Matrix / Runout (Variant 5: Runout side A ): MFSL1-023 - A3 SR/2 1 3 1 ✽
Matrix / Runout (Variant 5: Runout side B): MFSL1-023 - B5 SR/2 1 5 1 ✣
Matrix / Runout (Variant 6: Runout side A): MFSL1-023 - A11 SR/2 1 1 1 1 ✣
Matrix / Runout (Variant 6: Runout side B): MFSL1-023 - B2 SR/2 1 2 1 ✽
Matrix / Runout (Variant 7: Runout side A): MFSL1-023 - A5 SR/2 1 5 1 ✽ ✣
Matrix / Runout (Variant 7: Runout side B): MFSL1-023 - B7 SR/2 1 7 1 ✣
Matrix / Runout (Variant 8: Runout side A): MFSL1-023 - A9 SR/2 1 9 1 ✽ ✣
Matrix / Runout (Variant 8: Runout side B): MFSL1-023 - B8 SR/2 1 8 1 ✽ ✣
Matrix / Runout (Variant 9: Runout side A): MFSL1-023 - A12 SR/2 1 1 2 1 ✽
Matrix / Runout (Variant 9: Runout side B): MFSL1-023 - B6 SR/2 161 ✽
Matrix / Runout (Variant 10: Runout side A): MFSL-1-023 - A10 SR/2 1 1 0 1 ✽ ✣
Matrix / Runout (Variant 10: Runout side B): MFSL-1-023 - B2 SR/2 1 2 1 ✣
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Aufnahemn vom 22. Februar 1969 bis 20. August 1969 in den Abbey Road Studios, Olympic Studios, und Trident Studios.
Erstveröffentlichung September 1969.
"Abbey Road", das vorletzte Album der legendären Pilzköpfe, erschien erstmals 1969 und wurde immer wieder neu aufgelegt. Inoffiziell ist "Abbey Road" der letzte Akt der Ära Beatles - "Let It Be" wurde vorher aufgenommen, allerdings erst mit dem gleichnamigen Film 1970 veröffentlicht. Wieder mit dabei war George Martin, der schon Hitalben wie "Rubber Soul", "Revolver" und "Sgt. Pepper's Lonely Hearts Club Band" produzierte. Ergebnis sind perfekte und harmonische Arrangements. Nicht unerwähnt bleiben dürfen natürlich "Come Together", "I Want You (She's So Heavy)" sowie "Something", die einen sehr starken Eindruck hinterlassen. Aber auch Stücke wie "Oh! Darling" und "Because" beeindrucken durch zauberhafte Gesangsharmonien. Das Medley auf der zweiten Seite besteht aus bruchstückhaften und unvollendeten Einzelsongs von McCartney und Lennon. "Sun King", "Golden Slumbers" und die ergreifende Schlusshymne "The End" zeigen sich von ihrer schönen Seite.
Ein wahrer Klassiker, der in keinem Plattenschrank fehlen darf.
*************************************************************************************************
TRACKLISTING: .........................
1 Come Together ...................
2 Something .........................
3 Maxwell's Silver Hammer .........................
4 Oh! Darling .........................
5 Octopus's Garden .........................
6 I Want You (She's So Heavy) .........................
7 Here Comes The Sun .........................
8 Because .........................
9 You Never Give Me Your Money .........................
10 Sun King .........................
11 Mean Mr. Mustard .........................
12 Polythene Pam .........................
13 She Came In Through The Bathroom Window .........................
14 Golden Slumbers .........................
15 Carry That Weight .........................
16 The End ............................
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The Beatles last days as a band were as productive as any major phenomenon that was about to split up. After recording LET IT BE LP, the group held on for this ambitious effort - an album that was to become their best seller.
On Side One, all four Beatles contribute with John Lennon’s hard rocking COME TOGETHER and I WANT YOU SO; George Harrison’s SOMETHING; Ringo’s OCTOPUS’S GARDEN and Paul McCartney’s MAXWELL SILVER HAMMER and OH DARLING complete this first side. A series of long fragments edited together in a sweet form dominates
Side Two. Songs like George Harrison’s HERE COMES THE SUN, BECAUSE, SUN KING, MEAN MR. MUSTARD, POLYTHENE PAM, CAME THROUGH THE BATHROOM WINDOW, NEVER GIVE ME YOUR MONEY, GOLDEN SLUMBERS, and the fitting end to The Beatles last cut forever - THE END have a way of taking you in, up and out. You can feel your energy level rise as you listen to these songs and when you hit the crescendo, they take you down gently. ABBEY ROAD has to be one of the great classic rock albums of all-times. This is one album that Beatles fans will want to add to their album collection as it shows what a force The Beatles were in rock and roll.
***************************************************************************************************
ABBEY ROAD, recorded in the summer of 1969, was the last album recorded by the Beatles (LET IT BE was released in 1970, but recorded in early '69).The Beatles: Paul McCartney (vocals, guitar, keyboards, bass); John Lennon (vocals, guitar, keyboards); George Harrison (vocals, guitar, synthesizer); Ringo Starr (vocals, drums, percussion).Personnel: Paul McCartney (vocals, guitar, piano, bass guitar); John Lennon, George Harrison (vocals, guitar); Ringo Starr (vocals, drums); Billy Preston (organ); Mike Vickers (Moog synthesizer).Liner Note Authors: Alan Rouse; Kevin Howlett.Recording information: EMI Abbey Road Studios, London, England.Photographers: Ian MacMillan; Ian MacMillan.After the laborious disorganization and infighting that characterized early 1969's LET IT BE sessions (as famously captured on film), the fractious four were willing to let George Martin take the reins and to work with him as a cohesive unit for the much more succinct production of their (and the decade's) swan song, ABBEY ROAD. The superb performances make the album an artistic high point for all members of the group. Paul McCartney inspired the suite of songs that begins with "You Never Give Me Your Money." Often thought of as two long medleys, the songs that fill most of the second half of ABBEY ROAD segue seamlessly into one another, but are programmed as separate CD tracks. George Harrison had his first A-side on a Beatles' single ("Something"); John Lennon contributed a pair of heavy rockers ("Come Together" and "I Want You"); and Ringo Starr's "Octopus's Garden" was a favorite with children. ..........................
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The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND.
***********************************************************************************************
DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
Preis: EUR 1999,99 (minus 50% discount/rechnungsrabatt = 999,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-025 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)
-A.JPG&sz=150)
XXL-Foto
-A-1.JPG&sz=150)
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| KLUGH, EARL ------ FINGER PAINTINGS ------ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1977 BEI BLUE NOTE RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY BLUE NOTE RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Weitere Details: **************************************************************************************************
Earl Klugh – Finger Paintings
Label: Mobile Fidelity Sound Lab – MFSL 1-025, Blue Note – MFSL 1-025
Series: Original Master Recording –
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo
Country: US
Released: Mar 1980
Genre: Jazz, Funk / Soul
Style: Jazz-Funk, Contemporary Jazz
Tracklist
Hide Credits
A1 Dr. Macumba
Written-By – E. Klugh*
4:25
A2 Long Ago And Far Away
Written-By – J. Taylor*
5:34
A3 Cabo Frio
Written-By – E. Klugh*
3:30
A4 Keep Your Eyes On The Sparrow (Baretta's Theme)
Written-By – D. Grusin*, M. Ames*
4:35
B1 Catherine
Written-By – Earl Klugh
4:10
B2 Dance With Me
Written-By – J. Hall*, J. Hall*
3:25
B3 Jolanta
Written-By – Earl Klugh
3:00
B4 Summer Song
Written-By – Earl Klugh
4:05
B5 This Time
Written-By – Earl Klugh
3:40
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Liberty/United Artists, Inc.
Produced For – Grusin/Rosen Productions
Phonographic Copyright (p) – United Artists Music And Records Group, Inc.
Copyright (c) – United Artists Music And Records Group, Inc.
Recorded At – Kendun Recorders
Recorded At – Electric Lady Studios
Recorded At – Columbia 30th Street Studio
Mixed At – Kendun Recorders
Mixed At – Electric Lady Studios
Pressed By – Victor Company Of Japan, Ltd.
Published By – United Artists Music Co., Inc.
Published By – Klughmoon Music Co.
Published By – Country Road Music, Inc.
Published By – Blackwood Music Inc.
Published By – Leeds Music Corp.
Published By – Duchess Music Corp.
Published By – Hall Music
Published By – Mojohanna Music
Credits
Coordinator [Production Coordinator] – Alicia Johnson
Design [Album Design] – Bill Burks (2)
Executive-Producer – Dr. George Butler*
Featuring – Anthony Jackson, Dave Grusin, Harvey Mason, Lee Ritenour, Lewis Johnson*, Ralph MacDonald, Steve Gadd
Lacquer Cut By [Runount Etchings] – SR/2*
Mastered By [Half-speed Mastering] – Stan Ricker
Photography By – Greg Heisler*
Producer, Arranged By, Conductor – Dave Grusin
Producer, Recorded By, Mixed By – Larry Rosen
Recorded By [Strings And Horns] – Phil Schier
Recorded By, Mixed By [Assisted By] – Michael Ebert (2), Michael Shulman
Notes
Manufactured & distributed by Mobile Fidelity Sound Lab under license from Liberty / United Artists, Inc
Imported Pressing and Plating. Super high definition vinyl (extended life). Special static free-dust free inner sleeve. Special heavy duty protective packaging. Source: The original master tape.
Recorded and mixed at Kendun Recorders, Burbank, Calif. except for track B4 recorded at Electric Lady Studios, N. Y., N. Y. Strings recorded at Columbia Studios, 30th Street, N. Y., N. Y.
℗ 1977 United Artists Music and Records Group, Inc
Pressed in Japan
Mastered with the Ortofon Cutting System
The LP itself is translucent (hold it up to a bright light and you can see through it).
Barcode and Other Identifiers
Rights Society: ASCAP
Rights Society: BMI
Matrix / Runout (Side A Label): MFSL 1-025 A
Matrix / Runout (Side B Label): MFSL 1-025 B
Matrix / Runout (Side A Runout Hand Etched, variant 1: B#=scratch over B): MFSL-1-025-AB#5 ORTOFON SR/2 161⁜
Matrix / Runout (Side B Runout Hand Etched, variant 1: A#=scratch over A): MFSL-1-025-BA#6 ORTOFON SR/2 T 152⁜D
Matrix / Runout (Side A Runout Hand Etched, variant 2: B#=scratch over B): MFSL-1-025-AB#5 ORTOFON SR/2 T 152⁜ ⁜ ⁜
Matrix / Runout (Side B Runout Hand Etched, variant 2: A#=scratch over A): MFSL-1-025-BA#6 ORTOFON SR/2 T 161⁜
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....................... TRACKLISTING: ............................
1. Dr. Macumba ............................
2. Long Ago And Far Away ............................
3. Keep Your Eye On The Sparrow ............................
4. Catherine ............................
5. Dance With Me ............................
6. Jolana ............................
7. Summer Song ............................
8. This Tim ............................
********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ ***************************************
.................... Album notes ........................
Personnel: Earl Klugh, Lee Ritenour (guitar), Dave Grusin (keyboards), Louis Johnson, Anthony Jackson (bass), Steve Gadd, Harvey Mason (drums), Ralph MacDonald (percussion).
Acoustic guitarist Earl Klugh has always had an appealing sound. This early session was reissued as a Blue Note LP in the 1970s. The melodic music that Klugh creates is quite pleasant, and he is accompanied by fellow guitarist Lee Ritenour, a rhythm section, and occasional horns and strings. ~ Scott Yanow .......................................
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............... The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. .................
Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
Preis: EUR 799,99 (minus 50% discount = 399,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-025 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT ----- ( NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRE

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| KLUGH, EARL ------ FINGER PAINTINGS ------ M- / M- = EINE NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1977 BEI BLUE NOTE RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY BLUE NOTE RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
Weitere Details: **************************************************************************************************
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Earl Klugh – Finger Paintings
Label: Mobile Fidelity Sound Lab – MFSL 1-025, Blue Note – MFSL 1-025
Series: Original Master Recording –
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo
Country: US
Released: Mar 1980
Genre: Jazz, Funk / Soul
Style: Jazz-Funk, Contemporary Jazz
Tracklist
Hide Credits
A1 Dr. Macumba
Written-By – E. Klugh*
4:25
A2 Long Ago And Far Away
Written-By – J. Taylor*
5:34
A3 Cabo Frio
Written-By – E. Klugh*
3:30
A4 Keep Your Eyes On The Sparrow (Baretta's Theme)
Written-By – D. Grusin*, M. Ames*
4:35
B1 Catherine
Written-By – Earl Klugh
4:10
B2 Dance With Me
Written-By – J. Hall*, J. Hall*
3:25
B3 Jolanta
Written-By – Earl Klugh
3:00
B4 Summer Song
Written-By – Earl Klugh
4:05
B5 This Time
Written-By – Earl Klugh
3:40
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Liberty/United Artists, Inc.
Produced For – Grusin/Rosen Productions
Phonographic Copyright (p) – United Artists Music And Records Group, Inc.
Copyright (c) – United Artists Music And Records Group, Inc.
Recorded At – Kendun Recorders
Recorded At – Electric Lady Studios
Recorded At – Columbia 30th Street Studio
Mixed At – Kendun Recorders
Mixed At – Electric Lady Studios
Pressed By – Victor Company Of Japan, Ltd.
Published By – United Artists Music Co., Inc.
Published By – Klughmoon Music Co.
Published By – Country Road Music, Inc.
Published By – Blackwood Music Inc.
Published By – Leeds Music Corp.
Published By – Duchess Music Corp.
Published By – Hall Music
Published By – Mojohanna Music
Credits
Coordinator [Production Coordinator] – Alicia Johnson
Design [Album Design] – Bill Burks (2)
Executive-Producer – Dr. George Butler*
Featuring – Anthony Jackson, Dave Grusin, Harvey Mason, Lee Ritenour, Lewis Johnson*, Ralph MacDonald, Steve Gadd
Lacquer Cut By [Runount Etchings] – SR/2*
Mastered By [Half-speed Mastering] – Stan Ricker
Photography By – Greg Heisler*
Producer, Arranged By, Conductor – Dave Grusin
Producer, Recorded By, Mixed By – Larry Rosen
Recorded By [Strings And Horns] – Phil Schier
Recorded By, Mixed By [Assisted By] – Michael Ebert (2), Michael Shulman
Notes
Manufactured & distributed by Mobile Fidelity Sound Lab under license from Liberty / United Artists, Inc
Imported Pressing and Plating. Super high definition vinyl (extended life). Special static free-dust free inner sleeve. Special heavy duty protective packaging. Source: The original master tape.
Recorded and mixed at Kendun Recorders, Burbank, Calif. except for track B4 recorded at Electric Lady Studios, N. Y., N. Y. Strings recorded at Columbia Studios, 30th Street, N. Y., N. Y.
℗ 1977 United Artists Music and Records Group, Inc
Pressed in Japan
Mastered with the Ortofon Cutting System
The LP itself is translucent (hold it up to a bright light and you can see through it).
Barcode and Other Identifiers
Rights Society: ASCAP
Rights Society: BMI
Matrix / Runout (Side A Label): MFSL 1-025 A
Matrix / Runout (Side B Label): MFSL 1-025 B
Matrix / Runout (Side A Runout Hand Etched, variant 1: B#=scratch over B): MFSL-1-025-AB#5 ORTOFON SR/2 161⁜
Matrix / Runout (Side B Runout Hand Etched, variant 1: A#=scratch over A): MFSL-1-025-BA#6 ORTOFON SR/2 T 152⁜D
Matrix / Runout (Side A Runout Hand Etched, variant 2: B#=scratch over B): MFSL-1-025-AB#5 ORTOFON SR/2 T 152⁜ ⁜ ⁜
Matrix / Runout (Side B Runout Hand Etched, variant 2: A#=scratch over A): MFSL-1-025-BA#6 ORTOFON SR/2 T 161⁜
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TRACKLISTING: ............................
1. Dr. Macumba ............................
2. Long Ago And Far Away ............................
3. Keep Your Eye On The Sparrow ............................
4. Catherine ............................
5. Dance With Me ............................
6. Jolana ............................
7. Summer Song ............................
8. This Tim ............................
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Album notes ........................
Personnel: Earl Klugh, Lee Ritenour (guitar), Dave Grusin (keyboards), Louis Johnson, Anthony Jackson (bass), Steve Gadd, Harvey Mason (drums), Ralph MacDonald (percussion).
Acoustic guitarist Earl Klugh has always had an appealing sound. This early session was reissued as a Blue Note LP in the 1970s. The melodic music that Klugh creates is quite pleasant, and he is accompanied by fellow guitarist Lee Ritenour, a rhythm section, and occasional horns and strings. ~ Scott Yanow .......................................
**************************************************************************************************
The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: M- / M- = EINE NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... )
Preis: EUR 199,99 = (minus 50% discount with invoice/minus rechnungsrabatt = 99,99 euro) ----- M- / M- = EINE NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-026 -- (FIRST MFSL JAPANPRESSING SERIES) ----- SOLD OUT= AUSVERKAUFT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- ORIGINAL JAPANPRESSING !! -----

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| STYX ----- THE GRAND ILLUSION ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1977 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY A&M RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )
Weitere Details: ****************************************************************************************************
************************************* LONG-OUT OF PRINT *********************************************
***************************************************************************************************
************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *******************
***************************************************************************************************
**************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! *****************************
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***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-***
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****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! **********************
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.......... Track Listing ..........
1. The Grand Illusion ..........
2. Fooling Yourself (The Angry Young Man)..........
3. Superstars..........
4. Come Sail Away..........
5. Miss America..........
6. Man in the Wilderness..........
7. Castle Walls..........
8. The Grand Finale ..........
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............. Album Notes .....................
Styx: Dennis DeYoung (vocals, keyboards, synthesizer); Tommy Shaw(acoustic & electric guitars, background vocals); James Young (guitar, background vocals); Chuck Panozzo (bass, background vocals); John Panozzo (drums, percussion, background vocals).Recorded at Paragon Studios, Chicago, Illinois.Personnel: Tommy Shaw (vocals, guitar, acoustic guitar, electric guitar, 12-string guitar); Chuck Panozzo (vocals, guitar, bass guitar); James Young (vocals, guitar); Dennis DeYoung (vocals, keyboards, synthesizer); John Panozzo (vocals, drums, percussion).Recording information: Paragon Recording Studios, Chicago, IL.THE GRAND ILLUSION was the album that rocketed Styx to superstardom after all their years of hard work. That time spent in the trenches was clearly not wasted, as the group displays an unprecedented level of tightness here in their writing, arrangements, and performance. This is something of a concept album, the theme being the hypocrisy and self-deception inherent in modern American society. The songs that tackle this concept most directly are James Young's bristling rocker "Miss America," Dennis DeYoung's appropriately grandiose-sounding title tune, and "Superstars," Tommy Shaw's evisceration of the rock star life.Some of the most effective songs here are Shaw's inspirational "Fooling Yourself," the more obscure, moody tunes "Castle Walls" and "Man in the Wilderness," and DeYoung's epic tale of interstellar experiences "Come Sail Away," which would become one of the most loved songs in the band's catalog. Achieving the perfect balance between pop appeal, rock muscle, and prog-influenced flavoring, GRAND ILLUSION is Styx at the top of its collective game...........
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**************************************** ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ ************************************
The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. ..................................
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Preis: EUR ----- SOLD OUT= AUSVERKAUFT ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-027 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

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| STEELY SPAN ----- ALL AROUND MY HEAD ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1975 BEI CRYSALIS RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1975 BY CRYSALIS RECORDS IN ENGLAND / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! - QUALITY !! ...... )
Weitere Details: **************************************************************************************************** ......................... Track Listing ...................
1. Black Jack Davey ...................
2. Hard Times of Old England ...................
3. Cadgwith Anthem ...................
4. All Around My Hat ...................
5. Gamble Gold (Robin Hood) ...................
6. Wife of Usher's Well, The ...................
7. Sum Waves ...................
8. Dance with Me ...................
9. Bachelor's Hall ...................
***************************************************************************************************
........................... Album Notes: ...................
Personnel: Tim Hart (vocals, guitar, dulcimer); Bob Johnson (vocals, guitar); Peter Knight (vocals, violin, keyboards); Maddy Prior, Rick Kemp (vocals); Nigel Pegrum (flute, drums).Liner Note Author: John Tobler.Recording information: AIR Studios.Unknown Contributor Roles: Maddy Prior; Tim Hart; Bob Johnson.Arrangers: Peter Knight; Prior; Bob Johnson.Steeleye Span's eighth album, 1975's ALL AROUND MY HAT, is a fan favorite, up there with PLEASE TO SEE THE KING as one of the band's most beloved records. It's a superlative piece of folk-rock, where both halves of that genre come into equal play. Produced by Mike Batt, best known for his bubblegum singles with British children's show stars The Wombles, the results, while undeniably commercial--several songs have orchestral strings and brass supporting the fiddles--are crisp and inviting. It's not surprising that this is Steeleye Span's best-selling album.Besides the lovely title track, highlights include an excellent version of the standard "Black Jack Davy," the gloomy "Hard Times of Old England" and the beautiful, unaccompanied "Cadgwith Anthem." If you're a pop fan with little knowledge of English folk music, this may be Steeleye Span's most immediately accessible and rewarding album...............
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*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- .............. DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... )
Preis: EUR 599,99 (minus 50% discount/Rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP/RECIRD ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURES !!) ..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY - !! ...... )
In den Warenkorb |
| |
|
MFSL 1-028 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- DEMONSTRATION-COPY !! ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)
-A.JPG&sz=150)
XXL-Foto
-A-1.JPG&sz=150)
XXL-Foto
| MANCHESTER, MELISSA ----- MELISSA ----- ORIGINAL DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-FIRST-JAPAN-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) - MADE IN JAPAN ----- MASTERED BY STAN RICKER ----- LIMITED EDITION ----- LONG OUT OF PRINT ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... ORIGINAL DEMONSTRATION-COPY !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1975 BEI ARISTA RECORDS IN USA / ..... ORIGINAL RECORDING 1975 BY ARISTA RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY (ORIGINAL DEMONSTRATION-COPY !!) !! ...... EINE IN DIESER " ORIGINAL VERSIEGELTEN " QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... )
Weitere Details: **************************************************************************************************
Melissa Manchester – Melissa
Label: Mobile Fidelity Sound Lab – MFSL 1-028
Series: Original Master Recording –
Format: Vinyl, LP, Album, Remastered, Limited Edition
Country: US
Released: May 1980
Genre: Rock, Funk / Soul, Pop
Style: Soft Rock
Tracklist
Hide Credits
A1 We've Got Time
Written-By – Carole Bayer Sager, Melissa Manchester
4:22
A2 Party Music
Written-By – David Wolfert, Melissa Manchester
3:28
A3 Just Too Many People
Written-By – Melissa Manchester, Vini Poncia
3:38
A4 Stevie's Wonder
Written-By – Carole Bayer Sager, Melissa Manchester
3:33
A5 This Lady's Not Home Today
Written-By – Carole Bayer Sager, Melissa Manchester
4:31
B1 Love Havin' You Around
Written-By – Stevie Wonder, Syreeta Wright
4:40
B2 Midnight Blue
Written-By – Carole Bayer Sager, Melissa Manchester
3:55
B3 It's Gonna Be Alright
Written-By – Adrienne Anderson, Melissa Manchester
3:32
B4 I Got Eyes
Written-By – Melissa Manchester
2:43
B5 I Don't Want To Hear It Anymore
Written-By – Randy Newman
5:02
Companies, etc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Licensed From – Arista Records, Inc.
Phonographic Copyright (p) – Arista Records, Inc.
Credits
Engineer – Bob Schaper
Executive Producer – Richard Perry
Producer – Vini Poncia
Remastered By [Half-Speed Mastering By] – Stan Ricker
Remix – Bill Schnee
****************************************************************************************************
************************************* LONG-OUT OF PRINT *********************************
************************************* DEMONSTRATION-COPY !! ***********************************
***************************************************************************************************
************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *******************
***************************************************************************************************
**************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! *****************************
***************************************************************************************************
***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-***
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****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! **********************
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....................Track Listings : .....
Song Titles: ..................
- "We've Got Time; ..................
- Party Music; ..................
- Just Too Many People; ..................
- Stevie's Wonder; ..................
- This Lady's Not Home Today; ..................
- Love Havin' You Around; ..................
- Midnight Blue; ..................
- It's Gonna Be Alright; ..................
- I Got Eyes; ..................
- I Don't Want To Hear It Anymore". ..................
**************************************************************************************************
...... Album Notes: ..................
# Fired by Columbia Records in 1973, Clive Davis took over tiny Bell Records in 1974 and turned it into Arista, determined to re-establish his record-selling credentials. One beneficiary of this was Melissa Manchester, who had made two good, but poor-selling albums for Bell. Davis turned on the money tap, and the result was this L.A.-recorded Vini Poncia/Richard Perry production that seemed determined to turn Manchester into a pop diva. She had demonstrated an eclecticism on her previous records, and she was run through a series of pop styles -- disco on "Party Music," Philly soul on "Just Too Many People" (a Top 4 hit), Stevie Wonder on both "Stevie's Wonder" and Wonder's own "Love Havin' You Around." Returning to pop lyricist Carole Bayer Sager, Manchester reined in the tendency toward sensitive singer/songwriterism she had revealed on Bright Eyes, with the hoped-for commercial result. "Midnite Blue" may have been more obvious and generic a romantic ballad than the beautiful "Inclined" from the previous album, but it was also sexier and had a more pronounced hook and a sweeter production, which, along with Arista's promotional muscle, made it a Top Ten hit and Melissa a gold album. (Originally released as Arista 4031, Melissa was reissued as Arista 8055.) ~ William Ruhlmann, All Music Guide ..................
*************************************************************************************************
Biography:
Melissa Manchester biography by Steve Huey, All Music Guide
# MOR singer-songwriter Melissa Manchester, whose father was a bassoonist for the New York Metropolitan Opera, began singing commercial jingles at age 15 and went on to become a staff writer for Chappell Music while attending the High School of Performing Arts. After taking a songwriting class at New York University taught by Paul Simon, Manchester took her talents to the Manhattan club scene, where she was discovered by Bette Midler and Barry Manilow; the two hired her as a backup singer in 1971. She recorded her debut album, Home to Myself, in 1973, co-writing many of the songs with Carole Bayer Sager. 1975's Melissa produced her first Top Ten hit, "Midnight Blue," and set the tone for most of her career with its direct, slickly produced MOR pop sound. She and Kenny Loggins co-wrote the latter's 1978 duet hit with Stevie Nicks, "Whenever I Call You Friend," and the following year, Manchester returned to the Top Ten with "Don't Cry Out Loud." 1980 saw Manchester become the first singer to have two movie themes nominated for Academy Awards (Ice Castles and The Promise); two years later she achieved her highest Billboard singles chart placing with the number five hit "You Should Hear How She Talks About You," which won a Grammy for Best Female Vocal Performance. Through the '80s and '90s, Manchester has alternated occasional recording with scriptwriting and acting, appearing with Bette Midler in For the Boys and on the television series Blossom as the title character's birth mother. In spring 2004, Manchester returned with her first album in 10 years. When I Look Down That Road, which included collaborations with Beth Nielsen Chapman and Keb' Mo, marked her first proper release with Koch. ......
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
**************************************************************************************************
Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Preis: EUR 799,99 (minus 50% discount/rechnungsrabatt = 399,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL DEMONSTRATION-COPY !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-028 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT ----- LIMITED EDITION ---- (EINE ABSOLUT NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!)

XXL-Foto

XXL-Foto
| MANCHESTER, MELISSA ----- MELISSA ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1975 BEI ARISTA RECORDS IN USA / ..... ORIGINAL RECORDING 1975 BY ARISTA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
Weitere Details: ***************************************************************************************************
....................Track Listings : .....
Song Titles: ..................
- "We've Got Time; ..................
- Party Music; ..................
- Just Too Many People; ..................
- Stevie's Wonder; ..................
- This Lady's Not Home Today; ..................
- Love Havin' You Around; ..................
- Midnight Blue; ..................
- It's Gonna Be Alright; ..................
- I Got Eyes; ..................
- I Don't Want To Hear It Anymore". ..................
**************************************************************************************************
...... Album Notes: ..................
# Fired by Columbia Records in 1973, Clive Davis took over tiny Bell Records in 1974 and turned it into Arista, determined to re-establish his record-selling credentials. One beneficiary of this was Melissa Manchester, who had made two good, but poor-selling albums for Bell. Davis turned on the money tap, and the result was this L.A.-recorded Vini Poncia/Richard Perry production that seemed determined to turn Manchester into a pop diva. She had demonstrated an eclecticism on her previous records, and she was run through a series of pop styles -- disco on "Party Music," Philly soul on "Just Too Many People" (a Top 4 hit), Stevie Wonder on both "Stevie's Wonder" and Wonder's own "Love Havin' You Around." Returning to pop lyricist Carole Bayer Sager, Manchester reined in the tendency toward sensitive singer/songwriterism she had revealed on Bright Eyes, with the hoped-for commercial result. "Midnite Blue" may have been more obvious and generic a romantic ballad than the beautiful "Inclined" from the previous album, but it was also sexier and had a more pronounced hook and a sweeter production, which, along with Arista's promotional muscle, made it a Top Ten hit and Melissa a gold album. (Originally released as Arista 4031, Melissa was reissued as Arista 8055.) ~ William Ruhlmann, All Music Guide ..................
*************************************************************************************************
................ Biography: ...................
Melissa Manchester biography by Steve Huey, All Music Guide
# MOR singer-songwriter Melissa Manchester, whose father was a bassoonist for the New York Metropolitan Opera, began singing commercial jingles at age 15 and went on to become a staff writer for Chappell Music while attending the High School of Performing Arts. After taking a songwriting class at New York University taught by Paul Simon, Manchester took her talents to the Manhattan club scene, where she was discovered by Bette Midler and Barry Manilow; the two hired her as a backup singer in 1971. She recorded her debut album, Home to Myself, in 1973, co-writing many of the songs with Carole Bayer Sager. 1975's Melissa produced her first Top Ten hit, "Midnight Blue," and set the tone for most of her career with its direct, slickly produced MOR pop sound. She and Kenny Loggins co-wrote the latter's 1978 duet hit with Stevie Nicks, "Whenever I Call You Friend," and the following year, Manchester returned to the Top Ten with "Don't Cry Out Loud." 1980 saw Manchester become the first singer to have two movie themes nominated for Academy Awards (Ice Castles and The Promise); two years later she achieved her highest Billboard singles chart placing with the number five hit "You Should Hear How She Talks About You," which won a Grammy for Best Female Vocal Performance. Through the '80s and '90s, Manchester has alternated occasional recording with scriptwriting and acting, appearing with Bette Midler in For the Boys and on the television series Blossom as the title character's birth mother. In spring 2004, Manchester returned with her first album in 10 years. When I Look Down That Road, which included collaborations with Beth Nielsen Chapman and Keb' Mo, marked her first proper release with Koch.
**************************************************************************************************
*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. .....................
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: M- / VG - = EINE NOCH NEUWERTIGE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! (SORRY,..... COVER WITH A SEAMSPLIT = COVER IST AN EINER KANTE EINGERISSEN ) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
Preis: EUR 99,99 = (minus 50% discount with invoice/minus rechnungsrabatt = 49,99 euro) ----- M- / VG = EINE NOCH NEUWERTIGE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! (SORRY,..... COVER WITH SEAMSPLIT = COVER IST IN EINER KANTE EINGERISSEN ..... ) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
In den Warenkorb |
| |
|
MFSL 1-028 (WOC) ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT ----- LIMITED EDITION ---- (EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!)
-AA.JPG&sz=150)
XXL-Foto
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| MANCHESTER, MELISSA ----- MELISSA ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1975 BEI ARISTA RECORDS IN USA / ..... ORIGINAL RECORDING 1975 BY ARISTA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......)
Weitere Details: ***************************************************************************************************
....................Track Listings : .....
Song Titles: ..................
- "We've Got Time; ..................
- Party Music; ..................
- Just Too Many People; ..................
- Stevie's Wonder; ..................
- This Lady's Not Home Today; ..................
- Love Havin' You Around; ..................
- Midnight Blue; ..................
- It's Gonna Be Alright; ..................
- I Got Eyes; ..................
- I Don't Want To Hear It Anymore". ..................
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...... Album Notes: ..................
# Fired by Columbia Records in 1973, Clive Davis took over tiny Bell Records in 1974 and turned it into Arista, determined to re-establish his record-selling credentials. One beneficiary of this was Melissa Manchester, who had made two good, but poor-selling albums for Bell. Davis turned on the money tap, and the result was this L.A.-recorded Vini Poncia/Richard Perry production that seemed determined to turn Manchester into a pop diva. She had demonstrated an eclecticism on her previous records, and she was run through a series of pop styles -- disco on "Party Music," Philly soul on "Just Too Many People" (a Top 4 hit), Stevie Wonder on both "Stevie's Wonder" and Wonder's own "Love Havin' You Around." Returning to pop lyricist Carole Bayer Sager, Manchester reined in the tendency toward sensitive singer/songwriterism she had revealed on Bright Eyes, with the hoped-for commercial result. "Midnite Blue" may have been more obvious and generic a romantic ballad than the beautiful "Inclined" from the previous album, but it was also sexier and had a more pronounced hook and a sweeter production, which, along with Arista's promotional muscle, made it a Top Ten hit and Melissa a gold album. (Originally released as Arista 4031, Melissa was reissued as Arista 8055.) ~ William Ruhlmann, All Music Guide ..................
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................ Biography: ...................
Melissa Manchester biography by Steve Huey, All Music Guide
# MOR singer-songwriter Melissa Manchester, whose father was a bassoonist for the New York Metropolitan Opera, began singing commercial jingles at age 15 and went on to become a staff writer for Chappell Music while attending the High School of Performing Arts. After taking a songwriting class at New York University taught by Paul Simon, Manchester took her talents to the Manhattan club scene, where she was discovered by Bette Midler and Barry Manilow; the two hired her as a backup singer in 1971. She recorded her debut album, Home to Myself, in 1973, co-writing many of the songs with Carole Bayer Sager. 1975's Melissa produced her first Top Ten hit, "Midnight Blue," and set the tone for most of her career with its direct, slickly produced MOR pop sound. She and Kenny Loggins co-wrote the latter's 1978 duet hit with Stevie Nicks, "Whenever I Call You Friend," and the following year, Manchester returned to the Top Ten with "Don't Cry Out Loud." 1980 saw Manchester become the first singer to have two movie themes nominated for Academy Awards (Ice Castles and The Promise); two years later she achieved her highest Billboard singles chart placing with the number five hit "You Should Hear How She Talks About You," which won a Grammy for Best Female Vocal Performance. Through the '80s and '90s, Manchester has alternated occasional recording with scriptwriting and acting, appearing with Bette Midler in For the Boys and on the television series Blossom as the title character's birth mother. In spring 2004, Manchester returned with her first album in 10 years. When I Look Down That Road, which included collaborations with Beth Nielsen Chapman and Keb' Mo, marked her first proper release with Koch.
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*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. .....................
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: M- / M - = EINE NEUWERTIGE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
Preis: EUR 199,99 ( minus 50% DISCOUNT / RECHNUNGSRABATT = 99,99 euro ) ----- M- / M - = EINE NEUWERTIGE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
In den Warenkorb |
| |
|
MFSL 1-029 -- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- DEMONSTRATION-COPY !! ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- ORIGINAL JAPANPRESSI
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XXL-Foto

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| PABLO CRUISE ----- A PLACE IN THE SUN ----- (ORIGINAL DEMONSTRATION COPY !!) ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1977 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY A&M RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY !!) ..... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Weitere Details: ****************************************************************************************************
************************************* LONG-OUT OF PRINT *********************************************
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************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *******************
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**************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! *****************************
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***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-***
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****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! **********************
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Pablo Cruise – A Place In The Sun
Pablo Cruise - A Place In The Sun album cover
Label: Mobile Fidelity Sound Lab – MFSL 1-029
Series: Original Master Recording
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered
Country: US
Released: 1980
Genre: Rock
Style: Pop Rock
A1 A Place In The Sun 4:47
A2 Whatcha Gonna Do? 4:21
A3 Raging Fire 4:42
A4 I Just Wanna Believe 4:13
A5 Tonight My Love 4:01
B1 Can't You Hear The Music? 4:07
B2 Never Had A Love 5:09
B3 Atlanta June 4:06
B4 El Verano 4:47
Manufactured By – Mobile Fidelity Sound Lab, Inc.
Distributed By – Mobile Fidelity Sound Lab, Inc.
Licensed From – A&M Records, Inc.
Phonographic Copyright ℗ – A&M Records, Inc.
Copyright © – Pablo Cruise Enterprises
Pressed By – Victor Company Of Japan, Ltd.
Remastered At – Original Masteringworks
Bass – Bud Cockrell
Drums, Percussion – Stephen Price*
Engineer [Assistant] – Eric Schilling
Engineer, Mixed By – Bill Schnee
Guitar – Dave Jenkins*
Keyboards – Cory Lerios
Lacquer Cut By – SR/2*
Mastered By – Doug Sax, Mike Reese
Written-By – Cockrell* (tracks: A1, B4), Lerios* (tracks: A1 to A5, B1, B2, B4), Jenkins* (tracks: A2, A3, B2, B3, B4), Price* (tracks: B1, B3, B4)
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Track Listing: ............................
1. Place in the Sun, A ............................
2. What'cha Gonna Do? ............................
3. Raging Fire ............................
4. I Just Wanna Believe ............................
5. Tonight My Love ............................
6. Can't You Hear the Music? ............................
7. Never Had a Love ............................
8. Atlanta June ............................
9. Verano, El ............................
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Album Notes: .....................................
Personnel: David Jenkins (vocals, guitar); Bud Cockrell (vocals); Dave Jenkins (guitar); Cory Lerios (piano, keyboards); Steve Price (drums, percussion).Audio Mixer: Bill Schnee.Recording information: Record Plant, Sausalito, CA.Photographer: John Morris.The perfect record for '70s concert goers, A Place in the Sun is a record of commercial pop. Most of the tracks on the album touch base with all of the '70s smooth rock clichés: a smooth jazz track ("A Place in the Sun"); country fluff ("Raging Fire"); and a funky, instrumental jam track ("El Verano"). Provides a quick glimpse into '70s pop culture. ~ Zachary Curd .........................
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1) Test Press - These are the actual 1st press - These do exists from MFSL in plain white cover with Test Press Labels. These would be the absolute cleanest copy but are Very Rare and not many copies are even made
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2) Demonstration Copy - These are the 2nd press - These are printed prior to the very first copy of the record is pressed for the consumer to purchase. These are inspected to make sure they are perfect so they can be used as a Demo Disc. Rare
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3) Standard Numbered or Limited Press - These are the 3rd press - These are the copies you can or could purchase.
If you want an early press a press prior to the standard press for absolute best quality then a Test Press or Demonstration Copy is what you should seek. I was the former Mobile Fidelity Representative these have been in storage for 20 plus years.
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- (ORIGINAL DEMONSTRATION COPY !!) ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Preis: EUR 799,99 (minus 50% discount / rechnungsrabatt = 399,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- (ORIGINAL DEMONSTRATION COPY !!) ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
In den Warenkorb |
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MFSL 1-029 (WOC) -- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- (RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG !! )
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| PABLO CRUISE ----- A PLACE IN THE SUN ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1977 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY A&M RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH SEHR GUT ERHALTEN UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-PRESSING-SERIES) ----- MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = MINT - QUALITY !! ..... )
Weitere Details: ***************************************************************************************************
Pablo Cruise – A Place In The Sun
Pablo Cruise - A Place In The Sun album cover
Label: Mobile Fidelity Sound Lab – MFSL 1-029
Series: Original Master Recording
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered
Country: US
Released: 1980
Genre: Rock
Style: Pop Rock
A1 A Place In The Sun 4:47
A2 Whatcha Gonna Do? 4:21
A3 Raging Fire 4:42
A4 I Just Wanna Believe 4:13
A5 Tonight My Love 4:01
B1 Can't You Hear The Music? 4:07
B2 Never Had A Love 5:09
B3 Atlanta June 4:06
B4 El Verano 4:47
Manufactured By – Mobile Fidelity Sound Lab, Inc.
Distributed By – Mobile Fidelity Sound Lab, Inc.
Licensed From – A&M Records, Inc.
Phonographic Copyright ℗ – A&M Records, Inc.
Copyright © – Pablo Cruise Enterprises
Pressed By – Victor Company Of Japan, Ltd.
Remastered At – Original Masteringworks
Bass – Bud Cockrell
Drums, Percussion – Stephen Price*
Engineer [Assistant] – Eric Schilling
Engineer, Mixed By – Bill Schnee
Guitar – Dave Jenkins*
Keyboards – Cory Lerios
Lacquer Cut By – SR/2*
Mastered By – Doug Sax, Mike Reese
Written-By – Cockrell* (tracks: A1, B4), Lerios* (tracks: A1 to A5, B1, B2, B4), Jenkins* (tracks: A2, A3, B2, B3, B4), Price* (tracks: B1, B3, B4)
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Track Listing: ............................
1. Place in the Sun, A ............................
2. What'cha Gonna Do? ............................
3. Raging Fire ............................
4. I Just Wanna Believe ............................
5. Tonight My Love ............................
6. Can't You Hear the Music? ............................
7. Never Had a Love ............................
8. Atlanta June ............................
9. Verano, El ............................
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.................... Album Notes: .....................................
Personnel: David Jenkins (vocals, guitar); Bud Cockrell (vocals); Dave Jenkins (guitar); Cory Lerios (piano, keyboards); Steve Price (drums, percussion).Audio Mixer: Bill Schnee.Recording information: Record Plant, Sausalito, CA.Photographer: John Morris.The perfect record for '70s concert goers, A Place in the Sun is a record of commercial pop. Most of the tracks on the album touch base with all of the '70s smooth rock clichés: a smooth jazz track ("A Place in the Sun"); country fluff ("Raging Fire"); and a funky, instrumental jam track ("El Verano"). Provides a quick glimpse into '70s pop culture. ~ Zachary Curd .........................
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A PLACE IN THE SUN is a recording from the Victor Company of Japan for state of the art audiophile pressings. This MFSL LP was pressed in Japan before Mobile Fidelity Sound Labs eventually pressed their Lps in the United States. The LP was Half-Speed Mastered with the Ortofon Cutting System from the Original Stereo Master Tapes. This MFSL LP has a special static free, dust free inner sleeve and heavy-duty protective packaging. This LP has been Out of Print for 20 years and a bonafide audiophile?s collectible. ................
Back in 1977, Pablo Cruises /Atlanta June/ and /Whatch Gonna Do/ were frequently on FM. The first two tracks of the A PLACE IN THE SUN, A Place In The Sun and /Whatcha Gonna Do/ are catchy, singable mid-tempoed songs. The them of the next five songs is about love and romance but not in a corny or sickeningly sweet way. /Raging Fire/ is one of the great wedding songs that never was. Its words, sentiment and piano playing are beautiful. The songs Can't You Hear The Music? and /Never Had A Love/ are seamlessly blended together by high energy guitar, piano, and drum playing that sounds great and Cory Lerios crystalline piano playing helps make it one of the albums top 2 or 3 tracks.....................
*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: NEW = MINT = EINE ABSOLUT NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !! ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = MINT - QUALITY !! ...... )
Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- NEW = MINT = EINE ABSOLUT NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !! ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = MINT - QUALITY !! ...... )
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