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MFSL - HALFSPEED-LP`s USA (Out of Print ) |
Gefundene Artikel: 725 | | Anzeige Produkte 61 bis 70 | MFSL 1-028 (WOC) ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT ----- LIMITED EDITION ---- (EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!)
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| MANCHESTER, MELISSA ----- MELISSA ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1975 BEI ARISTA RECORDS IN USA / ..... ORIGINAL RECORDING 1975 BY ARISTA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......)
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....................Track Listings : .....
Song Titles: ..................
- "We've Got Time; ..................
- Party Music; ..................
- Just Too Many People; ..................
- Stevie's Wonder; ..................
- This Lady's Not Home Today; ..................
- Love Havin' You Around; ..................
- Midnight Blue; ..................
- It's Gonna Be Alright; ..................
- I Got Eyes; ..................
- I Don't Want To Hear It Anymore". ..................
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...... Album Notes: ..................
# Fired by Columbia Records in 1973, Clive Davis took over tiny Bell Records in 1974 and turned it into Arista, determined to re-establish his record-selling credentials. One beneficiary of this was Melissa Manchester, who had made two good, but poor-selling albums for Bell. Davis turned on the money tap, and the result was this L.A.-recorded Vini Poncia/Richard Perry production that seemed determined to turn Manchester into a pop diva. She had demonstrated an eclecticism on her previous records, and she was run through a series of pop styles -- disco on "Party Music," Philly soul on "Just Too Many People" (a Top 4 hit), Stevie Wonder on both "Stevie's Wonder" and Wonder's own "Love Havin' You Around." Returning to pop lyricist Carole Bayer Sager, Manchester reined in the tendency toward sensitive singer/songwriterism she had revealed on Bright Eyes, with the hoped-for commercial result. "Midnite Blue" may have been more obvious and generic a romantic ballad than the beautiful "Inclined" from the previous album, but it was also sexier and had a more pronounced hook and a sweeter production, which, along with Arista's promotional muscle, made it a Top Ten hit and Melissa a gold album. (Originally released as Arista 4031, Melissa was reissued as Arista 8055.) ~ William Ruhlmann, All Music Guide ..................
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................ Biography: ...................
Melissa Manchester biography by Steve Huey, All Music Guide
# MOR singer-songwriter Melissa Manchester, whose father was a bassoonist for the New York Metropolitan Opera, began singing commercial jingles at age 15 and went on to become a staff writer for Chappell Music while attending the High School of Performing Arts. After taking a songwriting class at New York University taught by Paul Simon, Manchester took her talents to the Manhattan club scene, where she was discovered by Bette Midler and Barry Manilow; the two hired her as a backup singer in 1971. She recorded her debut album, Home to Myself, in 1973, co-writing many of the songs with Carole Bayer Sager. 1975's Melissa produced her first Top Ten hit, "Midnight Blue," and set the tone for most of her career with its direct, slickly produced MOR pop sound. She and Kenny Loggins co-wrote the latter's 1978 duet hit with Stevie Nicks, "Whenever I Call You Friend," and the following year, Manchester returned to the Top Ten with "Don't Cry Out Loud." 1980 saw Manchester become the first singer to have two movie themes nominated for Academy Awards (Ice Castles and The Promise); two years later she achieved her highest Billboard singles chart placing with the number five hit "You Should Hear How She Talks About You," which won a Grammy for Best Female Vocal Performance. Through the '80s and '90s, Manchester has alternated occasional recording with scriptwriting and acting, appearing with Bette Midler in For the Boys and on the television series Blossom as the title character's birth mother. In spring 2004, Manchester returned with her first album in 10 years. When I Look Down That Road, which included collaborations with Beth Nielsen Chapman and Keb' Mo, marked her first proper release with Koch.
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*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. .....................
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: M- / M - = EINE NEUWERTIGE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
Preis: EUR 199,99 ( minus 50% DISCOUNT / RECHNUNGSRABATT = 99,99 euro ) ----- M- / M - = EINE NEUWERTIGE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
In den Warenkorb |
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MFSL 1-029 -- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- DEMONSTRATION-COPY !! ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- ORIGINAL JAPANPRESSI
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| PABLO CRUISE ----- A PLACE IN THE SUN ----- (ORIGINAL DEMONSTRATION COPY !!) ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1977 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY A&M RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY !!) ..... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Weitere Details: ****************************************************************************************************
************************************* LONG-OUT OF PRINT *********************************************
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************************ ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *******************
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**************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! *****************************
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***-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!-***
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****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! **********************
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Pablo Cruise – A Place In The Sun
Pablo Cruise - A Place In The Sun album cover
Label: Mobile Fidelity Sound Lab – MFSL 1-029
Series: Original Master Recording
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered
Country: US
Released: 1980
Genre: Rock
Style: Pop Rock
A1 A Place In The Sun 4:47
A2 Whatcha Gonna Do? 4:21
A3 Raging Fire 4:42
A4 I Just Wanna Believe 4:13
A5 Tonight My Love 4:01
B1 Can't You Hear The Music? 4:07
B2 Never Had A Love 5:09
B3 Atlanta June 4:06
B4 El Verano 4:47
Manufactured By – Mobile Fidelity Sound Lab, Inc.
Distributed By – Mobile Fidelity Sound Lab, Inc.
Licensed From – A&M Records, Inc.
Phonographic Copyright ℗ – A&M Records, Inc.
Copyright © – Pablo Cruise Enterprises
Pressed By – Victor Company Of Japan, Ltd.
Remastered At – Original Masteringworks
Bass – Bud Cockrell
Drums, Percussion – Stephen Price*
Engineer [Assistant] – Eric Schilling
Engineer, Mixed By – Bill Schnee
Guitar – Dave Jenkins*
Keyboards – Cory Lerios
Lacquer Cut By – SR/2*
Mastered By – Doug Sax, Mike Reese
Written-By – Cockrell* (tracks: A1, B4), Lerios* (tracks: A1 to A5, B1, B2, B4), Jenkins* (tracks: A2, A3, B2, B3, B4), Price* (tracks: B1, B3, B4)
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Track Listing: ............................
1. Place in the Sun, A ............................
2. What'cha Gonna Do? ............................
3. Raging Fire ............................
4. I Just Wanna Believe ............................
5. Tonight My Love ............................
6. Can't You Hear the Music? ............................
7. Never Had a Love ............................
8. Atlanta June ............................
9. Verano, El ............................
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Album Notes: .....................................
Personnel: David Jenkins (vocals, guitar); Bud Cockrell (vocals); Dave Jenkins (guitar); Cory Lerios (piano, keyboards); Steve Price (drums, percussion).Audio Mixer: Bill Schnee.Recording information: Record Plant, Sausalito, CA.Photographer: John Morris.The perfect record for '70s concert goers, A Place in the Sun is a record of commercial pop. Most of the tracks on the album touch base with all of the '70s smooth rock clichés: a smooth jazz track ("A Place in the Sun"); country fluff ("Raging Fire"); and a funky, instrumental jam track ("El Verano"). Provides a quick glimpse into '70s pop culture. ~ Zachary Curd .........................
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1) Test Press - These are the actual 1st press - These do exists from MFSL in plain white cover with Test Press Labels. These would be the absolute cleanest copy but are Very Rare and not many copies are even made
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2) Demonstration Copy - These are the 2nd press - These are printed prior to the very first copy of the record is pressed for the consumer to purchase. These are inspected to make sure they are perfect so they can be used as a Demo Disc. Rare
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3) Standard Numbered or Limited Press - These are the 3rd press - These are the copies you can or could purchase.
If you want an early press a press prior to the standard press for absolute best quality then a Test Press or Demonstration Copy is what you should seek. I was the former Mobile Fidelity Representative these have been in storage for 20 plus years.
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DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
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Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- (ORIGINAL DEMONSTRATION COPY !!) ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Preis: EUR 799,99 (minus 50% discount / rechnungsrabatt = 399,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- (ORIGINAL DEMONSTRATION COPY !!) ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
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MFSL 1-029 (WOC) -- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- (RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG !! )
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| PABLO CRUISE ----- A PLACE IN THE SUN ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1977 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY A&M RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH SEHR GUT ERHALTEN UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-PRESSING-SERIES) ----- MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = MINT - QUALITY !! ..... )
Weitere Details: ***************************************************************************************************
Pablo Cruise – A Place In The Sun
Pablo Cruise - A Place In The Sun album cover
Label: Mobile Fidelity Sound Lab – MFSL 1-029
Series: Original Master Recording
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered
Country: US
Released: 1980
Genre: Rock
Style: Pop Rock
A1 A Place In The Sun 4:47
A2 Whatcha Gonna Do? 4:21
A3 Raging Fire 4:42
A4 I Just Wanna Believe 4:13
A5 Tonight My Love 4:01
B1 Can't You Hear The Music? 4:07
B2 Never Had A Love 5:09
B3 Atlanta June 4:06
B4 El Verano 4:47
Manufactured By – Mobile Fidelity Sound Lab, Inc.
Distributed By – Mobile Fidelity Sound Lab, Inc.
Licensed From – A&M Records, Inc.
Phonographic Copyright ℗ – A&M Records, Inc.
Copyright © – Pablo Cruise Enterprises
Pressed By – Victor Company Of Japan, Ltd.
Remastered At – Original Masteringworks
Bass – Bud Cockrell
Drums, Percussion – Stephen Price*
Engineer [Assistant] – Eric Schilling
Engineer, Mixed By – Bill Schnee
Guitar – Dave Jenkins*
Keyboards – Cory Lerios
Lacquer Cut By – SR/2*
Mastered By – Doug Sax, Mike Reese
Written-By – Cockrell* (tracks: A1, B4), Lerios* (tracks: A1 to A5, B1, B2, B4), Jenkins* (tracks: A2, A3, B2, B3, B4), Price* (tracks: B1, B3, B4)
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Track Listing: ............................
1. Place in the Sun, A ............................
2. What'cha Gonna Do? ............................
3. Raging Fire ............................
4. I Just Wanna Believe ............................
5. Tonight My Love ............................
6. Can't You Hear the Music? ............................
7. Never Had a Love ............................
8. Atlanta June ............................
9. Verano, El ............................
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.................... Album Notes: .....................................
Personnel: David Jenkins (vocals, guitar); Bud Cockrell (vocals); Dave Jenkins (guitar); Cory Lerios (piano, keyboards); Steve Price (drums, percussion).Audio Mixer: Bill Schnee.Recording information: Record Plant, Sausalito, CA.Photographer: John Morris.The perfect record for '70s concert goers, A Place in the Sun is a record of commercial pop. Most of the tracks on the album touch base with all of the '70s smooth rock clichés: a smooth jazz track ("A Place in the Sun"); country fluff ("Raging Fire"); and a funky, instrumental jam track ("El Verano"). Provides a quick glimpse into '70s pop culture. ~ Zachary Curd .........................
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A PLACE IN THE SUN is a recording from the Victor Company of Japan for state of the art audiophile pressings. This MFSL LP was pressed in Japan before Mobile Fidelity Sound Labs eventually pressed their Lps in the United States. The LP was Half-Speed Mastered with the Ortofon Cutting System from the Original Stereo Master Tapes. This MFSL LP has a special static free, dust free inner sleeve and heavy-duty protective packaging. This LP has been Out of Print for 20 years and a bonafide audiophile?s collectible. ................
Back in 1977, Pablo Cruises /Atlanta June/ and /Whatch Gonna Do/ were frequently on FM. The first two tracks of the A PLACE IN THE SUN, A Place In The Sun and /Whatcha Gonna Do/ are catchy, singable mid-tempoed songs. The them of the next five songs is about love and romance but not in a corny or sickeningly sweet way. /Raging Fire/ is one of the great wedding songs that never was. Its words, sentiment and piano playing are beautiful. The songs Can't You Hear The Music? and /Never Had A Love/ are seamlessly blended together by high energy guitar, piano, and drum playing that sounds great and Cory Lerios crystalline piano playing helps make it one of the albums top 2 or 3 tracks.....................
*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: NEW = MINT = EINE ABSOLUT NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !! ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = MINT - QUALITY !! ...... )
Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- NEW = MINT = EINE ABSOLUT NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !! ----- EINE NOCH ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = MINT - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-029 (WOC) -- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- (RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG = FIRST MFSL-SERIES !! )

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| PABLO CRUISE ----- A PLACE IN THE SUN ----- EINE NOCH SEHR GUT ERHALTENE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1977 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY A&M RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST NOCH SEHR GUT ERHALTEN UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... LEIDER FEHLT DAS MFSL-INNERCOVER ..... )
Weitere Details: ***************************************************************************************************
Pablo Cruise – A Place In The Sun
Pablo Cruise - A Place In The Sun album cover
Label: Mobile Fidelity Sound Lab – MFSL 1-029
Series: Original Master Recording
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered
Country: US
Released: 1980
Genre: Rock
Style: Pop Rock
A1 A Place In The Sun 4:47
A2 Whatcha Gonna Do? 4:21
A3 Raging Fire 4:42
A4 I Just Wanna Believe 4:13
A5 Tonight My Love 4:01
B1 Can't You Hear The Music? 4:07
B2 Never Had A Love 5:09
B3 Atlanta June 4:06
B4 El Verano 4:47
Manufactured By – Mobile Fidelity Sound Lab, Inc.
Distributed By – Mobile Fidelity Sound Lab, Inc.
Licensed From – A&M Records, Inc.
Phonographic Copyright ℗ – A&M Records, Inc.
Copyright © – Pablo Cruise Enterprises
Pressed By – Victor Company Of Japan, Ltd.
Remastered At – Original Masteringworks
Bass – Bud Cockrell
Drums, Percussion – Stephen Price*
Engineer [Assistant] – Eric Schilling
Engineer, Mixed By – Bill Schnee
Guitar – Dave Jenkins*
Keyboards – Cory Lerios
Lacquer Cut By – SR/2*
Mastered By – Doug Sax, Mike Reese
Written-By – Cockrell* (tracks: A1, B4), Lerios* (tracks: A1 to A5, B1, B2, B4), Jenkins* (tracks: A2, A3, B2, B3, B4), Price* (tracks: B1, B3, B4)
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Track Listing: ............................
1. Place in the Sun, A ............................
2. What'cha Gonna Do? ............................
3. Raging Fire ............................
4. I Just Wanna Believe ............................
5. Tonight My Love ............................
6. Can't You Hear the Music? ............................
7. Never Had a Love ............................
8. Atlanta June ............................
9. Verano, El ............................
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.................... Album Notes: .....................................
Personnel: David Jenkins (vocals, guitar); Bud Cockrell (vocals); Dave Jenkins (guitar); Cory Lerios (piano, keyboards); Steve Price (drums, percussion).Audio Mixer: Bill Schnee.Recording information: Record Plant, Sausalito, CA.Photographer: John Morris.The perfect record for '70s concert goers, A Place in the Sun is a record of commercial pop. Most of the tracks on the album touch base with all of the '70s smooth rock clichés: a smooth jazz track ("A Place in the Sun"); country fluff ("Raging Fire"); and a funky, instrumental jam track ("El Verano"). Provides a quick glimpse into '70s pop culture. ~ Zachary Curd .........................
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A PLACE IN THE SUN is a recording from the Victor Company of Japan for state of the art audiophile pressings. This MFSL LP was pressed in Japan before Mobile Fidelity Sound Labs eventually pressed their Lps in the United States. The LP was Half-Speed Mastered with the Ortofon Cutting System from the Original Stereo Master Tapes. This MFSL LP has a special static free, dust free inner sleeve and heavy-duty protective packaging. This LP has been Out of Print for 20 years and a bonafide audiophile?s collectible. ................
Back in 1977, Pablo Cruises /Atlanta June/ and /Whatch Gonna Do/ were frequently on FM. The first two tracks of the A PLACE IN THE SUN, A Place In The Sun and /Whatcha Gonna Do/ are catchy, singable mid-tempoed songs. The them of the next five songs is about love and romance but not in a corny or sickeningly sweet way. /Raging Fire/ is one of the great wedding songs that never was. Its words, sentiment and piano playing are beautiful. The songs Can't You Hear The Music? and /Never Had A Love/ are seamlessly blended together by high energy guitar, piano, and drum playing that sounds great and Cory Lerios crystalline piano playing helps make it one of the albums top 2 or 3 tracks.....................
*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................
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Zustand: VG++ / VG++ = EINE NOCH SEHR GUT ERHALTENE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
Preis: EUR 199,99 (minus 50% discount = 99,99 euro) ----- VG++ / VG++ = EINE NOCH SEHR GUT ERHALTENE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY DOUG SAX AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PHOTOS !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-030 (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

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| ERIC CLAPTON ----- SLOWHAND ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPANPRESSING SERIES) ----- AUDIOPHILE MFSL LP/RECORD IN EINEM WERTIGENKLAPPCOVER (GATEFOLD-JACKET) - MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1977 BEI RSO RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY RSO RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT !!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD-JAPANPRESSUNG IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!!! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED - QUALITY !! ...... )
Weitere Details: ***************************************************************************************************
Slowhand (Vinyl, LP, Album, Limited Edition, Reissue, Remastered) album cover
Eric Clapton – Slowhand
Label: Mobile Fidelity Sound Lab – MFSL 1-030, RSO – MFSL 1-030
Series: Original Master Recording –
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Gatefold
Country: US
Released: May 1980
Genre: Rock
Style: Acoustic, Soft Rock, Classic Rock, Pop Rock, Country Rock
Tracklist
Hide Credits
A1 Cocaine
Written-By – J.J. Cale
3:38
A2 Wonderful Tonight
Written-By – Eric Clapton
3:14
A3 Lay Down Sally
Written-By – Eric Clapton, Marcy Levy
3:52
A4 Next Time You See Her
Written-By – Eric Clapton
3:58
A5 We´re All The Way
Written-By – Don Williams (2)
2:30
B1 The Core
Written-By – Eric Clapton, Marcy Levy
8:42
B2 May You Never
Written-By – John Martyn
2:57
B3 Mean Old Frisco 4:38
B4 Peaches And Diesel
Written-By – Albhy Galuten, Eric Clapton
4:48
Companies, etc.
Licensed From – RSO Records, Inc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Phonographic Copyright (p) – RSO Records, Inc.
Copyright (c) – RSO Records, Inc.
Pressed By – Victor Company Of Japan, Ltd.
Credits
Art Direction – David Stewart (8), El And Nell Ink, Nello (3)
Artwork – Jonathan Dent
Bass Guitar – Carl Radle
Drums – Jamie Oldaker
Guitar – Eric Clapton, George Terry
Keyboards – Dick Sims
Lacquer Cut By – SR/2*
Percussion – Jamie Oldaker
Photography By [Inner Sleeve] – Andy Seymour
Photography By [Outer Sleeve] – Watal Asanuma
Producer – Glyn Johns
Remastered By [Half-Speed] – Gary Giorgi, Stan Ricker
Saxophone – Mel Collins
Vocals – Eric Clapton, Marcy Levy, Yvonne Elliman
Notes
Released by Mobile Fidelity Sound Lap under license from RSO Records inc.
Pressed in Japan (printed on label)
Imported Pressing and Plating
Super High Definition Vinyl (extended life)
Special Static Free - Dust Free Inner Sleeve
Special Heavy Duty Protective Packaging
Source: the Original Stereo Master Tape
Half Speed Mastered from Original Master Tapes
Track A2 printed duration 3:41. Actual duration 3:14, changed to match actual duration per Discogs Guidelines (Durations, section 12.6.5). See History for additional info.
A small number of covers might have a golden stamper with "Demonstration Copy - Not For Resale" [see image].
Barcode and Other Identifiers
Matrix / Runout (Label side A): MFSL 1-030 A
Matrix / Runout (Label side B): MFSL 1-030 B
Matrix / Runout (Variant 1: Side A etched [111** stamped]): MFSL-1-030-A1 ORTOFON SR/2 T 111**
Matrix / Runout (Variant 1: Side B etched [111* stamped]): MFSL-1-030-B1 ORTOFON SR/2 T 111*
Matrix / Runout (Variant 2: Side A etched [121+ stamped]): MFSL-1-030-A2 ORTOFON SR/2 T 121+
Matrix / Runout (Variant 2: Side B etched [111+ stamped]): MFSL-1-030-B1 ORTOFON SR/2 111+
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............................. Clapton, Eric - Slowhand (MFSL-JAPANPRESSINH)
.............................................
Erstveröffentlichung November 1977.
...................................
"Slowhand" gehört zu den entspannten und auch souligen Laidback-Alben Clapton's, die zugleich seine hohe Gitarrenkunst demonstrieren. Man höre hierzu nur einmal den fantastischen Song "The Core" mit Sängerin Marcy Levy und dem Saxofonisten Mel Collins! ............................................................
* Interpret: Eric Clapton .....
* Titel: Slowhand .....
* Audiophile LP (200 g, Japan) .....
* Label: Universal Japan ...................................
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................ MAGA RARE ...... FIRST-MFSL-JAPANPRESSING-SERIES ..... 33RPM Sealed Vinyl Record. Label= MOBILE FIDELITA SOUND LAB .... Limited Edition. .........
Factory Sealed, Stored in a Climate and Light Controled Enviroment. Condition is New Factory Mint. .........
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......... TRACKLISTING: .........................
1. Cocaine .........
2. Wonderful Tonight .........
3. Lay Down Sally .........
4. Next Time You See Her .........
5. We're All the Way .........
6. Core, The.........
7. May You Never.........
8. Mean Old Frisco .........
9. Peaches and Diesel .........
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............ ALBUM NOTES ..............
SLOWHAND was the album which defined the new cool of Eric Clapton, a sultry, laid-back mix of rock and blues, with a heavy dose of country and southwestern regional sounds to leaven the blend. After LAYLA, SLOWHAND was probably Clapton's most popular, fully realized solo disc.The opening number was by J.J. Cale, whose "After Midnight" had been one of the real joys of the guitarist's first solo excursion, ERIC CLAPTON. "Cocaine," with its slow grinding beat, menacing melodic vamp and one-step from perdition lyrics, was the toughest, most rocking number on SLOWHAND, and a major radio hit from the outset.A couple of vocal duets with countryish harmonies set the tone for the rest of SLOWHAND. "Lay Down Sally" was a funky, chicken-fried bit of boogie with a taut, melodic aside from Clapton's twangy Stratocaster, while Don Williams' sweet, soulful "We're All The Way" provided a low-key vehicle for Clapton's tender vocal exchanges with Marcy Levy, as his understated arpeggios toll away in the background. ..........................................
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ALBUM NOTES: ..........
Slowhand is an album by Eric Clapton, released in 1977. It contained three of his most popular singles, the bluesy "Cocaine", the ballad "Wonderful Tonight" and the country-flavoured #3 U.S. hit "Lay Down Sally", as well as other songs that became Clapton classics on their own like "The Core" and "Next Time You See Her". The album proved to be a big success and a step forward after the relative failure of Clapton's previous album, No Reason to Cry. It was both critically and commercially well received, reaching #2 on the Billboard Album Charts, only surpassed by the blockbuster Saturday Night Fever soundtrack. In 2003, the album was ranked number 325 on Rolling Stone magazine's list of the 500 greatest albums of all time. ..................
Personnel ..................
Eric Clapton: Vocals, Guitars ..................
Marcy Levy: Vocals ..................
Yvonne Elliman: Vocals ..................
Carl Radle: Bass Guitar ..................
Mel Collins: Saxophone ..................
George Terry: Guitar ..................
Jamie Oldaker: Drums, Percussion ..................
Dick Sims: Keyboards ..................
********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!.....
Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPANPRESSING SERIES) ----- AUDIOPHILE MFSL LP/RECORD IN EINEM WERTIGENKLAPPCOVER (GATEFOLD-JACKET) - MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PHOTOS !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Preis: EUR 1199,99 (minus 50% invoice discount/rechnungsrabatt = 599,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPANPRESSING SERIES) ----- AUDIOPHILE MFSL LP/RECORD IN EINEM WERTIGENKLAPPCOVER (GATEFOLD-JACKET) - MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PHOTOS !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-030 - (FIRST-MFSL-LP/RECORD-JAPANPRESSING-SERIES) ----- LIMITED EDITION----- (EINE NEUWERTIGE ANALOGE MFSL-LP/RECORD-JAPANPRESSUNG
.JPG&sz=150)
XXL-Foto

XXL-Foto
| ERIC CLAPTON ----- SLOWHAND ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) ----- AUDIOPHILE MFSL LP/RECORD IN EINEM WERTIGENKLAPPCOVER (GATEFOLD-JACKET) - MADE IN JAPAN ----- MASTERD BY STAN RICKER IN USA ----- LIMITED EDITION ----- ( / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1977 BEI RSO RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY RSO RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD-JAPANPRESSUNG IST = NOCH NEUWERTIGE UND EURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
Weitere Details: ***************************************************************************************************
Slowhand (Vinyl, LP, Album, Limited Edition, Reissue, Remastered) album cover
Eric Clapton – Slowhand
Label: Mobile Fidelity Sound Lab – MFSL 1-030, RSO – MFSL 1-030
Series: Original Master Recording –
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Gatefold
Country: US
Released: May 1980
Genre: Rock
Style: Acoustic, Soft Rock, Classic Rock, Pop Rock, Country Rock
Tracklist
Hide Credits
A1 Cocaine
Written-By – J.J. Cale
3:38
A2 Wonderful Tonight
Written-By – Eric Clapton
3:14
A3 Lay Down Sally
Written-By – Eric Clapton, Marcy Levy
3:52
A4 Next Time You See Her
Written-By – Eric Clapton
3:58
A5 We´re All The Way
Written-By – Don Williams (2)
2:30
B1 The Core
Written-By – Eric Clapton, Marcy Levy
8:42
B2 May You Never
Written-By – John Martyn
2:57
B3 Mean Old Frisco 4:38
B4 Peaches And Diesel
Written-By – Albhy Galuten, Eric Clapton
4:48
Companies, etc.
Licensed From – RSO Records, Inc.
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Phonographic Copyright (p) – RSO Records, Inc.
Copyright (c) – RSO Records, Inc.
Pressed By – Victor Company Of Japan, Ltd.
Credits
Art Direction – David Stewart (8), El And Nell Ink, Nello (3)
Artwork – Jonathan Dent
Bass Guitar – Carl Radle
Drums – Jamie Oldaker
Guitar – Eric Clapton, George Terry
Keyboards – Dick Sims
Lacquer Cut By – SR/2*
Percussion – Jamie Oldaker
Photography By [Inner Sleeve] – Andy Seymour
Photography By [Outer Sleeve] – Watal Asanuma
Producer – Glyn Johns
Remastered By [Half-Speed] – Gary Giorgi, Stan Ricker
Saxophone – Mel Collins
Vocals – Eric Clapton, Marcy Levy, Yvonne Elliman
Notes
Released by Mobile Fidelity Sound Lap under license from RSO Records inc.
Pressed in Japan (printed on label)
Imported Pressing and Plating
Super High Definition Vinyl (extended life)
Special Static Free - Dust Free Inner Sleeve
Special Heavy Duty Protective Packaging
Source: the Original Stereo Master Tape
Half Speed Mastered from Original Master Tapes
Track A2 printed duration 3:41. Actual duration 3:14, changed to match actual duration per Discogs Guidelines (Durations, section 12.6.5). See History for additional info.
A small number of covers might have a golden stamper with "Demonstration Copy - Not For Resale" [see image].
Barcode and Other Identifiers
Matrix / Runout (Label side A): MFSL 1-030 A
Matrix / Runout (Label side B): MFSL 1-030 B
Matrix / Runout (Variant 1: Side A etched [111** stamped]): MFSL-1-030-A1 ORTOFON SR/2 T 111**
Matrix / Runout (Variant 1: Side B etched [111* stamped]): MFSL-1-030-B1 ORTOFON SR/2 T 111*
Matrix / Runout (Variant 2: Side A etched [121+ stamped]): MFSL-1-030-A2 ORTOFON SR/2 T 121+
Matrix / Runout (Variant 2: Side B etched [111+ stamped]): MFSL-1-030-B1 ORTOFON SR/2 111+
*************************************************************************************************
............................. Clapton, Eric - Slowhand (MFSL-JAPANPRESSINH)
.............................................
Erstveröffentlichung November 1977.
...................................
"Slowhand" gehört zu den entspannten und auch souligen Laidback-Alben Clapton's, die zugleich seine hohe Gitarrenkunst demonstrieren. Man höre hierzu nur einmal den fantastischen Song "The Core" mit Sängerin Marcy Levy und dem Saxofonisten Mel Collins! ............................................................
* Interpret: Eric Clapton .....
* Titel: Slowhand .....
* Audiophile LP (200 g, Japan) .....
* Label: Universal Japan ...................................
***************************************************************************************************
................ MAGA RARE ...... FIRST-MFSL-JAPANPRESSING-SERIES ..... 33RPM Sealed Vinyl Record. Label= MOBILE FIDELITA SOUND LAB .... Limited Edition. .........
Factory Sealed, Stored in a Climate and Light Controled Enviroment. Condition is New Factory Mint. .........
**************************************************************************************************
......... TRACKLISTING: .........................
1. Cocaine .........
2. Wonderful Tonight .........
3. Lay Down Sally .........
4. Next Time You See Her .........
5. We're All the Way .........
6. Core, The.........
7. May You Never.........
8. Mean Old Frisco .........
9. Peaches and Diesel .........
*************************************************************************************************
............ ALBUM NOTES ..............
SLOWHAND was the album which defined the new cool of Eric Clapton, a sultry, laid-back mix of rock and blues, with a heavy dose of country and southwestern regional sounds to leaven the blend. After LAYLA, SLOWHAND was probably Clapton's most popular, fully realized solo disc.The opening number was by J.J. Cale, whose "After Midnight" had been one of the real joys of the guitarist's first solo excursion, ERIC CLAPTON. "Cocaine," with its slow grinding beat, menacing melodic vamp and one-step from perdition lyrics, was the toughest, most rocking number on SLOWHAND, and a major radio hit from the outset.A couple of vocal duets with countryish harmonies set the tone for the rest of SLOWHAND. "Lay Down Sally" was a funky, chicken-fried bit of boogie with a taut, melodic aside from Clapton's twangy Stratocaster, while Don Williams' sweet, soulful "We're All The Way" provided a low-key vehicle for Clapton's tender vocal exchanges with Marcy Levy, as his understated arpeggios toll away in the background. ..........................................
***************************************************************************************************
ALBUM NOTES: ..........
Slowhand is an album by Eric Clapton, released in 1977. It contained three of his most popular singles, the bluesy "Cocaine", the ballad "Wonderful Tonight" and the country-flavoured #3 U.S. hit "Lay Down Sally", as well as other songs that became Clapton classics on their own like "The Core" and "Next Time You See Her". The album proved to be a big success and a step forward after the relative failure of Clapton's previous album, No Reason to Cry. It was both critically and commercially well received, reaching #2 on the Billboard Album Charts, only surpassed by the blockbuster Saturday Night Fever soundtrack. In 2003, the album was ranked number 325 on Rolling Stone magazine's list of the 500 greatest albums of all time. ..................
Personnel ..................
Eric Clapton: Vocals, Guitars ..................
Marcy Levy: Vocals ..................
Yvonne Elliman: Vocals ..................
Carl Radle: Bass Guitar ..................
Mel Collins: Saxophone ..................
George Terry: Guitar ..................
Jamie Oldaker: Drums, Percussion ..................
Dick Sims: Keyboards ..................
********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
Zustand: M- /M- = EINE NOCH ANSOLUT NEUWERTIGE MFSL-JAPANPRESSUNG LP/RECORD ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PHOTOS !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
Preis: EUR 599,99 (minus 50% discount /rechnungsrabatt = 299,99 euro) ----- M- /M- = EINE NOCH ANSOLUT NEUWERTIGE MFSL-JAPANPRESSUNG LP/RECORD ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PHOTOS !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-031 ----- ( SALE = AUSVERKAUF 06/19 ) -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALE

XXL-Foto

XXL-Foto
| EMERSON,LAKE & PALMER ----- PICTURES AT AN EXHIBITION ---- MOUSSORGSKY ---- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1972 BEI ATLANTIC RECORDS IN USA / ..... ORIGINAL RECORDING 1972 BY ATLANTIC RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!! ...... DIESE SEHR WERTVOLLE MFSL-LP IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED - QUALITY !! ...... )
Weitere Details: *************************************************************************************************
Pictures At An Exhibition (Vinyl, LP, Album, Remastered) album cover
Emerson, Lake & Palmer – Pictures At An Exhibition
Label: Mobile Fidelity Sound Lab – MFSL 1-031
Series: Original Master Recording –
Format: Vinyl, LP, Album, Remastered, Gatefold
Country: US
Released: May 1980
Genre: Rock
Style: Prog Rock
Tracklist
Hide Credits
A1 Promenade
Written-By – Mussorgsky*
A2 The Gnome
Written-By – Palmer*, Mussorgsky*
A3 Promenade
Written-By – Lake*, Mussorgsky*
A4 The Sage
Written-By – Lake*
A5 The Old Castle
Written-By – Emerson*, Mussorgsky*
A6 Blues Variation
Written-By – Emerson / Lake & Palmer*
B1 Promenade
Written-By – Mussorgsky*
B2 The Hut Of Baba Yaga
Written-By – Mussorgsky*
B3 The Curse Of Baba Yaga
Written-By – Emerson / Lake & Palmer*
B4 The Hut Of Baba Yaga
Written-By – Mussorgsky*
B5 The Great Gates Of Kiev
Written-By – Lake*, Mussorgsky*
B6 The End/Nutrocker
Written-By – Kim Fowley
Companies, etc.
Licensed From – Atlantic Recording Corporation
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Phonographic Copyright (p) – Atlantic Recording Corporation
Copyright (c) – Atlantic Recording Corporation
Recorded At – Newcastle City Hall
Credits
Arranged By – Keith Emerson
Cover, Painting – William Neal (2)
Engineer – Eddy Offord
Lacquer Cut By – SR/2*
Lyrics By – Fraser*, Lake*
Photography By – Keith Morris (8), Nigel Marlow
Producer – Greg Lake
Notes
Recorded Live, Newcastle City Hall, March 26, 1971.
Pressed in Japan
Barcode and Other Identifiers
Matrix / Runout (Side A etched): MFSL-031-A3 T ORTOFON SR/2
Matrix / Runout (Side A stamped): MFSL 1031 A 131
Matrix / Runout (Side B etched): MFSL-031-B3 T ORTOFON SR/2
Matrix / Runout (Side B stamped): 131 +
Matrix / Runout (Side A etched: variant 2): MFSL-031-A3 T ORTOFON SR/2
Matrix / Runout (Side A stamped: Variant 2 (square) = an actual stamped square): MFSL 1031 A 131 + (square)
Matrix / Runout (Side B etched: variant 2): MFSL-031-B3 T ORTOFON SR/2
Matrix / Runout (Side B stamped: variant 2): 132+
**************************************************************************************************
Track Listings ..................
Side One ..................
1. Promenade ..................
2. The Gnome ..................
3. Promenade ..................
4. The Sage ..................
5. The Old Castle ..................
6. Blues Variation ..................
Side Two
1. Promenade ..................
2. The Hut of Baba Yaga ..................
3. The Curse of Baba Yaga ..................
4. The Hut of Baba Yaga ..................
5. The Great Gates of Kiev ..................
*************************************************************************************************
....................... Album Notes: ...................
Emerson, Lake & Palmer perform Mussorgsky's "Pictures At An Exhibition".Emerson, Lake & Palmer: Keith Emerson (keyboards); Greg Lake (vocals, guitar, bass); Carl Palmer (drums, percussion).Much was made of early prog-rock's fusion of rock with classical music, but ELP was one of the only bands to take that task seriously, and never more so than on PICTURES AT AN EXHIBITION. The well-known Mussorgsky piece is a staple of the classical music diet, and a prime example of "program music," where related sections of a piece combine to tell a story. True to the spirit of the times, ELP attacked "Pictures" with both classically trained respect and rocker irreverence. The album, recorded live in 1971, finds the band turning Mussorgsky's work inside out, not just restructuring it but reinventing it for their rock audience.While sections like "Promenade" and The Hut of Baba Yaga" are essentially electrified, rocked-up versions of the original melodies, the band injects plenty of their own original (but not unrelated) motifs into the piece, including Greg Lake's moody ballad "The Sage" and the self-explanatory "Blues Variation." ELP is to be commended as much for its brash ambition as for its achievement in attempting a Moog-ified revamping of such a well established piece as PICTURES. ..................
***************************************************************************************************
*************************************************************************************************
1) Test Press - These are the actual 1st press - These do exists from MFSL in plain white cover with Test Press Labels. These would be the absolute cleanest copy but are Very Rare and not many copies are even made
*************************************************************************************************
2) Demonstration Copy - These are the 2nd press - These are printed prior to the very first copy of the record is pressed for the consumer to purchase. These are inspected to make sure they are perfect so they can be used as a Demo Disc. Rare
**************************************************************************************************
3) Standard Numbered or Limited Press - These are the 3rd press - These are the copies you can or could purchase.
If you want an early press a press prior to the standard press for absolute best quality then a Test Press or Demonstration Copy is what you should seek. I was the former Mobile Fidelity Representative these have been in storage for 20 plus years.
**************************************************************************************************
*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
Preis: EUR 599,99(minus 50% discount/Rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " FACTORY SEALED " - QUALITY !! ...... )
In den Warenkorb |
| |
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MFSL 1-031 ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (EINE NEUWERTIGE MFSL HALFSPEED-LP/RECORD !!)

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-1.JPG&sz=150)
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| EMERSON,LAKE & PALMER ----- PICTURES AT AN EXHIBITION ---- MOUSSORGSKY ---- EINE NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL AUFNAHMEN 1972 BEI ATLANTIC RECORDS IN USA / ..... ORIGINAL RECORDING 1972 BY ATLANTIC RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!! ...... DIESE SEHR WERTVOLLE MFSL-LP IST = EINE NEUWERTIGE MFSL HALFSPEED-LP/RECORD ! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
Weitere Details: *************************************************************************************************
Pictures At An Exhibition (Vinyl, LP, Album, Remastered) album cover
Emerson, Lake & Palmer – Pictures At An Exhibition
Label: Mobile Fidelity Sound Lab – MFSL 1-031
Series: Original Master Recording –
Format: Vinyl, LP, Album, Remastered, Gatefold
Country: US
Released: May 1980
Genre: Rock
Style: Prog Rock
Tracklist
Hide Credits
A1 Promenade
Written-By – Mussorgsky*
A2 The Gnome
Written-By – Palmer*, Mussorgsky*
A3 Promenade
Written-By – Lake*, Mussorgsky*
A4 The Sage
Written-By – Lake*
A5 The Old Castle
Written-By – Emerson*, Mussorgsky*
A6 Blues Variation
Written-By – Emerson / Lake & Palmer*
B1 Promenade
Written-By – Mussorgsky*
B2 The Hut Of Baba Yaga
Written-By – Mussorgsky*
B3 The Curse Of Baba Yaga
Written-By – Emerson / Lake & Palmer*
B4 The Hut Of Baba Yaga
Written-By – Mussorgsky*
B5 The Great Gates Of Kiev
Written-By – Lake*, Mussorgsky*
B6 The End/Nutrocker
Written-By – Kim Fowley
Companies, etc.
Licensed From – Atlantic Recording Corporation
Manufactured By – Mobile Fidelity Sound Lab
Distributed By – Mobile Fidelity Sound Lab
Phonographic Copyright (p) – Atlantic Recording Corporation
Copyright (c) – Atlantic Recording Corporation
Recorded At – Newcastle City Hall
Credits
Arranged By – Keith Emerson
Cover, Painting – William Neal (2)
Engineer – Eddy Offord
Lacquer Cut By – SR/2*
Lyrics By – Fraser*, Lake*
Photography By – Keith Morris (8), Nigel Marlow
Producer – Greg Lake
Notes
Recorded Live, Newcastle City Hall, March 26, 1971.
Pressed in Japan
Barcode and Other Identifiers
Matrix / Runout (Side A etched): MFSL-031-A3 T ORTOFON SR/2
Matrix / Runout (Side A stamped): MFSL 1031 A 131
Matrix / Runout (Side B etched): MFSL-031-B3 T ORTOFON SR/2
Matrix / Runout (Side B stamped): 131 +
Matrix / Runout (Side A etched: variant 2): MFSL-031-A3 T ORTOFON SR/2
Matrix / Runout (Side A stamped: Variant 2 (square) = an actual stamped square): MFSL 1031 A 131 + (square)
Matrix / Runout (Side B etched: variant 2): MFSL-031-B3 T ORTOFON SR/2
Matrix / Runout (Side B stamped: variant 2): 132+
**************************************************************************************************
Track Listings ..................
Side One ..................
1. Promenade ..................
2. The Gnome ..................
3. Promenade ..................
4. The Sage ..................
5. The Old Castle ..................
6. Blues Variation ..................
Side Two
1. Promenade ..................
2. The Hut of Baba Yaga ..................
3. The Curse of Baba Yaga ..................
4. The Hut of Baba Yaga ..................
5. The Great Gates of Kiev ..................
*************************************************************************************************
....................... Album Notes: ...................
Emerson, Lake & Palmer perform Mussorgsky's "Pictures At An Exhibition".Emerson, Lake & Palmer: Keith Emerson (keyboards); Greg Lake (vocals, guitar, bass); Carl Palmer (drums, percussion).Much was made of early prog-rock's fusion of rock with classical music, but ELP was one of the only bands to take that task seriously, and never more so than on PICTURES AT AN EXHIBITION. The well-known Mussorgsky piece is a staple of the classical music diet, and a prime example of "program music," where related sections of a piece combine to tell a story. True to the spirit of the times, ELP attacked "Pictures" with both classically trained respect and rocker irreverence. The album, recorded live in 1971, finds the band turning Mussorgsky's work inside out, not just restructuring it but reinventing it for their rock audience.While sections like "Promenade" and The Hut of Baba Yaga" are essentially electrified, rocked-up versions of the original melodies, the band injects plenty of their own original (but not unrelated) motifs into the piece, including Greg Lake's moody ballad "The Sage" and the self-explanatory "Blues Variation." ELP is to be commended as much for its brash ambition as for its achievement in attempting a Moog-ified revamping of such a well established piece as PICTURES. ..................
***************************************************************************************************
*************************************************************************************************
1) Test Press - These are the actual 1st press - These do exists from MFSL in plain white cover with Test Press Labels. These would be the absolute cleanest copy but are Very Rare and not many copies are even made
*************************************************************************************************
2) Demonstration Copy - These are the 2nd press - These are printed prior to the very first copy of the record is pressed for the consumer to purchase. These are inspected to make sure they are perfect so they can be used as a Demo Disc. Rare
**************************************************************************************************
3) Standard Numbered or Limited Press - These are the 3rd press - These are the copies you can or could purchase.
If you want an early press a press prior to the standard press for absolute best quality then a Test Press or Demonstration Copy is what you should seek. I was the former Mobile Fidelity Representative these have been in storage for 20 plus years.
**************************************************************************************************
*************************************************************************************************** ********************************* ♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ *************************************** The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. *********************************************************************************************** -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... **************************************************************************************************
Zustand: M- / M- = EINE NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... )
Preis: EUR OUT OF STOCK
In den Warenkorb |
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MFSL 1-032 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

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| NATALIE COLE ---- THANKFUL ---- ORIGINAL FIRST-MFSL-LP/RECORD-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ------ LONG-OUT OF PRINT ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL MASTER RECORDING USA / ..... ORIGINAL AUFNAHMEN 1977 BEI EMI-CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY EMI-CAPITOL RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! - QUALITY !! ...... )
Weitere Details: ***************************************************************************************************
.................. TRACKLIST ....................
1 Natalie Cole- Lovers ....................
2 Natalie Cole- Our Love ....................
3 Natalie Cole- La Costa ....................
4 Natalie Cole- Nothing Stronger Then Love ....................
1 Natalie Cole- Be Thankful ....................
2 Natalie Cole- Just Can't Stay Away ....................
3 Natalie Cole- Annie Mae ....................
4 Natalie Cole- Keeping A Light ....................
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........................ CREDITS....................
Bass Larry Ball....................
Co-producer Gene Barge....................
Drums Donnell Hagan....................
Drums James Gadson ....................
Drums Paul Humphrey ....................
Drums Teddy Sparks ....................
Executive Producer Larkin Arnold ....................
Guitar Criss Johnson ....................
Guitar Lee Ritenour ....................
Guitar Ray Parker Jr. ....................
Organ Sonny Burke (2) ....................
Percussion Alan Estes ....................
Piano, Keyboards [Fender Rhodes] Linda Williams ....................
Piano, Organ, Clavinet Marvin Yancy ....................
Producer Chuck Jackson (2) ....................
Producer Marvin Yancy ....................
Synthesizer Michael Boddicker ....................
*************************************************************************************************
................... Album Notes ........................
Thankful could be subtitled the finest hour for Natalie Cole and the songwriting/production duo of Chuck Jackson and Marvin Yancy. The album flows from track to track. It boasts the beautiful number one R&B/Top Ten pop million-selling ballad "Our Love," as well as radio-aired tracks: the rousing, gospel-ish "Be Thankful," " Just Can't Stay Away," the lushly orchestrated torch number "Aint Nothing Stronger Than Love," and the smooth tropical-flavored "La Costa." The driving, dramatic-themed "Annie Mae" became a steppers favorite. Thankful went platinum and was later issued both as a high-quality audiophile pressing from Mobile Fidelity. ....................
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..................BESTE WIEDERGABE-QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ............................................................................................................DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPINNENTEIL ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..................BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ...........................
**************************************************************************************************
Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
Preis: EUR 599,99 (minus 50% discount/rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!) ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )
In den Warenkorb |
| |
|
MFSL 1-033 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- (EINE NOCH SEHR GUT ERHALTENE MFSL-LP/RECORD !!)

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| STEELY DAN ----- AJA ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPANPRESSING SERIES) ----- ORIGINAL HALFSPEED PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- WITH ALL LYRICS !! ----- LONG-OUT OF PRINT ----- PERFECT SOUNDING !! ----- ( ..... EINE NOCH SEHR GUT ERHALTENE MFSL-LP/RECORD !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... DIESE AUDIOPHILE LP/RECORD IST IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET)- AUCH MIT ALLEN LIEDTEXTEN(LYRICS) AUF EINEM BEIBLATT / ..... ORIGINAL MASTER RECORDING USA / ..... ORIGINAL AUFNAHMEN 1977 BEI MCA RECORDS IN USA / ..... ORIGINAL RECORDING 1977 BY MCA RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT !! ...... DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST = EINE NOCH SEHR GUT ERHALTENE MFSL-LP/RECORD !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... )
Weitere Details: ***************************************************************************************************
Steely Dan – Aja
Steely Dan - Aja album cover
More images
Label: Mobile Fidelity Sound Lab – MFSL 1-033, MCA Records – MFSL 1-033
Series: Original Master Recording
Format:
Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo, Gatefold
Country: US
Released: Jul 1980
Genre: Rock
Style: Pop Rock, Jazz-Rock
A1 Black Cow
Backing Vocals – Clydie King, Rebecca Louis, Sherlie Matthews, Venetta Fields
Bass – Chuck Rainey
Clavinet – Joe Sample
Drums – Paul Humphrey
Electric Piano – Victor Feldman
Synthesizer – Donald Fagen
Tenor Saxophone – Tom Scott
5:07
A2 Aja
Backing Vocals – Donald Fagen, Tim Schmit*
Bass – Chuck Rainey
Drums – Steve Gadd
Electric Piano – Joe Sample
Guitar – Denny Dias, Larry Carlton, Walter Becker
Percussion – Victor Feldman
Piano – Michael Omartian
Synthesizer, Whistle [Police] – Donald Fagen
Tenor Saxophone – Wayne Shorter
7:56
A3 Deacon Blues
Backing Vocals – Clydie King, Sherlie Matthews, Venetta Fields
Bass – Walter Becker
Drums – Bernard Purdie
Electric Piano – Victor Feldman
Guitar – Larry Carlton, Lee Ritenour
Synthesizer – Donald Fagen
Tenor Saxophone – Pete Christlieb
7:26
B1 Peg
Backing Vocals – Michael McDonald, Paul Griffin
Bass – Chuck Rainey
Clavinet – Don Grolnick
Drums – Rick Marotta
Electric Piano – Paul Griffin
Guitar – Steve Khan
Guitar, Soloist – Jay Graydon
Lyricon – Tom Scott
Percussion – Gary Coleman, Victor Feldman
3:58
B2 Home At Last
Backing Vocals – Donald Fagen, Tim Schmit*
Bass – Chuck Rainey
Drums – Bernard Purdie
Guitar – Larry Carlton
Guitar, Soloist – Walter Becker
Piano, Vibraphone [Vibes] – Victor Feldman
Synthesizer – Donald Fagen
5:31
B3 I Got The News
Backing Vocals – Clydie King, Michael McDonald, Rebecca Louis, Sherlie Matthews, Venetta Fields
Bass – Chuck Rainey
Drums – Ed Greene (2)
Guitar – Dean Parks
Guitar, Soloist – Larry Carlton, Walter Becker
Piano, Vibraphone [Vibes] – Victor Feldman
Synthesizer – Donald Fagen
5:03
B4 Josie
Backing Vocals – Donald Fagen, Tim Schmit*
Bass – Chuck Rainey
Drums, Percussion – Jim Keltner
Electric Piano – Victor Feldman
Guitar – Dean Parks, Larry Carlton
Guitar, Soloist – Walter Becker
Synthesizer – Donald Fagen
4:30
Manufactured By – Mobile Fidelity Sound Lab, Inc.
Distributed By – Mobile Fidelity Sound Lab, Inc.
Licensed From – MCA Records, Inc.
Phonographic Copyright ℗ – MCA Records, Inc.
Copyright © – MCA Records, Inc.
Published By – ABC/Dunhill Music, Inc.
Recorded At – The Village Recorder
Recorded At – Producers Workshop
Recorded At – Warner Bros. Recording Studios
Recorded At – ABC Recording Studios
Recorded At – Sound Labs, Hollywood
Recorded At – A&R Studios
Arranged By [Horns], Conductor [Horns] – Tom Scott
Art Direction – OZ Studios
Brass – Chuck Findley, Lou McCreary*, Slyde Hyde
Consultant [Sound Consultant] – Stuart Dawson*
Coordinator [Covert Operations] – Karen Stanley
Coordinator [Production] – Barbara Miller (2)
Copyist [Rhythm Charts Prepared By] – Dean Parks, Larry Carlton, Michael Omartian
Design – Geoff Westen, Patricia Mitsui
Engineer – Al Schmitt, Bill Schnee, Elliot Scheiner, Roger Nichols
Engineer [Assistant] – Ed Rack, Joe Bellamy, Ken Klinger, Lenise Bent, Linda Tyler, Ron Pangaliman
Engineer [Executive] – Roger Nichols
Lacquer Cut By – SR/2*
Lead Vocals – Donald Fagen
Liner Notes – Michael Phalen, Steve Diener
Management [Bagman] – Leonard Freedman
Management [Protection] – Irving Azoff
Mastered By [Half-Speed Production And Mastering] – Gary Giorgi, Stan Ricker
Photography By [Cover] – Hideki Fujii
Photography By [Inside Photos] – Dorothy A. White*, Walter Becker
Producer – Gary Katz
Saxophone, Flute – Bill Perkins, Jackie Kelso, Jim Horn, Pete Christlieb, Plas Johnson, Tom Scott, Wayne Shorter
Words By, Music By – Donald Fagen, Walter Becker
MSFL INC. Edition, Under License From MCA. Original Master Recording, Pressed In Japan.
The "☼" symbol in the matrix/runout details in fact is a circle of dots in the vinyl. The ☼-sign comes closest to what it really looks like.
Recorded at: Village Recorder, West L.A.; Producer's Workshop, Hollywood; Warner Bros. North Hollywood Recording Studios; ABC Recording Studios; Sound Labs, Hollywood; A&R Studios, N.Y.C.
©℗ 1977 MCA Records, Inc.
Published by ABC/Dunhill Music, Inc. (BMI)
Steve Gadd and Michael McDonald appear through courtesy of Warner Bros. Records Inc.
Chuck Rainey appears through courtesy of A&M Records, Inc.
Victor Feldman appears through courtesy of Caribou Records
Lee Ritenour appears through courtesy of Zembu Productions
Wayne Shorter appears through courtesy of Columbia Records, Inc.
Tom Scott appears through courtesy of Ode Records
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.................. Steely Dan - Aja (MFSL-Japan) ..............................
Erstveröffentlichung 1977 ........................................
Sie gehört zu den beliebtesten und zugleich perfektesten Steely Dan-Platten, für viele zählt sie zu den Popklassikern schlechthin. Schon wenige Wochen nach Erscheinen bekamen Steely Dan für diese LP eine Platinauszeichnung und einen Grammy, auch heute noch legen Liebhaber des eleganten, stilvollen Popjazz diese Platte gerne auf.
Musikalisch darf der Popfreund, der dieses Album noch nicht kennt, sich eine Fusion aus kompakten Synthie-Pop mit Rock- und Jazzelementen vorstellen. Schon alleine die Mitwirkung von Wayne Shorter, Lee Ritenour, Victor Feldman, Michael McDonald und Steve Gadd sagt einiges aus.
.....................................................................................
* Interpret: Steely Dan .....
* Titel: Aja .....
* Audiophile LP (MFSL-Japan) .....
* Label: MFSL ......
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................. Track Listing. ...............
1. Black Cow ...............
2. AJA ...............
3. Deacon Blues ...............
4. Peg ...............
5. Home at Last ...............
6. I Got the News ...............
7. Josie ...............
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.................... ALBUM NOTES: ..............
.....Steely Dan: Donald Fagen (vocals, keyboards); Walter Becker (guitar). Additional personnel includes: Larry Carlton, Lee Ritenour, Dean Parks (guitar); Tom Scott (tenor saxophone, lyricon); Wayne Shorter, Pete Christlieb (tenor saxophone); Plas Johnson (horns); Victor Feldman (keyboards, vibraphone, percussion); Joe Sample, Michael Omartian (keyboards); Chuck Rainey (bass); Paul Humphrey, Bernard Purdie, Steve Gadd (drums); Tim Schmit, Clydie King, Michael McDonald (background vocals). Engineers include: Roger Nichols, Elliot Scheiner, Bill Schnee. Recorded at Village Recorders, Los Angeles, California; Producer's Workshop, Warner Brothers North Hollywood Recording Studios, ABC Recording Studios, Sound Labs, Hollywood, California; A&R Studios, New York, New York. Includes liner notes by Walter Becker and Donald Fagen. ...................................
This represents the pinnacle of Steely Dan's gradual transition from rock band to their own brand of jazz-influenced white soul. Guitars were replaced by keyboards, and saxophones became more common. Walter Becker and Donald Fagen were only interested in spending time in the recording studios, while the fans pined and waited. The result set new standards in recorded excellence, and is regularly used as a hi-fi shop demonstration. The ambitious title track was deemed too difficult for radio play and only the two overtly accessible tracks `Josie' and `Peg', gave them valuable exposure......................
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