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Audiophile Pop -Rock LP's MFSL - HALFSPEED-LP`s USA (Out of Print ) DCC-audiophile LP`s USA(180gVinyl-Out of Print) Nautilus-audiophile Half-Speed Lp`s(Out of Print) Sweet Thunder-Halfspeed Lp`s-USA (Out of Print) A & M Half-Speed LP`s (Out of Print ) Simply Vinyl - LP`s (180g Reissue´s) Audiophile Pop-Rock Lp`s (viele Japanpressungen) Pop-Rock-Folk Lp`s (Normalpressungen) EASY LISTENING LP ( ORIGINALE & REISSUES ) Testpressungen - LP (Pop-Jazz-Classic) Sheffield Lab - LP`s USA (Jazz/Pop & Classic) Stereoplay-Highlights (audiophile Halfspeed LP`s) American Grammaphone LP`s (Mannheim Steamroller) CBS-Mastersound LP`s (Half-Speed-USA) Telarc (audiophile LP`s / Classic-Jazz) Audiophile Cassetten (MFSL) 45RPM-SINGLES / MAXI-SINGLES POP/ROCK POP-ROCK-LP´s / JAPANPRESSUNGEN Audiophile Jazz LP's Audiophile Classic LP's Audiophile Pop - Rock - Jazz - Classic CD's

MFSL - HALFSPEED-LP`s USA (Out of Print )
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MFSL 1-044 (WOC) -- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- ( NOCH SEHR GUT ERHALTENE RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG = FIRST MFSL-SERIES !! ) XXL-Foto XXL-Foto	KENNY ROGERS ----- THE GAMBLER ----- ORIGINAL MFSL-FIRST-JAPAN-RECORD-SERIES (FIRST MFSL-JAPAN-PRESSING SERIES) - MADE IN JAPAN ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL MASTER RECORDING USA / ..... ORIGINAL AUFNAHMEN 1978 BEI LIMITED UNITED RECORDS IN USA / ..... ORIGINAL RECORDING 1978 BY LIMITED UNITED RECORDS IN USA / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST NOCH SEHR GUT ERHALTEN UND WURDE NUR WENIG GESPIELT !! ..... LEIDER HAT DAS COVER ETWAS GELITTEN UN HAT EINIGE GEBRAUCHSSPUREN ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS EXCELLENT QUALITY !! ...... ) Weitere Details: *************************************************************************************************** Kenny Rogers – The Gambler Kenny Rogers - The Gambler album cover Label: Mobile Fidelity Sound Lab – MFSL 1-044 Series: Original Master Recording Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Country: US Released: Sep 1980 Genre: Rock, Pop, Folk, World, & Country Style: Country, Pop Rock A1 The Gambler Written-By – D. Schlitz* 3:32 A2 I Wish That I Could Hurt That Way Again Written-By – C. Putman, D. Cook, R. VanHoy* 2:55 A3 King Of Oak Street Written-By – A. Harvey* 4:55 A4 Making Music For Money Written-By – A. Harvey* 3:10 A5 The Hoodooin' Of Miss Fannie Deberry Backing Vocals – Bill Medley Written-By – A. Harvey* 4:44 B1 She Believes In Me Written-By – S. Gibb* 4:11 B2 Tennessee Bottle Written-By – J. Ritchey* 3:59 B3 Sleep Tight, Goodnight Man Written-By – J. Silbar, S. Lober 2:52 B4 A Little More Like Me (The Crucifixion) Written-By – S. Throckmorton* 2:47 B5 San Francisco Mabel Joy Written-By – M. Newbury* 3:36 B6 Morgana Jones Written-By – K. Rogers* 3:03 Mastered At – Original Masteringworks Pressed By – Victor Company Of Japan, Ltd. Manufactured By – Mobile Fidelity Sound Lab, Inc. Distributed By – Mobile Fidelity Sound Lab, Inc. Licensed From – Liberty/United Records, Inc. Phonographic Copyright ℗ – Liberty/United Records, Inc. Copyright © – Liberty/United Records, Inc. Recorded At – Jack Clement Recording Studios Published By – Writers Night Music Published By – Tree Publishing Co., Inc. Published By – Cross Keys Pub. Co., Inc. Published By – The Herald Square Music Company Published By – United Artists Music Co., Inc. Published By – Big Ax Music Published By – Unart Music Corp. Published By – Angel Wing Music Published By – Lelan Rogers Music, Inc. Published By – Bobby Goldsboro Music, Inc. Published By – Acuff Rose Publications, Inc. Published By – Jolly Rogers Publishing Company Arranged By [String Arrangements By] – Bill Justis Art Direction, Design – Bill Burks (2) Backing Vocals – Bobby Daniels, Edgar Struble, Gene Golden, Mickey Newberry, Randy Dorman, Steve Glassmeyer, The Jordanaires Bass – Bob Moore, Dennis Wilson (3) Bass Guitar – Tommy Allsup Drums, Percussion – Bobby Daniels, Byron Metcalf, Eddy Anderson, Jerry Carrigan Engineer – Billy Sherrill Guitar – Billy Sanford, Jerry Shook, Jimmy Capps, Randy Dorman, Ray Edenton, Reggie Young, Rick Harper, Tony Joe White Keyboards – Gene Golden, Hargus "Pig" Robbins, Steve Glassmeyer, Thomas Cain Lacquer Cut By – SR/2* Management – Ken Kragen Photography By – Reid Miles Producer – Larry Butler Soprano Saxophone – Steve Glassmeyer Steel Guitar – Pete Drake Strings – Byron Bach, Carl Gorodetzky, Gary Vanosdale, George Binkley, Lennie Haight, Marvin Chantry, Pamela Vanosdale, Roy Christensen, Sheldon Kurland, Steven Smith (11) Synthesizer [ARP], Clavinet, Congas [Congos] – Edgar Struble Pressed in Japan. Half-speed production and mastering by Original Mastering Works. Specially plated and pressed on high definition super vinyl by Victor Company of Japan Ltd. Special static free-dust free inner sleeve Special heavy duty protective packaging Source: the original stereo master tape Mastering with the Ortofon cutting system Manufactured and distributed by MFSL, Inc. under license from Liberty United Records, Inc. ℗© 1978 Liberty United Records, Inc. All rights reserved. Mobile Fidelity Sound Lab a division of MFSL, Inc. Courtesy of Liberty United Records, Inc. Tony Joe White APPEARS COURTESY OF Arista Records Mickey Newbury APPEARS COURTESY OF Hickory Records Publishing: A1 - Writers Night Music ASCAP A2 - Cross Keys Publ. Co., Inc. ASCAP A3 - The Herald Square Music Co. ASCAP A4 - United Artists Music Co., Inc./Big Ax Music ASCAP A5 - Unart Music Corp. BMI B1 - Angel Wing Music ASCAP B2 - Lelan Rogers Music, Inc. ASCAP B3 - Bobby Goldsboro Music Inc. ASCAP B4 - Cross Keys Publ. Co., Inc. ASCAP B5 - Acuff-Rose Publications Inc. BMI B6 - Jolly Rogers Publ. Co. ASCAP Tony Joe White appears courtesy of Arista Records Mickey Newbury appears courtesy of Hickory Records* ************************************************************************************************ Track Listing: ............................... Side One: ............................... The Gambler ............................... I Wish That I Could Hurt That Way Again ............................... King of Oak Street ............................... Making Music for Money ............................... The Hoodooin’ of Miss Fannie Deberry ............................... Side Two: ............................... She Believes in Me ............................... Tennessee Bottle ............................... Sleep Tight, Goodnight Man ............................... A Little More Like Me (The Crucifixion) ............................... San Francisco Mabel Joy ............................... Morgana Jones ............................... ********************************************************************************************** Album Notes. ................ Personnel: Steve Glassmeyer (guitar, saxophone, keyboards, background vocals); Larry Keith (guitar, piano); Tommy Allsup (guitar, bass guitar); Randy Dorman (guitar, background vocals); Dave Kirby, Jimmy Capps, Johnny Christopher, Ray Edenton, Reggie Young , Ricky Harper, Tony Joe White, Billy Sanford, Jerry Shook (guitar); Pete Drake (steel guitar); Bobby Thompson (banjo); Sheldon Kurland, Lennie Haight, The Sheldon Kurland Strings, Pamela VanOsdale, George Binkley III, Roy Christensen, Sheldon Kurland Strings, Carl Gorodetzky, Byron Bach, Marvin Chantry, Gary VanOsdale (strings); Edgar Struble (piano, Clavinet, synthesizer, congas, background vocals); Gene Golden (piano, keyboards, background vocals); Hargus "Pig" Robbins (piano, keyboards); Chuck Cochran, Shane Keister, Bobby Wood (piano); Thomas Cain (keyboards); Bobby Daniels (drums, percussion, background vocals); Eddy Anderson, Jerry Carrigan, Byron Metcalf (drums, percussion); Farrell Morris (percussion); Thomas Brannon, Don Gant, Donna McElroy, Mickey Newbury, The Jordanaires, Todd Cerney, Bergen White, Bill Medley, Yvonne Hodges, Lea Jane Berinati, Buzz Cason (background vocals).Audio Remixers: Larry Butler ; Larry Butler .Liner Note Authors: Chris Bolton; Chris Bolton .Recording information: Jack Clement Recordings Studio, Nashville, TN.Photographer: Reid Miles. ******************************************************************************************** ********************************************************************************************** ---------------------------------------------------------------------------------------------------- .................. EINMALIGE WIEDERGABE-QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ............................................................................................................DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPINNENTEIL ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..................BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ........................... *********************************************************************************************** ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................WITH MONEY BACK GUARANTEE ............................ ---------------------------------------------------------------------------------------------------- ********************************************************************************************** Zustand: M- / COVER = VG = EINE NOCH SEHR GUT ERHALTENE AUDIOPHILE MFSL-LP-JAPANPRESSUNG(LEIDER HAT DAS COVER IM LAUFE DER JAHRE ETWAS GELITTEN) !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) Preis:** EUR 99,99 (minus 50% discount = 49,99 euro) ----- M- / COVER = VG = EINE NOCH SEHR GUT ERHALTENE AUDIOPHILE MFSL-LP-JAPANPRESSUNG(LEIDER HAT DAS COVER IM LAUFE DER JAHRE ETWAS GELITTEN) !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST PRESSING SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) In den Warenkorb


MFSL 1-045 ----- LIMITED EDITION ----- OUT OF PRINT ----- ( NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG = FIRST MFSL-SERIES !! ) XXL-Foto XXL-Foto	SUPERTRAMP ----- BREAKFAST IN AMERICA ----- ORIGINAL MFSL-JAPAN-LP/RECORD-(FIRST-MFSL-LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) ----- EINE IN DIESE ORIGINAL VERSIEGELTEN QUALITÄT SEHR SELTENE MFSL-LP/RECORD ALS JAPANPRESSUNG (FIRST-MFSL-JAPANPRESSING-SERIES) !! ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1979 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 197* BY A&M RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ..... ) Weitere Details: *************************************************************************************************** Breakfast In America (Vinyl, LP, Album, Reissue) album cover Supertramp ‎– Breakfast In America Label: Mobile Fidelity Sound Lab ‎– MFSL 1-045, A&M Records ‎– MFSL 1-045 Series: Original Master Recording – Format: Vinyl, LP, Album, Reissue Country: US Released: 1982 Genre: Rock Style: Art Rock, Pop Rock Tracklist A1 Gone Hollywood 5:15 A2 The Logical Song 4:12 A3 Goodbye Stranger 5:44 A4 Breakfast In America 2:40 A5 Oh Darling 4:10 B1 Take The Long Way Home 5:09 B2 Lord Is It Mine 4:03 B3 Just Another Nervous Wreck 4:32 B4 Casual Conversations 2:53 B5 Child Of Vision 7:12 Companies, etc. Copyright (c) – A&M Records, Inc. Phonographic Copyright (p) – A&M Records, Inc. Published By – Almo Music Corp. Published By – Delicate Music Recorded At – The Village Recorder Mixed At – Crystal Sound Mastered At – Original Masteringworks Pressed By – Victor Company Of Japan, Ltd. Manufactured By – MFSL, Inc. Distributed By – MFSL, Inc. Licensed From – A&M Records, Inc. Credits Art Direction, Design Concept [Cover] – Mike Doud (2) Bass – Dougie Thomson Design – Mick Haggerty Drums – Bob C Benberg* Engineer [Assistant] – Jeff Harris, Lenise Bent Engineer [Concert Sound] – Russel Pope Lacquer Cut By – SR/2* Management – Dave Margereson Photography By [Back Cover] – Mark Hanauer Photography By [Cover] – Aaron Rapoport Producer – Supertramp Producer, Engineer – Peter Henderson Programmed By [Oberheim] – Gary Mielke Tuba, Trombone – 'Slide' Hyde* Vocals, Keyboards – Rick Davies Vocals, Keyboards, Guitar – Roger Hodgson Woodwind [Woodwind Instruments] – John A Helliwell* Words By, Music By – Rick Davies & Roger Hodgson Notes Half-Speed Mastered by Stan Ricker from the Original Master Tape. Pressed on High Definition Super Vinyl by Victor Company of Japan. Rehearsed at Southcombe Studios, Burbank. Recorded at the Village Recorder, Los Angeles. Mixed at Crystal Sound's Studio 'B', Los Angeles. Engineered by Peter Henderson of Air London. All songs © 1979 Almo Music Corp. and Delicate Music (ASCAP) ©℗ 1979 A&M Records, Inc. Barcode and Other Identifiers Matrix / Runout (Side 1): MFSL-1-045-A7 SR/2 ORTOFON Matrix / Runout (Side 2): MFSL-1-045-B6 SR/2 ORTOFON ************************************************************************************************ Rick Davies - Keyboards, Gesang John Helliwell - Blasinstrumente, Gesang Roger Hodgson - Gitarren, Keyboards, Gesang Bob Siebenberg - Schlagzeug Dougie Thomson - Bassgitarre Aufnahmen 1978 im berühmten Studio The Village, StudioB, Los Angeles. Erstveröffentlichung war im März 1979. Man kann sich spätestens dann absolut sicher sein, dass ein Album ein echtes Stück Musikgeschichte geworden ist, wenn es Verschwörungstheorien über das Coverfoto gibt. Aber wischen wir die skurrilen Thesen über den „9/11“-Schriftzug einmal beiseite, der angeblich hier über den aus Cornflakes-Packungen nachgebauten Twin Towers schwebt (wenn man das Cover im Spiegel betrachtet), und konzentrieren uns auf das Wesentliche: Die Musik auf „Breakfast In America“. Und da wird einem schnell auch so klar: Hier liegt ein Stück Pop-Rock-Geschichte vor, an dem man einfach nicht vorbeikommt. „Breakfast In America“ ist zwar nach den Verkaufszahlen ohnehin das erfolgreichste Album von Supertramp, es ist aber auch im Besonderen ein deutsches Phänomen: Hierzulande wurden satte fünfhunderttausend Exemplare der Scheibe verkauft - nur in Kanada und den USA waren es mehr, nicht einmal in Supertramps Heimat Großbritannien erzielte das Album ähnliche Umsätze. Und wenn man heutzutage einen vorsichtigen kritischen Blick nach Amerika wirft, dann merkt man: Die Zeit für eine Rückkehr der cleveren Satire auf den American Way of Life, die das Album subtil durchzieht, ist definitiv reif. Das dachte man sich auch bei MFSL, und schenkt uns zu Weihnachten ein grandioses Remastering, das erste rein analoge überhaupt. „Breakfast In America“ bedeutete 1979 für Supertramp den Abschied von den verspielten ProgRock-Anfängen der zu diesem Zeitpunkt schon seit zehn Jahren aktiven Band. Stattdessen konzentrierte man sich auf radiotauglicheres und auf den Punkt gebrachtes Songwriting. Und diese Rechnung ging auf: Die Platte lebt nicht zuletzt vom Kontrast zwischen den beiden Band-Chefs und Songwritern Rick Davies und Roger Hodgson. Davies steuerte neben seiner rauen Stimme und der E-Gitarre auch die harten, kantigen, rockigen und bluesigen Nummern bei („Goodbye Stranger“ oder „Gone Hollywood“), während Hodgsons hohe Pop-Stimme und sein für den Band-Sound so zentrales Spiel auf dem Wurlitzer-E-Piano in seinen textlastigen, oft zynischen Hit-Singles zum Tragen kommen („The Logical Song“ und natürlich der Titelsong). Dazu noch das markante Saxofon- und Klarinettenspiel von John Helliwell und die tighte und ausgefuchste Rhythmusarbeit von Drummer Bob Siebenberg und Bassist Dougie Thomson, und fertig ist der unverwechselbare druckvolle Supertramp-Sound. Das Album erhielt damals zwei Grammys, einen davon für die Arbeit von Ton-Ingenieur Peter Henderson. Henderson gelang es damals, den üppigen Bandsound klar, strukturiert und transparent einzufangen, aber auch einen epischen Klangraum voller Glanzlichter, Größe und Dynamik zu erzeugen. Krieg Wunderlich und Rob LoVerde haben das Ganze nun von den Originalbändern gemastert, und man getrost sagen: So lebendig, weich, warm und dabei nach wie vor druckvoll (man höre und genieße das perfekte Zusammenfließen von Bass und tiefem Piano-Register) hat dieses Album noch nie geklungen. Ein überraschend zeitloser Klassiker, der auch heute noch einfach viel Spaß macht! ***************************************************************************************** Rezension: Es gibt nicht übermäßig viele 70er-Jahre-Pop-Alben, die in der Liga von Fleetwood Macs "Rumours" mitspielen. Zu dieser Auslese zählt die vorletzte echte Supertramp-LP. Mit "Crime Of The Century" hatte die Band um Rick Davies und Roger Hodgson ihren Durchbruch gehabt, den Rest des Jahrzehnts zählte sie zu den zuverlässigsten Vertretern in Sachen anspruchsvoller und gleichzeitig Chart-tauglicher Popmusik. Das Meisterwerk aber war "Breakfast": Hier hatten Supertramp ihre Wurzeln im Prog Rock endgültig überwunden und sich voll und ganz dem Pop verschrieben. Mit einer Perfektion, die nach wie vor Staunen macht. Der "Logical Song" ist nur ein Hit unter vielen. Wie gesagt, die Konkurrenz ist überschaubar… – ******************************************************************************************* Titel: 1. Gone Hollywood 2. The Logical Song 3. Goodbye Stranger 4. Breakfast in America 5. Oh Darling 6. Take the Long Way Home 7. Lord Is It Mine 8. Just Another Nervous Wreck 9. Casual Conversations 10. Child of Vision ******************************************************************************************** Description Supertramp's Blockbuster Features Catchy Hooks, Rhapsodic Melodies, Symphonic Bluster, Meticulous Production: Breakfast in America Includes "The Logical Song," "Take the Long Way Home" Mastered from the Original Master Tapes for Supreme Sonics: Mobile Fidelity's 180g Vinyl LP Presents the Record's Famed Dynamics, Colors, Tones, and Instrumentation in Full-Range Glory Supertramp's Breakfast in America has it all: Illustrious artwork. Sing-a-long hooks. Contagious melodies. Symphonic bluster. Rhapsodic thrust. Signature Wurlitzer electric piano sounds. Two Grammy Awards, including one for Best Engineered Album. More than 20 million copies sold. Four Billboard hit singles that continue to dominate radio airplay today. Every aspect of the chart-topping art-rock set screams blockbuster, not the least of which is the production, the result of painstaking studio setups and months of mixing. Now, you can experience the sonic brilliance in unprecedented clarity on Mobile Fidelity's definitive analog reissue. Indeed, aside from the undeniably catchy nature of the ten tracks, fun remains the most central element of Breakfast in America. The band even titled the record to fall in line with the overall joyful feeling of the material. About the latter: Few late 1970s rock albums feature a more cohesive, harmony-drenched parade of stunningly executed, wondrously arranged works. The collective offspring of members Rick Davies and Roger Hodgson, each tune reflects the creative pulses of each musician, with the resultant contrasts lending to their appeal. Davies' penchant for grittier, bluesy strands blends with Hodgson's witty, pop-leaning techniques. The combination proves unstoppable. Home to a quartet of commercial staples – "The Logical Song," "Goodbye Stranger," "Take the Long Way Home," and the title track – Breakfast in America teems with arena-sized drama, meticulous craftsmanship, and mesmerizing refrains. Shrewd lyrical turns abound, whether on the phonetic, adjective-stacked "The Logical Song," life-in-America portrait "Child of Vision," or move-to-L.A. saga "Gone Hollywood." U.S. references also dot the smash title track, which reflects the glib humor, romantic fantasies, and pop culture permeating the record. Breakfast in America also retains its vitality because of its expert instrumentation and placement. Deemed a "a textbook-perfect album of post-Beatles, keyboard-centered English art rock that strikes the shrewdest possible balance between quasi-symphonic classicism and rock & roll" by Rolling Stone shortly after its release, the record serves as a blueprint of reference-setting production and mixing. Check the scorching guitar outro on "Goodbye Stranger," gospel accents on "Lord Is It Mine," saxophone lines on "Take the Long Way Home," or chemistry of the choruses on basically every piece here. It's enough to make one long for the 70s again. ********************************************************************************************* Zustand: M- / M- = EINE NOCH ABSOLUT NEUWERTIGE MFSL JAPANPRESSUNG (FIRST-MFSL-JAPANPRESING-SERIES ----- ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTOS(LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... ) Preis:** EUR OUT OF STOCK In den Warenkorb


MFSL 1-045 - CUTOUT -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- OUT OF PRINT ----- (NEW = STILL SEALED - MFSL-LP/RECORD-JAPANPRESSUNG !!) XXL-Foto XXL-Foto	SUPERTRAMP ----- BREAKFAST IN AMERICA ----- ORIGINAL MFSL-JAPAN-LP/RECORD-(FIRST-MFSL-LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) ----- EINE IN DIESE NEUEN UND UNGESPIELTEN QUALITÄT SEHR SELTENE MFSL-LP/RECORD ALS JAPANPRESSUNG (FIRST-MFSL-JAPANPRESSING-SERIES) !! ----- HALFSPEED MASTERING BY STAN RICKER IN USA ---- LIMITED EDITION ----- LONG-OUT OF PRINT ----- SORRY, ..... WITH A CUTOUT HOLE ----- OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1979 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 1979 BY A&M RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = NEU = UNGESPIELT = NEW = UNPLAYED = STILL SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " NEW = UNPLAYED = STILL SEALED " QUALITY !! ..... ) Weitere Details: *************************************************************************************************** Breakfast In America (Vinyl, LP, Album, Reissue) album cover Supertramp ‎– Breakfast In America Label: Mobile Fidelity Sound Lab ‎– MFSL 1-045, A&M Records ‎– MFSL 1-045 Series: Original Master Recording – Format: Vinyl, LP, Album, Reissue Country: US Released: 1982 Genre: Rock Style: Art Rock, Pop Rock Tracklist A1 Gone Hollywood 5:15 A2 The Logical Song 4:12 A3 Goodbye Stranger 5:44 A4 Breakfast In America 2:40 A5 Oh Darling 4:10 B1 Take The Long Way Home 5:09 B2 Lord Is It Mine 4:03 B3 Just Another Nervous Wreck 4:32 B4 Casual Conversations 2:53 B5 Child Of Vision 7:12 Companies, etc. Copyright (c) – A&M Records, Inc. Phonographic Copyright (p) – A&M Records, Inc. Published By – Almo Music Corp. Published By – Delicate Music Recorded At – The Village Recorder Mixed At – Crystal Sound Mastered At – Original Masteringworks Pressed By – Victor Company Of Japan, Ltd. Manufactured By – MFSL, Inc. Distributed By – MFSL, Inc. Licensed From – A&M Records, Inc. Credits Art Direction, Design Concept [Cover] – Mike Doud (2) Bass – Dougie Thomson Design – Mick Haggerty Drums – Bob C Benberg* Engineer [Assistant] – Jeff Harris, Lenise Bent Engineer [Concert Sound] – Russel Pope Lacquer Cut By – SR/2* Management – Dave Margereson Photography By [Back Cover] – Mark Hanauer Photography By [Cover] – Aaron Rapoport Producer – Supertramp Producer, Engineer – Peter Henderson Programmed By [Oberheim] – Gary Mielke Tuba, Trombone – 'Slide' Hyde* Vocals, Keyboards – Rick Davies Vocals, Keyboards, Guitar – Roger Hodgson Woodwind [Woodwind Instruments] – John A Helliwell* Words By, Music By – Rick Davies & Roger Hodgson Notes Half-Speed Mastered by Stan Ricker from the Original Master Tape. Pressed on High Definition Super Vinyl by Victor Company of Japan. Rehearsed at Southcombe Studios, Burbank. Recorded at the Village Recorder, Los Angeles. Mixed at Crystal Sound's Studio 'B', Los Angeles. Engineered by Peter Henderson of Air London. All songs © 1979 Almo Music Corp. and Delicate Music (ASCAP) ©℗ 1979 A&M Records, Inc. Barcode and Other Identifiers Matrix / Runout (Side 1): MFSL-1-045-A7 SR/2 ORTOFON Matrix / Runout (Side 2): MFSL-1-045-B6 SR/2 ORTOFON ************************************************************************************************ Rick Davies - Keyboards, Gesang John Helliwell - Blasinstrumente, Gesang Roger Hodgson - Gitarren, Keyboards, Gesang Bob Siebenberg - Schlagzeug Dougie Thomson - Bassgitarre Aufnahmen 1978 im berühmten Studio The Village, StudioB, Los Angeles. Erstveröffentlichung war im März 1979. Man kann sich spätestens dann absolut sicher sein, dass ein Album ein echtes Stück Musikgeschichte geworden ist, wenn es Verschwörungstheorien über das Coverfoto gibt. Aber wischen wir die skurrilen Thesen über den „9/11“-Schriftzug einmal beiseite, der angeblich hier über den aus Cornflakes-Packungen nachgebauten Twin Towers schwebt (wenn man das Cover im Spiegel betrachtet), und konzentrieren uns auf das Wesentliche: Die Musik auf „Breakfast In America“. Und da wird einem schnell auch so klar: Hier liegt ein Stück Pop-Rock-Geschichte vor, an dem man einfach nicht vorbeikommt. „Breakfast In America“ ist zwar nach den Verkaufszahlen ohnehin das erfolgreichste Album von Supertramp, es ist aber auch im Besonderen ein deutsches Phänomen: Hierzulande wurden satte fünfhunderttausend Exemplare der Scheibe verkauft - nur in Kanada und den USA waren es mehr, nicht einmal in Supertramps Heimat Großbritannien erzielte das Album ähnliche Umsätze. Und wenn man heutzutage einen vorsichtigen kritischen Blick nach Amerika wirft, dann merkt man: Die Zeit für eine Rückkehr der cleveren Satire auf den American Way of Life, die das Album subtil durchzieht, ist definitiv reif. Das dachte man sich auch bei MFSL, und schenkt uns zu Weihnachten ein grandioses Remastering, das erste rein analoge überhaupt. „Breakfast In America“ bedeutete 1979 für Supertramp den Abschied von den verspielten ProgRock-Anfängen der zu diesem Zeitpunkt schon seit zehn Jahren aktiven Band. Stattdessen konzentrierte man sich auf radiotauglicheres und auf den Punkt gebrachtes Songwriting. Und diese Rechnung ging auf: Die Platte lebt nicht zuletzt vom Kontrast zwischen den beiden Band-Chefs und Songwritern Rick Davies und Roger Hodgson. Davies steuerte neben seiner rauen Stimme und der E-Gitarre auch die harten, kantigen, rockigen und bluesigen Nummern bei („Goodbye Stranger“ oder „Gone Hollywood“), während Hodgsons hohe Pop-Stimme und sein für den Band-Sound so zentrales Spiel auf dem Wurlitzer-E-Piano in seinen textlastigen, oft zynischen Hit-Singles zum Tragen kommen („The Logical Song“ und natürlich der Titelsong). Dazu noch das markante Saxofon- und Klarinettenspiel von John Helliwell und die tighte und ausgefuchste Rhythmusarbeit von Drummer Bob Siebenberg und Bassist Dougie Thomson, und fertig ist der unverwechselbare druckvolle Supertramp-Sound. Das Album erhielt damals zwei Grammys, einen davon für die Arbeit von Ton-Ingenieur Peter Henderson. Henderson gelang es damals, den üppigen Bandsound klar, strukturiert und transparent einzufangen, aber auch einen epischen Klangraum voller Glanzlichter, Größe und Dynamik zu erzeugen. Krieg Wunderlich und Rob LoVerde haben das Ganze nun von den Originalbändern gemastert, und man getrost sagen: So lebendig, weich, warm und dabei nach wie vor druckvoll (man höre und genieße das perfekte Zusammenfließen von Bass und tiefem Piano-Register) hat dieses Album noch nie geklungen. Ein überraschend zeitloser Klassiker, der auch heute noch einfach viel Spaß macht! ***************************************************************************************** Rezension: Es gibt nicht übermäßig viele 70er-Jahre-Pop-Alben, die in der Liga von Fleetwood Macs "Rumours" mitspielen. Zu dieser Auslese zählt die vorletzte echte Supertramp-LP. Mit "Crime Of The Century" hatte die Band um Rick Davies und Roger Hodgson ihren Durchbruch gehabt, den Rest des Jahrzehnts zählte sie zu den zuverlässigsten Vertretern in Sachen anspruchsvoller und gleichzeitig Chart-tauglicher Popmusik. Das Meisterwerk aber war "Breakfast": Hier hatten Supertramp ihre Wurzeln im Prog Rock endgültig überwunden und sich voll und ganz dem Pop verschrieben. Mit einer Perfektion, die nach wie vor Staunen macht. Der "Logical Song" ist nur ein Hit unter vielen. Wie gesagt, die Konkurrenz ist überschaubar… – ******************************************************************************************* Titel: 1. Gone Hollywood 2. The Logical Song 3. Goodbye Stranger 4. Breakfast in America 5. Oh Darling 6. Take the Long Way Home 7. Lord Is It Mine 8. Just Another Nervous Wreck 9. Casual Conversations 10. Child of Vision ******************************************************************************************** Description Supertramp's Blockbuster Features Catchy Hooks, Rhapsodic Melodies, Symphonic Bluster, Meticulous Production: Breakfast in America Includes "The Logical Song," "Take the Long Way Home" Mastered from the Original Master Tapes for Supreme Sonics: Mobile Fidelity's 180g Vinyl LP Presents the Record's Famed Dynamics, Colors, Tones, and Instrumentation in Full-Range Glory Supertramp's Breakfast in America has it all: Illustrious artwork. Sing-a-long hooks. Contagious melodies. Symphonic bluster. Rhapsodic thrust. Signature Wurlitzer electric piano sounds. Two Grammy Awards, including one for Best Engineered Album. More than 20 million copies sold. Four Billboard hit singles that continue to dominate radio airplay today. Every aspect of the chart-topping art-rock set screams blockbuster, not the least of which is the production, the result of painstaking studio setups and months of mixing. Now, you can experience the sonic brilliance in unprecedented clarity on Mobile Fidelity's definitive analog reissue. Indeed, aside from the undeniably catchy nature of the ten tracks, fun remains the most central element of Breakfast in America. The band even titled the record to fall in line with the overall joyful feeling of the material. About the latter: Few late 1970s rock albums feature a more cohesive, harmony-drenched parade of stunningly executed, wondrously arranged works. The collective offspring of members Rick Davies and Roger Hodgson, each tune reflects the creative pulses of each musician, with the resultant contrasts lending to their appeal. Davies' penchant for grittier, bluesy strands blends with Hodgson's witty, pop-leaning techniques. The combination proves unstoppable. Home to a quartet of commercial staples – "The Logical Song," "Goodbye Stranger," "Take the Long Way Home," and the title track – Breakfast in America teems with arena-sized drama, meticulous craftsmanship, and mesmerizing refrains. Shrewd lyrical turns abound, whether on the phonetic, adjective-stacked "The Logical Song," life-in-America portrait "Child of Vision," or move-to-L.A. saga "Gone Hollywood." U.S. references also dot the smash title track, which reflects the glib humor, romantic fantasies, and pop culture permeating the record. Breakfast in America also retains its vitality because of its expert instrumentation and placement. Deemed a "a textbook-perfect album of post-Beatles, keyboard-centered English art rock that strikes the shrewdest possible balance between quasi-symphonic classicism and rock & roll" by Rolling Stone shortly after its release, the record serves as a blueprint of reference-setting production and mixing. Check the scorching guitar outro on "Goodbye Stranger," gospel accents on "Lord Is It Mine," saxophone lines on "Take the Long Way Home," or chemistry of the choruses on basically every piece here. It's enough to make one long for the 70s again. ********************************************************************************************* Zustand: NEU = UNGESPIELT = NEW = UNPLAYED = STILL SEALED ----- EINE NEUE,UNGESPIELTE UND NOCH VERSIEGELTE ORIGINAL AUDIOPHILE MFSL-HALFSPEED-LP/RECORD-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESING-SERIES ----- ORIGINAL MFSL-JAPAN-LP/RECORD-(FIRST-MFSL-LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) ----- EINE IN DIESE NEUEN UND UNGESPIELTEN QUALITÄT SEHR SELTENE MFSL-LP/RECORD ALS JAPANPRESSUNG (FIRST-MFSL-JAPANPRESSING-SERIES) !! ----- HALFSPEED MASTERING BY STAN RICKER IN USA ---- LIMITED EDITION ----- LONG-OUT OF PRINT ----- SORRY, ..... WITH A CUTOUT HOLE ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = UNPLAYED = STILL SEALED - QUALITY - !! ...... ) Preis:** EUR 799,99 ( minus 50% DISCOUNT/RECHNUNGSRABATT = 399,99 euro ) ----- NEU = UNGESPIELT = NEW = UNPLAYED = STILL SEALED ----- EINE NEUE,UNGESPIELTE UND NOCH VERSIEGELTE ORIGINAL AUDIOPHILE MFSL-HALFSPEED-LP/RECORD-JAPANPRESSUNG(FIRST-MFSL-JAPANPRESING-SERIES ----- ORIGINAL MFSL-JAPAN-LP/RECORD-(FIRST-MFSL-LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) ----- EINE IN DIESE NEUEN UND UNGESPIELTEN QUALITÄT SEHR SELTENE MFSL-LP/RECORD ALS JAPANPRESSUNG (FIRST-MFSL-JAPANPRESSING-SERIES) !! ----- HALFSPEED MASTERING BY STAN RICKER IN USA ---- LIMITED EDITION ----- LONG-OUT OF PRINT ----- SORRY, ..... WITH A CUTOUT HOLE ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = UNPLAYED = STILL SEALED - QUALITY - !! ...... ) In den Warenkorb


MFSL 1-045 -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- OUT OF PRINT ----- (EINE NEUE = UNGESPIELTE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!) XXL-Foto XXL-Foto	SUPERTRAMP ----- BREAKFAST IN AMERICA ----- ORIGINAL MFSL-JAPAN-LP/RECORD-(FIRST-MFSL-LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) ----- EINE IN DIESE NEUEN UND UNGESPIELTEN QUALITÄT SEHR SELTENE MFSL-LP/RECORD ALS JAPANPRESSUNG (FIRST-MFSL-JAPANPRESSING-SERIES) !! ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1979 BEI A&M RECORDS IN USA / ..... ORIGINAL RECORDING 1979 BY A&M RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = NEU = UNGESPIELT = NEW = UNPLAYED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " NEW = UNPLAYED " QUALITY !! ..... ) Weitere Details: *************************************************************************************************** Breakfast In America (Vinyl, LP, Album, Reissue) album cover Supertramp ‎– Breakfast In America Label: Mobile Fidelity Sound Lab ‎– MFSL 1-045, A&M Records ‎– MFSL 1-045 Series: Original Master Recording – Format: Vinyl, LP, Album, Reissue Country: US Released: 1982 Genre: Rock Style: Art Rock, Pop Rock Tracklist A1 Gone Hollywood 5:15 A2 The Logical Song 4:12 A3 Goodbye Stranger 5:44 A4 Breakfast In America 2:40 A5 Oh Darling 4:10 B1 Take The Long Way Home 5:09 B2 Lord Is It Mine 4:03 B3 Just Another Nervous Wreck 4:32 B4 Casual Conversations 2:53 B5 Child Of Vision 7:12 Companies, etc. Copyright (c) – A&M Records, Inc. Phonographic Copyright (p) – A&M Records, Inc. Published By – Almo Music Corp. Published By – Delicate Music Recorded At – The Village Recorder Mixed At – Crystal Sound Mastered At – Original Masteringworks Pressed By – Victor Company Of Japan, Ltd. Manufactured By – MFSL, Inc. Distributed By – MFSL, Inc. Licensed From – A&M Records, Inc. Credits Art Direction, Design Concept [Cover] – Mike Doud (2) Bass – Dougie Thomson Design – Mick Haggerty Drums – Bob C Benberg* Engineer [Assistant] – Jeff Harris, Lenise Bent Engineer [Concert Sound] – Russel Pope Lacquer Cut By – SR/2* Management – Dave Margereson Photography By [Back Cover] – Mark Hanauer Photography By [Cover] – Aaron Rapoport Producer – Supertramp Producer, Engineer – Peter Henderson Programmed By [Oberheim] – Gary Mielke Tuba, Trombone – 'Slide' Hyde* Vocals, Keyboards – Rick Davies Vocals, Keyboards, Guitar – Roger Hodgson Woodwind [Woodwind Instruments] – John A Helliwell* Words By, Music By – Rick Davies & Roger Hodgson Notes Half-Speed Mastered by Stan Ricker from the Original Master Tape. Pressed on High Definition Super Vinyl by Victor Company of Japan. Rehearsed at Southcombe Studios, Burbank. Recorded at the Village Recorder, Los Angeles. Mixed at Crystal Sound's Studio 'B', Los Angeles. Engineered by Peter Henderson of Air London. All songs © 1979 Almo Music Corp. and Delicate Music (ASCAP) ©℗ 1979 A&M Records, Inc. Barcode and Other Identifiers Matrix / Runout (Side 1): MFSL-1-045-A7 SR/2 ORTOFON Matrix / Runout (Side 2): MFSL-1-045-B6 SR/2 ORTOFON ************************************************************************************************ Rick Davies - Keyboards, Gesang John Helliwell - Blasinstrumente, Gesang Roger Hodgson - Gitarren, Keyboards, Gesang Bob Siebenberg - Schlagzeug Dougie Thomson - Bassgitarre Aufnahmen 1978 im berühmten Studio The Village, StudioB, Los Angeles. Erstveröffentlichung war im März 1979. Man kann sich spätestens dann absolut sicher sein, dass ein Album ein echtes Stück Musikgeschichte geworden ist, wenn es Verschwörungstheorien über das Coverfoto gibt. Aber wischen wir die skurrilen Thesen über den „9/11“-Schriftzug einmal beiseite, der angeblich hier über den aus Cornflakes-Packungen nachgebauten Twin Towers schwebt (wenn man das Cover im Spiegel betrachtet), und konzentrieren uns auf das Wesentliche: Die Musik auf „Breakfast In America“. Und da wird einem schnell auch so klar: Hier liegt ein Stück Pop-Rock-Geschichte vor, an dem man einfach nicht vorbeikommt. „Breakfast In America“ ist zwar nach den Verkaufszahlen ohnehin das erfolgreichste Album von Supertramp, es ist aber auch im Besonderen ein deutsches Phänomen: Hierzulande wurden satte fünfhunderttausend Exemplare der Scheibe verkauft - nur in Kanada und den USA waren es mehr, nicht einmal in Supertramps Heimat Großbritannien erzielte das Album ähnliche Umsätze. Und wenn man heutzutage einen vorsichtigen kritischen Blick nach Amerika wirft, dann merkt man: Die Zeit für eine Rückkehr der cleveren Satire auf den American Way of Life, die das Album subtil durchzieht, ist definitiv reif. Das dachte man sich auch bei MFSL, und schenkt uns zu Weihnachten ein grandioses Remastering, das erste rein analoge überhaupt. „Breakfast In America“ bedeutete 1979 für Supertramp den Abschied von den verspielten ProgRock-Anfängen der zu diesem Zeitpunkt schon seit zehn Jahren aktiven Band. Stattdessen konzentrierte man sich auf radiotauglicheres und auf den Punkt gebrachtes Songwriting. Und diese Rechnung ging auf: Die Platte lebt nicht zuletzt vom Kontrast zwischen den beiden Band-Chefs und Songwritern Rick Davies und Roger Hodgson. Davies steuerte neben seiner rauen Stimme und der E-Gitarre auch die harten, kantigen, rockigen und bluesigen Nummern bei („Goodbye Stranger“ oder „Gone Hollywood“), während Hodgsons hohe Pop-Stimme und sein für den Band-Sound so zentrales Spiel auf dem Wurlitzer-E-Piano in seinen textlastigen, oft zynischen Hit-Singles zum Tragen kommen („The Logical Song“ und natürlich der Titelsong). Dazu noch das markante Saxofon- und Klarinettenspiel von John Helliwell und die tighte und ausgefuchste Rhythmusarbeit von Drummer Bob Siebenberg und Bassist Dougie Thomson, und fertig ist der unverwechselbare druckvolle Supertramp-Sound. Das Album erhielt damals zwei Grammys, einen davon für die Arbeit von Ton-Ingenieur Peter Henderson. Henderson gelang es damals, den üppigen Bandsound klar, strukturiert und transparent einzufangen, aber auch einen epischen Klangraum voller Glanzlichter, Größe und Dynamik zu erzeugen. Krieg Wunderlich und Rob LoVerde haben das Ganze nun von den Originalbändern gemastert, und man getrost sagen: So lebendig, weich, warm und dabei nach wie vor druckvoll (man höre und genieße das perfekte Zusammenfließen von Bass und tiefem Piano-Register) hat dieses Album noch nie geklungen. Ein überraschend zeitloser Klassiker, der auch heute noch einfach viel Spaß macht! ***************************************************************************************** Rezension: Es gibt nicht übermäßig viele 70er-Jahre-Pop-Alben, die in der Liga von Fleetwood Macs "Rumours" mitspielen. Zu dieser Auslese zählt die vorletzte echte Supertramp-LP. Mit "Crime Of The Century" hatte die Band um Rick Davies und Roger Hodgson ihren Durchbruch gehabt, den Rest des Jahrzehnts zählte sie zu den zuverlässigsten Vertretern in Sachen anspruchsvoller und gleichzeitig Chart-tauglicher Popmusik. Das Meisterwerk aber war "Breakfast": Hier hatten Supertramp ihre Wurzeln im Prog Rock endgültig überwunden und sich voll und ganz dem Pop verschrieben. Mit einer Perfektion, die nach wie vor Staunen macht. Der "Logical Song" ist nur ein Hit unter vielen. Wie gesagt, die Konkurrenz ist überschaubar… – ******************************************************************************************* Titel: 1. Gone Hollywood 2. The Logical Song 3. Goodbye Stranger 4. Breakfast in America 5. Oh Darling 6. Take the Long Way Home 7. Lord Is It Mine 8. Just Another Nervous Wreck 9. Casual Conversations 10. Child of Vision ******************************************************************************************** Description Supertramp's Blockbuster Features Catchy Hooks, Rhapsodic Melodies, Symphonic Bluster, Meticulous Production: Breakfast in America Includes "The Logical Song," "Take the Long Way Home" Mastered from the Original Master Tapes for Supreme Sonics: Mobile Fidelity's 180g Vinyl LP Presents the Record's Famed Dynamics, Colors, Tones, and Instrumentation in Full-Range Glory Supertramp's Breakfast in America has it all: Illustrious artwork. Sing-a-long hooks. Contagious melodies. Symphonic bluster. Rhapsodic thrust. Signature Wurlitzer electric piano sounds. Two Grammy Awards, including one for Best Engineered Album. More than 20 million copies sold. Four Billboard hit singles that continue to dominate radio airplay today. Every aspect of the chart-topping art-rock set screams blockbuster, not the least of which is the production, the result of painstaking studio setups and months of mixing. Now, you can experience the sonic brilliance in unprecedented clarity on Mobile Fidelity's definitive analog reissue. Indeed, aside from the undeniably catchy nature of the ten tracks, fun remains the most central element of Breakfast in America. The band even titled the record to fall in line with the overall joyful feeling of the material. About the latter: Few late 1970s rock albums feature a more cohesive, harmony-drenched parade of stunningly executed, wondrously arranged works. The collective offspring of members Rick Davies and Roger Hodgson, each tune reflects the creative pulses of each musician, with the resultant contrasts lending to their appeal. Davies' penchant for grittier, bluesy strands blends with Hodgson's witty, pop-leaning techniques. The combination proves unstoppable. Home to a quartet of commercial staples – "The Logical Song," "Goodbye Stranger," "Take the Long Way Home," and the title track – Breakfast in America teems with arena-sized drama, meticulous craftsmanship, and mesmerizing refrains. Shrewd lyrical turns abound, whether on the phonetic, adjective-stacked "The Logical Song," life-in-America portrait "Child of Vision," or move-to-L.A. saga "Gone Hollywood." U.S. references also dot the smash title track, which reflects the glib humor, romantic fantasies, and pop culture permeating the record. Breakfast in America also retains its vitality because of its expert instrumentation and placement. Deemed a "a textbook-perfect album of post-Beatles, keyboard-centered English art rock that strikes the shrewdest possible balance between quasi-symphonic classicism and rock & roll" by Rolling Stone shortly after its release, the record serves as a blueprint of reference-setting production and mixing. Check the scorching guitar outro on "Goodbye Stranger," gospel accents on "Lord Is It Mine," saxophone lines on "Take the Long Way Home," or chemistry of the choruses on basically every piece here. It's enough to make one long for the 70s again. ********************************************************************************************* Zustand: NEU = UNGESPIELT = NEW = UNPLAYED = EINE NEUE UND UNGESPIELTE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!) (FIRST-MFSL-JAPANPRESING-SERIES ----- ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTOS(LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HNEW = UNPLAYED - QUALITY - !! ...... ) Preis:** EUR 799,99 ( minus 50% DISCOUNT / RECHNUNGSRABATT = 399,99 euro ) ----- NEU = UNGESPIELT = NEW = UNPLAYED = EINE NEUE UND UNGESPIELTE AUDIOPHILE MFSL-LP/RECORD-JAPANPRESSUNG !!) (FIRST-MFSL-JAPANPRESING-SERIES ----- ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES) !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTOS(LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HNEW = UNPLAYED - QUALITY - !! ...... ) In den Warenkorb


MFSL 1-047 -- (FIRST-MFSL-LP/RECORD-JAPANPRESSING-SERIES) ----- OUT OF PRINT - M ----- ( EINE NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG = FIRST MFSL-SERIES !! ) XXL-Foto XXL-Foto	THE BEATLES ----- MAGICAL MYSTERY TOUR ----- MADE IN JAPAN ----- FIRST-MFSL-LP/RECORD-JAPANPRESSING-SERIES ----- LIMITED EDITION ----- ( ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-LP/RECORD-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) !! / ..... ORIGINAL MASTER RECORDING USA / ..... ORIGINAL AUFNAHMEN 1967 BEI EMI-CAPITOL RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1967 BY EMI-CAPITOL RECORDS IN ENGLAND / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) Weitere Details: ************************************************************************************************ *********************************************************************************************** Side One : .......................... 1. Magical Mystery Tour (2:48) .......................... 2. The Fool On The Hill (3:00) .......................... 3. Flying (2:16) .......................... 4. Blue Jay Way (3:50) .......................... 5. Your Mother Should Know (2:33) .......................... 6. I Am The Walrus (4:35) .......................... Side Two : .......................... 1. Hello Goodbye (3:24) .......................... 2. Strawberry Fields Forever (4:05) .......................... 3. Penny Lane (2:57) .......................... 4. Baby You’re A Rich Man (3:07) .......................... 5. All You Need Is Love (3:57) .......................... ********************************************************************************************* Description : A Beautiful Copy Of A Magnificent Rock Album . If You Are THE BEATLES Fan . This Album Will Become A Favorite . A Stunning Collection Of Recordings Of The MoFi Catalogue, Without A Doubt . Here Half-Speed Production And Mastering By Original Mastering Works . Specially Plated And Pressed On High Definition Super Virgin Vinyl By Victor Company Of Japan, LTD . ********************************************************************************************** ..............die ersten Aufnahmen für den späteren Soundtrack des Films fanden bereits kurz nach Fertigstellung des Albums Sgt. Pepper’s Lonely Hearts Club Band statt. Basierend auf Paul McCartneys Konzept einer „geheimnisvollen Busreise durch England“ begann die Gruppe am 25. April 1967 in den Abbey Road Studios mit den Arbeiten am Titelstück Magical Mystery Tour. In den folgenden Tagen wurde die Arbeit an diesem Titel fortgesetzt. Nachdem Anfang Mai 1967 weitere Passagen aufgenommen worden waren und erste Abmischungen stattgefunden hatten, folgte eine längere Pause, bevor das nächste Stück des Soundtracks in Angriff genommen wurde. Am 22. und 23. August 1967 fanden die ersten Aufnahmen für die McCartney-Komposition Your Mother Should Know statt. Da die Abbey Road Studios ausgebucht waren, wich die Gruppe in die Chappell Recording Studios aus. Wenige Tage nach diesen Aufnahmen erreichte die Beatles die Nachricht vom Tode Brian Epsteins. Die Gruppe traf sich am 1. September 1967, um über die weitere Zukunft der Beatles zu beraten. Eine Entscheidung, die getroffen wurde, war, den Film Magical Mystery Tour voranzutreiben. So markiert der 5. September 1967 den eigentlichen Startpunkt für das Projekt Magical Mystery Tour. Bis dahin hatte die Gruppe ihre Aufmerksamkeit auf verschiedene Aufgaben gelenkt. So waren im Mai die ersten Lieder für den Zeichentrickfilm Yellow Submarine aufgenommen worden, während ein großer Teil des Juni 1967 dem Stück All You Need Is Love gewidmet war. Am 5. und 6. September konzentrierte sich die Gruppe auf die Lennon-Komposition I Am the Walrus. Am 6. September wurde zudem Take 1 von Blue Jay Way aufgenommen, George Harrisons Beitrag zum Soundtrack. Am folgenden Tag wurde die Arbeit an diesem Lied fortgesetzt. Am 8. September nahm das Instrumentalstück Flying erste Gestalt an, das zu der Zeit noch den Arbeitstitel Aerial Tour Instrumental trug. Nach einer längeren Pause – die Beatles waren für die Dreharbeiten mit dem Filmteam unterwegs –, kam die Gruppe am 26. und 27. September 1967 in die Aufnahmestudios in der Abbey Road, um die McCartney-Komposition The Fool on the Hill aufzunehmen. Damit war der Soundtrack im Prinzip fertig, es fanden in der Folgezeit allerdings noch verschiedene Overdubs an den meisten Stücken statt. Die finale Abmischung war Mitte November 1967 fertiggestellt. Es wurden zwei weitere Instrumentalstücke während der Arbeiten am Soundtrack aufgenommen, die beide nicht auf dem Tonträger veröffentlicht wurden. Das erste Stück trug den Titel Shirley’s Wild Accordion und stammte von Lennon/McCartney. Eingespielt wurde es von den Akkordeonspielern Shirley Evans und Reg Wale. Das zweite Stück erhielt den Titel Jessie’s Dream. Als Komponisten wurden alle vier Beatles genannt. Dieses Lied wurde als Hintergrundmusik in einer der Traumsequenzen im Film verwendet.:............. ---------------------------------------------------------------------------------------------------- ..................BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ............................................................................................................DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPINNENTEIL ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..................BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ........................... *********************************************************************************************** Zustand: M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-LP/RECORD-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) Preis:** EUR 599,99 (minus 50% discount /Rechnungsrabatt = 299,99 euro) ----- M- / M- = EINE NEUWERTIGE, AUDIOPHILE MFSL-LP-JAPANPRESSUNG !! ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING(FIRST-MFSL-LP/RECORD-JAPANPRESSING-SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) In den Warenkorb


MFSL 1-047 ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- ORIGINAL MFSL-JVC-JAPANPRESSING !! --- XXL-Foto XXL-Foto	THE BEATLES ----- MAGICAL MYSTERY TOUR ----- MEGA RARE ORIGINAL ANALOGE,AUDIOPHILE MFSL-HALFSPEED-LP/RECORD-(FIRST-MFSL-JAPANPRESSING-SERIES) ----- IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD-JACKET) ---- ORIGINAL MASTER RECORDING ----- MADE IN JAPAN ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... MOBILE FIDELITY SOUND LAB USA..... ORIGINAL AUFNAHMEN 1967 BEI EMI-PARLOPHONE RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1967 BY EMI-PARLOPHONE RECORDS IN ENGLAND / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST EXEMPLARY !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... ) Weitere Details: ************************************************************************************************ *********************************************************************************************** ............. TRACKLIST: .................. Side One : .......................... 1. Magical Mystery Tour (2:48) .......................... 2. The Fool On The Hill (3:00) .......................... 3. Flying (2:16) .......................... 4. Blue Jay Way (3:50) .......................... 5. Your Mother Should Know (2:33) .......................... 6. I Am The Walrus (4:35) .......................... Side Two : .......................... 1. Hello Goodbye (3:24) .......................... 2. Strawberry Fields Forever (4:05) .......................... 3. Penny Lane (2:57) .......................... 4. Baby You’re A Rich Man (3:07) .......................... 5. All You Need Is Love (3:57) .......................... ********************************************************************************************* Description : A Beautiful Copy Of A Magnificent Rock Album . If You Are THE BEATLES Fan . This Album Will Become A Favorite . A Stunning Collection Of Recordings Of The MoFi Catalogue, Without A Doubt . Here Half-Speed Production And Mastering By Original Mastering Works . Specially Plated And Pressed On High Definition Super Virgin Vinyl By Victor Company Of Japan, LTD . ********************************************************************************************** ..............die ersten Aufnahmen für den späteren Soundtrack des Films fanden bereits kurz nach Fertigstellung des Albums Sgt. Pepper’s Lonely Hearts Club Band statt. Basierend auf Paul McCartneys Konzept einer „geheimnisvollen Busreise durch England“ begann die Gruppe am 25. April 1967 in den Abbey Road Studios mit den Arbeiten am Titelstück Magical Mystery Tour. In den folgenden Tagen wurde die Arbeit an diesem Titel fortgesetzt. Nachdem Anfang Mai 1967 weitere Passagen aufgenommen worden waren und erste Abmischungen stattgefunden hatten, folgte eine längere Pause, bevor das nächste Stück des Soundtracks in Angriff genommen wurde. Am 22. und 23. August 1967 fanden die ersten Aufnahmen für die McCartney-Komposition Your Mother Should Know statt. Da die Abbey Road Studios ausgebucht waren, wich die Gruppe in die Chappell Recording Studios aus. Wenige Tage nach diesen Aufnahmen erreichte die Beatles die Nachricht vom Tode Brian Epsteins. Die Gruppe traf sich am 1. September 1967, um über die weitere Zukunft der Beatles zu beraten. Eine Entscheidung, die getroffen wurde, war, den Film Magical Mystery Tour voranzutreiben. So markiert der 5. September 1967 den eigentlichen Startpunkt für das Projekt Magical Mystery Tour. Bis dahin hatte die Gruppe ihre Aufmerksamkeit auf verschiedene Aufgaben gelenkt. So waren im Mai die ersten Lieder für den Zeichentrickfilm Yellow Submarine aufgenommen worden, während ein großer Teil des Juni 1967 dem Stück All You Need Is Love gewidmet war. Am 5. und 6. September konzentrierte sich die Gruppe auf die Lennon-Komposition I Am the Walrus. Am 6. September wurde zudem Take 1 von Blue Jay Way aufgenommen, George Harrisons Beitrag zum Soundtrack. Am folgenden Tag wurde die Arbeit an diesem Lied fortgesetzt. Am 8. September nahm das Instrumentalstück Flying erste Gestalt an, das zu der Zeit noch den Arbeitstitel Aerial Tour Instrumental trug. Nach einer längeren Pause – die Beatles waren für die Dreharbeiten mit dem Filmteam unterwegs –, kam die Gruppe am 26. und 27. September 1967 in die Aufnahmestudios in der Abbey Road, um die McCartney-Komposition The Fool on the Hill aufzunehmen. Damit war der Soundtrack im Prinzip fertig, es fanden in der Folgezeit allerdings noch verschiedene Overdubs an den meisten Stücken statt. Die finale Abmischung war Mitte November 1967 fertiggestellt. Es wurden zwei weitere Instrumentalstücke während der Arbeiten am Soundtrack aufgenommen, die beide nicht auf dem Tonträger veröffentlicht wurden. Das erste Stück trug den Titel Shirley’s Wild Accordion und stammte von Lennon/McCartney. Eingespielt wurde es von den Akkordeonspielern Shirley Evans und Reg Wale. Das zweite Stück erhielt den Titel Jessie’s Dream. Als Komponisten wurden alle vier Beatles genannt. Dieses Lied wurde als Hintergrundmusik in einer der Traumsequenzen im Film verwendet.:... ***************************************************************************************** .............. The first recordings for the later soundtrack of the film took place shortly after the completion of the album Sgt. Pepper's Lonely Hearts Club Band. Based on Paul McCartney's concept of a "mysterious bus trip through England", the group began work on April 25, 1967 at Abbey Road Studios on the title track Magical Mystery Tour. In the following days work on this title continued. After the beginning of May 1967 more passages were recorded and first mixes had taken place, followed by a longer break before the next piece of the soundtrack was tackled. On 22 and 23 August 1967, the first recordings for the McCartney composition Your Mother Should Know took place. Since the Abbey Road Studios were fully booked, the group evaded the Chappell Recording Studios. A few days after these recordings, the Beatles reached the news of the death of Brian Epstein. The group met on September 1, 1967 to discuss the future of the Beatles. One decision that was made was to advance the film Magical Mystery Tour. So the 5th of September 1967 marks the actual starting point for the project Magical Mystery Tour. Until then, the group had drawn their attention to various tasks. The first songs for the animated film Yellow Submarine were recorded in May, while much of June 1967 was dedicated to the play All You Need Is Love. On September 5 and 6, the group focused on the Lennon composition I Am the Walrus. On September 6, Take 1 was also recorded by Blue Jay Way, George Harrison's contribution to the soundtrack. The following day, work on this song continued. On September 8, the instrumental piece Flying first took shape, which was still the working title Aerial Tour instrumental at the time. After a lengthy break - the Beatles were filming with the film crew - the group arrived at Abbey Road recording studios on September 26 and 27, 1967 to record McCartney's The Fool on the Hill. So the soundtrack was finished in principle, but in the following years there were still several overdubs on most tracks. The final mix was completed in mid-November 1967. Two more instrumental pieces were recorded during the work on the soundtrack, both of which were not released on the sound carrier. The first piece was titled Shirley's Wild Accordion and came from Lennon / McCartney. It was played by the accordion players Shirley Evans and Reg Wale. The second piece was titled Jessie's Dream. As composers, all four Beatles were called. This song was used as background music in one of the dream sequences in the movie.: ... ***************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- MEGA RARE ORIGINAL ANALOGE,AUDIOPHILE MFSL-HALFSPEED-LP/RECORD-(FIRST-MFSL-JAPANPRESSING-SERIES) ----- IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD-JACKET) ---- ORIGINAL MASTER RECORDING ----- MADE IN JAPAN ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ...... ) Preis:** EUR 1199,99 (minus 50% discount/Rechnungsrabatt = 599,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- MEGA RARE ORIGINAL ANALOGE,AUDIOPHILE MFSL-HALFSPEED-LP/RECORD-(FIRST-MFSL-JAPANPRESSING-SERIES) ----- IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD-JACKET) ---- ORIGINAL MASTER RECORDING ----- MADE IN JAPAN ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ...... ) In den Warenkorb


MFSL 1-048 ------ ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT - M ----- ( EINE NEUE UNGESPIELTE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANP XXL-Foto XXL-Foto	GARLAND & MINELLI ---- LIVE AT THE LONDON PALLADIUM ---- EINE ABSOLUT NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL MASTER RECORDING USA / ..... ORIGINAL AUFNAHMEN 1964 BEI EMI-CAPITOL RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1964 BY EMI-CAPITOL RECORDS IN ENGLAND / ...... ORIGINAL MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP/RECORD IST = NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ...... ) Weitere Details: *************************************************************************************************** Judy Garland & Liza Minnelli – "Live" At The London Palladium Judy Garland - "Live" At The London Palladium album cover Label: Mobile Fidelity Sound Lab – MFSL 1-048, Capitol Records – MFSL 1-048 Series: Original Master Recording Format: Vinyl, LP, Album, Reissue, Remastered Country: US Released: Jan 1982 Genre: Stage & Screen Style: A1 Judy Garland, Liza Minnelli– Together Wherever We Go Written-By – J. Styne, S. Sondheim 0:52 A2 Judy– The Man That Got Away Written-By – H. Arlen, I. Gershwin* 3:58 A3 Liza– Who's Sorry Now? Written By – Synder/Kalmar/Ruby Written-By – Kalmar, Ruby, Synder 2:58 Medley (4:15) A4a Judy Garland, Liza Minnelli– Hooray For Love Written-By – Arlen, Robin A4b Judy– After You've Gone Written-By – Creamer, Layton* A4c Liza– By Myself Written-By – Schwartz/Dietz A4d Judy– 'S Wonderful Written-By – Gershwin/Gershwin A4e Judy Garland, Liza Minnelli– How About You? Written-By – Lane, Freed A4f Liza– Lover, Come Back To Me! Written-By – Romberg, Hammerstein II* Written By – Romberg/Hammerstein II A4g Judy– You And The Night And The Music Written-By – Schwartz/Dietz A4h Judy Garland, Liza Minnelli– It All Depends On You Written-By – DeSylva/Brown/Henderson* A5 Judy– What Now My Love Written By – Becaud/Delanoe/Sigman Written-By – Sigman, Becaud, Delanoe 3:35 B1 Judy Garland, Liza Minnelli– Hello, Dolly! Written-By – Jerry Herman 2:12 B2 Liza– Gypsy In My Soul Written-By – C. Boland, M. Jaffe* 2:50 B3 Judy Garland, Liza Minnelli– Swanee Written-By – G. Gershwin, I. Caesar 1:50 B4 Judy– Over The Rainbow Written By – H. Arlen/E.Y. Harburg Written-By – E.Y. Harburg, H. Arlen 2:55 B5 Judy Garland, Liza Minnelli– When The Saints Go Marching In / Brotherhood Of Man Written By – Traditional / Frank Loesser Written-By – Frank Loesser, Traditional 1:05 B6 Judy Garland, Liza Minnelli– He's Got The Whole World In His Hands Arranged By [Arr.] – Geoff Love Written-By – Trad.* 1:50 Record Company – EMI Licensed From – Capitol Records Distributed By – Mobile Fidelity Sound Lab, Inc. Manufactured By – Mobile Fidelity Sound Lab, Inc. Phonographic Copyright ℗ – Capitol Records, Inc. Pressed By – Victor Company Of Japan, Ltd. Published By – Chappell & Co., Inc. Published By – Harwin Music Corp. Published By – Mills Music, Inc. Published By – Morley Music Co., Inc. Published By – New World Music Corp. Published By – Leo Feist, Inc. Published By – Warner Bros. Music Published By – Edwin H. Morris & Co., Inc. Published By – Words & Music, Inc. Published By – Frank Music Corp. Art Direction – Chuck Ames Conductor [Orchestra Conducted By] – Harry Robinson Lacquer Cut By – SR* Producer [Produced By] – Simon Rady Recording Supervisor [London Palladium Recording Supervised By] – Norrie Paramor Sleeve Notes [Annotation] – Var Smith From back cover ℗ 1973 Capitol Records Half-Speed Production and Mastering by Original Masteringworks.™ Specially Plated and Pressed On High Definition Vinyl by Victor Company of Japan Ltd. Special Static Free-Dust Free Inner Sleeve. Special Heavy Duty Protective Packaging. Source: The Original Stereo Master Tape. Mastered with the Ortofon Cutting System. Manufactured and distributed by MFSL, Inc., Chatsworth, CA. 91311, under license from Capitol Records, Inc. All Rights Reserved. On spine: Printed in U.S.A. On labels: Pressed in Japan. Track titles and Written-By as per labels. Back cover has the following title differences: A1 - Together (Wherever We Go) A4f - Lover, Come Back To Me Track A5 on back cover has written by as 'Becaud-Brown· Sigman' When both Judy and Liza perform on a track, the back cover states 'Duet' ********************************************************************************************* TRACKLISTING: ................... Side One: ................... 1. Together Wherever We Go - :52 ................... 2. The Man That Got Away - 3:58 ................... 3. Who's Sorry Now - 2:58 ................... 4. Medley - 4:15: a. Hooray for Love; b. After You've Gone; c. by Myself; d. 'S Wonderful; e. How About You?; f. Lover, Come Back To Me!; g. You and the Night and the Music; h. It All Depends On You ................... 5. What Now My Love - 3:35 ................... Side Two: ................... 1. Hello Dolly! - 2:12 ................... 2. Gypsy In My Soul - 2:50 ................... 3. Swanee - 1:50 ................... 4. Over The Rainbow - 1:50 ................... 5. When The Saints Go Marching In / Brotherhood of Man - 1:05 ................... 6. He's Got The Whole World In His Hands - 1:50 ................... ***************************************************************************************** Personnel: Laurie Holloway (piano).Liner Note Author: Will Friedwald.Recording information: EMI Abbey Road Studios (11/08/1964/11/15/1964); The London Palladium, London, England (11/08/1964/11/15/1964); EMI Abbey Road Studios (11/23/1964); The London Palladium, London, England (11/23/1964).Arrangers: Mort Lindsey; Conrad Salinger; Gordon Jenkins; Nelson Riddle; Roger Edens; Marvin Hamlisch; Peter Matz.This revised edition of the 1965 Judy Garland/Liza Minnelli concert recording Live at the London Palladium (taken from shows performed in November 1964) was a long time in coming, first announced by its original label, Capitol Records, for a CD appearance in 2002 and then by Collectors' Choice Music in 2009, though both releases were canceled. That was frustrating for Garland and Minnelli fans, who should be pleased that at last DRG has succeeded in putting out a version with refurbished sound and two new tracks (Garland's "Once in a Lifetime" and "Just in Time"), while moving "The Man That Got Away," originally sequenced right after the overture, back to the place it was actually performed in the show, much later. Welcome as the belated release may be, however, neither singer is heard at her best here. Garland, at 42, was entering the last phase of her difficult life, and while she rouses herself now and then, her singing can be mannered and out-of-breath, her diction sometimes slurred. If she is noticeably past her peak, however, her 18-year-old daughter is nowhere near hers. Minnelli had recently released her debut LP, Liza! Liza!, when she appeared with her mother, but, though clearly talented, was far from a mature performer, tending to get a little out of control in her excitement (and, perhaps, nervousness). Still, the best moments of the concert are the ones when the two sing together; the mother tends to calm the daughter down, while the daughter inspires the mother to more spirited takes on her old warhorses. This album is no Judy at Carnegie Hall (reportedly, Capitol held it back from release for a while in the hopes of getting Garland to redo more of her vocals in a recording studio after she did do some overdubs), but the mother-daughter chemistry is its strong suit. ~ William Ruhlmann .......... ****************************************************************************************** ---------------------------------------------------------------------------------------------------- ..................BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ............................................................................................................DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPINNENTEIL ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..................BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ........................... ************************************************************************************************ ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................WITH MONEY BACK GUARANTEE ............................ ---------------------------------------------------------------------------------------------------- *********************************************************************************************** Zustand: NEW = UNPLAYED = EINE ABSOLUT NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " NEW = UNPLAYED " - QUALITY !! ...... ) Preis:** EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- NEW = UNPLAYED = EINE ABSOLUT NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " NEW = UNPLAYED " - QUALITY !! ...... ) In den Warenkorb


MFSL 1-048 (WOC) -- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- OUT OF PRINT - M ----- ( EINE NEUWERTIGE, RARE, AUDIOPHILE MFSL HALFSPEED-LP-JAPANPRESSUNG !! ) XXL-Foto XXL-Foto	GARLAND & MINELLI ---- LIVE AT THE LONDON PALLADIUM ---- EINE NOCH NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... ) ( ...... ORIGINAL MASTER RECORDING USA(FIRST-MFSL-JAPANPRESSING-SERIES) / ...... AUDIOPHILE HALFSPEED-JVC-JAPANPRESSUNG / ..... ORIGINAL MASTER RECORDING USA / ..... ORIGINAL AUFNAHMEN 1964 BEI EMI-CAPITOL RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1964 BY EMI-CAPITOL RECORDS IN ENGLAND / ...... ORIGINAL MASTERING BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ..... OUT OF PRINT!!......DIESE SEHR WERTVOLLE MFSL-LP IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... MFSL-LP-HALFSPEED-JAPANPRESSUNG(FIRST MFSL-PRESSING-SERIES - MADE IN JAPAN)!! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY !! ......LEIDER FEHLT DAS MFSL-INNERCOVER .....) ) Weitere Details: *************************************************************************************************** Judy Garland & Liza Minnelli – "Live" At The London Palladium Judy Garland - "Live" At The London Palladium album cover Label: Mobile Fidelity Sound Lab – MFSL 1-048, Capitol Records – MFSL 1-048 Series: Original Master Recording Format: Vinyl, LP, Album, Reissue, Remastered Country: US Released: Jan 1982 Genre: Stage & Screen Style: A1 Judy Garland, Liza Minnelli– Together Wherever We Go Written-By – J. Styne, S. Sondheim 0:52 A2 Judy– The Man That Got Away Written-By – H. Arlen, I. Gershwin* 3:58 A3 Liza– Who's Sorry Now? Written By – Synder/Kalmar/Ruby Written-By – Kalmar, Ruby, Synder 2:58 Medley (4:15) A4a Judy Garland, Liza Minnelli– Hooray For Love Written-By – Arlen, Robin A4b Judy– After You've Gone Written-By – Creamer, Layton* A4c Liza– By Myself Written-By – Schwartz/Dietz A4d Judy– 'S Wonderful Written-By – Gershwin/Gershwin A4e Judy Garland, Liza Minnelli– How About You? Written-By – Lane, Freed A4f Liza– Lover, Come Back To Me! Written-By – Romberg, Hammerstein II* Written By – Romberg/Hammerstein II A4g Judy– You And The Night And The Music Written-By – Schwartz/Dietz A4h Judy Garland, Liza Minnelli– It All Depends On You Written-By – DeSylva/Brown/Henderson* A5 Judy– What Now My Love Written By – Becaud/Delanoe/Sigman Written-By – Sigman, Becaud, Delanoe 3:35 B1 Judy Garland, Liza Minnelli– Hello, Dolly! Written-By – Jerry Herman 2:12 B2 Liza– Gypsy In My Soul Written-By – C. Boland, M. Jaffe* 2:50 B3 Judy Garland, Liza Minnelli– Swanee Written-By – G. Gershwin, I. Caesar 1:50 B4 Judy– Over The Rainbow Written By – H. Arlen/E.Y. Harburg Written-By – E.Y. Harburg, H. Arlen 2:55 B5 Judy Garland, Liza Minnelli– When The Saints Go Marching In / Brotherhood Of Man Written By – Traditional / Frank Loesser Written-By – Frank Loesser, Traditional 1:05 B6 Judy Garland, Liza Minnelli– He's Got The Whole World In His Hands Arranged By [Arr.] – Geoff Love Written-By – Trad.* 1:50 Record Company – EMI Licensed From – Capitol Records Distributed By – Mobile Fidelity Sound Lab, Inc. Manufactured By – Mobile Fidelity Sound Lab, Inc. Phonographic Copyright ℗ – Capitol Records, Inc. Pressed By – Victor Company Of Japan, Ltd. Published By – Chappell & Co., Inc. Published By – Harwin Music Corp. Published By – Mills Music, Inc. Published By – Morley Music Co., Inc. Published By – New World Music Corp. Published By – Leo Feist, Inc. Published By – Warner Bros. Music Published By – Edwin H. Morris & Co., Inc. Published By – Words & Music, Inc. Published By – Frank Music Corp. Art Direction – Chuck Ames Conductor [Orchestra Conducted By] – Harry Robinson Lacquer Cut By – SR* Producer [Produced By] – Simon Rady Recording Supervisor [London Palladium Recording Supervised By] – Norrie Paramor Sleeve Notes [Annotation] – Var Smith From back cover ℗ 1973 Capitol Records Half-Speed Production and Mastering by Original Masteringworks.™ Specially Plated and Pressed On High Definition Vinyl by Victor Company of Japan Ltd. Special Static Free-Dust Free Inner Sleeve. Special Heavy Duty Protective Packaging. Source: The Original Stereo Master Tape. Mastered with the Ortofon Cutting System. Manufactured and distributed by MFSL, Inc., Chatsworth, CA. 91311, under license from Capitol Records, Inc. All Rights Reserved. On spine: Printed in U.S.A. On labels: Pressed in Japan. Track titles and Written-By as per labels. Back cover has the following title differences: A1 - Together (Wherever We Go) A4f - Lover, Come Back To Me Track A5 on back cover has written by as 'Becaud-Brown· Sigman' When both Judy and Liza perform on a track, the back cover states 'Duet' ************************************************************************************************ TRACKLISTING: ................... Side One: ................... 1. Together Wherever We Go - :52 ................... 2. The Man That Got Away - 3:58 ................... 3. Who's Sorry Now - 2:58 ................... 4. Medley - 4:15: a. Hooray for Love; b. After You've Gone; c. by Myself; d. 'S Wonderful; e. How About You?; f. Lover, Come Back To Me!; g. You and the Night and the Music; h. It All Depends On You ................... 5. What Now My Love - 3:35 ................... Side Two: ................... 1. Hello Dolly! - 2:12 ................... 2. Gypsy In My Soul - 2:50 ................... 3. Swanee - 1:50 ................... 4. Over The Rainbow - 1:50 ................... 5. When The Saints Go Marching In / Brotherhood of Man - 1:05 ................... 6. He's Got The Whole World In His Hands - 1:50 ................... ***************************************************************************************** Personnel: Laurie Holloway (piano).Liner Note Author: Will Friedwald.Recording information: EMI Abbey Road Studios (11/08/1964/11/15/1964); The London Palladium, London, England (11/08/1964/11/15/1964); EMI Abbey Road Studios (11/23/1964); The London Palladium, London, England (11/23/1964).Arrangers: Mort Lindsey; Conrad Salinger; Gordon Jenkins; Nelson Riddle; Roger Edens; Marvin Hamlisch; Peter Matz.This revised edition of the 1965 Judy Garland/Liza Minnelli concert recording Live at the London Palladium (taken from shows performed in November 1964) was a long time in coming, first announced by its original label, Capitol Records, for a CD appearance in 2002 and then by Collectors' Choice Music in 2009, though both releases were canceled. That was frustrating for Garland and Minnelli fans, who should be pleased that at last DRG has succeeded in putting out a version with refurbished sound and two new tracks (Garland's "Once in a Lifetime" and "Just in Time"), while moving "The Man That Got Away," originally sequenced right after the overture, back to the place it was actually performed in the show, much later. Welcome as the belated release may be, however, neither singer is heard at her best here. Garland, at 42, was entering the last phase of her difficult life, and while she rouses herself now and then, her singing can be mannered and out-of-breath, her diction sometimes slurred. If she is noticeably past her peak, however, her 18-year-old daughter is nowhere near hers. Minnelli had recently released her debut LP, Liza! Liza!, when she appeared with her mother, but, though clearly talented, was far from a mature performer, tending to get a little out of control in her excitement (and, perhaps, nervousness). Still, the best moments of the concert are the ones when the two sing together; the mother tends to calm the daughter down, while the daughter inspires the mother to more spirited takes on her old warhorses. This album is no Judy at Carnegie Hall (reportedly, Capitol held it back from release for a while in the hopes of getting Garland to redo more of her vocals in a recording studio after she did do some overdubs), but the mother-daughter chemistry is its strong suit. ~ William Ruhlmann .......... ****************************************************************************************** ---------------------------------------------------------------------------------------------------- ..................BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ............................................................................................................DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPINNENTEIL ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..................BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ........................... ************************************************************************************************ ---------------------------------------------------------------------------------------------------- ................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCH GEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................WITH MONEY BACK GUARANTEE ............................ ---------------------------------------------------------------------------------------------------- *********************************************************************************************** Zustand: M- / M- = EINE NOCH NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... ) Preis:** EUR 159,99 = (minus 50% discount with invoice/minus rechnungsrabatt = 79,99 euro) ----- M- / M- = EINE NOCH NEUWERTIGE MFSL-LP/RECORD-JAPANPRESSUNG !!(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - " HIGH " - QUALITY !! ...... ) In den Warenkorb


MFSL 1-049 (CUT OUT) ----- (FIRST MFSL JAPANPRESSING SERIES) ----- OUT OF PRINT - M ----- (EINE NOCH NEUWERTIGE MFSL-LP/RECORD !!) ----- XXL-Foto XXL-Foto	KENNY ROGERS ----- GREATEST HITS ----- EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE -JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1980 BEI LIBERTY RECORDS IN USA / ..... ORIGINAL RECORDING 1980 BY LIBERTY RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH NEUWERTIG UND WURDE NUR WENIGE MALE GESPIELT !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (LAST COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG !! ..... ) Weitere Details: ************************************************************************************************ Kenny Rogers – Greatest Hits Kenny Rogers - Greatest Hits album cover Label: Mobile Fidelity Sound Lab – MFSL 1-049, Liberty – MFSL 1-049 Series: Original Master Recording Format: Vinyl, LP, Compilation, Limited Edition, Reissue, Remastered Country: US Released: Feb 1981 Genre: Pop, Folk, World, & Country Style: Country, Ballad A1 The Gambler Arranged By – Bill Justis Engineer – Billy Sherrill Producer – Larry Butler Strings – Shelly Kurland Strings* Written-By – D. Schlitz* 3:32 A2 Lady Arranged By – Gene Page Engineer – Reggie Dozier* Producer – Lionel Richie, Jr.* Written-By – Lionel Richie, Jr.* 3:51 A3 Don't Fall In Love With A Dreamer Arranged By – Bill Justis Deaejeng – Billy Sherrill Mixed By – Larry Butler Producer – Kenny Rogers, Larry Butler Strings – Shelly Kurland Strings* Vocals [Duet] – Kim Carnes Written-By – D. Ellingson, K. Carnes 3:39 A4 Ruby Don't Take Your Love To Town Arranged By – Bill Justis Engineer – Billy Sherrill, Harold Lee Producer – Kenny Rogers, Larry Butler Strings – Shelly Kurland Strings* Written-By – M. Tillis* 2:48 A5 She Believes In Me Arranged By – Bill Justis Engineer – Billy Sherrill Producer – Larry Butler Strings – Shelly Kurland Strings* Written-By – S. Gibb* 4:11 A6 Coward Of The County Arranged By – Bill Justis Engineer – Billy Sherrill Producer – Larry Butler Written-By – B. E. Wheeler, R. Bowling 4:18 B1 Lucille Arranged By – Bill Justis Engineer – Billy Sherrill, Harold Lee Producer – Kenny Rogers, Larry Butler Strings – Shelly Kurland Strings* Written-By – H. Bynum* 3:34 B2 You Decorated My Life Arranged By – Bill Justis Engineer – Billy Sherrill Producer – Larry Butler Strings – Shelly Kurland Strings* Written-By – B. Morrison, D. Hupp 3:37 B3 Reuben James Arranged By – Billy Sherrill Engineer – Billy Sherrill, Harold Lee Producer – Kenny Rogers, Larry Butler Strings – Shelly Kurland Strings* Written-By – A. Harvey, B. Etris 2:37 B4 Love The World Away Arranged By – Bill Justis Engineer – Billy Sherrill Producer – Larry Butler Strings – Shelly Kurland Strings* Written-By – B. Morrison, J. Wilson 3:11 B5 Everytime Two Fools Collide Arranged By – Bill Justis Engineer – Billy Sherrill Producer – Larry Butler Strings – Shelly Kurland Strings* Vocals [Duet] – Dottie West Written-By – J. Dyer, J. Tweel 3:00 B6 Long Arm Of The Law Arranged By – Bill Justis Engineer – Billy Sherrill Producer – Larry Butler Strings – Shelly Kurland Strings* Written-By – B. E. Wheeler, R. Bowling 4:17 Mastered At – Original Masteringworks Pressed By – Victor Company Of Japan, Ltd. Manufactured By – Mobile Fidelity Sound Lab, Inc. Distributed By – Mobile Fidelity Sound Lab, Inc. Licensed From – Liberty Records, Inc. Copyright © – Liberty Records, Inc. Phonographic Copyright ℗ – Liberty Records, Inc. Phonographic Copyright ℗ – Elektra/Asylum Records Recorded At – Sound Emporium Recorded At – Concorde Recording Center Recorded At – American Studios, Nashville Published By – Writers Night Music Published By – Brockman Music Published By – Appian Music Published By – Almo Music Corp. Published By – Quixotic Music Corp. Published By – Cedarwood Pub. Co., Inc. Published By – Angel Wing Music Published By – Roger Bowling Music Published By – Sleepy Hollow Music Corp. Published By – ATV Music Corp. Published By – Andite Invasion Published By – Music City Music, Inc. Published By – Unart Music Corp. Published By – Southern Nights Music Published By – United Artists Music Co., Inc. Published By – Window Music Pub. Co., Inc. Art Direction – Bill Burks (2) Calligraphy – Paul Ruscha Management – Kragen & Co. Photography By [Cover] – Tom Gibson (4) Photography By [Inner Sleeve] – Don Lewis (5) Typography [Cover Lettering] – Steve Chourney* Released with custom printed inner-sleeve with credits and a promotional insert with other Original Master Recording releases. Pressed in Japan. Half-speed production and mastering by Original Mastering Works. Specially plated and pressed on high definition super vinyl by Victor Company of Japan Ltd. Special static free-dust free inner sleeve Special heavy duty protective packaging Source: the original stereo master tape Mastering with the Ortofon cutting system Manufactured and distributed by MFSL, Inc. under license from Liberty Records, Inc. ©℗ 1980 Liberty Records, Inc. All rights reserved. Mobile Fidelity Sound Lab a division of MFSL, Inc. on back cover: Lionel Ritchie Jr. - courtesy of Commodore Entertainment Corporation on inner insert: Lionel Ritchie - courtesy of Commodore Entertainment Corporation and Motown Record Corporation Recording info: A1, A3, A5, A6, B2, B4, B5, B6 - Recorded at Sound Emporium, Nashville A2 - Recorded at Concorde Recording Center, L.A. A4, B1, B3 - Recorded at Sound Emporium, Nashville & American Studios, Nashville Publishing: A1: ℗1978 - Writers Night Music ASCAP A2: ℗1980 - Brockman Music ASCAP A3: ℗1980 - Appian Music / Almo Music Corp. / Quixotic Music Corp. ASCAP A4: ℗1977 - Cedarwood Publ. Co., Inc. BMI A5: ℗1978 - Angel Wing Music ASCAP A6: ℗1979 - Roger Bowling Music / Sleepy Hollow Music Corp. BMI/ASCAP B1: ℗1977 - ATV Music Corp. / Andite Invasion BMI B2: ℗1979 - Music City Music, Inc. ASCAP B3: ℗1977 - Unart Music Corp. BMI B4: Southern Nights Music ASCAP B5: ℗1978 - United Artists Music Co., Inc. / Window Music Pub. Co., Inc. ASCAP/BMI B6: ℗1980 - ATV Music Corp. / Sleepy Hollow Music Corp. BMI/ASCAP ********************************************************************************************** TITLES 1. Gambler 2. Lady 3. Don't Fall in Love With a Dreamer 4. Ruby, Don't Take Your Love to Town 5. She Believes in Me 6. Coward of the County 7. Lucille 8. You Decorated My Life 9. Reuben James 10. Love the World Away 11. Every Time Two Fools Collide 12. Long Arm of the Law -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... Zustand: M- / M- (CUTOUT) = EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS (LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... ) Preis:** EUR 199,99 (minus 50% discount/rechnungsrabatt = 99,99 euro) ----- M- / M- (CUTOUT) = EINE NEUWERTIGE AUDIOPHILE MFSL-LP/RECORD(FIRST-MFSL-JAPANPRESSING-SERIES) ----- ORIGINAL MFSL-HALFSPEED-PRESSING - MADE IN JAPAN ----- MASTERING BY STAN RICKER IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS (LOOK THE PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... ) In den Warenkorb


MFSL 1-049 (RE-SEALED/CUTOUT) ----- LIMITED EDITION ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- (OVP = VERSIEGELT = RE-SEALED) XXL-Foto XXL-Foto	KENNY ROGERS ----- GREATEST HITS ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG(REISSUE) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- MASTERED BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... OVP = VERSIEGELT = RE-SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1981 BEI LIBERTY RECORDS IN USA / ..... ORIGINAL RECORDING 1981 BY LIBERTY RECORDS IN USA / ...... MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = OVP = VERSIEGELT = RE-SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!)...... EINE IN DIESER VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - RE-SEALED - QUALITY !! ..... ) Weitere Details: ************************************************************************************************* Greatest Hits (Vinyl, LP, Compilation, Limited Edition, Reissue, Remastered) album cover Kenny Rogers ‎– Greatest Hits Label: Mobile Fidelity Sound Lab ‎– MFSL 1-049, Liberty ‎– MFSL 1-049 Series: Original Master Recording – Format: Vinyl, LP, Compilation, Limited Edition, Reissue, Remastered Country: US Released: Feb 1981 Genre: Pop, Folk, World, & Country Style: Country, Ballad Tracklist Show Credits A1 The Gambler 3:32 A2 Lady 3:51 A3 Don't Fall In Love With A Dreamer 3:39 A4 Ruby Don't Take Your Love To Town 2:48 A5 She Believes In Me 4:11 A6 Coward Of The County 4:18 B1 Lucille 3:34 B2 You Decorated My Life 3:37 B3 Reuben James 2:37 B4 Love The World Away 3:11 B5 Everytime Two Fools Collide 3:00 B6 Long Arm Of The Law 4:17 Companies, etc. Mastered At – Original Masteringworks Pressed By – Victor Company Of Japan, Ltd. Manufactured By – MFSL, Inc. Distributed By – MFSL, Inc. Licensed From – Liberty Records, Inc. Copyright (c) – Liberty Records, Inc. Phonographic Copyright (p) – Liberty Records, Inc. Phonographic Copyright (p) – Elektra/Asylum Records Recorded At – Sound Emporium Recorded At – Concorde Recording Center Recorded At – American Studios, Nashville Published By – Writers Night Music Published By – Brockman Music Published By – Appian Music Published By – Almo Music Corp. Published By – Quixotic Music Corp. Published By – Cedarwood Pub. Co., Inc. Published By – Angel Wing Music Published By – Roger Bowling Music Published By – Sleepy Hollow Music Corp. Published By – ATV Music Corp. Published By – Andite Invasion Published By – Music City Music, Inc. Published By – Unart Music Corp. Published By – Southern Nights Music Published By – United Artists Music Co., Inc. Published By – Window Music Pub. Co., Inc. Credits Art Direction – Bill Burks (2) Calligraphy – Paul Ruscha Management – Kragen & Co. Photography By [Cover] – Tom Gibson (4) Photography By [Inner Sleeve] – Don Lewis (5) Typography [Cover Lettering] – Steve Chourney* Notes Released with custom printed inner-sleeve with credits and a promotional insert with other Original Master Recording releases. Pressed in Japan. Half-speed production and mastering by Original Mastering Works. Specially plated and pressed on high definition super vinyl by Victor Company of Japan Ltd. Special static free-dust free inner sleeve Special heavy duty protective packaging Source: the original stereo master tape Mastering with the Ortofon cutting system Manufactured and distributed by MFSL, Inc. under license from Liberty Records, Inc. ©℗ 1980 Liberty Records, Inc. All rights reserved. Mobile Fidelity Sound Lab a division of MFSL, Inc. on back cover: Lionel Ritchie Jr. - courtesy of Commodore Entertainment Corporation on inner insert: Lionel Ritchie - courtesy of Commodore Entertainment Corporation and Motown Record Corporation Recording info: A1, A3, A5, A6, B2, B4, B5, B6 - Recorded at Sound Emporium, Nashville A2 - Recorded at Concorde Recording Center, L.A. A4, B1, B3 - Recorded at Sound Emporium, Nashville & American Studios, Nashville Publishing: A1: ℗1978 - Writers Night Music ASCAP A2: ℗1980 - Brockman Music ASCAP A3: ℗1980 - Appian Music / Almo Music Corp. / Quixotic Music Corp. ASCAP A4: ℗1977 - Cedarwood Publ. Co., Inc. BMI A5: ℗1978 - Angel Wing Music ASCAP A6: ℗1979 - Roger Bowling Music / Sleepy Hollow Music Corp. BMI/ASCAP B1: ℗1977 - ATV Music Corp. / Andite Invasion BMI B2: ℗1979 - Music City Music, Inc. ASCAP B3: ℗1977 - Unart Music Corp. BMI B4: Southern Nights Music ASCAP B5: ℗1978 - United Artists Music Co., Inc. / Window Music Pub. Co., Inc. ASCAP/BMI B6: ℗1980 - ATV Music Corp. / Sleepy Hollow Music Corp. BMI/ASCAP Barcode and Other Identifiers Rights Society: ASCAP Rights Society: BMI Matrix / Runout (Runout etched side A, "181" stamped): MFSL-1-049 A8 181 Matrix / Runout (Runout etched side B, "181" stamped): MFSL-1-049 B8 181 ************************************************************************************************** ********************************* LONG-OUT OF PRINT ************************************ *********************************************************************************************** ******************** ORIGINAL MFSL HALFSPEED LP/RECORD - MADE IN JAPAN !! *************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = RE-SEALED !! **************** *********************************************************************************************** -EINE IN DIESER VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-JAPANPRESSUNG !!- *********************************************************************************************** ********** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! **************** *********************************************************************************************** *********************************************************************************************** TITLES 1. Gambler 2. Lady 3. Don't Fall in Love With a Dreamer 4. Ruby, Don't Take Your Love to Town 5. She Believes in Me 6. Coward of the County 7. Lucille 8. You Decorated My Life 9. Reuben James 10. Love the World Away 11. Every Time Two Fools Collide 12. Long Arm of the Law -------------------------------------------------------------------------------------------------- DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPSCHUBER ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET...!!..... ********************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG(REISSUE) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- MASTERED BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!)..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... ) Preis:** EUR 599,99 (minus 50% discount/Rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- EINE ORIGINAL VERSIEGELTE MFSL-LP/RECORD-JAPANPRESSUNG(REISSUE) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- MASTERED BY STAN RICKER AT MOBILE FIDELITY SOUND LAB IN USA ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- TRAUMHAFTER KLANG !! ----- PERFECT SOUNDING !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!)..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... ) In den Warenkorb


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