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A&M SP 3006 ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) ----- SPEAKERS CORNER GERMANY -----

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WES MONTGOMERY ----- DOWN HERE ON THE GROUND ----- (...... SPEAKERS CORNER GERMANY / ....... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... AUDIOPHILE REISSUE-LP GERMANY / ...... SPEAKERS CORNER REISSUE GERMANY / ...... 180g HIGH QUALITY HEAVY VINYL / ...... HIGH QUALITY PRESSING IN GERMANY / ..... AUDIOPHILE MASTERING / ...... ORIGINAL STEREO AUFNAHMEN 1968 BY A&M RECORDS IN USA / ..... ORIGINAL STEREO RECORDING 1968 BY A&M RECORDS IN USA / ....... HIGH QUALITY GERMAN REISSUE / ..... LIMITED EDITION .......... EINZIGES ORIGINAL EXEMPLAR IN MEINER PRIVATEN SAMMLUNG = ONE ORIGINAL SAMPLE !! ..... .......DIESE AUDIOPHILE SOUL/POP-LP IST NOCH ORIGINAL VERSIEGELT = OVP = FACTORY SEALED !! ...... )

Weitere Details: ************************************************************************************************** Wes Montgomery – Down Here On The Ground Wes Montgomery - Down Here On The Ground album cover *************************************************************************************************** More images Label: A&M Records – SP 3006, Speakers Corner Records – 589980, CTI Records – SP 3006 Format: Vinyl, LP, Album, 180g Country: Germany Released: 2002 Genre: Jazz Style: Hard Bop, Contemporary Jazz *********************************************************************************************** A1 Wind Song 2:18 A2 Georgia On My Mind 2:42 A3 The Other Man's Grass Is Always Greener 2:32 A4 Down Here On The Ground Written-By – Lalo Schifrin 3:38 A5 Up And At It 4:10 B1 Goin' On To Detroit 3:30 B2 I Say A Little Prayer For You 3:10 B3 When I Look In Your Eyes 3:03 B4 Know It All (Quem Diz Que Sabe) Written-By – Dora Valle, João Donato, Paulo Sérgio Valle 2:55 B5 Theme From The Fox Written-By – Lalo Schifrin 2:55 ******************************************************************************************** Arranged By, Conductor – Don Sebesky (tracks: A1 to A3, B5 to B3, B5), Eumir Deodato (tracks: A4, B4) Bass – Ron Carter Cello – George Ricci Design [Album Design] – Sam Antupit Drums – Grady Tate Engineer – Rudy Van Gelder Flute, Oboe – George Marge, Hubert Laws, Romeo Penque Guitar – Wes Montgomery Liner Notes – Ira Gitler Percussion – Bobby Rosengarden, Ray Barretto Photography By – Pete Turner (4) Piano – Herbie Hancock Producer – Creed Taylor Vibraphone – Mike Mainieri Viola – Emanuel Vardi Violin – Gene Orloff, Raoul Poliakin ************************************************************************************************ Aufnahmen 20. und 21. Dezember 1967 und 22. und 26. Januar 1968. .................................................................... Diese LP ist der Auftakt der Reissue-Serie von CTI-Titeln, die Speakers Corner nun ins Leben gerufen hat. Hier besticht zweifellos erst einmal das wunderschöne Cover mit einer brillanten Photographie von Pete Turner. Die weisse Hauswand, die rote Tür und der tiefblaue Himmel leiten beinahe perfekt auf die Musik über, die Sommerfeeling ausstrahlt. Montgomery wählte hier sowohl Bossa Nova, soulige und poppige Arrangements als auch Filmmusikthemen. Von leichten und beschwingten Melodien zu Balladen, an deren hinreissenden Stimmungen auch die Streicher Anteil haben, Montgomery unterhält hier seine Hörer gekonnt, wobei natürlich auch mal Fusionjazz in den Vordergrund rückt. ........... ***************************************************************************************************

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Preis: EUR 49,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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A&M SP 3015 ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ----- SPEAKERS CORNER GERMANY -----

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PAUL DESMOND ----- SUMMERTIME ----- ARRANGED BY DON SEBESKY ----- ( .... SPEAKERS CORNER REISSUE / .....AUDIOPHILE JAZZ-LP /......A&M RECORDS USA / ........SPEAKERS CORNER REISSUE GERMANY / .....180g HIGH QUALITY VINYL / ......ORIGINAL-STEREO-AUFNAHMEN 1968 IN USA / ......LIMITED EDITION /....... EINZIGES ORIGINAL EXEMPLAR IN MEINER PRIVATEN SAMMLUNG = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION !! ..... ..... ...DIESE AUDIOPHILE JAZZ-LP IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!.....)

Weitere Details: ************************************************************************************************** Paul Desmond – Summertime Paul Desmond - Summertime album cover ************************************************************************************************ More images Label: A&M Records – SP-3015, CTI Records – SP-3015, Speakers Corner Records – SP-3015 Format: Vinyl, LP, Album, Gatefold Country: Europe Released: 2004 Genre: Jazz, Latin, Funk / Soul Style: *********************************************************************************************** A1 Samba With Some Barbecue 4:20 A2 Olvidar 5:30 A3 Ob-La-Di, Ob-La-Da 2:10 A4 Emily 4:45 A5 Someday My Prince Will Come 3:05 B1 Autumn Leaves 3:00 B2 Where Is The Love? 5:30 B3 Lady In Cement 3:06 B4 North By Northeast 4:30 B5 Summertime 4:00 ************************************************************************************************* Bass – Frank Bruno (tracks: A3), Ron Carter Drums – Airto Moreira (tracks: A1, B3), Leo Morris French Horn – Jim Buffington, Ray Alonge, Tony Miranda Guitar – Bucky Pizzarelli (tracks: A3), Eumir Deodato (tracks: B3), Jay Berliner (tracks: B2, B3, B5), Joe Beck (tracks: A1) Piano – Herbie Hancock Saxophone – Paul Desmond ************************************************************************************************ Recorded at Van Gelder Studios Rudy van Gelder, Engineer Recorded October 10, 16, 24; November 5, 20; December 26, 1968 ************************************************************************************************** Aufnahmen Oktober bis Dezember 1968............................... Auch wenn das Programm dieser LP leichte Kost verspricht, wird der Jazzfan angesichts der hervorragenden Interpretationen und dem hochrangigen Ensemble begeistert sein. Dies liegt natürlich auch am exzellenten Klang, der selbst bei satten Bläserpassagen nicht zum Soundbrei verkommt. Paul Desmond, langjähriger Begleiter von Dave Brubeck und Vater des berühmten "Take Five", hat mit dieser Einspielung eine feine Mischung verschiedenster Standards eingespielt, darunter "Struttin' With Some Barbecue" von Louis Armstrong, den Klassiker "Someday My Prince Will Come", den Beatles-Hit "Ob-La-Di, Ob-La-Da" oder das berühmte Stück aus Gershwin's Porgy And Bess-Musical "Summertime"! Die lyrischen und auch mal swingenden Stücke sind feinster Unterhaltungsjazz, der alleine schon wegen des tollen Klanges besonders viel Freude macht. Herrlich gestaltetes CTI-Klappcover!........................... ***************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Preis: EUR 79,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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A&M SP 9-3991 ----- OUT OF PRINT ----- (AUDIOPHILE HALFSPEED RE-MASTERED JAZZ-LP/RECORD MADE IN USA !!)

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ANTONIO CARLOS JOBIM ----- TIDE ----- ORIGINAL HALFSPEED RE-MASTER RECORDING ----- AUDIOPHILE USA-JAZZ-LP-REISSUE ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... ORIGINAL USA-PRESSUNG / ..... ORIGINAL STEREO AUFNAHMEN 1967 BEI A&M RECORDS IN USA / ..... ORIGINAL STEREO RECORDING 1967 BEI A&M IN USA / ..... RE-MASTERING BY A&M RECORDS (AUDIO MASTER PLUS SERIES) IN USA / ..... VIRGIN QUIEX VINYL PRESSING IN USA / ..... LIMITED EDITION ..... LONG OUT OF PRINT !! ..... DIESE SEHR SELTENE UND WERTVOLLE JAZZ-LP IST NOCH = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN ANALOGEN LP-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE ANALOGE LP/RECORD-COLLECTION (LAST RARE ORIGINAL SAMPLE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS HIGH - FACTORY SEALED - QUALITY !! ..... DIESE HOCHWERTIGE UND SEHR WERTVOLLE JAZZ-LP IST IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WOHL WELTWEIT KAUM NOCH ZU FINDEN !! ..... )

Weitere Details: ************************************************************************************************ Antonio Carlos Jobim – Tide Antonio Carlos Jobim - Tide album cover ********************************************************************************************* More images Label: A&M Records – SP-9-3031 Series: Audio Master Plus Series Format: Vinyl, LP, Album, Reissue, Remastered, Stereo, Quiex, Half-Speed Re-Mastered Country: US Released: 1983 Genre: Jazz, Latin Style: Bossanova ********************************************************************************************* A1 Girl From Ipanema Alto Saxophone, Soloist – Jerry Dodgion Written-By – DeMoraes* 4:48 A2 Carinhoso Bass Flute, Soloist – Joe Farrell Written-By – Joao De Barro*, Pixinguinhi* 2:45 A3 Tema Jazz Flute, Soloist – Hermeto Pascoal 4:35 A4 Sue Ann 3:05 A5 Remember 3:55 B1 Tide 3:40 B2 Takatanga 4:30 B3 Caribe Bass Flute, Soprano Saxophone, Soloist – Joe Farrell 2:40 B4 Rockanalia 4:55 ********************************************************************************************** Arranged By, Conductor – Deodato* Bass – Ron Carter Design [Album] – Sam Antupit Engineer – Rudy Van Gelder Guitar, Piano, Electric Piano – Antonio Carlos Jobim Photography By [Cover Photo] – Pete Turner (4) Producer – Creed Taylor Written-By – A. C. Jobim* (tracks: A1, A3 to B4) ******************************************************************************************** Sealed copies have poly sleeve w/ A&M hype sticker which reads: +Virgin Quiex' Vinyl Pressing, Custom Blended For A&M +Half-Speed Re-Mastered *Vitec, Inc. Printed in the U.S.A. Recorded at Van Gelder Studios; May, 1970 Joe Farrell appears courtesy of CTI Records Track A1 published by Duchess Music Corp. (BMI) Track A2 published (BMI) Track A3, B1, B2, B4 published by Corcovado Music Corp. (BMI) Track A4 & A5, B3 published by Ensign Music Corp. (BMI) Sleeve CAT#: A&M SP-9-3031 ***************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Preis: EUR 99,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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A.T. MUSIC 7819142 ----- AUDIOPHILE JAZZ-DOUBLE-LP/RECORD SET ----- WITH SPECIAL LIMITED NUMBER #0625 ----- WITH ORIGINAL AUTOGRAPH ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)

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LYN STANLEY (LP/RECORD IS SIGNED BY THE ARTIST) ----- THE MOONLIGHT SESSIONS VOLUME TWO ----- ONE STEP PRESSING ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- PURE ANALOG 45RPM RECORDING 180GRAM VIRGIN VINYL IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD JACKET) ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER #0625(HANDNUMERIERT) ----- EDITION STRICTLY LIMITED TO 2000 COPIES ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE ANALOGE ORIGINAL 45RPM-DOPPEL-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2017 BY A.T. RECORDS IN USA ----- MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2017 BY A.T. RECORDS IN USA (MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-ONE-STEP-PRESSING BY RTI IN USA / ..... DIESE ANALOGE JAZZ-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER # 0625/2000 ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )

Weitere Details: *********************************************************************************************** Lyn Stanley – The Moonlight Sessions Volume Two Lyn Stanley - The Moonlight Sessions Volume Two album cover ********************************************************************************************* More images Label: A.T.Music LLC – 3106 Format: 2 x Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered Country: US Released: Sep 15, 2017 Genre: Jazz Style: Contemporary Jazz ************************************************************************************************ A1 Makin' Whoopee A2 The Very Thought Of You A3 That Old Feeling A4 The Summer Knows B1 Over The Rainbow B2 How Deep Is The Ocean B3 Angel Eyes C1 At Seventeen C2 You've Changed C3 Smile C4 Love Me Or Leave Me D1 How Insensitive D2 Since I Fell For You D3 I'll Be Seeing You ********************************************************************************************** Pressed By – Record Technology Incorporated Mastered At – Bernie Grundman Mastering Recorded At – The Village Recorder Recorded At – Capitol Studios Recorded At – LAFX Studios ******************************************************************************************* Arranged By – Christian Jacob (tracks: A2, B1), Doug Walter (tracks: A4, C2), John Chiodini (tracks: D3), Lyn Stanley (tracks: C2), Mike Garson (tracks: A3, B2, B3, C1), Steve Rawlins (tracks: A1, C3), Tamir Hendelman (tracks: C4, D1, D2) Bass – Chuck Berghofer Design – Lyn Stanley, Philip Macias Drums – Bernie Dresel (tracks: A1, D3), Joe LaBarbera (tracks: A3, B2, B3, C1, C2, D2), Ray Brinker (tracks: A2, A4, B1, C3, C4, D1) Engineer – Al Schmitt, Paul Tavenner, Spencer Guerra Engineer, Producer – Steve Genewick Flugelhorn – Chuck Findley Guitar, Co-producer – John Chiodini (tracks: A1, A2, A4, B1, C3, C4, D1, D3) Harmonica – Hendrik Meurkens (tracks: A1 To A4, B1 To B3, C1 To C3, D1 To D3) Harp – Carol Robbins (tracks: C1), Corky Hale (tracks: A3) Mastered By – Bernie Grundman Mixed By – Al Schmitt Percussion – Luis Conte (tracks: A2 To A4, B1 To B3, C1 To C3, D1 To D3) Piano – Mike Garson, Tamir Hendelman (tracks: C4) Piano, Co-producer – Christian Jacob (tracks: A2, A4, B1, C3, D1), Mike Garson (tracks: A3, B2, B3, C1, C2, D2) Strings – Budapest Scoring Symphonic Orchestra (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Tenor Saxophone – Rickey Woodard (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Tracking By – Al Schmitt, Steve Genewick Trombone – Bob McChesney (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Trumpet – Chuck Findley (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Vocals, Producer – Lyn Stanley ********************************************************************************************* Limited to 2000 copies Serials numbers starting at 101 Only the first 1000 copies are manually numbered and autographed by Lyn Stanley One-Step Supersonic Vinyl Pressing Process ********************************************************************************************* Lyn Stanley The Moonlight Sessions Vol. 2 (Audiophile LP 2 LP, 45 rpm, 180 g, handsigniert) *********************************************************************************************** Lyn Stanley - Gesang Mike Garson, Tamiw Hendelman, Christian Jacob - Klavier Chuck Berghofer - Kontrabass Joe La Barbara, Ray Brinker, Bernie Dresel - Schlagzeug John Chiodini - Gitarre Rickey Woodard - Tenorsaxophon Chuck Findley - Trompete Bob McChesney - Posaune Corky Hale, Carol Robins - Harfe Hendrik Meurkins - Harmonika Luis Conte - Perkussion Steve Genewick - Schnipsen und das Budapest Scoring Symphonic Orchestra Die Aufnahmen entstanden February 2017 durch Al Schmitt und Steve Genewick, wurden gemixt von Al Schmitt und schließlich von Bernie Grundman bei Bernie Grundman Mastering gemastert. Aller guten Dinge sind drei, oder doch zumindest zwei, und so gibt es von Lyn Stanleys grandioser Scheibe „The Moonlight Sessions“ nun endlich das lange erwartete „Volume 2“. Lyn Stanley muss man mittlerweile wirklich niemandem mehr vorstellen, die Zeiten, als man noch umständlich erklären musste, ja, das ist die weltweit erfolgreiche Turniertänzerin, ja, die singt jetzt, ja, sogar noch besser, als sie tanzt - diese Zeiten sind vorbei, denn für Jazzfans, und die audiophilen ganz besonders, ist Miss Stanley längst ein Begriff, der so manchen ohne groß nachzudenken nach jeder neuen Scheibe von ihr greifen lässt. Was „The Moonlight Sessions Vol. 2“ angeht, können wir auch wirklich nur mit Nachdruck dazu raten! Die Aufnahmen zu dieser herrlichen Scheibe stammen aus der gleichen Recording-Session vom Februar 2017, bei der auch das Vorgänger-Album entstand; wer sich also auf Volume 1 schon für die samtweiche Stimme der amerikanischen Jazz-Sängerin und ihre vielköpfige, lässig groovende Combo begeistern konnte, der wird am Volume 2 seine wahre Freude haben - umso mehr natürlich die Unglücklichen, die von der streng limitierten ersten Scheibe keine mehr abbekommen haben. Das Rezept ist gleich geblieben: Im Zentrum steht der unverwechselbare Alt von Lyn Stanley und eine kleine aber unglaublich vielseitige Rhythmusgruppe. Mit sensibler Diktion, perfektem Timing und hingebungsvoller Emotionalität entführt einen Lyn Stanley in die Welt des Great American Songbook, zuweilen gesellen sich zur kleinen Combo ein paar Bläser, auch mal Harfe oder Mundharmonika und sogar Streicher dazu, stets aber sind die Arrangements dezent und geschmackvoll gemacht. Für besonders originelle Momente sorgt Pianist Mike Garson, der schon mal Debussys „Claire de Lune“ in „Somewhere Over The Rainbow“ überzuführen weiß, oder eine Beethoven-Sonate zum Intro für „How Incensitive“ werden lässt. Selten werden die großen Vokal-Jazz-Standards der Vergangenheit noch mit so viel Feingefühl, Stil und Eleganz vorgetragen wie von Lyn Stanley und ihrer Combo - und das dank der Toningenieurskunst von Al Schmitt und Steve Genewick sowie des längst legendären Masterings von Bernie Grundman auch noch in überragender Klangqualität. Auch Volume 2 der „Moonlight Sessions“ ist wie bereits Volume 1 weltweit auf 2000 Stück limitiert, kommt im hochwertigen Klappcover und ist in handsignierter Edition zu haben. Die beiden LPs mit 45 rpm auf 180 g schwerem Vinyl wurden im hochwertigen und klanglich überragenden One-Step-Verfahren hergestellt - eine echte Seltenheit, deren Aufwand sich aber definitiv lohnt! Beim One-Step-Verfahren werden zwei der normalerweise durchgeführten Galvanik-Schritte eingespart, indem der Pressstempel direkt von der Urfolie gezogen wird. Dadurch gehen weniger Klanginformationen verloren, die LP klingt störärmer, weiträumiger, detailreicher und dynamischer - allerdings können von jedem Stempel nur ca. 500 LPs produziert werden, danach ist ein neuer Stempel nötig - das erhöht Wertigkeit und Seltenheit dieser Platten noch einmal enorm. Aufgenommen wurden alle Tracks „live“, also ohne Overdubs, Schnitte und Nachbearbeitungen. Musikalisch eine echte Herausforderung, perfekt gemeistert und klanglich erstklassig eingefangen. Dieses Album sollte man sich und seiner Anlage unbedingt gönnen! Limitiert und nummeriert auf 1000 Stück weltweit. Handsignierte Edition. Das Album kommt auf zwei 180g-schweren audiophilen mit 45rpm geschnittenen Vinylscheiben im hochwertigen Klappcover, wurde im klanglich hochwertigen "One Step Pressing"-Verfahren hergestellt, ist handsigniert und streng limitiert. Die Besonderheit des "One Step Pressing"-Verfahrens ist, dass man nach dem Schneiden der Matritze zwei der üblichen Galvanik-Schritte einspart und so weniger "Verluste" bei der Herstellung der Schallplatte hat. Der Pressstempel wird hier direkt von der Urfolie gezogen. Dadurch klingt die LP störärmer, weiträumiger, detailreicher und dynamischer. Nachteil ist der hohe Aufwand, da von jedem Stempel nur ca. 500 LPs produziert werden können, dannach ist ein neuer Stempel notwendig. Limitiert und nummeriert auf 2000 Stück weltweit. *************************************************************************************************** Behind the Scenes--The Moonlight Sessions--Bernie Grundman with Lyn Stanley Take a look behind the closed door of big name studio recording sessions with top talent, including recording engineer Al Schmitt, as jazz vocalist Lyn Stanley produces her 2017 releases The Moonlight Sessions--Volumes One and Two. Let Bernie Grundman's interview with Lyn set the record straight about audiophile quality sound recordings and their mastering. You will also see the interesting process of taking the lacquer for a vinyl record and turning it into the Master to create One Step processed vinyl records. ************************************************************************************************** Autographed, Numbered Limited Edition 180g 45rpm One-Step Supersonic™ Vinyl All-analog recording - One pressing, strictly limited to the number of preorders accumulated - Don't miss out!!! "This classy lassie has been coming out of nowhere on the run since she...well, first started coming out of nowhere on the run. Upping her game with each successive release, here we find her firmly staking out her territory as the jazz diva of the times by surrounding herself with jazzbos who you would buy their own solo records, a song stack that is familiar but she gives a new swing to and a vocal style you will remember. This is a gal of the hour that will be much more than flavor of the month. Killer stuff throughout." — MidwestRecord.com "Wildly popular Southern California vocalist Lyn Stanley's new project ventures into new musical territory with her creative approach to American music. This time, she's borrowing from the classical composers — Chopin, Beethoven, Debussy, Mozart, and Ravel — to breathe a new excitement into a few jazz standards like you've never heard them before. This series begins with this Volume One. She has also added songs to this special project from the country and pop genres and added arrangement twists with jazz applications that modernize them as they delight your ears. Lyn delivers every song with the finesse and confidence of a veteran song stylist - and she is only a few years into her vocal career. "The ensemble is Lyn Stanley, vocals, Mike Garson, piano, Christian Jacob, piano, Tamir Hendelman, piano, Chuck Berghofer, bass, Ray Brinker, drums, Bernie Dresel, drums, Joe LaBarbara, drums, Luis Conte, percussion, John Chiodini, guitar, Chuck Findley, trumpet, Rickey Woodard, tenor saxophone, Bob McChesney, trombone, and Hendrik Meurkens, harmonica. "The lady steams with talent and surrounds herself with the very best musicians and arrangers in the business. A total Winner!" — Grady Harp, Amazon.com Jazz vocalist Lyn Stanley announces her BEST project to date, The Moonlight Sessions! Sure to please — every song is crafted with an unusual twist to the arrangements — the musical interpretations and the songs are meant to bring you to a new understanding of the American Songbook and pop tunes turned to jazz in her arrangements. The stellar cast of musicians and engineering team matches the quality and detail put into every aspect of this project's two album releases in 2017: Volume One and Two. The songs include hybrid classical romantic compositions with jazz standards on some of the song selections. Chopin is combined with Jobim, you'll hear quotes from Ravel, Mozart, Beethoven and Debussy with American Songbook jazz classics. Lyn brings her unusual creativity in music arrangements to add a new excitement to old standards. Recording engineers: Al Schmitt and Steve Genewick Mastered by Bernie Grundman All vocals by: Lyn Stanley The musicians on this album include: Pianists: Mike Garson, Tamir Hendelman, Christian Jacob; Bassist: Chuck Berghofer; Drums: Joe La Barbara, Ray Brinker, Bernie Dresel; Guitar: John Chiodini; Tenor Sax: Rickey Woodard; Trumpet: Chuck Findley; Trombone: Bob McChesney; Harp: Corky Hale, Carol Robins; Harmonica: Hendrik Meurkens; Percussion: Luis Conte * Engineers: Al Schmitt, Steve Genewick, Michael Bishop * Studios: Village Recording Studio, Los Angeles, CA and Capitol Recording Studio, Hollywood, CA ©2017 by A.T Music LLC. All rights reserved. ************************************************************************************************ Mitwirkende Arranged By – Christian Jacob (tracks: A2, B1), Doug Walter (tracks: A4, C2), John Chiodini (tracks: D3), Lyn Stanley (tracks: C2), Mike Garson (tracks: A3, B2, B3, C1), Steve Rawlins (tracks: A1, C3), Tamir Hendelman (tracks: C4, D1, D2) Bass – Chuck Berghofer Design – Lyn Stanley, Philip Macias Drums – Bernie Dresel (tracks: A1, D3), Joe LaBarbera (tracks: A3, B2, B3, C1, C2, D2), Ray Brinker (tracks: A2, A4, B1, C3, C4, D1) Engineer – Al Schmitt, Paul Tavenner, Spencer Guerra Engineer, Producer – Steve Genewick Flugelhorn – Chuck Findley Guitar, Co-producer – John Chiodini (tracks: A1, A2, A4, B1, C3, C4, D1, D3) Harmonica – Hendrik Meurkens (tracks: A1 To A4, B1 To B3, C1 To C3, D1 To D3) Harp – Carol Robbins (tracks: C1), Corky Hale (tracks: A3) Mastered By – Bernie Grundman Mixed By – Al Schmitt Percussion – Luis Conte (tracks: A2 To A4, B1 To B3, C1 To C3, D1 To D3) Piano – Mike Garson, Tamir Hendelman (tracks: C4) Piano, Co-producer – Christian Jacob (tracks: A2, A4, B1, C3, D1), Mike Garson (tracks: A3, B2, B3, C1, C2, D2) Strings – Budapest Scoring Symphonic Orchestra (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Tenor Saxophone – Rickey Woodard (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Tracking By – Al Schmitt, Steve Genewick Trombone – Bob McChesney (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Trumpet – Chuck Findley (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Vocals, Producer – Lyn Stanley Anmerkungen Limited to 2000 copies Serials numbers starting at 101 Only the first 1000 copies are manually numbered and autographed by Lyn Stanley One-Step Supersonic Vinyl Pressing Process ************************************************************************************************* Lyn Stanley The Moonlight Sessions Volume Two One-Step Hand-Numbered Limited Edition 180g 45rpm SupersonicVinyl 2LP Brand/Label/Format: *A.T. Music 180g 45rpm LP* (2LP) (Autographed) Unique One-Step Supersonic™ Process! Specially Autographed & Hand-Numbered by Lyn Stanley herself! Audiophile Limited Edition 180g 45rpm One-Step Supersonic Double Vinyl Mastered by Bernie Grundman! Special Limited Edition Pressing of Only 2000 Copies! Guarantee your copy by ordering today! Upon hearing the Test Pressings for Volume Two, renowned mastering engineer Bernie Grundman said that they were "The Best I Have Ever Heard!" This item not eligible for any further discount offers! The Moonlight Sessions has a total of 26 song divided into two albums (Volume One has 12 tracks and Volume Two has 14 tracks). Supported by the best jazz musicians in the business--Mike Garson, Tamir Hendelman and Christian Jacob take the listener on a journey that combines classical music with jazz standards plus some POP tunes with new approaches-including Willie Nelson's "Crazy, "Why Don't You Do Right?," "Over the Rainbow," and "At Seventeen." "Does the release of Lyn Stanley’s latest album, her fifth since 2013, warrant a full page of coverage in this magazine? I think it does, as Stanley is one of us. She recognizes the importance of good sound to advancing a musical message and spares no expense to achieve this end. " - Andrew Quint, The Absolute Sound, December 2017 Read the entire review! You will hear Chopin, Ravel, Beethoven, Debussy and Mozart references to breathe a new excitement into a few jazz standards like you've never heard them before! Critics are raving about this project and the #1 Jazz radio station in the USA, KKjz proclaims Lyn to be one of the "most outstanding" vocalists in jazz, calling the project "Brilliant!" "Hot on the heels of her late-spring release of the well-reviewed The Moonlight Sessions, Volume One, Southern California songstress Lyn Stanley issues her fifth recording, The Moonlight Sessions, Volume Two. The award-winning, internationally acclaimed jazz vocalist once again demonstrates her gift for mining classic material and making it her own. Stanley takes listeners on a delightful sonic journey, from her unique takes on familiar tunes including “Somewhere Over the Rainbow” and “The Very Thought of You” to her sensitive approach to too-seldom heard gems like “That Old Feeling” and “Smile.” Stanley ventures beyond the Great American Songbook to turn her tasteful eye—and voice!—to popular songs from the mid-’70s such as “At Seventeen” and “The Summer Knows” (from the film The Summer of ’42)." "Highlights from The Moonlight Sessions, Volume Two include: “How Deep is the Ocean”: Stanley shows off her range on this tune, which opens with a tender vocal-piano duet before giving way to a cool, “All Blues”-flavored swinger with some very tasty trombone from Bob McChesney. “I’ll Be Seeing You”: Rich strings and understated guitar combine, with Stanley’s voice floating lusciously on top. “Since I Fell for You”: From the rarely heard verse to the final note, Stanley delivers the lyric with a persuasive ache. Rickey Woodard’s bluesy saxophone offers a brilliant contrast with her velvety voice. “Makin’ Whoopee”: Stanley lives up to her sultry reputation, bringing a leisurely tension to this long-time fave. “At Seventeen”: Check out the bittersweet world-weariness and sophistication of Stanley’s take on Janis Ian’s #1 hit single from 1975." "Joining Stanley on The Moonlight Sessions, Volume Two is a top-flight band of in-demand players, including pianists Mike Garson, Christian Jacob and Tamir Hendelman; bassist Chuck Berghofer; drummers Ray Brinker, Bernie Dresel and Joe LaBarbara; percussionist Luis Conte; guitarist John Chiodini; trumpeter Chuck Findley; saxophonist Rickey Woodard; trombonist Bob McChesney; harmonica wizard Hendrik Meurkens; and harpists Corky Hale and Carol Robins; strings: Budapest SSO. Stellar recording quality makes The Moonlight Sessions, Volume Two an audiophile’s delight, and the creative arrangements will appeal to casual listeners and engage hard-core jazz aficionados. With two entertaining top-quality releases under her belt in 2017 alone, Lyn Stanley’s long-time fans and recent followers will look forward to discovering what fascinating new projects the singer has next on her agenda." She has also added songs to this special project from the country and pop genres and added arrangement twists with jazz applications that modernize them as they delight your ears. On board for The Moonlight Sessions are her stellar cast of musicians. Piano: Mike Garson, Christian Jacob and Tamir Hendelman; Bass: Chuck Berghofer; Drums: Joe La Barbara, Ray Brinker and Bernie Dresel; Jazz Guitar: John Chiodini; Percussion: Luis Conte; Harmonica: Hendrik Meurkens; Harp: Corky Hale, Carol Robins; Trumpet: Chuck Findley; Trombone: Bob McChesney; Tenor Sax: Rickey Woodard are all on board and recorded. This project’s arrangers include, Mike Garson, Christian Jacob, Tamir Hendelman, John Chiodini, Steve Rawlins and Doug Walter. Lyn Stanley is the Executive Producer with Co-Producers Lyn Stanley, Mike Garson and John Chiodini. Recording Engineers: Al Schmitt & Steve Genewick. Assistant Engineers: Paul Taveneer & Spencer Guerra. Mixing Engineer: Al Schmitt. One-Step SuperSonic Vinyl Mastered by Bernie Grundman at Bernie Grundman Mastering. Pressed on Premium HQ-180 Vinyl at RTI. Recorded at The Village Recording Studio D in Los Angeles, California in February 2017. "Does the release of Lyn Stanley's latest album, her fifth since 2013, warrant a full page of coverage in this magazine? I think it does, as Stanley is one of us... She's meticulous in her technical execution but takes chances artistically, which is a recipe for enduring success." - Andrew Quint, The Absolute Sound, December 2017 "High End 2017: Lyn Stanley amazes with her lacquers! I spoke with Lyn Stanley before the show, she was gentle enough as to tip me about this event, she would be playing lacquers in the EAR Yoshino room with legendary designer Tim de Paravicini. The system consisted of EAR top of the line electronics paired with Rockport speakers and Tim’s turntable with a My Sonic Lab MC cartridge. Lyn and Tim went through the details, explaining how difficult and expensive is to produce a one step vinyl record, omitting several passages (mother copy and stampers) in the pressing chain, thus keeping the sound as close as possible to the master lacquer and the recording itself. Add that to a superb production with nothing but analog equipment used throughout the recording and mastering process and with nothing but the best musicians out there (with names such as Mike Garson and Rickey Woodard to name a few) and you have one hell of a record with Lyn singing classics like "My Funny Valentine" and "Crazy."" - Panagiotis Karavitis, Part-Time Audiophile "LYN STANLEY/Moonlight Sessions V.1: This classy lassie has been coming out of nowhere on the run since she...well, first started coming out of nowhere on the run. Upping her game with each successive release, here we find her firmly staking out her territory as the jazz diva of the times by surrounding herself with jazzbos who you would buy their own solo records, a song stack that is familiar but she gives a new swing to and a vocal style you will remember. This is a gal of the hour that will be much more than flavor of the month. Killer stuff throughout." - Chris Spector, midwestrecord.com, Read More! "AXPONA 2017: Lee’s Best of Show: Best Music. Three-way tie. 1. Intervention Records‘ new Flying Burrito Brothers LP. Shane Buettner and Kevin Gray simply don’t know how to do bad work. 2. Lyn Stanley‘s Moonlight Sessions: Volume One. Sounded so natural on the Ultra 11s. Of course, Bernie Grundman was involved on the mastering side and Lyn always has the best musicians and producers. 3. MA Recordings‘ Todd Garfinkle is now pressing LPs of his stellar recordings. Sera Una Noche and several other titles are available so far and we analog fans are richer for it." - Lee Scoggins, Part-Time Audiophile "Lyn, I have seen you evolve from a very good vocalist to now among the most outstanding. I have to select airplay based on the content, not how much I admire the singer. In this case, you are so outstanding that admiration for your efforts makes it easy to provide you to get top billing on the station. The choice of selections and the arrangements plus your singing are marvelous - For all future releases please send to my attention, and have someone verify the CD was sent to me. As one who has the honor of programming the world's No. One Jazz station, I am pleased that we have such great product to perform." - Saul Levine, KKjz, Mt. Wilson Broadcasting "Jazz singer Lyn Stanley, whose three albums are prized by audiophiles for their pristine sound, is determined to achieve an even higher level of resolution on her next project. Stanley plans to have a very limited number of vinyl copies of her upcoming “Moonlight Sessions” releases made using the “one-step process.” The manufacturing technique promises to put listeners closer to the sound heard in the studio... The singer is calling her version of one-step “SuperSonicVinyl.” Each album will be spread across two 180-gram, 45-rpm discs. “The sound quality is going to blow everyone away,” Stanley said." - John Stancavage, Part-Time Audiophile Read more! This one-step pressing process was used often during the early days of vinyl record manufacturing. But when mass vinyl production was needed, the manufacturers had to create more cost effective means to make vinyl copies. To make a vinyl record, you need a "Negative Source" to imprint the vinyl grooves. The industry standard today is a THREE-step lacquer process designed to create the largest number of records from one lacquer (they are expensive to create). To do this three steps are required–from the lacquer (positive source) STEP ONE: make a "Father" (a negative source), STEP TWO: create a Mother from the Father (positive source) and then STEP THREE: create "Stampers" (negative source) from the "Mother." This way the "Father" does not get used very often and is the most preserved “negative source.” However, the record you listen to is three steps removed from the original mastered lacquer and can grab hissing, or subtile glitches that affect the sound recording on your system. The ONE-Step method takes the “Father” from the original lacquer and that is what will create your vinyl record. Some “Fathers” only last for 100 pressings, others have gone to 1000. It depends on the processing and original lacquer quality. Once the Father is no longer able to make a great recording, it must be destroyed and no other albums can be created from that original lacquer. Lyn Stanley's SupersonicVinyl™ is a superior quality vinyl record utilizing advanced recording techniques captured with analog mixed and mastered quality tape-recorded and mastered by award-winning engineers in state-of the art studios. Then they hire One-Step experienced 'audiophile quality' pressing plants to create what is believed to be "simply the best recordings' available today. "Six years ago, Lyn Stanley was a retired marketing executive wondering if she could pass muster for her church choir. Today, she’s an internationally known jazz vocalist whose award-winning audiophile recordings feature A-list musicians, producers and engineers. While Stanley has carved a niche in the high-end world, her albums go far beyond clinical speaker-testing tools. They practically ooze a lush, emotional atmosphere that only happens on those rare occasions when great players are allowed to stretch out in a relaxed, inspired setting." "Stanley is now working on her next project, a two-album set she’s calling “The Moonlight Sessions.” Being the restless spirit she is, Stanley has carefully devised an ambitious plan to break some new musical ground. “I’m going to combine jazz standards with classical music,” she explained. “For instance, we’re going to do (Antonio Carlos) Jobim’s “How Insensitive” merged with Chopin’s “Prelude in E Minor.” It may be hard to wrap your head around that concept, but a demo I heard from rehearsals sounded sublime." - John Stancavage, Part-Time Audiophile Read more! Features: • Unique SupersonicVinyl™ One-Step process • Specially Autographed & Hand-Numbered by Lyn Stanley • Audiophile Limited Edition • 45rpm 180 Gram Double Vinyl • Special Limited Edition Pressing of Only 2000 Copies! • As with all Lyn Stanley albums, Mastered by Bernie Grundman • Gatefold Jacket • Pressed at RTI • Release date: September 15, 2017 ***********************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! (WITH ORIGINAL AUTOGRAPH !!)

Preis: EUR 299,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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A.T. MUSIC ATMLP 3107 A ----- AUDIOPHILE JAZZ-DOUBLE-LP/RECORD SET ----- WITH SPECIAL LIMITED NUMBER #0132 ----- MIT ORIGINAL AUTOGRAMM ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

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LYN STANLEY (MIT ORIGINAL AUTOGRAMM DER KÜNSTLERIN / LP IS SIGNED BY THE ARTIST) ----- LONDON CALLING -- A TOAST TO JULIE LONDON ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- PURE ANALOG 33RPM RECORDING 180GRAM VIRGIN VINYL IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD JACKET) ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER #0132 OF 500 ----- EDITION STRICTLY LIMITED TO 500 COPIES ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE ANALOGE ORIGINAL 33RPM-DOPPEL-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2017 BY A.T. RECORDS IN USA ----- MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2018 BY A.T. RECORDS IN USA (MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-ONE-STEP-PRESSING BY RTI IN USA / ..... DIESE ANALOGE JAZZ-DOPPEL-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER # 0132/500 ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )

Weitere Details: ********************************************************************************************** Lyn Stanley – London Calling: A Toast To Julie London Lyn Stanley - London Calling: A Toast To Julie London album cover ****************************************************************************************** Label: A.T.Music LLC – ATM 3107 Format: 2 x Vinyl, LP, Album, Limited Edition, Numbered, Signed Country: US Released: 2019 Genre: Jazz Style: Contemporary Jazz **************************************************************************************** A1 Goody Goody Written-By – Johnny Mercer, Matty Malneck 2:45 A2 Call Me Irresponsible Written-By – Sammy Cahn & Jimmy Van Heusen 3:35 A3 Bye Bye Blackbird Written-By – Mort Dixon, Ray Henderson 2:49 A4 I Heard It Through The Grapevine Written-By – Barrett Strong, Norman Whitfield 5:29 B1 How About Me? Written-By – Irving Berlin 2:55 B2 Cry Me A River Written-By – Arthur Hamilton 4:02 B3 I've Got A Crush On You Written By – George & Ira Gershwin 2:46 B4 Blue Moon Written By – Rodgers & Hart 3:15 B5 Light My Fire Written By – The Doors 3:33 C1 Sway Written By – Luis Demetrio, Norman Gimbel 5:09 C2 Go Slow / Nice Girls Don't Stay For Breakfast Written-By – Debbie Cronk, Russ Garcia* 2:52 C3 Summertime Written-By – DuBose Heyward, George Gershwin 5:03 C4 It's Impossible Written By – Armando Manzanero, Sid Wayne 3:52 D1 As Time Goes By Written-By – Herman Hupfield* 2:46 D2 You The Night And The Music Written-By – Schwartz & Dietz 2:21 D3 Ev'ry Time We Say Goodbye Written-By – Cole Porter 4:03 D4 Summertime (Piano / Vocal) Written-By – DuBose Heyward, George Gershwin 6:17 ******************************************************************************************** Copyright © – A.T.Music LLC Recorded At – United Recording Studios Mixed At – United Recording Studios Pressed By – Record Technology Incorporated Printed By – I Love Imprint ****************************************************************************************** Artwork By – Lyn Stanley Artwork By, Graphic Design – Amy Chen (3) Bass – Chuck Berghofer (tracks: A3 to B3, C3 to D1, D3), Michael Valerio* (tracks: A1 to A2, B1, B5 to C4, D2) Consultant [Album Title Consultant] – David Allen (32) Drums – Paul Kreibich (tracks: A1 to A2, B1, B4, C1 to C3, D2) Drums, Percussion – Aaron Serfaty (tracks: A1 to A2, A4 to B1, B3 to D2) Engineer [Recording] – Rouble Kapoor, Spencer Garcia, Steve Genewick Executive-Producer – A.T.Music LLC Guitar, Featuring [Featured Artist] – John Chiodini (tracks: A1 to A2, A4 to D3) Liner Notes – Lyn Stanley, Scott Yanow Mastered By – Bernie Grundman Mixed By – Allen Sides Other [Vocal Production] – Alex Vardin, Windy Wagner (tracks: B5, C1, C3) Percussion – Brad Dutz (tracks: A1 to A2, B1, B3 to B4, C1 to C3, D1 to D2), Luis Conte (tracks: C4) Photography By – Evelina Pentcheva Photography Piano – Christian Jacob (tracks: B3, D1), Mike Garson (tracks: A1 to A2, A4 to B1, B4 to C3, D2 to D4) Producer [Associate] – John Chiodini Tracking By, Engineer – Steve Genewick Vocals, Producer – Lyn Stanley *********************************************************************************************** Signed (by Lyn Stanley), Numbered, Limited Edition First Pressing - 500 Copies! 180g Vinyl Double LP! Engineered for high fidelity using analog mixing and mastering. Recorded and Mixed at United Recording, Studio A in Hollywood. ******************************************************************************************* Features: • 180g Vinyl • Double LP • Mastered by Bernie Grundman • Pressed at RTI • 20 page 11 x11 inch full color booklet • 24 point high quality paper gatefold jacket ********************************************************************************************** Lyn Stanley - Gesang John Chiodini - Gitarre Mike Garson and Christian Jacob - Klavier Chuck Berghofer and Mike Valerio - Bass Paul Kreibich and Aaron Serfaty - Schlagzeug Luis Conte, Aaron Serfaty and Brad Dutz - Perkussion Aufnahmen durch Steve Genewick, Rouble Kapoor and Spencer Guerra. Mastering durch Bernie Grundman. Auf ihrem sechsten Album, "London Calling", vollführt Jazz-Sängerin Lyn Stanley eine formvollendete Verneigung vor einem ihrer großen Vorbilder: Julie London. Songs, die Julie London unvergesslich gemacht hat, finden sich auf diesem hervorragend aufgenommenen Album. Lyn Stanleys samtweiche, dunkle Stimme wird eingerahmt von einer hervorragenden, frei swingenden kleinen Band, und die Chemie im Studio hat hörbar gestimmt. Lyn Stanley muss man mittlerweile in Audiophilenkreisen wirklich niemandem mehr vorstellen. Als die ehemalige Standard-Turniertänzerin im Jahr 2013 mit ihrem Debüt-Album „Lost In Romance“ das Parkett der Jazz-Szene betrat, war das noch anders. Doch schnell wurde klar, dass die Dame mit dem hauchigen Alt nicht nur eine Ausnahmestimme und eine - wie könnte es anders sein - tänzerische Musikalität ihr eigen nennt, sondern auch auf Klang-, Aufnahme- und Produktionsqualität mindestens genau so viel Wert legt wie ihre stetig wachsende Fangemeinde. Mit Julie London widmet Lyn Stanley ihr sechstes Album einer großen Pop-Jazz-Sängerin, mit der sie oft verglichen wird, und das nicht nur, weil London wie sie ursprünglich aus einer anderen Branche stammte, zwar nicht dem Tanz aber dem Schauspiel. Miss Stanley erzählt in den Liner Notes: „Julie hatte eine Vorliebe für eine entspannte, einfache Darbietung, sie war kein Fan des Scat-Gesangs, und sie gab dem Text eines Songs oft den Vorzug vor den Noten. Das gefällt mir.“ Die Songs auf dieser Scheibe sind sämtlich in Interpretationen von Julie London bekannt geworden, oder sind zumindest solche, die ihrem Stil mit Sicherheit gut zu Gesicht gestanden hätten. Doch dabei liegt es Lyn Stanley und ihrer Combo fern, einfach nur die Originale zu imitieren, und so findet sich hier manch ein Klassiker mit einer liebevoll gegen den Strich gebürsteten und nichtsdestoweniger eleganten und perfekt sitzenden neuen Frisur: „Bye Bye Blackbird“ etwa besticht mit einem filigranen Duett aus Gesang und Kontrabass (hervorragend: Chuck Berghofer, der übrigens auch für Julie London höchstselbst spielte), „Heard It Through The Grapevine“ überrascht mit düsterem Latin-Groove (hier glänzt besonders Pianist Mike Garson), „As Time Goes By“ klingt mit flirrendem Bossa-Nova-Feel fast wie aus der Feder von Antonio Jobim, und einige Überraschungen mehr kann man hier erleben. Die Arrangements entstanden spontan bei den Aufnahmen, und das gibt der Platte einen besonders lebendigen Touch. Der Aufnahmeprozess fand auf rein analogem Wege statt, genau wie Mix und Mastering aus den kundigen Händen von Bernie Grundman. Warmer Bass, glasklare Percussion, ein facettenreicher Klavierklang, und natürlich diese Stimme, diese herrliche Stimme. Im Ganzen: wieder ein Album, in dem man versinken möchte wie in einer warmen Badewanne voller Musik. Inklusive 20seitigem, farbigem Booklet. Handsigniert und limitiert und nummeriert auf 500 Stück. ************************************************************************************************* *** Gatefold Cover Auf ihrem sechsten Album, »London Calling«, vollführt Jazz-Sängerin Lyn Stanley eine formvollendete Verneigung vor einem ihrer großen Vorbilder: Julie London. Songs, die Julie London unvergesslich gemacht hat, finden sich auf diesem hervorragend aufgenommenen Album. Lyn Stanleys samtweiche, dunkle Stimme wird eingerahmt von einer hervorragenden, frei swingenden kleinen Band, und die Chemie im Studio hat hörbar gestimmt. Lyn Stanley muss man mittlerweile in Audiophilenkreisen wirklich niemandem mehr vorstellen. Als die ehemalige Standard-Turniertänzerin im Jahr 2013 mit ihrem Debüt-Album »Lost In Romance« das Parkett der Jazz-Szene betrat, war das noch anders. Doch schnell wurde klar, dass die Dame mit dem hauchigen Alt nicht nur eine Ausnahmestimme und eine - wie könnte es anders sein - tänzerische Musikalität ihr eigen nennt, sondern auch auf Klang-, Aufnahme- und Produktionsqualität mindestens genau so viel Wert legt wie ihre stetig wachsende Fangemeinde. Mit Julie London widmet Lyn Stanley ihr sechstes Album einer großen Pop-Jazz-Sängerin, mit der sie oft verglichen wird, und das nicht nur, weil London wie sie ursprünglich aus einer anderen Branche stammte, zwar nicht dem Tanz aber dem Schauspiel. Miss Stanley erzählt in den Liner Notes: »Julie hatte eine Vorliebe für eine entspannte, einfache Darbietung, sie war kein Fan des Scat-Gesangs, und sie gab dem Text eines Songs oft den Vorzug vor den Noten. Das gefällt mir.« Die Songs auf dieser Scheibe sind sämtlich in Interpretationen von Julie London bekannt geworden, oder sind zumindest solche, die ihrem Stil mit Sicherheit gut zu Gesicht gestanden hätten. Doch dabei liegt es Lyn Stanley und ihrer Combo fern, einfach nur die Originale zu imitieren, und so findet sich hier manch ein Klassiker mit einer liebevoll gegen den Strich gebürsteten und nichtsdestoweniger eleganten und perfekt sitzenden neuen Frisur: »Bye Bye Blackbird« etwa besticht mit einem filigranen Duett aus Gesang und Kontrabass (hervorragend: Chuck Berghofer, der übrigens auch für Julie London höchstselbst spielte), »Heard It Through The Grapevine« überrascht mit düsterem Latin-Groove (hier glänzt besonders Pianist Mike Garson), »As Time Goes By« klingt mit flirrendem Bossa-Nova-Feel fast wie aus der Feder von Antonio Jobim, und einige Überraschungen mehr kann man hier erleben. Die Arrangements entstanden spontan bei den Aufnahmen, und das gibt der Platte einen besonders lebendigen Touch. Der Aufnahmeprozess fand auf rein analogem Wege statt, genau wie Mix und Mastering aus den kundigen Händen von Bernie Grundman. Warmer Bass, glasklare Percussion, ein facettenreicher Klavierklang, und natürlich diese Stimme, diese herrliche Stimme. Im Ganzen: wieder ein Album, in dem man versinken möchte wie in einer warmen Badewanne voller Musik. Inklusive 20-seitigem, farbigem Booklet. Rezensionen »Mal keck, mal verrucht, aber immer mit dem Hauch Nonchalance des Vorbilds stellt sich Stanley den Herausforderungen, wobei eine erstklassige Band sie unterstützt. Wie üblich ist auch die Klangqualität vom Feinsten, was den Hörspaß komplett macht.« (Stereo, März 2019) ************************************************************************************************ ********************************************************************************************** Total album play time: 1 hour and 8 minutes. Music: This album has band created arrangements as it was done in the 1960s. Chuck Berghofer, playing bass on this album, played for Julie London's gigs in his early career. There is a bass/vocal duet in this album celebrating this connection. In keeping with London's preference for guitar/bass/vocal accompaniment, two songs are presented: Cry Me A River and Ev'ry Time We Say Goodbye. Featuredguitarist, John Chiodini, played seven years with Peggy Lee and is on the Natalie Cole's "Unforgetable" album. He has recorded with Lyn Stanley since her Interludes and Moonlight Sessions albums, and is the Associate Producer of this album. *********************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!(-- MIT ORIGINAL AUTOGRAMM)

Preis: EUR 299,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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A.T. MUSIC LLC 3101 (76121) ----- AUDIOPHILE 45RPM-JAZZ-DOUBLE-LP/RECORD SET ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)

LYN STANLEY ----- LOST IN ROMANCE (BEST ALBUM 2013) ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- PURE ANALOG 45RPM RECORDING 180GRAM VIRGIN VINYL IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD JACKET) ----- LIMITED EDITION ----- EDITION STRICTLY LIMITED TO 2000 COPIES ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE ANALOGE ORIGINAL 45RPM-DOPPEL-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2013 BY A.T. RECORDS IN USA ----- MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2013 BY A.T. RECORDS IN USA (MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-PRESSING BY RTI IN USA / ..... DIESE ANALOGE JAZZ-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... ) ----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! -----

Weitere Details: ********************************************************************************************* Lyn Stanley – Lost In Romance Lyn Stanley - Lost In Romance album cover ******************************************************************************************* More images Label: A.T.Music LLC – 3101 Format: 2 x Vinyl, LP, 45 RPM, Album, 180 Gram Country: US Released: Aug 13, 2013 Genre: Jazz Style: Contemporary Jazz ******************************************************************************************* A1 Change Partners 4:45 A2 Watch What Happens 4:00 A3 Fever 4:08 A4 That Old Black Magic 4:00 B1 The Nearness Of You 5:18 B2 You Go To My Head 5:00 B3 I Just Wanna Make Love To You 3:48 C1 My Foolish Heart 4:26 C2 What Am I Gonna Do With A Bad Boy Like You? 3:36 C3 Losing My Mind 4:47 C4 One For My Baby 4:07 D1 Sugar On The Floor 4:29 D2 Too Close For Comfort 2:40 D3 Something 3:54 D4 The Last Dance 3:09 *********************************************************************************************** Pressed By – Pallas Mastered At – Bernie Grundman Mastering Recorded At – Conway Studios Mixed At – Capitol Studios Copyright © – A.T.Music, LLC Copyright © – Lyn Stanley First 500 copies autographed and sequentially numbered. Some autographed copies are not numbered. ********************************************************************************************* Lost In Romance ist ein einzigartiges Album, auf dem die Stimme von Lyn Stanley von 13 der besten Jazz-Musikern Los Angeles‘ in verschiedenen Triobesetzungen und Solisten begleitet wird. Das Album entfaltet seine Wirkung am besten, wenn die Titel in chronologischer Reihenfolge gehört werden und beinhaltet Melodien aus dem traditionellen `Great American Songbook´ mit Blues und Broadway-Klassikern. Im folgenden 2 der vielen positiven Kritikermeinungen: “However you hear it, Ms. Stanley and the album are welcome throwbacks to the era of high concept album-making and gutsy, on-mic performance purity. … she’s 100 percent in her element to navigate a perfect landing on this impressive in every way debut. … You will not hear a more naturally recorded female voice than you’ll hear on the record. … Lost In Romance is one album where the outstanding sound is matched by the music making.” Music = 9/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com. To read Fremer’s full review, click here: http://www.analogplanet.com/content/lyn-stanley-serves-standards-sang-superbly “That’s just plain ‘Wow, Wow, Wow.’ How brave you are to undertake these tunes. … We get a lot of first-time albums with new artists, some of them pretty promising, but once in a blue moon you get the perfect package. Great singer, great arrangements, great tunes — and that’s what it is with Lyn Stanley and her debut LP, Lost in Romance.” — Gregg Hunter, Niteside ******************************************************************************************* Lyn Stanley: Lost In Romance A hardened cynic might presume that the song royalty beneficiaries of the estates of Irving Berlin, Johnny Mercer, Harold Arlen, George and Ira Gershwin and other song giants would mercenarily welcome yet another Great American Songbook-rich recording by a female vocalist. However, when those warhorse ("wornhorse?") compositions—and a few shrewdly selected other ones—are sent up tails-and-gowns stylish as they are in this auspicious debut recording, our cynical friend would be somewhat inaccurate in that presumption. With Lost in Romance, Lyn Stanley establishes herself as a fine interpreter of lyric gold and platinum melody. A champion ballroom dancer, Stanley has an inviting alto voice, great rhythmic nuance, and an obvious respect for the vaunted material she covers. And, as any great dancer or singer would, her rhythmic and melodic vocal movements are expressed with an obvious ease of delivery and flair. The "romantically lost" Stanley, who's quite present in a musical sense, performs 15 selections delivered straightforwardly in both form and interpretation. In addition to Songbook standards ("The Nearness of You," "You Go to My Head"), Stanley adds Broadway and pop selections (Stephen Sondheim's "Losing My Mind" and George Harrison's "Something"), as well as stretching her soul wings ("I Just Want to Make Love to You," "What Am I Gonna Do With A Bad Boy Like You?"). On those selections, she demonstrates that she can belt as well as caress. The world-class rhythm sections and supporting guest soloists are formidable in keeping things elegant, classy and stylish throughout. ADVERTISEMENT As fine a production as this is, Stanley exhibits a very slight—but noticeable—sense of caution in a rare spot or two. That's understandable, perhaps, given the nature of the material, the talent that surrounds her and the fact that this is recording Number One. That notwithstanding, while the gorgeous cover shot depicts Stanley gazing off into the night looking somewhat forlorn and lost, Lost in Romance is an admirable and enjoyable effort where a very talented singer can indeed be found. Track Listing: Change Partners; Watch What Happens; Fever; That Old Black Magic; Nearness of You; You Go to My Head; I Just Wanna Make Love to You; My Foolish Heart; What Am I Gonna Do With A Bad Boy Like You?; Losing My Mind; One For My Baby; Sugar On The Floor; Too Close for Comfort; Something; The Last Dance. Personnel: Lyn Stanley: vocals; Tamir Hendelman: piano (1, 2, 4, 5, 8, 15); Mike Lang: piano (3, 6, 9-11); Llew Matthews: piano (7, 13, 14); Trey Henry: bass (1, 2, 4, 5, 8, 15); Jim DeJulio: bass (3, 6, 9-11); Kevin Axt: bass (7, 13, 14); Jeff Hamilton: drums (1-3, 6, 9, 15); Bernie Dresel: drums (4, 5, 8, 10-12); Paul Kreibich: drums (7, 13, 14); Gilbert Castellanos: flugelhorn (1), trumpet (15); Bob Sheppard: tenor saxophone (4, 5); Thom Rotella: guitar (10-14); Bob McChesney: trombone (6, 9). Title: Lost In Romance | Year Released: 2013 | Record Label: Self Produced ************************************************************************************************ Lost in Romance Album Info 180 gram vinyl album 45 RPM Available in CD Format Available in Digital Download .mp3 Lost in Romance Album Cover Release Date: August 13, 2013 Producer: Steve Rawlins Executive Producer: Lyn Stanley Recorded at Conway Studios, Ocean Way Studios, Studio City Sound and LAfx Sudios – Los Angeles, CA All vocals by Lyn Stanley Recording Engineer: Tommy Vicari Pro Tools Engineer: Spencer Guerra Mixed by Al Schmitt at Capitol Records Studio – Los Angeles, CA Assistant Mixing Engineer: Steve Genewick Mastered by Bernie Grundman, Bernie Grundman Mastering Photography: Anthony Mongiello, Tony Eng, Carl Palicke Cover Design: Kathleen Mecham CD Pressing: Groovehouse, Los Angeles, CA LP Pressing: Pallas, Germany (180gram) Special Thanks: Paul Smith, Annette Warren Smith, Marge Rivingston, Alex Vardin, Tom Weir, Paula Salvatore, Brent Thomas Mills, and Walter Lyon Bloom Tamir Hendelman – Courtsey of Resonance Records A.T.Music LLC-Lyn Stanley ********************************************************************************************** Album Notes Audiophile guru from Analog Planet and Senior Writer for Stereophile magazine, Michael Fremer, says this about Lost In Romance, "..I don’t care what’s in your record collection, this one will head near or to the top as among the best sounding in your collection. Lost In Romance is one album where the outstanding sound is matched by the music making. This critically acclaimed LP, gaining international radio airplay, brings the Songstress back to jazz. Lyn Stanley captures the old Hollywood glamour with her beautiful sultry voice and exciting arrangements set to the great American Songbook--these elements were honored by the jazz affection a dos of the 40's and 50's. This album has been awarded top scores by audiophile critics including Michael Fremer's 11/11 for sonics, HiFi News UK Album of Choice for May 2014, AudioArt Album of the Month August 2014 issue and Encore's Best of 2013 albums by Don Grigware. Stanley steps it up a notch with her background as a ballroom dancer with rhythms and tempos that will have your fingers tapping and feet moving. Lost in Romance is a unique album that combines 13 of Los Angeles’ best jazz musicians performing in four different trios along with soloists. The album is organized as a tale of love’s ins-and-outs, joys and disappointments—in a sequence that is best appreciated when heard in order. The songs include traditional Great American songbook tunes, but also step into blues and Broadway show songs—including Stephen Sondheim’s Losing My Mind and Willie Dixon’s “I Just Want To Make Love To You.” Tamir Hendelman, Llew Matthews, Steve Rawlins, plus Jim DeJulio and Lyn (on two songs) wrote the album’s arrangements. Musicians on the album include: (piano) Tamir Hendelman, Mike Lang, Llew Matthews; (bass) Trey Henry, Kevin Axt, Jim DeJulio; (drums) Jeff Hamilton, Bernie Dresel, Paul Kreibich. Soloists include: Gilbert Castellanos (trumpet/flugel horn), Bob Sheppard (tenor sax), Bob McChesney (trombone) and Thom Rotella (guitar). Radio Gurus have this to say about the album: "STANLEY MATTERS Speaking of music, here comes Lyn Stanley, a blond right out of an old movie with Humphrey Bogart. She’s a dancer, too. And this new LP is fantastic. Great musicians behind a beautiful voice with such songs as “Fever,” “That Old Black Magic,” and “Change Partners.” You’re going to love every tune on “Lost In Romance.” Promoted by legendary Don Graham. Need I say more? Every song on this album would fit on any adult contemporary and jazz radio station in the world! Loved the crispness of the sound, the distinct quality of the voice, the phrasing bringing some excitement to the words. Madame Lyn, you’re great! You put something into a song."—Claude Hall, The Dean of Radio Writers and author of Billboard’s famous Vox-Jox. "I have been noting all the fuss about Lyn Stanley. So I decided to carefully review her Album "Lost In Romance.” Now I am a booster. I hate to date myself but I have been programming Jazz for eons. And I am impressed. A couple of the tracks we have already by Sinatra. But I am adding Stanley's anyway, and Frank better watch out. And, I am pleased to report that very soon I am bringing cool Jazz Radio back to Monterey, and Stanley's songs will be on it. (Last week, we brought Classical Radio back to Monterey after it had been dropped by another station). I think Stanley could even do an album on Puccini and it would be great." Regards, “To have a chance to play you is a privilege that I want to share with my audience. Thank you for bringing the Songstress back to jazz. Your voice brings life to lyrics that defined the American Songbook. Your natural class, grace and tonality will bring much joy to jazz radio. You are one of a kind and We Love You Madly. Why? Because the song comes back to life through your voice.” --Los Angeles Jazz celebrity DJ Bubba Jackson I love the great sounds of Lyn Stanley. I really enjoy her “Lost In Romance LP.” All the songs are FANTASTIC!!—GARY OWENS, LEGENDARY TV AND RADIO HOST ************************************************************************************

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LYN STANLEY (LP/RECORD IS SIGNED BY THE ARTIST) ----- POTIONS (FROM THE 50´S) ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- PURE ANALOG 45RPM RECORDING 180GRAM VIRGIN VINYL IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD JACKET) ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER #0807 ----- EDITION STRICTLY LIMITED TO 2000 COPIES ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE ANALOGE ORIGINAL 45RPM-DOPPEL-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2014 BY A.T. RECORDS IN USA ----- MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2014 BY A.T. RECORDS IN USA (MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-ONE-STEP-PRESSING BY RTI IN USA / ..... DIESE ANALOGE JAZZ-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER # 0807/2000 ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )

Weitere Details: ************************************************************************************************* Lyn Stanley – Potions (From The 50's) Lyn Stanley - Potions (From The 50's) album cover ******************************************************************************************** Label: A.T.Music LLC – 3103 Format: 2 x Vinyl, LP, 45 RPM, Album, 180 gram Country: US Released: 2014 Genre: Jazz Style: Contemporary Jazz *********************************************************************************************** A1 Lullaby Of Birdland 2:56 A2 Cry Me A River 4:02 A3 Fly Me To The Moon 3:41 A4 Hey There 3:30 B1 I'm Walkin' 2:36 B2 You Don't Know Me 4:36 B3 In The Still Of The Night 4:28 C1 The Thrill Is Gone 4:41 C2 A Summer Place 3:33 C3 Love Potion #9 3:28 C4 Teach Me Tonight 3:53 D1 After The Lights Go Down Low 3:22 D2 Misty 5:24 D3 The Party's Over 2:48 D4 Bonus Track: The Man I Love 5:58 ********************************************************************************************** Pressed By – Record Technology Incorporated Mastered At – Bernie Grundman Mastering Mastered By – Bernie Grundman Mixed By – Al Schmitt Recorded By – Al Schmitt ************************************************************************************************ 12 tracks recorded and mixed on analog tape, pure analog from start to finish. 2 tracks recorded PCM/Protools (192/32) and then mixed and mastered through analog tape. 1 track is a hybrid, some of the musician tracks were recorded in analog and others in PCM/Protools (192/32) and then the track was mixed and mastered on analog tape. Gatefold jacket. First 1000 copies autographed and sequentially numbered ************************************************************************************************* Mit ihrem Debüt-Album „Lost In Romance“ eroberte Sängerin Lyn Stanley 2013 die Herzen der Audiophilen-Gemeinde wie auch der Jazzfans weltweit im Sturm. Die Unterstützung, die ihr seither speziell von Seiten der Vinyl-Liebhaber zuteil wurde, inspirierte sie dazu, ihr zweites Album, „Potions From The 50s“, mit ein paar besonderen audiophilen Leckerbissen auszustatten: Die gelungene Sammlung aus Jazz- und Pop-Standards der 50er Jahre erscheint auf 2 LPs mit 45 rpm, und für besonders Interessierte gibt es ein kleines Ratespiel: die meisten Songs hier wurden rein analog aufgenommen, einige aber wurden digital aufgenommen und analog gemischt und gemastert. Wer sich also schon mal gefragt hat, ob man da einen signifikanten Unterschied hört, der kann ja versuchen, herauszufinden, welche die digital aufgenommenen Songs sind (Die Lösung steht innen im Klappcover). So oder so: nicht nur klanglich, sondern auch musikalisch ist „Potions“ der reine Genuss: mal smooth und gelassen, mal tänzerisch beschwingt, und oft mit einem spannenden neuen Arrangement versehen, so werden einem hier Perlen von „Fly Me To The Moon“ bis „Im Walking“ präsentiert, von einer Sängerin, die eine echte Ausnahmestimme ihr eigen nennen darf. Umwerfend! Mastering durch Bernie Grundman. Rein analoges Mixing und rein analoger Schnitt. Gepresst bei RTI in den USA. ************************************************************************************************* Lyn Stanley hat sich in kürzester Zeit einen Namen in der audiophilen Szene gemacht. Die Profi-Tänzerin bedient nämlich eine ausgesuchte Nische und das sind Musikhörer mit Hang zu Klassikern und hervorragend klingenden Anlagen. Natürlich erscheint auch Lost in Romance in absolut grandiosem Klang und der amerikanische Analog-Guru Michael Fremer ließ sich sogar zur Aussage hinreißen, dies sei ein klangliches Highlight selbst in seiner fünfstelligen Plattensammlung. Wer Lyn Stanley nicht mag, der wird das Album allein wegen der hervorragenden Studio-Musiker erwerben müssen. Jeff Hamilton am Schlagzeug, Thom Rotella an der Gitarre und Bob Sheppard am Saxophon. Für das Mastering zeigte sich dann Altmeister Bernie Grundman verantwortlich. Die 180g-Doppel-Vinyl-LP erscheint mit 45 rpm im Klappcover. ************************************************************************************************* *** Gatefold Cover Im August 2013 rüttelte eine Amerikanerin namens Lyn Stanley die audiophile Gemeinschaft auf. Ihr Debütalbum Lost In Romance erhielt Auszeichnung über Auszeichnung und wurde vom Analog-Guru Michael Fremer, der Stanley als ›Chanteuse Extraordinaire‹ bezeichnet, zum Muss für jede audiophile Musiksammlung erklärt. Entdeckt wurde die Jazzsängerin, die vor ihrem ersten Album als Profi-Turniertänzerin auf dem Parkett stand, von Jazzlegende Paul Smith, der als Pianist und Dirigent Ella Fitzgerald begleitete. Stanley punktet mit einer wundervollen Stimme, die auch in tiefen Passagen voll klingt und mit einer Phrasierung, die ihre Musik zu einem persönlichen, intensiven Erlebnis macht. Für ihr zweites Album Potions (From The 50’s) traf die Sängerin eine Auswahl von Jazz-, Pop-, Blues-, Country- und R&B-Klassikern der titelgebenden 1950er Jahre. Maßgeblich war dabei weniger Konzept als Emotionen: »Die Auswahl war zu groß, daher beschloss ich, mich von meinem Herzen leiten zu lassen«. Der renommierte Jazz-Pianist und -Komponist Kenny Werner übernahm die Produktion für Potions (From the 50’s). Als Toningenieur für die Aufnahme wurde Al Schmitt engagiert, das Mastering übernahm Bernie Grundman. Mit diesem Team im Hintergrund ging Stanley in die legendären Capitol Recording Studios in Hollywood und sang in das gleiche Mikrofon – ein Neumann U47 – wie schon Nat King Cole und Frank Sinatra es benutzten. Zwölf der Titel wurden ausschließlich auf analogen Bändern aufgenommen, abgemischt und gemastert. Zwei Titel wurden mit PCM/ProTools aufgenommen, aber von Analogbändern abgemischt und gemastert. Nur Love Potion No. 9 ist ein Hybrid aus analogen und ProTools-Spuren. Musiker: Kenny Werner, Bill Cunliffe, Mike Lang - Klavier / Orgel Johannes Weidermüller und Mike Valerio - Bass Joe La Barbera, Ari Hoenig, John Robinson - Schlagzeug Solokünstler: Glen Drewes (Trompete / Flügelhorn), Thom Rotella (Gitarre), Rickey Woodard (Tenor-Saxophon), Tom Rainer (Klarinette) und Luis Conte (Perkussion) Product Information All tracks for this double LP 45rpm album were mixed and mastered in analog tape. Two of the 15 tracks are original ProTools recordings, one tracks is an analog / ProTools hybrid, and the other 12 tracks are pure analog tape. The musicians are stellar and the music is jazz reinvented in some Pop tunes of the '50s along with wonderful arrangements of jazz standard composed in the same decade – including »Cry Me A River«.– Known for her lush low notes, beautiful intonation, rich interpretations and phrasing, Lyn has been described by Scott Yanow as a »superior singer« and Don Heckman stated she »..is a potentially significant new [jazz] talent.« Rezensionen »Lyn Stanley benutzte dasselbe Neumann-47-Mikro, in das Frank Sinatra und Nat King Cole auch schon gesungen hatten. Zum audiophilen Coup werden die ›Zaubertränke aus den 1950ern‹ aber durch jene Feinnervigkeit, mit der ihre Musiker sie legendären Capitol Studio in L. A. begleiten.« (Audio, Januar 2015) ************************************************************************************************** Strictly limited to 1,000 copies! Lyn Stanley returns with classic song hits of the 1950s — captivating and imaginative Produced by renowned jazz pianist/composer Kenny Werner Recorded and mixed by Al Schmitt; mastered by Bernie Grundman All songs mixed and mastered on analog tape 180-gram 45 RPM gatefold double LP pressed by RTI Lynn Stanley's Interludes and Potions: From The '50s included in AllAboutJazz.com's Best Releases of 2015! "On Potions, Stanley assembles 15 pieces prominent in the 1950s. They are not all jazz standards or showtunes, though both are in evidence. Stanley's artistic care and attention to detail expresses itself from the start ... On Potions, Stanley perfects the thematic ring of her collection, adding one more bit of the past, analog recording. Music this warm should be bonded like fine brandy heated by the smoke of a Monte Cristo." — C. Michael Bailey, AllAboutJazz.com "Potions takes Lyn Stanley higher — Lost In Romance successfully achieved its objectives, presenting Lyn Stanley to a well-targeted international audiophile audience appreciative of both good material well-sung and the highest caliber sonics. The album was musical and sonic comfort food for an audience hungry for it. ... For her all-important follow-up Ms. Stanley doesn't stray all that far from her original game plan though the album's concept is in far better focus. Potions collects fourteen songs, mostly from the non-rock side of the 1950s (plus one LP bonus track from a different decade dedicated to her mentor Paul T. Smith who passed away in June of 2013). ... She glides and soars with an ease and control only occasionally heard on the debut, taking unexpected turns and abrupt volume shifts. She lingers longer and moves from phrase to phrase more gracefully and with greater rhythmic and intonation agility. ...the production and sound (are) even better here, again engineered and mixed by the great Al Schmitt. ... I guarantee you that Potions is among the best sounding new records (or SACDs) you are likely to hear this year or next, or the year after that." — Music = 9/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. Read the whole review. "On Potions, Stanley perfects the thematic ring of her collection, adding one more bit of the past, analog recording. Music this warm should be bonded like fine brandy heated by the smoke of a Monte Cristo." — 5 Stars. C. Michael Bailey, All About Jazz. Read the whole review. "Sure, she swings and almost belts it out in a few places, but the intelligence, restraint, and endless subtle inflections of her interpretations are what shine through everything." — Mark S. Tucker, acousticmusic.com. See the whole review. "The sound is simply stunning. Let me say that one more time in case you didn't hear me the first time; this is one good sounding LP! I love "Lullaby of Birdland." You can hear every nuance of her vocals and the instruments. Superb phrasing. I enjoyed every song on these two LPs." — Jack Roberts, dagogo.com, Nov. 2014 "Special recognition for the success of this album go to her arrangers, Steve Rawlins, Tamir Hendelman, Bill Cunliffe, and Mike Lang, who have taken these songs that are well known by anyone with even a passing knowledge of Jazz standards, songs sung by artists who have burned the memory of their version into the collective consciousness, and with their inventive efforts, have given them all a fresh spin that, along with Ms. Stanley's sweet and slightly smokey voice, have unearthed new delights, whether it be a tender lyric, or a new intent to the song not noticed before." — Jonathan Shade, cabaretexchange.com. See the whole review. "With her second album, Lyn Stanley has shown the Jazz scene that she is here to stay for quite a long time. Potions — From The 50's is a highly enjoyable collection of songs, all taken from the decade that introduced us to such disparate items as "I Love Lucy", the TV dinner, Holden Caulfield, and the Hula Hoop; where Eisenhower was President, and a change in the air was ever-looming near the end of last "innocent" decade of the 20th century." — NiteLife Exchange. See the whole review. "In my review of Lyn Stanley's first album, Lost in Romance, I said 'The 1940s style picture of a forlorn lady sitting on a piano, the title Lost In Romance, and the beautiful full toned music of this album never in a million years says, new artist. I had never heard of her but her website says she was discovered in 2010 by world class jazz pianist Paul Smith. Well since then I have had the privilege to meet this delightful lady and to hear her sing live. Having heard some of the songs on her new LP at audio shows played from the original lacquers it was with some excitement that I awaited to hear the LPs on my own system. Let me say in no way was I disappointed. I truly loved her selection of songs." — Jack Roberts, dagogo.com. Read the whole review. Breaking News! Lyn Stanley selected as one of 40 semi-finalists in the 2014 Sarah Vaughan International Jazz Vocal Competition. Chosen from a worldwide field of 500 female vocalists! Jazz singing phenomenon Lyn Stanley returns with a follow-up to her smash audiophile triumph Lost In Romance — a brilliant new collection of classics of the 1950s titled Potions. Potions draws from a broad palette of jazz, popular hits, blues, country, R&B and doo-wop (and one very special Gershiwn classic "The Man I Love" in a bonus track). "There were so many changes in jazz and pop tunes, while the introduction of rock 'n' roll happened in the 1950s," Stanley says. "As I began my journey of deciding which songs to include on this album, it was clear that the choices were way too many so I decided to let my heart guide me. It was a feeling thing." Stanley says many of these songs need hearts with "'worn tires' to get to where I think the composers intended. I also wanted to celebrate the 'Retro Jazz' effort of the era where swing was again 'hip.'" Stanley, a unique sultry jazz vocalist from the Los Angeles area, became an instant international success with her debut standards album, Lost In Romance, released Aug. 27, 2013, selling 7,000 copies worldwide to date. The album received several accolades in the hi fi world of audiophiles including Album of Choice, Best of 2013 Albums, No. 6/100 Top Vinyl Albums the highest rated by Chinese reviewer, Jack Lui in his 2014 book, "All About Vinyl" and awarded Top Rated Album by AnalogPlanet.com — "a must-have album for any audiophile collector" by renown international critic, Michael Fremer, who calls Stanley the "Chanteuse Extraordinaire." Stanley in October 2014 was named one of 40 semifinalists in the 2014 Sarah Vaughan International Jazz Vocal Competition. There were more than 500 female vocalists who entered from around the world. The award honors the "divine" jazz icon, who herself was the winner of an amateur singing contest at the legendary Apollo Theater when she was a teenager. To honor Vaughan's legacy the New Jersey Performing Arts Center holds a worldwide talent search culminating with an exciting concert in the Victoria Theater. Also a former USA amateur ballroom dance Pro/Am champion, Stanley's unique voice has been described as "beautiful," "rich in low tones," with "phrasing and storytelling that makes her music very personal." Her dancing background adds a special feel that few artists can deliver. L.A. jazz radio personality Bubba Jackson describes her as "the real deal — she has brought the songstress back to jazz!" Stanley was discovered by world-class jazz legend, pianist Paul Smith, best known as Ella Fitzgerald's accompanist/conductor. For Potions, Stanley decided to take the ultimate leap into analog recording by tackling a new album with a 1950s theme — an era when analog was king — and securing a world-class team to record and manufacture the album. Stanley hired renowned jazz pianist/composer and producer Kenny Werner to produce Potions. Werner, Bill Cunliffe, Mike Lang, Steve Rawlins, Tamir Hendelman and Lyn herself were arrangers for the project, defining the album concept and song selections. Al Schmitt was the recording and mixing engineer; the album was mastered by Bernie Grundman. The recording venues included Hollywood's legendary Capitol Recording Studios (Studio A — musician tracking and some vocals, Studio B — percussion and some vocals), and Avatar Recording Studio C in New York, where Stanley recorded with Werner and his musician trio. The vocalist microphone used in Los Angeles and NYC tracking for vocals was a Neumann U47, and the vocals recorded at Capitol were with the same Neumann U47 used by Nat King Cole and Frank Sinatra. The album contains 15 tracks, 12 of which are pure analog tape original recordings from start to finish, through the musicians/vocals, mixing and mastering. Two tracks — "In The Still Of The Night" and "The Party's Over" — were recorded in PCM/ProTools (192/32) but the mixing and mastering were done on analog tape. One of the tracks — "Love Potion No. 9" is a hybrid — some of the musician tracks were recorded in analog and others in ProTools (192/32). Record Technology Incorporated (RTI) began the plating process of the initial mastered lacquers within two hours of their completion by Bernie Grundman. New stampers were used for every 300 albums pressed. The initial pressing for the 180-gram 45 RPM double album called for 1,500 units — 1,000 numbered and 500 non-numbered. The album will also be produced as a Hybrid SACD by Sony's DADC plant in Austria. All of the technological resources at hand cannot produce great music without great artistry — a quality in abundance on this remarkable recording. Remarkable musicianship, brilliant arrangements and inspired concepts for every song, coupled with Stanley's radiant vocal artistry, make her second album simply mesmerizing. Musicians: Kenny Werner, Bill Cunliffe, Mike Lang, piano/organ Johannes Weidermeuller and Mike Valerio, bass Joe La Barbera, Ari Hoenig, John Robinson, drums Soloists: Glen Drewes (trumpet/flugelhorn), Thom Rotella (guitar), Rickey Woodard (tenor saxophone), Tom Rainer (clarinet) and Luis Conte (percussion) **************************************************************************************************

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A.T. MUSIC LLC 3103 (53426) ----- AUDIOPHILE 45RPM-JAZZ-DOUBLE-LP/RECORD SET ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)

LYN STANLEY (LP/RECORD IS SIGNED BY THE ARTIST) ----- POTIONS (FROM THE 50´S) ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- PURE ANALOG 45RPM RECORDING 180GRAM VIRGIN VINYL IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD JACKET) ----- LIMITED EDITION ----- EDITION STRICTLY LIMITED TO 2000 COPIES ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE ANALOGE ORIGINAL 45RPM-DOPPEL-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2013 BY A.T. RECORDS IN USA ----- MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2013 BY A.T. RECORDS IN USA (MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-PRESSING BY RTI IN USA / ..... DIESE ANALOGE JAZZ-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )

Weitere Details: ************************************************************************************************* Lyn Stanley – Potions (From The 50's) Lyn Stanley - Potions (From The 50's) album cover ******************************************************************************************** Label: A.T.Music LLC – 3103 Format: 2 x Vinyl, LP, 45 RPM, Album, 180 gram Country: US Released: 2014 Genre: Jazz Style: Contemporary Jazz *********************************************************************************************** A1 Lullaby Of Birdland 2:56 A2 Cry Me A River 4:02 A3 Fly Me To The Moon 3:41 A4 Hey There 3:30 B1 I'm Walkin' 2:36 B2 You Don't Know Me 4:36 B3 In The Still Of The Night 4:28 C1 The Thrill Is Gone 4:41 C2 A Summer Place 3:33 C3 Love Potion #9 3:28 C4 Teach Me Tonight 3:53 D1 After The Lights Go Down Low 3:22 D2 Misty 5:24 D3 The Party's Over 2:48 D4 Bonus Track: The Man I Love 5:58 ********************************************************************************************** Pressed By – Record Technology Incorporated Mastered At – Bernie Grundman Mastering Mastered By – Bernie Grundman Mixed By – Al Schmitt Recorded By – Al Schmitt ************************************************************************************************ 12 tracks recorded and mixed on analog tape, pure analog from start to finish. 2 tracks recorded PCM/Protools (192/32) and then mixed and mastered through analog tape. 1 track is a hybrid, some of the musician tracks were recorded in analog and others in PCM/Protools (192/32) and then the track was mixed and mastered on analog tape. Gatefold jacket. First 1000 copies autographed and sequentially numbered ************************************************************************************************* Mit ihrem Debüt-Album „Lost In Romance“ eroberte Sängerin Lyn Stanley 2013 die Herzen der Audiophilen-Gemeinde wie auch der Jazzfans weltweit im Sturm. Die Unterstützung, die ihr seither speziell von Seiten der Vinyl-Liebhaber zuteil wurde, inspirierte sie dazu, ihr zweites Album, „Potions From The 50s“, mit ein paar besonderen audiophilen Leckerbissen auszustatten: Die gelungene Sammlung aus Jazz- und Pop-Standards der 50er Jahre erscheint auf 2 LPs mit 45 rpm, und für besonders Interessierte gibt es ein kleines Ratespiel: die meisten Songs hier wurden rein analog aufgenommen, einige aber wurden digital aufgenommen und analog gemischt und gemastert. Wer sich also schon mal gefragt hat, ob man da einen signifikanten Unterschied hört, der kann ja versuchen, herauszufinden, welche die digital aufgenommenen Songs sind (Die Lösung steht innen im Klappcover). So oder so: nicht nur klanglich, sondern auch musikalisch ist „Potions“ der reine Genuss: mal smooth und gelassen, mal tänzerisch beschwingt, und oft mit einem spannenden neuen Arrangement versehen, so werden einem hier Perlen von „Fly Me To The Moon“ bis „Im Walking“ präsentiert, von einer Sängerin, die eine echte Ausnahmestimme ihr eigen nennen darf. Umwerfend! Mastering durch Bernie Grundman. Rein analoges Mixing und rein analoger Schnitt. Gepresst bei RTI in den USA. ************************************************************************************************* Lyn Stanley hat sich in kürzester Zeit einen Namen in der audiophilen Szene gemacht. Die Profi-Tänzerin bedient nämlich eine ausgesuchte Nische und das sind Musikhörer mit Hang zu Klassikern und hervorragend klingenden Anlagen. Natürlich erscheint auch Lost in Romance in absolut grandiosem Klang und der amerikanische Analog-Guru Michael Fremer ließ sich sogar zur Aussage hinreißen, dies sei ein klangliches Highlight selbst in seiner fünfstelligen Plattensammlung. Wer Lyn Stanley nicht mag, der wird das Album allein wegen der hervorragenden Studio-Musiker erwerben müssen. Jeff Hamilton am Schlagzeug, Thom Rotella an der Gitarre und Bob Sheppard am Saxophon. Für das Mastering zeigte sich dann Altmeister Bernie Grundman verantwortlich. Die 180g-Doppel-Vinyl-LP erscheint mit 45 rpm im Klappcover. ************************************************************************************************* *** Gatefold Cover Im August 2013 rüttelte eine Amerikanerin namens Lyn Stanley die audiophile Gemeinschaft auf. Ihr Debütalbum Lost In Romance erhielt Auszeichnung über Auszeichnung und wurde vom Analog-Guru Michael Fremer, der Stanley als ›Chanteuse Extraordinaire‹ bezeichnet, zum Muss für jede audiophile Musiksammlung erklärt. Entdeckt wurde die Jazzsängerin, die vor ihrem ersten Album als Profi-Turniertänzerin auf dem Parkett stand, von Jazzlegende Paul Smith, der als Pianist und Dirigent Ella Fitzgerald begleitete. Stanley punktet mit einer wundervollen Stimme, die auch in tiefen Passagen voll klingt und mit einer Phrasierung, die ihre Musik zu einem persönlichen, intensiven Erlebnis macht. Für ihr zweites Album Potions (From The 50’s) traf die Sängerin eine Auswahl von Jazz-, Pop-, Blues-, Country- und R&B-Klassikern der titelgebenden 1950er Jahre. Maßgeblich war dabei weniger Konzept als Emotionen: »Die Auswahl war zu groß, daher beschloss ich, mich von meinem Herzen leiten zu lassen«. Der renommierte Jazz-Pianist und -Komponist Kenny Werner übernahm die Produktion für Potions (From the 50’s). Als Toningenieur für die Aufnahme wurde Al Schmitt engagiert, das Mastering übernahm Bernie Grundman. Mit diesem Team im Hintergrund ging Stanley in die legendären Capitol Recording Studios in Hollywood und sang in das gleiche Mikrofon – ein Neumann U47 – wie schon Nat King Cole und Frank Sinatra es benutzten. Zwölf der Titel wurden ausschließlich auf analogen Bändern aufgenommen, abgemischt und gemastert. Zwei Titel wurden mit PCM/ProTools aufgenommen, aber von Analogbändern abgemischt und gemastert. Nur Love Potion No. 9 ist ein Hybrid aus analogen und ProTools-Spuren. Musiker: Kenny Werner, Bill Cunliffe, Mike Lang - Klavier / Orgel Johannes Weidermüller und Mike Valerio - Bass Joe La Barbera, Ari Hoenig, John Robinson - Schlagzeug Solokünstler: Glen Drewes (Trompete / Flügelhorn), Thom Rotella (Gitarre), Rickey Woodard (Tenor-Saxophon), Tom Rainer (Klarinette) und Luis Conte (Perkussion) Product Information All tracks for this double LP 45rpm album were mixed and mastered in analog tape. Two of the 15 tracks are original ProTools recordings, one tracks is an analog / ProTools hybrid, and the other 12 tracks are pure analog tape. The musicians are stellar and the music is jazz reinvented in some Pop tunes of the '50s along with wonderful arrangements of jazz standard composed in the same decade – including »Cry Me A River«.– Known for her lush low notes, beautiful intonation, rich interpretations and phrasing, Lyn has been described by Scott Yanow as a »superior singer« and Don Heckman stated she »..is a potentially significant new [jazz] talent.« Rezensionen »Lyn Stanley benutzte dasselbe Neumann-47-Mikro, in das Frank Sinatra und Nat King Cole auch schon gesungen hatten. Zum audiophilen Coup werden die ›Zaubertränke aus den 1950ern‹ aber durch jene Feinnervigkeit, mit der ihre Musiker sie legendären Capitol Studio in L. A. begleiten.« (Audio, Januar 2015) ************************************************************************************************** Strictly limited to 1,000 copies! Lyn Stanley returns with classic song hits of the 1950s — captivating and imaginative Produced by renowned jazz pianist/composer Kenny Werner Recorded and mixed by Al Schmitt; mastered by Bernie Grundman All songs mixed and mastered on analog tape 180-gram 45 RPM gatefold double LP pressed by RTI Lynn Stanley's Interludes and Potions: From The '50s included in AllAboutJazz.com's Best Releases of 2015! "On Potions, Stanley assembles 15 pieces prominent in the 1950s. They are not all jazz standards or showtunes, though both are in evidence. Stanley's artistic care and attention to detail expresses itself from the start ... On Potions, Stanley perfects the thematic ring of her collection, adding one more bit of the past, analog recording. Music this warm should be bonded like fine brandy heated by the smoke of a Monte Cristo." — C. Michael Bailey, AllAboutJazz.com "Potions takes Lyn Stanley higher — Lost In Romance successfully achieved its objectives, presenting Lyn Stanley to a well-targeted international audiophile audience appreciative of both good material well-sung and the highest caliber sonics. The album was musical and sonic comfort food for an audience hungry for it. ... For her all-important follow-up Ms. Stanley doesn't stray all that far from her original game plan though the album's concept is in far better focus. Potions collects fourteen songs, mostly from the non-rock side of the 1950s (plus one LP bonus track from a different decade dedicated to her mentor Paul T. Smith who passed away in June of 2013). ... She glides and soars with an ease and control only occasionally heard on the debut, taking unexpected turns and abrupt volume shifts. She lingers longer and moves from phrase to phrase more gracefully and with greater rhythmic and intonation agility. ...the production and sound (are) even better here, again engineered and mixed by the great Al Schmitt. ... I guarantee you that Potions is among the best sounding new records (or SACDs) you are likely to hear this year or next, or the year after that." — Music = 9/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. Read the whole review. "On Potions, Stanley perfects the thematic ring of her collection, adding one more bit of the past, analog recording. Music this warm should be bonded like fine brandy heated by the smoke of a Monte Cristo." — 5 Stars. C. Michael Bailey, All About Jazz. Read the whole review. "Sure, she swings and almost belts it out in a few places, but the intelligence, restraint, and endless subtle inflections of her interpretations are what shine through everything." — Mark S. Tucker, acousticmusic.com. See the whole review. "The sound is simply stunning. Let me say that one more time in case you didn't hear me the first time; this is one good sounding LP! I love "Lullaby of Birdland." You can hear every nuance of her vocals and the instruments. Superb phrasing. I enjoyed every song on these two LPs." — Jack Roberts, dagogo.com, Nov. 2014 "Special recognition for the success of this album go to her arrangers, Steve Rawlins, Tamir Hendelman, Bill Cunliffe, and Mike Lang, who have taken these songs that are well known by anyone with even a passing knowledge of Jazz standards, songs sung by artists who have burned the memory of their version into the collective consciousness, and with their inventive efforts, have given them all a fresh spin that, along with Ms. Stanley's sweet and slightly smokey voice, have unearthed new delights, whether it be a tender lyric, or a new intent to the song not noticed before." — Jonathan Shade, cabaretexchange.com. See the whole review. "With her second album, Lyn Stanley has shown the Jazz scene that she is here to stay for quite a long time. Potions — From The 50's is a highly enjoyable collection of songs, all taken from the decade that introduced us to such disparate items as "I Love Lucy", the TV dinner, Holden Caulfield, and the Hula Hoop; where Eisenhower was President, and a change in the air was ever-looming near the end of last "innocent" decade of the 20th century." — NiteLife Exchange. See the whole review. "In my review of Lyn Stanley's first album, Lost in Romance, I said 'The 1940s style picture of a forlorn lady sitting on a piano, the title Lost In Romance, and the beautiful full toned music of this album never in a million years says, new artist. I had never heard of her but her website says she was discovered in 2010 by world class jazz pianist Paul Smith. Well since then I have had the privilege to meet this delightful lady and to hear her sing live. Having heard some of the songs on her new LP at audio shows played from the original lacquers it was with some excitement that I awaited to hear the LPs on my own system. Let me say in no way was I disappointed. I truly loved her selection of songs." — Jack Roberts, dagogo.com. Read the whole review. Breaking News! Lyn Stanley selected as one of 40 semi-finalists in the 2014 Sarah Vaughan International Jazz Vocal Competition. Chosen from a worldwide field of 500 female vocalists! Jazz singing phenomenon Lyn Stanley returns with a follow-up to her smash audiophile triumph Lost In Romance — a brilliant new collection of classics of the 1950s titled Potions. Potions draws from a broad palette of jazz, popular hits, blues, country, R&B and doo-wop (and one very special Gershiwn classic "The Man I Love" in a bonus track). "There were so many changes in jazz and pop tunes, while the introduction of rock 'n' roll happened in the 1950s," Stanley says. "As I began my journey of deciding which songs to include on this album, it was clear that the choices were way too many so I decided to let my heart guide me. It was a feeling thing." Stanley says many of these songs need hearts with "'worn tires' to get to where I think the composers intended. I also wanted to celebrate the 'Retro Jazz' effort of the era where swing was again 'hip.'" Stanley, a unique sultry jazz vocalist from the Los Angeles area, became an instant international success with her debut standards album, Lost In Romance, released Aug. 27, 2013, selling 7,000 copies worldwide to date. The album received several accolades in the hi fi world of audiophiles including Album of Choice, Best of 2013 Albums, No. 6/100 Top Vinyl Albums the highest rated by Chinese reviewer, Jack Lui in his 2014 book, "All About Vinyl" and awarded Top Rated Album by AnalogPlanet.com — "a must-have album for any audiophile collector" by renown international critic, Michael Fremer, who calls Stanley the "Chanteuse Extraordinaire." Stanley in October 2014 was named one of 40 semifinalists in the 2014 Sarah Vaughan International Jazz Vocal Competition. There were more than 500 female vocalists who entered from around the world. The award honors the "divine" jazz icon, who herself was the winner of an amateur singing contest at the legendary Apollo Theater when she was a teenager. To honor Vaughan's legacy the New Jersey Performing Arts Center holds a worldwide talent search culminating with an exciting concert in the Victoria Theater. Also a former USA amateur ballroom dance Pro/Am champion, Stanley's unique voice has been described as "beautiful," "rich in low tones," with "phrasing and storytelling that makes her music very personal." Her dancing background adds a special feel that few artists can deliver. L.A. jazz radio personality Bubba Jackson describes her as "the real deal — she has brought the songstress back to jazz!" Stanley was discovered by world-class jazz legend, pianist Paul Smith, best known as Ella Fitzgerald's accompanist/conductor. For Potions, Stanley decided to take the ultimate leap into analog recording by tackling a new album with a 1950s theme — an era when analog was king — and securing a world-class team to record and manufacture the album. Stanley hired renowned jazz pianist/composer and producer Kenny Werner to produce Potions. Werner, Bill Cunliffe, Mike Lang, Steve Rawlins, Tamir Hendelman and Lyn herself were arrangers for the project, defining the album concept and song selections. Al Schmitt was the recording and mixing engineer; the album was mastered by Bernie Grundman. The recording venues included Hollywood's legendary Capitol Recording Studios (Studio A — musician tracking and some vocals, Studio B — percussion and some vocals), and Avatar Recording Studio C in New York, where Stanley recorded with Werner and his musician trio. The vocalist microphone used in Los Angeles and NYC tracking for vocals was a Neumann U47, and the vocals recorded at Capitol were with the same Neumann U47 used by Nat King Cole and Frank Sinatra. The album contains 15 tracks, 12 of which are pure analog tape original recordings from start to finish, through the musicians/vocals, mixing and mastering. Two tracks — "In The Still Of The Night" and "The Party's Over" — were recorded in PCM/ProTools (192/32) but the mixing and mastering were done on analog tape. One of the tracks — "Love Potion No. 9" is a hybrid — some of the musician tracks were recorded in analog and others in ProTools (192/32). Record Technology Incorporated (RTI) began the plating process of the initial mastered lacquers within two hours of their completion by Bernie Grundman. New stampers were used for every 300 albums pressed. The initial pressing for the 180-gram 45 RPM double album called for 1,500 units — 1,000 numbered and 500 non-numbered. The album will also be produced as a Hybrid SACD by Sony's DADC plant in Austria. All of the technological resources at hand cannot produce great music without great artistry — a quality in abundance on this remarkable recording. Remarkable musicianship, brilliant arrangements and inspired concepts for every song, coupled with Stanley's radiant vocal artistry, make her second album simply mesmerizing. Musicians: Kenny Werner, Bill Cunliffe, Mike Lang, piano/organ Johannes Weidermeuller and Mike Valerio, bass Joe La Barbera, Ari Hoenig, John Robinson, drums Soloists: Glen Drewes (trumpet/flugelhorn), Thom Rotella (guitar), Rickey Woodard (tenor saxophone), Tom Rainer (clarinet) and Luis Conte (percussion) **************************************************************************************************

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A.T. MUSIC LLC 3104 (98304) ----- AUDIOPHILE JAZZ-DOUBLE-LP/RECORD SET ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED) -----

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LYN STANLEY ----- INTERLUDES ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- PURE ANALOG 45RPM RECORDING 180GRAM VIRGIN VINYL IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD JACKET) ----- LIMITED EDITION ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE ANALOGE ORIGINAL 45RPM-DOPPEL-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2014 BY A.T. RECORDS IN USA ----- MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2014 BY A.T. RECORDS IN USA (MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-ONE-STEP-PRESSING BY RTI IN USA / ..... DIESE ANALOGE JAZZ-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )

Weitere Details: *********************************************************************************************** Lyn Stanley – Interludes Lyn Stanley - Interludes album cover ********************************************************************************************** More images Label: A.T.Music LLC – 3104 Format: 2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Numbered Country: US Released: 2015 Genre: Jazz Style: Contemporary Jazz ************************************************************************************************** A1 How Long Has This Been Going On? 4:04 A2 Just One Of Those Things 3:34 A3 Whole Lotta Love 5:28 B1 More Than You Know 4:24 B2 Boulevard Of Broken Dreams 4:31 B3 Nice 'n Easy 3:01 B4 Black Velvet 4:39 C1 In A Sentimental Mood 4:50 C2 It's Crazy 3:53 C3 Don't Explain 5:11 D1 Last Tango In Paris 3:31 D2 The Island 5:15 D3 I Was A Little Too Lonely 3:18 D4 I'm A Fool To Want You 3:18 ********************************************************************************************* Mastered At – Bernie Grundman Mastering Recorded At – Capitol Studios Recorded At – Big City Recording Studios Recorded At – LAFX Studios Copyright © – A.T.Music, LLC ******************************************************************************************** Bass – Chuck Berghofer Cello – Cecilia Tsan Co-producer – Paul Tavenner, Steve Genewick, Steve Rawlins Drums – Paul Kreibich, Ray Brinker Engineer – Al Schmitt, Steve Genewick Engineer [Vocals] – Paul Tavenner, Spencer Guerra, Steve Genewick Executive Producer – A.T.Music LLC Finger Snaps – Steve Rawlins Guitar – John Chiodini Harmonica – Henrick Meurkens* Mastered By – Bernie Grundman Mixed By – Al Schmitt Percussion – Brad Dutz Piano – Bill Cunliffe, Mike Garson Producer – Lyn Stanley Trombone – Bob McChesney Vocals – Lyn Stanley ********************************************************************************************** "This album is dedicated to the father of audiophiles Bernie Grundman with sincere gratitude and thanks for his guidance in my singing career." on jacket Comes with insert with notes by Lyn Stanley and black polyvinyl lined inner sleeves. Each label has a different photograph of Lyn Stanley. Capitol Recording Studios sessions record using Frank Sinatra's Microphone "Telly" courtesy of Capitol Records. ********************************************************************************************* Lyn Stanley - vocals, guitar John Chiodini - guitar Chuck Berghofer - bass Stücke 3, 6, 7, 11: Mike Garson- piano Paul Kreibich - drums Steve Rawlins - finger snaps Aufnahmen im United Recording Studio A, Hollywood, L.A., USA. alle anderen Stücke: Bill Cunliffe - piano Bob McChesney - trombone Henrick Meurkens - harmonica Cecilia Tsan - cello Ray Brinker - drums Brad Dutz - percussion Aufnahmen im Capitol Recording Studio A, Hollywood, L.A., USA. ******************************************************************************************** Mixing durch Al Schmitt vom 24-Spur, 2 Inch-ATR-Band Mastering durch Bernie Grundman vom Original-Analogband Gepresst bei Quality Record Pressings auf 180g-schwerem Vinyl. Es ist schon eine verrückte Geschichte, fast wie im Film oder im Märchen: Lyn Stanleys Karriere begann nicht etwa mit dem Gesang, sondern mit einer Doktorarbeit an der Michigan State University. Danach folgte der Aufstieg als international bei Turnieren erfolgreiche und gefeierte Standardtänzerin - und das trotz eines schweren Autounfalls, nach dem sie buchstäblich wieder neu laufen lernen musste. Dass Lyn Stanley als Tänzerin ein großes Herz für Musik (und besonders für den Jazz) hat, verwundert nicht; 2010 entschloss sie sich, probeweise Gesangstunden bei Annette Warren zu nehme, „um zu sehen, ob ich überhaupt singen kann“. Und heute, fünf Jahre nach dieser ersten Gesangsstunde, veröffentlicht Miss Stanley ihr drittes Studio-Album, und gilt einer stetig wachsenden weltweiten Fan-Gemeinde als die audiophile Jazz-Sängerin des Jahrzehnts. „Interludes“ heißt ihr neuestes Album, und es ist das erste, auf dem Lyn Stanley auch als Produzentin fungiert. Wie schon auf den Vorgänger-Alben „Potions From The 50ies“ und „Lost In Romance“ schart sie eine großartige Band und handverlesene Gaststars aus der Jazzszene um sich, wie etwa Harmonika-Spieler Hendrik Meurkens oder Posaunist Bob McChesney, und vor allem hochklassige Arrangeure. Unter den kundigen Händen dieses Teams wird so mancher Klassiker des Great American Songbook auf „Interludes“ liebevoll auf Hochglanz poliert und oft auch ein wenig gegen den Strich gebürstet. Songs wie „More Than You Know“ oder „In A Sentimental Mood“ erstrahlen hier nicht nur Dank Lyn Stanley umwerfend samtiger Altstimme in glamourösem Glanz. Aber auch mit weniger Bekanntem wie mit der Sammy-Cahn-Nummer „Its Crazy“ weiß Lyn Stanley zu überzeugen; und besonders zeigt sich ihr Können und das ihrer Band bei originellen Einfällen wie der swingend bluesigen Version des Led-Zeppelin-Klassikers „Whole Lotta Love“. Audiophile Jazzfans wissen es längst: Lyn Stanley ist eine von ihnen. Dass sie dieses Album im Klappcover mit einer Widmung für Mastering-Legende Bernie Grundman versehen hat, sagt eigentlich schon alles. Rein analog wurde alles auf „Interludes“ aufgenommen, gemischt und gemastert, und das Album kommt auf zwei 180g schweren Scheiben mit 45rpm. Da ist jede noch so feine klangliche Nuance hörbar, da steht man mitten in der Band, und darf sich fühlen, als würde Miss Stanley einem „Im A Fool To Want You“ direkt ins Ohr hauchen. Wer das nicht umwerfend findet Nur eine kleine Anekdote noch: Das Neumann-Röhrenmikrofon U47, das auf Lyn Stanley persönlichen Wunsch hin für die Aufnahme ihres Gesangs verwendet wurde, war das persönliche Lieblingsmikrofon von Frank Sinatra, der es liebevoll „Telly“ nannte. Es wird seit 60 Jahren im Tresor der Capitol Studios aufbewahrt, in einer extra Kiste mit der schlichten Aufschrift „Frank“. Ein Foto davon findet sich im Klappcover von „Interludes“ - mehr Jazz-Aura geht einfach nicht. ************************************************************************************************* Rezension: Zum dritten Mal entführt die Sängerin in die "golden era" des US-Entertainments, als Julie London, Anita O'Day oder Shirley Horne die Bühnen des Landes mit ihrem Glanz erfüllten. Und abermals stellt man fest, daß Stanley durchaus in einer Liga mit den Stars von einst spielt! Was unvermindert auch für ihre erlesene Band gilt, zusammengestellt aus Session-Cracks aus L.A. und New York (darunter Pianist Bill Cunliffe, Gitarrist John Chiodini und Posaunist Bob McChesney): Das swingt schon beeindruckend authentisch. Selbst dann, wenn Stanley mal eben einen Led Zeppelin-Song ("Whole Lotta Love") in die frühen 50's beamt… – Aufgenommen in den legendären Capitol-Studios mit dem selben Neumann U47-Mikrophon, das schon Nat "King" Cole und Frank Sinatra verwendet hatten, gemastert von Altmeister Bernie Grundman: Besser geht's kaum…! ************************************************************************************************** *** Gatefold Cover Nach Lost in Romance und Potions (from the 50s) ist Interludes das dritte Album der Jazz-Sängerin Lyn Stanley. Erneut waren die legendären Capitol Recording Studios in Hollywood der Aufnahmeort, für ihren Gesang nutzten die Techniker das legendäre Neumann U47-Mikrofon, das bereits Nat King Cole und Frank Sinatra verwendeten. Das Album wurde vom 24-Spur-ATR-Band von Al Schmitt abgemischt und vom Analogband durch Bernie Grundman gemastert. Lyn Stanley verleiht mit ihrer exquisiten und verführerischen Jazz-Stimme den ausgewählten Liedern etwas Zeitloses. Mit dabei sind Interpretationen von How Long Has This Been Going On, Just One Of Those Things, Black Velvet und sogar Led Zeppelins Whole Lotta Love. Zu ihrem hervorragenden Musikerteam gehören unter anderem Hendrik Meurkens und John Chiodini. Rezensionen »Waren ihre zwei bisherigen Alben ebenfalls Knüller, so schießt Lyn Stanley mit den 14 Standards der ›Interludes‹ musikalisch wie klanglich den Vogel ab. Wenn's sechs Klangsterne gäbe, sie hätte sie verdient!« (Stereo, April 2016) »Lyn Stanleys Stimme klingt wundervoll warm, detailreich und auratisch präsent, auch die begleitenden Musiker scheinen direkt von der gut abgebildeten Bühne zu spielen.« (Audio, Mai 2016) ********************************************************************************************* Recording session engineers Al Schmitt and Steve Genewick Mixed by Al Schmitt, mastered by Bernie Grundman All songs recorded, mixed and mastered on analog tape 180-gram 45 RPM gatefold double LP pressed by Quality Record Pressings! Hologram Numbered Special Edition & two-side full color insert! Lynn Stanley's Interludes and Potions: From The '50s included in AllAboutJazz.com's Best Releases of 2015! "... the sound, as absolutely stunning as it was on the first two albums, is up by a considerable margin — something I didn't think was possible. The stage is wide and deep; the instruments remarkably transparent and three-dimensionally solid. The great Al Schmitt engineered to tape at United and Steve Genewick did likewise at Capitol. Neumann U-47s — including Frank Sinatra's courtesy Capitol — captured Ms. Stanley's vocals. If ever you needed a reason why we must insure that great recording studios survive, with sessions helmed by the engineering greats, this album provides it." — Music = 9/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. Read the whole review here. "'Boulevard of Broken Dreams' ... is lesser known but so unusual, and it is indeed featured on Interludes. I can only describe it as deliciously different and exotic-sounding that pulls you in. ... Other great highlights of the album include the opener 'How Long Has This Been Going On?', the infectious 'Just One of Those Things,' a captivating 'More Than You Know,' a deliriously appealing 'Nice 'n Easy' ... She is backed by a magnificent orchestra, sings splendid arrangements ... What makes Stanley a wonderful performer/singer is that like a fine actress, she delivers the song as if she were doing it for the first time, telling the story with perfect diction, expert phrasing and timing." — Don Grigware, Grigware Reviews "'How Long has This Been Going On,' the opener for Interludes demonstrates Stanley's command of the standard. But it is not the jazz standard that is special about Interludes. Stanley addresses two more recent compositions: 'Black Velvet,' released by Alannah Myles in 1989 and Led Zeppelin's 'Whole Lotta Love,' from Led Zeppelin II (Atlantic, 1969). Yes. 'Whole Lotta Love.' Lyn Stanley takes on the most white-hot anthem of the carnality of youth. She does so unflinchingly. There is little to be nostalgic about young love once you've learned what you are doing. And that is Stanley's point with covering this song. Arranged by guitarist John Chiodini the nominal blues-rock monolith becomes a steamy rumba propelled by bassist Chuck Berghofer and drummer Paul Kreibich, whose deft tom-tom work amps up the performance's already heady sensuality. Then, there is Stanley, who produced this recording, ensuring that a proper mixture of Bobby Gentry's 'Ode to Billy Joe,' Peggy Lee's 'Fever,' and Dusty Springfield's 'Son of a Preacher Man' are admixed into one grown up vision of love, sex, and the whole shooting match. Think if George Gershwin had composed 'Summertime' with J.J. Cale and you may begin to get the idea. Stanley must be applauded for taking this gigantic artistic chance. So many 'jazz' covers of contemporary material end so badly. In this case, not so. This is a special release in every way." — C. Michael Bailey, allaboutjazz.com, November 2014 "In these deconstructed times, it feels like you're spitting in the wind when you try to extol the virtues of an indie act. Stanley was right on the money from the start and the public has born this out. It's hard to be a successful jazz singer in the best of circumstances but Stanley has been doing the best of old school in all levels of the game and the public has responded. ... Making both 'Black Velvet' and 'I'm a Fool to Want You' her own in the same session---all I can say is what do you expect from a gal that records in Capitol Studio and has both Al Schmitt and Bernie Grundman working in the background? Killer stuff throughout like they don't make anymore---and should!" — MidwestRecord.com "Lyn Stanley's recent Interludes is her most adventurous and exciting recording yet. ... the use of guests and the inventive arrangements of Cunliffe, Chiodini, Tamil Hendelman, Steve Rawlins and Ms. Stanley herself keep the music full of subtle surprises and variety." — Scott Yanow Singer Lyn Stanley's third studio album Interludes is robust and rousing. Stanley has enjoyed critical and commercial success with her first two recordings, Lost in Romance and Potions (from the 50s); here, her interpretations on another pass through the Great American Songbook employ vocals that are in turn seductive, emotional, saucy and inviting. She sounds comfortable no matter what the setting, finds jazz critic Scott Yanow. The unique sultry jazz vocalist from the Los Angeles area turns up the wattage on Interludes, starting with the opening selection "How Long Has This Been Going On" a capella. "Just One Of Those Things" employs a creative Bill Cunliffe arrangement — Stanley is heard during one chorus having brief duets with bassist Chuck Berghofer, guitarist John Chiodini and pianist/arranger Bill Cunliffe before the full group joins in. Other tuneful highlights include "Black Velvet," "More Than You Know," and "Boulevard of Broken Dreams." The lowdown and rockish "Whole Lotta Love" and the always eerie "Last Tango In Paris" find Stanley putting timeless feeling into more contemporary songs. Great guest artists such as Hendrick Meurkens on harmonica appear on "Don't Explain," and Stanley begets a fine swing on "Nice 'n' Easy" and a sweet and lush interpretation on Duke Ellington's "In A Sentimental Mood." Her interlude concludes with a heartfelt duet with guitarist Chiodini on "I'm A Fool To Want You," that's full of longing and desire. The recording venues again included Hollywood's legendary Capitol Recording Studios (Studio A — musician tracking and some vocals, Studio B — percussion and some vocals) as well as Big City Recording Studio and LAFx. The vocalist microphone used in Los Angeles and NYC tracking for vocals was a Neumann U47, and the vocals recorded at Capitol were with the same Neumann U47 used by Nat King Cole and Frank Sinatra. The album was mixed from 24-track, 2-inch ATR tape by Al Schmitt (except for track No. 14). All songs were mastered from half-inch analog tape by Bernie Grundman. Record plating and pressing took place at Quality Record Pressings. The album will also be produced as a Hybrid SACD by Sony's DADC plant in Austria. Music Sound Ratings from Michael Fremer @ AnalogPlanet.com ****************************************************************************************

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Preis: EUR 199,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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A.T. MUSIC LLC 3105 (98307) ----- AUDIOPHILE JAZZ-DOUBLE-LP/RECORD SET ----- WITH SPECIAL LIMITED NUMBER #0372 ----- WITH ORIGINAL AUTOGRAPH ----- (OVP =

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XXL-Foto

LYN STANLEY (LP/RECORD IS SIGNED BY THE ARTIST) ----- THE MOONLIGHT SESSIONS - VOLUME ONE ----- ONE STEP PRESSING ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- PURE ANALOG 45RPM RECORDING 180GRAM VIRGIN VINYL IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD JACKET) ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER #0372(HANDNUMERIERT) ----- EDITION STRICTLY LIMITED TO 2000 COPIES ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE ANALOGE ORIGINAL 45RPM-DOPPEL-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2017 BY A.T. RECORDS IN USA ----- MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2017 BY A.T. RECORDS IN USA (MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-ONE-STEP-PRESSING BY RTI IN USA / ..... DIESE ANALOGE JAZZ-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER # 0372/2000 ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )

Weitere Details: ************************************************************************************************** Lyn Stanley – The Moonlight Sessions Volume One Lyn Stanley - The Moonlight Sessions Volume One album cover *********************************************************************************************** More images Label: A.T.Music LLC – 3105 Format: 2 x Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered Country: US Released: 2017 Genre: Jazz Style: Contemporary Jazz ************************************************************************************************** A1 All Or Nothing At All A2 Willow Weep For Me A3 Moonlight Serenade B1 My Funny Valentine B2 Embraceable You B3 Why Don't You Do Right? C1 Girl Talk C2 Crazy C3 Close You Eyes C4 How Insensitive D1 Break It To Me Gently D2 In The Wee Small Hours *********************************************************************************************** Pressed By – Record Technology Incorporated Mastered At – Bernie Grundman Mastering Recorded At – The Village Recorder Recorded At – Capitol Studios Recorded At – LAFX Studios *********************************************************************************************** Bass – Chuck Berghofer Co-producer, Piano – Mike Garson Drums – Bernie Dresel, Joe LaBarbera, Ray Brinker Engineer – Al Schmitt Finger Snaps, Engineer – Steve Genewick Guitar, Co-producer – John Chiodini Harmonica – Hendrik Meurkens Harp – Carol Robbins, Corky Hale Mastered By – Bernie Grundman Percussion – Luis Conte Piano – Christian Jacob, Tamir Hendelman Tenor Saxophone – Rickey Woodard Trombone – Bob McChesney Trumpet – Chuck Findley Vocals, Producer – Lyn Stanley ********************************************************************************************** Limited to 2000 copies Serials numbers starting at 101 Only the first 1000 copies are manually numbered and autographed by Lyn Stanley One-Step Supersonic Vinyl Pressing Process ********************************************************************************************* Lyn Stanley - Gesang Mike Garson, Tamiw Hendelman, Christian Jacob - Klavier Chuck Berghofer - Kontrabass Joe La Barbara, Ray Brinker, Bernie Dresel - Schlagzeug John Chiodini - Gitarre Rickey Woodard - Tenorsaxophon Chuck Findley - Trompete Bob McChesney - Posaune Corky Hale, Carol Robins - Harfe Hendrik Meurkins - Harmonika Luis Conte - Perkussion Steve Genewick - Schnipsen Die Aufnahmen entstanden February 2017 durch Al Schmitt und Steve Genewick, wurden gemischt von Michael Bishop (Five/Four Productions) und schließlich von Bernie Grundman gemastert. Viele Kunden haben schon sehnsuchtsvoll auf die reguläre Pressung der neuen LP von Lyn Stanley gewartet. Sie ist das absolute Highlight des Jahres 2017. Jetzt ist sie endlich da! Limitiert auf 2000 Stück, hochwertige One-Step-Pressung und überragende Klangqualität. Was will man mehr? Die aus Tacoma, Washington stammende Sängerin Lyn Stanley begann ihre märchenhafte musikalische Karriere erst spät. Durch ihr Debüt "Lost In Romance" erlangte die Spätberufene 2013 schlagartig internationale Bekanntheit und begeisterte fortan Hörer und Kritik. Dabei hat sich Lyn Stanley keiner einfachen Disziplin verschrieben, denn die Konkurrenz ist hart unter Jazz-Sängerinnen, zudem sind Legenden wie Billie Holiday, Ella Fitzgerald oder Sarah Vaughan medial noch allgegenwärtig. Die Schwierigkeit hierin eine eigene Stimme zu finden und dieser auch Gehör zu verschaffen, meisterte Stanley dennoch mit Bravour - ihr Alt ist unverkennbar, ihr Timing schlicht perfekt und ihre Diktion sowie Phrasierung stets außergewöhnlich. Hinzu kommt, dass die Sängerin auch bei der Auswahl ihre Begleitmusiker ein ausgesprochenes Geschick zeigt, wie beispielsweise Mike Garson am Klavier oder John Chiodini an der Gitarre beweisen. Doch nicht zuletzt ihr ständiges Bestreben, auch klangtechnisch höchsten audiophilen Maßstäben zu genügen, haben ihre Aufnahmen zu Referenzwerken unter Audiophilen werden lassen. Gründe genug also, ihrem neuem Album "The Moonlight Sessions Vol. 1" gespannt entgegenzusehen. Nachdem die Beta-Version innerhalb kürzester Zeit ausverkauft war, kommt jetzt die reguläre Version auch in limitierer Form. Schnell sein lohnt sich, denn auch hier dürfte die LP sehr bald ausverkauft sein. Die sich hier findenden ausdrucksstarken wie einfühlsamen Interpretationen großer American Songbook-Stücke wie "Willow Weep For Me", "My Funny Valentine" oder "Embraceable You" sind in jeder Hinsicht definitive Versionen. Als wären diese alten Standards eigens für Stanley geschrieben, gelingt es ihr, trotz der klassischen Arrangements den Stücken nie gehörte Details zu entlocken. Klanglich ist "The Moonlight Sessions Vol. 1" eine Offenbarung und an Transparenz und Natürlichkeit nicht zu übertreffen. Einziger Wermutstropfen scheint der Preis, der das Album nicht zu einem Schnäppchen macht. Andererseits, Alben wie "The Moonlight Sessions Vol. 1" erscheinen selten genug und dafür hat man umso so länger Freude an ihnen. Klare Empfehlung! Das Album kommt auf zwei 180g-schweren audiophilen mit 45rpm geschnittenen Vinylscheiben im hochwertigen Klappcover, wurde im klanglich hochwertigen "One Step Pressing"-Verfahren hergestellt, ist handsigniert und streng limitiert. Die Besonderheit des "One Step Pressing"-Verfahrens ist, dass man nach dem Schneiden der Matritze zwei der üblichen Galvanik-Schritte einspart und so weniger "Verluste" bei der Herstellung der Schallplatte hat. Der Pressstempel wird hier direkt von der Urfolie gezogen. Dadurch klingt die LP störärmer, weiträumiger, detailreicher und dynamischer. Nachteil ist der hohe Aufwand, da von jedem Stempel nur ca. 500 LPs produziert werden können, dannach ist ein neuer Stempel notwendig. Limitiert und nummeriert auf 2000 Stück weltweit. ************************************************************************************************ *** Gatefold Cover Rezensionen »Mit diesem Album etabliert sich die Jazz-Chanteuse in der audiophilen Champions League.« (stereoplay, August 2017) »Auch künstlerisch ist die Produktion bis in die Nebenrollen hinein erstklassig besetzt. Das transparente Klangbild macht die Virtuosität der Solisten perfekt hörbar ...« (Audio, August 2017) ************************************************************************************************* Autographed, Numbered Limited Edition 180g 45rpm One-Step Supersonic™ Vinyl All-analog recording - One pressing, strictly limited to the number of preorders accumulated - Don't miss out!!! "This classy lassie has been coming out of nowhere on the run since she...well, first started coming out of nowhere on the run. Upping her game with each successive release, here we find her firmly staking out her territory as the jazz diva of the times by surrounding herself with jazzbos who you would buy their own solo records, a song stack that is familiar but she gives a new swing to and a vocal style you will remember. This is a gal of the hour that will be much more than flavor of the month. Killer stuff throughout." — MidwestRecord.com "Wildly popular Southern California vocalist Lyn Stanley's new project ventures into new musical territory with her creative approach to American music. This time, she's borrowing from the classical composers — Chopin, Beethoven, Debussy, Mozart, and Ravel — to breathe a new excitement into a few jazz standards like you've never heard them before. This series begins with this Volume One. She has also added songs to this special project from the country and pop genres and added arrangement twists with jazz applications that modernize them as they delight your ears. Lyn delivers every song with the finesse and confidence of a veteran song stylist - and she is only a few years into her vocal career. "The ensemble is Lyn Stanley, vocals, Mike Garson, piano, Christian Jacob, piano, Tamir Hendelman, piano, Chuck Berghofer, bass, Ray Brinker, drums, Bernie Dresel, drums, Joe LaBarbara, drums, Luis Conte, percussion, John Chiodini, guitar, Chuck Findley, trumpet, Rickey Woodard, tenor saxophone, Bob McChesney, trombone, and Hendrik Meurkens, harmonica. "The tracks are as follows: 'All of Nothing at All,' 'Willow Weep for Me,' 'Moonlight Serenade,' 'My Funny Valentine,' 'Embraceable You,' 'Why Don't You Do Right,' 'Girl Talk,' 'Crazy,' 'Close Your Eyes,' 'How Insensitive,' 'Break It to Me Gently,' and 'In the Wee Small Hours.'" "The lady steams with talent and surrounds herself with the very best musicians and arrangers in the business. A total Winner!" — Grady Harp, Amazon.com Jazz vocalist Lyn Stanley announces her BEST project to date, The Moonlight Sessions! Sure to please — every song is crafted with an unusual twist to the arrangements — the musical interpretations and the songs are meant to bring you to a new understanding of the American Songbook and pop tunes turned to jazz in her arrangements. The stellar cast of musicians and engineering team matches the quality and detail put into every aspect of this project's two album releases in 2017: Volume One and Two. The songs include hybrid classical romantic compositions with jazz standards on some of the song selections. Chopin is combined with Jobim, you'll hear quotes from Ravel, Mozart, Beethoven and Debussy with American Songbook jazz classics. Lyn brings her unusual creativity in music arrangements to add a new excitement to old standards. Recording engineers: Al Schmitt and Steve Genewick Mastered by Bernie Grundman All vocals by: Lyn Stanley The musicians on this album include: Pianists: Mike Garson, Tamir Hendelman, Christian Jacob; Bassist: Chuck Berghofer; Drums: Joe La Barbara, Ray Brinker, Bernie Dresel; Guitar: John Chiodini; Tenor Sax: Rickey Woodard; Trumpet: Chuck Findley; Trombone: Bob McChesney; Harp: Corky Hale, Carol Robins; Harmonica: Hendrik Meurkens; Percussion: Luis Conte * Engineers: Al Schmitt, Steve Genewick, Michael Bishop * Studios: Village Recording Studio, Los Angeles, CA and Capitol Recording Studio, Hollywood, CA ©2017 by A.T Music LLC. All rights reserved. **********************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Preis: EUR 399,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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