Produktsuche

Gesamtkatalog

• Audiophile Pop -Rock LP's
  • MFSL - HALFSPEED-LP`s USA (Out of Print )
  • DCC-audiophile LP`s USA(180gVinyl-Out of Print)
  • Nautilus-audiophile Half-Speed Lp`s(Out of Print)
  • Sweet Thunder-Halfspeed Lp`s-USA (Out of Print)
  • A & M Half-Speed LP`s (Out of Print )
  • Simply Vinyl - LP`s (180g Reissue´s)
  • Audiophile Pop-Rock Lp`s (viele Japanpressungen)
  • Pop-Rock-Folk Lp`s (Normalpressungen)
  • EASY LISTENING LP ( ORIGINALE & REISSUES )
  • Testpressungen - LP (Pop-Jazz-Classic)
  • Sheffield Lab - LP`s USA (Jazz/Pop & Classic)
  • Stereoplay-Highlights (audiophile Halfspeed LP`s)
  • American Grammaphone LP`s (Mannheim Steamroller)
  • CBS-Mastersound LP`s (Half-Speed-USA)
  • Telarc (audiophile LP`s / Classic-Jazz)
  • Audiophile Cassetten (MFSL)
  • 45RPM-SINGLES / MAXI-SINGLES POP/ROCK
  • POP-ROCK-LP´s / JAPANPRESSUNGEN
• Audiophile Jazz LP's
• Audiophile Classic LP's
• Audiophile Pop - Rock - Jazz - Classic CD's

Produkt Detailansicht:

PINK FLOYD ----- DARK SIDE OF THE MOON ----- EINE SEHR WERTVOLLE ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST MFSL-JAPANPRESSING SERIES)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- MADE IN JAPAN ----- MASTERED BY STAN RICKER IN USA ----- ( ...... EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... ORIGINAL MASTER RECORDING USA (FIRST MFSL-SERIES-JAPANPRESSING) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1973 BEI HARVEST RECORDS IN ENGLAND / ..... ORIGINAL RECORDING 1973 BY HARVEST RECORDS IN ENGLAND / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP/RECORD-HALFSPEED-JAPANPRESSUNG !! ..... )

*************************************************************************************************** The Dark Side Of The Moon (Vinyl, LP, Album, Limited Edition, Reissue, Remastered) album cover Pink Floyd ‎– The Dark Side Of The Moon Label: Mobile Fidelity Sound Lab ‎– MFSL 1-017, Harvest ‎– MFSL 1-017 Series: Original Master Recording – Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered Country: US Released: Jun 1979 Genre: Rock Style: Classic Rock, Art Rock, Prog Rock, Psychedelic Rock Tracklist Hide Credits A1 Speak To Me A2 Breathe A3 On The Run A4 Time A5 The Great Gig In The Sky Vocals – Clare Torry B1 Money Saxophone – Dick Parry B2 Us And Them Saxophone – Dick Parry B3 Any Colour You Like B4 Brain Damage B5 Eclipse Companies, etc. Recorded At – Abbey Road Studios Manufactured By – Mobile Fidelity Sound Lab Distributed By – Mobile Fidelity Sound Lab Phonographic Copyright (p) – The Gramophone Co. Ltd. Licensed From – Capitol Records, Inc. Published By – TRO-Hampshire House Publishing Corp. Copyright (c) – TRO-Hampshire House Publishing Corp. Credits Artwork [Sleeve Art, Stickers Art] – George Hardie N.T.A* Backing Vocals – Barry St John*, Doris Troy, Leslie Duncan*, Liza Strike Bass, Vocals, Synthesizer [Vcs3], Effects [Tape], Lyrics By – Roger Waters Design [Sleeve], Photography By – Hipgnosis (2) Engineer – Alan Parsons Engineer [Assistant] – Peter James Keyboards, Vocals, Synthesizer [Vcs3] – Richard Wright Lyrics By – Roger Waters Mastered By [Half-speed] – Stan Ricker Mixed By [Supervised] – Chris Thomas Percussion, Effects [Tape] – Nick Mason Producer, Music By – Pink Floyd Vocals, Guitar, Synthesizer [Vcs3] – David Gilmour Written-By – Gilmour* (tracks: A2 to A4, B3), Mason* (tracks: A1, A4, B3), Wright* (tracks: A2, A4, A5, B2, B3), Waters* (tracks: A2 to A4, B1, B2, B4, B5) Notes Originally released in 1973. Standard gatefold sleeve with warranty card. Recorded at Abbey Road Studios, London between June 1972 and January 1973. States "Pressed in Japan" on the LP label (see images), "imported pressing" and "Printed in the U.S.A." on spine of the sleeve. Early releases by MFSL were pressed in Japan. Came with two lists of other available MFSL releases and MFSL style inner. On innersleeve: Half-Speed Mastering by Stan Ricker, JVC Super High Definition Vinyl (extended life) Imported Pressing Static Free Inner-Sleeve Source: the Original Stereo Master Tape. Note on Credits: Though not specified in the liner notes, Barry St. John, Doris Troy, Lesley Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5. The 1979 release has an insert titled: "An Audiophile's Dream Come True" Also issued in 1981 with different inserts The Dark Side Of The Moon Barcode and Other Identifiers Matrix / Runout (Variant 1: Side A, etched): MFSL-1-017-A2-1 SR2 H213 Matrix / Runout (Variant 1: Side B, etched): MFSL-1-017-B2-1 SR2 H215 Matrix / Runout (Variant 2: Side A, etched): MFSL-1-017-A [something crossed out] 2-1 SR_2 [three unreadable spotted signs] F Matrix / Runout (Variant 2: Side A, stamped): 2 1 1 Matrix / Runout (Variant 2: Side B, etched): MFSL-1-017- [something crossed out] B2-1 SR_2 [two unreadable spotted signs] Matrix / Runout (Variant 2: Side B, stamped): 2 1 2 Matrix / Runout (Variant 3: Side A, etched): MFSL-1-017-A [something crossed out] 2-5 5R/2 Matrix / Runout (Variant 3: Side A, stamped): 252 [eight spotted signs] Matrix / Runout (Variant 3: Side B, etched): MFSL-1-017-B2-4 5R/2 Matrix / Runout (Variant 3: Side B, stamped): 241 [eight spotted signs] Matrix / Runout (Variant 4: Side A, etched): MFSL-1-017-A# 2-2 5R/2 221 ++ F Matrix / Runout (Variant 4: Side B, etched): MFSL-1-017-B# 2-1 5R/2 214 + Matrix / Runout (Variant 5: Side A, etched): MFSL-1-017-A2-1 SR 2 Matrix / Runout (Variant 5: Side A, stamped): H 2 1 5 + + + Matrix / Runout (Variant 5: Side B, etched): MFSL-1-017-B2 SR 2 Matrix / Runout (Variant 5: Side B, stamped): H 2 1 2 + + + + Matrix / Runout (Variant 6: Side A, etched): MFSL-1-017-A [something crossed out] 2-1 SR/2 Matrix / Runout (Variant 6: Side A, stamped): 2 11 + F Matrix / Runout (Variant 6: Side B, etched): MFSL-1-017-B2-4 SR/2 Matrix / Runout (Variant 6: Side B, stamped): 2 4 1 [three spotted signs] Matrix / Runout (Variant 7: Side A, etched): MFSL-1-017-A [something crossed out] 2-5 SR/2 Matrix / Runout (Variant 7: Side A, stamped): 2 5 2 [spotted sign] E Matrix / Runout (Variant 7: Side B, etched): MFSL-1-017-[B9 crossed out]B2-2 SR/2 Matrix / Runout (Variant 7: Side B, stamped): 2 2 1 [spotted sign] Matrix / Runout (Variant 8: Side A, etched): MFSL-1-017-A [something crossed out] 2-3 SR/2 Matrix / Runout (Variant 8: Side A, stamped): 2 3 1 [spotted sign] Matrix / Runout (Variant 8: Side B, etched): MFSL-1-017-[B10 crossed out]B2-1 SR/2 Matrix / Runout (Variant 8: Side B, stamped): 2 1 2 [spotted sign] Matrix / Runout (Variant 9: Side A): MFSL-1-017-A [something crossed out] 2-2 SR/2 2 2 + Matrix / Runout (Variant 9: Side B): MFSL-1-017-[B10 crossed out]B2-1 SR/2 2 1 2 + *************************************************************************************************** Pink Floyd: The Dark Side of the Moon [MFSL 1-017] ................ This Sealed, New, Never Opened Original Master Recording has a gatefold jacket. ................ Recorded at Abbey Road Studios, London between June 1972 and January 1973. ................ Early releases by MFSL were pressed in Japan. ................ Source The original stereo master tape. ................ ******************************************************************************************** ........................ DARK SIDE OF THE MOON, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very wel because PINK FLOYD doesn´t rush anything; the songs are mainly slow and mid-temp, with attention paid throughout to musical texture and mood. The sound effects on songs like ON THE RUN and TIME ...... and especially MONEY (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably PINK FLOYD´s best known work. PINK FLOYD were incredibly talented pioneers and innovators who were a ground-breaking act who were many, many years ahead of their time capable of producing the most devastatingly original and brilliant music ever created. .................................... ************************************************************************************************* ............... Track listing .......................... All lyrics written by Roger Waters. .......................... Side one .......................... Track Title Music Lead vocals Length .......................... 1. "Speak to Me" Mason Instrumental 1:30 .......................... 2. "Breathe" Waters, Gilmour, Wright Gilmour 2:43 .......................... 3. "On the Run" Gilmour, Waters Instrumental 3:30 .......................... 4. "Time" (containing "Breathe (Reprise)") Mason, Waters, Wright, Gilmour Gilmour and Wright 6:53 .......................... 5. "The Great Gig in the Sky" Wright, Clare Torry Clare Torry 4:15 .......................... Side two .......................... Track Title Music Lead vocals Length .......................... 1. "Money" Waters Gilmour 6:30 .......................... 2. "Us and Them" Waters, Wright Gilmour and Wright 7:34 .......................... 3. "Any Colour You Like" Gilmour, Mason, Wright Instrumental 3:24 .......................... 4. "Brain Damage" Waters Waters 3:50 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... 5. "Eclipse" Waters Waters 1:45 .......................... ******************************************************************************************** Pink Floyd .......................... * David Gilmour - vocals, pedal steel and electric guitar, VCS 3 synthesiser, production .......................... * Nick Mason - drums, percussion, tape effects, production .......................... * Roger Waters - bass guitar, vocals, VCS 3 synthesiser, tape effects, production .......................... * Richard Wright - keyboards, vocals, VCS 3 synthesiser, production .......................... Additional musicians .......................... * Dick Parry - saxophone on "Money" and "Us and Them" .......................... * Clare Torry - vocals on "The Great Gig in the Sky", background vocals .......................... * Lesley Duncan - background vocals .......................... * Barry St. John - background vocals .......................... * Liza Strike - background vocals .......................... * Doris Troy - background vocals .......................... Production .......................... * Alan Parsons - engineering .......................... * Peter James - assistant engineering (incorrectly identified as "Peter Jones" on first US pressings of the LP) .......................... * Chris Thomas - mixing consultant .......................... * George Hardie - illustrations, sleeve art .......................... * Hipgnosis - design, photography .......................... * Jill Furmanovsky - photography .......................... ************************************************************************************************ Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Im Jahr 1981, produzierte die Firma Mobile Fidelity Sound Lab acht UHQR (Ultra High Quality Record) LP-Alben. Das zweite, in dieser Serie produzierte Album, war Pink Floyds Dark Side of the Moon. ........... Es handelt sich hierbei um eine audiophile Rarität und eine der bestklingendsten Schallplatten die jemals hergestellt wurden. Das original Masterband welches zur Produktion dieses audiophilen Highlights zur Verfügung stand, war von exquisiter Qualität. Was dann die Spezialisten von MFSL daraus machten kann man nur als sensationell bezeichnen. Nie wieder wurde vermutlich solch ein Aufwand zur Herstellung einer LP betrieben (was vor über 20 Jahren für einen horrenden Preis sorgte). Sorgfältigst mit der Halfspeed Schneidetechnik geschnitten und in 140 Gramm Japan Virgin Vinyl gepresst wurden weltweit nur 50000 Exemplare hergestellt. MFSL Schallplatten wurden aus einem besonderen Kunststoff, mit der Bezeichnung „Japan Vinyl“ hergestellt. „Japan Vinyl“ wurde unter der Verwendung von hoch polimerisierten Kunstharzen, mit einem hohen Anteil an Vinylacetat gefertigt. Die Eigenschaften dieses Werkstoffs sind eine enorme Elastizität, extreme Strapazierfähigkeit und ein exzellenter Signal-Rauschabstand (signal-to-noise-ratio). Der Frequenzgang ist so präzise, dass über einen Bereich von 20Hz – 20kHz, Abweichungen von nur +/- 0,5 dB auftreten. ...................... Weitere technische Daten in Englisch. ........... ********************************************************************************************** Inside Cover: Black with heartbeat line, lyrics, and credits. To the right of the credits, it says: Imported Pressing and Plating ................ Super High Definition Vinyl (extended life) ................ Special Static Free-Dust Free Inner-Sleeve ................ Special Heavy Duty Protective Packaging ................ Source: the Original Stereo Master Tape ................ Inner Sleeve: The record is housed in a special static-free inner sleeve. ................ ********************************************************************************************* Inserts: ................ 1) A 4-page fold-open, heavy cardboard record cover with "LIMITED EDITIONS FROM THE ORIGINAL MASTERS" on the front, an MFSL catalog in the center, and the story of MFSL on the back. ................ 2) An 8 inch by 5 inch yellow certificate of Limited Warranty from Mobile Fidelity Sound Lab, with a form on back for return of a defective record. ................ 3) An 11 inch by 8 1/2 inch two-sided Geo-Disc ad with order form on back. Plastic Cover: Released covered in a clear-plastic cover. ................ ************************************************************************************************** Technical Specifications: ........... Distortion: Distortion was so low on MFSL UHQR records that nearly theoretical values were achieved. Low, mid, and high range distortions were improved by 12, 10 and 6 dB or more, respectively. Frequency Response: Frequency response on MFSL UHQR records is flat. Its accuracy is within plus or minus 0.5 dB, whereas conventional records have a frequency response of plus or minus 3 dB. Record Quality: Production of UHQR records by MFSL produced minimal individual disc quality variations. ........... Surface Vibration: Mid-range disc surface vibration at 700 Hz was reduced by 10 dB. Wear Resistance: Because MFSL UHQR records are flat, thick, and free from physical shape distortion, there is relatively little wear resistance. ........... Pressing made from the master stamper at the The Victor Company of Japan (JVC) in Yokohama, Japan during 1981. ........... ***************************************************************************************************

Zustand121: MINT / MINT = DIESE LP WURDE NUR 1x ZU PRÜFZWECKEN MIT EINEM HOCHWERTIGEN ORTOFON-TONABNEHMER ABGESPIELT ----- EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES) ----- MADE IN JAPAN ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING !! (FIRST-MFSL-JAPANPRESSING-SERIES !!) MASTERED BY STAN RICKER IN USA ----- ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- TRAUMHAFTER KLANG !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !! )..... BITTE ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " MINT / MINT " QUALITY !! ...... )

Best.-Nr.: MFSL 1-017 ----- LIMITED EDITION ----- OUT OF PRINT ----- EINE ABSOLUT NEUWERTIGE MFSL-HALFSPEED LP/RECORD (FIRST-MFSL-JAPANPRESSING-SERIES)

Preis: EUR SOLD OUT