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***************************** ORIGINAL MFSL 24KARAT-GOLD-CD AUS DEN USA ******************************
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**************************** OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! *****************************
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*****-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE MFSL-GOLD-CD!!-*******
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****************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! **********************
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..... with following tracks / titles: .....
....................... Track listing ...............................
1. Synchronicity I ...........................
2. Walking in Your Footsteps ........................................
3. O My God ............................
4. Mother ...........................
5. Miss Gradenko ............................
6. Synchronicity II ..............................
7. Every Breath You Take ................................
8. King of Pain ..........................
9. Wrapped Around Your Finger .............................
10. Tea in the Sahara .........................
11. Murder by Numbers .............................
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..... ORIGINAL RECORDING 1983 BY A&M RECORDS IN USA ..........
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....... Album notes: .......
Simultaneously more pop-oriented and experimental than either Ghost in the Machine or Zenyatta Mondatta, Synchronicity made the Police superstars, generating no less than five hit singles. With the exception of "Synchronicity II," which sounds disarmingly like a crappy Billy Idol song, every one of those singles is a classic. "Every Breath You Take" has a seductive, rolling beat masking its maliciousness, "King of Pain" and "Wrapped Around Your Finger" are devilishly infectious new wave singles, and "Tea in the Sahara" is hypnotic in its measured, melancholy choruses. But, like so many other Police albums, these songs are surrounded by utterly inconsequential filler. This time, the group relies heavily on jazzy textures for Sting's songs, which only works on the jumping, marimba-driven "Synchronicity I." Then, as if to prove that the Police were still a band, there's one song apiece from Stewart Copeland and Andy Summers, both of which are awful, as if they're trying to sabotage the album. Since they arrive on the first side, which is devoid of singles, they do, making the album sound like two EPs: one filled with first-rate pop, and one an exercise in self-indulgence. While the hits are among Sting's best, they also illustrate that he was ready to leave the Police behind for a solo career, which is exactly what he did. ~ Stephen Thomas Erlewine ...
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... Voted Best Rock Performance by a Duo or Group with Vocals in the '83 Grammys, SYNCHRONICITY was the fifth in a string of successes for The Police. The single "Every Breath You Take," also earning a Grammy, was written by Sting in ten minutes in a middle-of-the-night inspiration, after which he went back to sleep. Fancy knowing you were going to break up and yet be able to record and produce this masterpiece. The world domination of the Police was as calculated and planned as was their departure. Each of the intervening albums have something special but the power of tracks such as 'Synchronicity II', and the haunting quality of 'Every Breath You Take' (you really believe Sting when he says, 'I'll be watching you') give this record the edge. The only tracks less than brilliant are Summers' and Copeland's offerings, a fact of which they must all have been aware. They bowed out while they were still winning ...................
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