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Produkt Detailansicht:

BOB DYLAN ----- THE TIMES THEY ARE A - CHANGIN` ----- ORIGINAL MFSL-JAPAN-LP-(FIRST-MFSL- JAPANPRESSING-SERIES) ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... ORIGINAL MASTER RECORDING USA (FIRST-MFSL-JAPANPRESSING-SERIES) / ...... EXTREM RARE AUDIOPHILE-JVC-HALFSPEED-JAPANPRESSUNG / ..... ORIGINAL MFSL RECORDS - USA / ..... ORIGINAL AUFNAHMEN 1964 BEI COLUMBIA RECORDS IN USA / ..... ORIGINAL RECORDING 1964 BY COLUMBIA RECORDS IN USA / ...... RE-MASTERED BY MOBILE FIDELITY SOUND LAB IN USA / ...... LIMITED EDITION ....... LONG-OUT OF PRINT!!...... DIESE SEHR WERTVOLLE MFSL-LP-JAPANPRESSUNG IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... TRAUMHAFTER KLANG !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-LP-HALFSPEED-JAPANPRESSUNG !! ..... ONE OF THE LAST COPIES WORLDWIDE IN THIS PERFECT - FACTORY SEALED - QUALITY !! ..... )

**************************************************************************************************1 The Times They Are A-Changin' (Vinyl, LP, Album, Reissue, Remastered, Stereo) album cover Bob Dylan ‎– The Times They Are A-Changin' Label: Mobile Fidelity Sound Lab ‎– MFSL 1-114 Series: Original Master Recording – Format: Vinyl, LP, Album, Reissue, Remastered, Stereo Country: US Released: 1983 Genre: Blues, Folk, World, & Country Style: Folk Tracklist A1 The Times They Are A-Changin' 3:12 A2 Ballad Of Hollis Brown 5:03 A3 With God On Our Side 7:05 A4 One Too Many Mornings 2:38 A5 North Country Blues 4:33 B1 Only A Pawn In Their Game 3:30 B2 Boots Of Spanish Leather 4:38 B3 When The Ship Comes In 3:15 B4 The Lonesome Death Of Hattie Carroll 5:45 B5 Restless Farewell 5:32 Companies, etc. Licensed From – Columbia Records Licensed From – CBS Inc. Manufactured By – MFSL, Inc. Distributed By – MFSL, Inc. Mastered At – Original Masteringworks Pressed By – Victor Company Of Japan, Ltd. Credits Liner Notes – Bob Dylan Photography By [Front Cover] – Barry Feinstein Producer – Tom Wilson (2) Written-By – Dylan* Notes Half-Speed Production and Mastering by Original Masteringworks™ - Specially plated and pressed on High Definition Vinyl by Victor Company Of Japan Ltd.™ - Special Static Free-Dust Free Inner Sleeve™ - Special Heavy Duty Protective Packaging™ - Source: The Original Stereo Master Tape™ - Mastered With The Ortofon Cutting System™ - Manufactured And Distributed by MFSL, Inc., Petaluma, CA 94952 under license from Columbia Records / CBS, Inc. Inc. Ⓡ Columbia Records / CBS Inc Pressed in Japan Barcode and Other Identifiers Matrix / Runout (Label Side 1): MFSL 1-114A3 Matrix / Runout (Label Side 2): MFSL 1-114B3 *************************************************************************************************** ............... The Times They Are a-Changin' is the third of Bob Dylans thirty four studio albums and opens with the title track, one of Dylan's most famous songs. Dylan's friend, recalls visiting Dylan's apartment where he saw a number of song manuscripts and poems lying on a table. "The Times They Are a-Changin' had yet to be recorded, but Glover saw its early manuscript. After reading the words "come senators, congressmen, please heed the call", Glover reportedly asked Dylan: "What is this shit, man?", to which Dylan responded, "Well, you know, it seems to be what the people like to hear". ..................................... Dylan recalled writing the song as a deliberate attempt to create an anthem of change for the moment. In 1985, he told Cameron Crowe: "This was definitely a song with a purpose. It was influenced by the Irish and Scottish ballads ... I wanted to write a big song, with short concise verses that piled up on each other in a hypnotic way." The climactic lines of the final verse: "“The order is rapidly fadin'/ And the first one now/ Will later be last/ For the times they are a-changin'” have a Biblical ring, and several critics have connected them with lines in the Gospel of Mark, 10:31, ""But many that are first shall be last, and the last first." ................................. A self-conscious protest song, it is often viewed as a reflection of the generation gap and of the political divide marking American culture in the 1960s. Dylan, however, disputed this interpretation in 1964, saying "Those were the only words I could find to separate aliveness from deadness. It had nothing to do with age." A year later, Dylan would say: "I can't really say that adults don't understand young people any more than you can say big fishes don't understand little fishes. I didn't mean "The Times They Are a-Changin'" as a statement... It's a feeling." "Ballad of Hollis Brown", is described by Clinton Heylin as a "'tragic tale of independence and free will' culled from the folk idiom, it is a grim, rural Gothic story of a father killing his starving family." ("There's seven people dead in a South Dakota farm"). ........................ "With God on Our Side" was first performed at New York's Town Hall on April 12, 1963. Although Dylan claims it is an original composition, the melody to "With God on Our Side" bears a striking resemblance to "The Patriot Game", the lyrics of which were written by Dominic Behan and the melody borrowed from the traditional Irish folk song, "The Merry Month Of May". Behan called Dylan a plagiarist and a thief, in an attempt to goad Dylan into a lawsuit; Dylan made no response. ................................. Scottish song writer Jim McLean recalls Dylan asking him in late 1962: "'What does it mean, 'Patriot Game'?'... I explained, to him about Dr Johnson, who's one of Dominic's favourite writers, and that's where Dominic picked up [the] saying: 'Patriotism is the last refuge of a scoundrel.'" NPR's Tim Riley writes: "'With God on Our Side' manages to voice political savvy mixed with generational naivete" as it "draws the line for those born long enough after World War I to find its issues blurry ('the reasons for fightin'/I never did get') and who view the forgiveness of the World War II Germans as a farce." ........................... Dylan then follows with a soft, understated ballad: "One Too Many Mornings". "It's the sound of someone too smitten by love to harbor regrets, grown too independent to consider a reunion," writes Riley. One of the more celebrated songs on The Times They Are a-Changin'. ........................... "North Country Blues" tells the story of a mining company's decision to outsource its operations to countries where labor costs are cheaper than in the U.S.A. ("It's much cheaper down in the South American towns/Where the miners work almost for nothing".) The song marks the first time Dylan wrote a narrative from the point-of-view of a woman: the ex-wife of a miner whose work has disappeared. This has been described by critics as Dylan's portrait of his home town, Hibbing, Minnesota. ........................ Dylan first performed "Only a Pawn in Their Game" at a voter registration rally in Greenwood, Mississippi. The song refers to the murder of Medgar Evers, the Mississippi leader of the NAACP. Civil rights activist Bernice Johnson later told critic Robert Shelton that "'Pawn' was the very first song that showed the poor white was as victimized by discrimination as the poor black. The Greenwood people didn't know that Pete [Seeger], Theo[dore Bikel] and Bobby [Dylan] were well known. They really like Dylan down there in the cotton country." ...................... The melody for "Boots of Spanish Leather" was inspired by Martin Carthy's arrangement of the English folk song "Scarborough Fair" (also the melody of an earlier Dylan composition, "Girl from the North Country"). While in Italy, Dylan created an early draft of "Boots of Spanish Leather". Salon.com critic Bill Wyman called the song "an abstract classic and one of the purest, most confounding folk songs of the time." ........................... According to Clinton Heylin's biography of Dylan, "When The Ship Comes In" was written in August 1963 "in a fit of pique, in a hotel room, after his unkempt appearance had led a hotel clerk to refuse him admission Joan Baez, had vouched for his good character." Heylin speculates that "Jenny's Song" from Brecht and Weill's Threepenny Opera was also an inspiration: " As Pirate Jenny dreams of the destruction of all her enemies by a mysterious ship, so Dylan envisages the neophobes being swept aside in 'the hour when the ship comes in'." Dylan's former girlfriend Suze Rotolo recalls that her "interest in Brecht was certainly an influence on him. I was working for the Circle in the Square Theatre and he came to listen all the time. ........................ "The Lonesome Death of Hattie Carroll" tells the story of a hotel barmaid who died after being struck by a wealthy white man. The song was inspired by Dylan's reading a newspaper account of the incident which took place in a hotel in Maryland, in February 1963. .................. ........................ The closing song of the album, "Restless Farewell" takes its melody from the traditional Irish-Scots song, "The Parting Glass". Dylan's lyrics have an edge due to the way that Newsweek had treated Dylan. In a profile of the singer, Dylan was portrayed as someone who had lied about his middle-class origins. It was implied that Dylan had plagiarised the lyrics of his best-known composition, "Blowin' In the Wind". Stung by these untrue allegations, Dylan composed a song about the pain of having "the dust of rumor" flung in his eyes. He swiftly recorded the work a few days after the Newsweek profile appeared on October 31, 1963. The album ends with Dylan's vow "I'll make my stand/ And remain as I am/ And bid farewell and not give a damn". ................. ******************************************************************************************* ........................ tracklisting: .................... Side one ................. "The Times They Are a-Changin'" – 3:15 ................. "Ballad of Hollis Brown" – 5:06 ................. "With God on Our Side" – 7:08 ................. "One Too Many Mornings" – 2:41 ................. "North Country Blues" – 4:35 ................. Side two ................. "Only a Pawn in Their Game" – 3:33 ................. "Boots of Spanish Leather" – 4:40 ................. "When the Ship Comes In" – 3:18 ................. "The Lonesome Death of Hattie Carroll" – 5:48 ................. "Restless Farewell" – 5:32 ................. ************************************************************************************************** --------------------------------------------------------------------------------------------------- ..................... One of the darkest of Dylan abums, THE TIMES THEY ARE A CHANGING is an all-acoustic folk protest album that has gone down in history. It is the work of a 22 year old in 1964 who sounds no less sick of it all than the ailing 55 year old who made TIME OUT OF MIND. Pop culture took a huge revolution I the early mid-sixties. There’s a place her for rousing protests such as the title track and WHEN THE SHIP COMES IN is a folk song about the coming of Christ but those songs are outnumbered by the equally powerful pessimistic likes of ONLY A PAWN IN THEIR GAME is one of Dylan’s best songs ever written -- a phenomenal anti-racial tale about Medgar Evans , THE LONESOME DEATH OF HATTIE CAROLL, AND THE BALLAD OF HOLLIS BROWN. Ithere are two love songs to break the mood, BOOTS OF SPANISH LEATHER and ONE TOO MANY MORNINGS, a beautiful ballad sung so gently that you begin to wonder if Dylan was afraid he was being too painful with his sharp criticism of society. THE TIMES THEY ARE A CHANGING is a work of profound grace, power and conviction. ..................................... -------------------------------------------------------------------------------------------------- ************************************************************************************************** .......................BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! .................................................. DAS AMERIKANISCHE LABEL MFSL(MOBILE FIDELITY SOUND LAB) HAT IN DEN ACHTZIGER JAHREN WOHL WELTWEIT DIE BESTEN SCHALLPLATTEN (LP`S) PRODUZIERT.....IMMER IN LIZENZ NUR VON DEN ORIGINAL MASTERBÄNDERN.....UND IM HALFSPEED VERFAHREN.....IN EINEM HOCHWERTIGEN MASTERING MIT DEM BEST MÖGLICHEN EQUIPMENT .....DIE PRESSUNG ERFOLGTE IN JAPAN AUF FEINSTEM VIRGIN VINYL(SUPER HIGH DEFINITION VINYL)......DAHER DER EINZIGARTIGE KLANG DIESER AUFNAHMEN......SOMIT AUCH TEURER ALS NORMALE LP PRESSUNGEN.......MFSL-LP´s SIND UNTER SAMMLERN UND MUSIKGENIESSERN WELTWEIT SEHR BEGEHRT UND SEHR GESUCHT.......!!........ALLE LP`s BEFINDEN SICH IN DEM MFSL EIGENEN HOCHWERTIGEN ANTISTATISCHEN INNERSLEEVE UND SIND DURCH DEN MFSL EIGENEN PAPPINNENTEIL ALS VERSTÄRKUNG ZUM SCHUTZ DER LP`s AUSGESTATTET!! ................................................................................... BESTE QUALITÄT - WELTWEIT !!.....BEST QUALITY - WORLDWIDE !! ....................... ***********************************************************************************************

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Best.-Nr.: MFSL 1-114 ----- ( SALE = AUSVERKAUF 06/19 ) ----- (FIRST-MFSL-JAPANPRESSING-SERIES) ----- LIMITD EDITION ----- ( OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) ---

Preis: EUR 599,99 (minus 50% discount/rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! = (PERFECT FACTORY SEALED = NONE SEAMSPLITS, NONE DENTS, NONE TEARS !!) ----- ORIGINAL MFSL-HALFSPEED-JAPANPRESSING (FIRST-MFSL-JAPANPRESSING-SERIES - MADE IN JAPAN)!! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, AUDIOPHILE, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... ONE OF THE LAST COPIES WORLDWIDE IN THIS PERFECT - FACTORY SEALED - QUALITY !! ..... )