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LAZAR BERNMAN(brilliant Soviet Pianist)----- LIVE AT CARNEGIE HALL - 1979 ---- AUDIOPHILE DOPPEL-LP/RECORD ----- AUDIOPHILE MASTERSOUND PRESSING IN USA ----- LIMITED EDITION ----- ( .... MEGA RARE AUDIOPHILE CBS MASTERSOUND PRESSUNG IN HOLLAND !! / ..... CBS MASTERSOUND RECORDING USA / ......GESUCHTE AUDIOPHILE CBS MASTESOUND PRESSUNG / ......ORIGINAL AUFNAHMEN 1978-1979 BEI COLUMBIA RECORDS USA / ..... ORIGINAL RECORDING 1978-1979 BY CBS-RECORDS IN USA / .....LIMITED EDITION / ......ORIGINALAUFNAHMEN 1978-1979 BEI COLUMBIA RECORD IN USA / .....DIESE DOPPEL-LP/RECORD IST = NEU = MINT !! UND WURDE NUR 1x ZU PRÜFZWECKEN GESPILET !! (SORRY, ..... PLAYED ONCE FOR TEST !!) / ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION (ONE SAMPLE) !! ..... )

************************************************************************************************* Live At Carnegie Hall (Vinyl, LP, Album, Promo) album cover Lazar Berman ‎– Live At Carnegie Hall Label: CBS Mastersound ‎– 2M35903 Series: CBS Masterworks – Format: 2 × Vinyl, LP, Album, Promo, Gatefold Country: US Released: 1982 Genre: Classical Style: Romantic, Classical Tracklist Show Credits A1 Sonata In B Minor Op. 40 No. 2 15:50 A1.1 Molto Adagio E Sostenuto. Allegro Con Fuoco E Con Espressione A1.2 Largo, Mesto E Patetico. Allegro. Molto Adagio.Presto A2 Rondo In A Minor KV 511 8:42 B1 Sonata No. 8 In C Minor, Op. 13 "Pathétique" B1.1 Grave. Allegro Di Molto E Con Brio 8:10 B1.2 Adagio Cantabile 5:00 B1.3 Rondo. Allegro 4:13 C1 Sonata No. 2 In B-Flat Minor, Op. 35 C1.1 Grave. Doppio Movimento 7:34 C1.2 Scherzo. Trio. Più Lento 7:29 C1.3 Marche Funébre. Lento 8:42 C1.4 Finale. Presto 1:12 D1 Trauer Prelude Und Trauemarsch 7:25 D2 Rhapsodie Espagnole 12:57 D3 Nocturne No. 19 In E Minor, Op. 72 No. 1 4:45 D4 Prelude No. 2 2:43 Notes Digital Recording Audiophile Pressing Barcode and Other Identifiers Barcode: 0 7464-35903-0 Other: Library Of Congress 79-750565 ************************************************************************************************ ........................... TRACKLISTING: ......................... CLEMENTI - SONATA OP. 40 .............................. MOZART - RONDO .............................. BEETHOVEN - SONATA OP. 13 .............................. CHOPIN - SONATA OP. 35 .............................. LISZT - TRAUERVORSPIEL UND TRAUERMARSCH .............................. LISZT - RHAPSODIE ESPAGNOLE .............................. *************************************************************************************** About Lazar Berman Hailed by some as the third primary figure among great Russian pianists of the twentieth century's second half, Lazar Berman has occasionally lived up to that reputation, but frequently has not. Emil Gilels, the first genius-level Soviet pianist to become well-known in the West, insisted that there was one artist, yet unheard in the West, who was the greater artist. Later, after Sviatoslav Richter's arrival in Europe and America, most felt Gilels had been correct. Still later, however, Gilels maintained that yet another pianist, Lazar Berman, was the finest of the three. After the initial stir created by Berman's 1976 American tour and other appearances in the West, critical opinion held that, while he was an extraordinary if uneven artist, he was not superior to the protean Richter or to the clear-minded Gilels. Still, his art was of an order by no means common. Trained at first by his mother, Anna Makhover, a former student of the pre-Revolutionary St. Petersburg Conservatory, Berman at age three and a half was placed under the tutelage of Samary Savschinsky at the Leningrad Conservatory and gave his first public performance at age four. When his family moved to Moscow in 1939, Berman came to the attention of the celebrated pianist Alexander Goldenweiser, who instructed young Lazar first at the Moscow Central Children's Music School, later at the Moscow Conservatory. Just a year after the move, Berman performed Mozart with the Moscow Philharmonic. Berman remained at the Conservatory through his post-graduate studies, completing his work there in 1957 after having won prizes at Brussels' Queen Elisabeth Competition in 1956 and at the Franz Liszt Competition in Budapest. During a tour of the West, he recorded Beethoven's Appassionata and Liszt's Sonatas for piano in B minor in London. The recording whetted appetites for more Berman performances, but the pianist was forbidden to travel further between 1959 and 1971 owing to his having taken a French wife. Meanwhile, recordings of Liszt, made for the Soviet Melodiya label, found their way to Europe and America, keeping alive interest in Berman's astounding technique and brio in the Romantic repertory. Once he was able to resume foreign tours in the mid-'70s, Berman's reputation rose to stratospheric levels as audiences praised not only his seemingly unshakeable technique, but also his musical authority. His 1976 American tour played to sold-out houses and brought him return bookings, as well as debuts in London, Paris, and other major Continental centers. His recording of Tchaikovsky's Piano Concerto No. 1 with Herbert von Karajan and the Berlin Philharmonic became a best-seller. After the flourishes waved his way in the 1970s, Berman's critics began to focus on the pianist's limitations. Surely, there were few who could play Liszt as he did, or Rachmaninoff, Tchaikovsky, and Scriabin. The composers of pre-Romantic times, however, were another matter. The strictures of that age were uncongenial to one so overtly big-boned in technique, so openly Romantic in temperament. Then in 1980, the discovery of forbidden American literature in his luggage led to another ban on foreign travel. The Soviets did recognize his importance by making him an Honored Artist in 1988, but after the collapse of the U.S.S.R., Berman abandoned Moscow in 1990 to teach in Norway and Italy, making his home in the latter country ever since and acquiring Italian citizenship in 1994. In later life he taught at Imola and performs with his violinist son, Pavel. *************************************************************************************** ................... DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNENHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LP-KAUF IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................*** WITH MONEY BACK GUARANTEE *** ............................ ****************************************************************************************

Zustand121: NEW = MINT = EINE ABSOLUT NEUWERTIGE AUDIOPHILE CBS-MASTERSOUND-DOPPEL-LP/RECORD AUS DEN USA !! (DIESE DOPPEL-LP/RECORD WURDE NUR 1x ZU PRÜFZWECKEN GESPIELT !!(SORRY, .... PLAYED ONCE FOR TEST!!) ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION (ONE SAMPLE) !! ...... SIEHE XXL-FOTO (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " NEW = MINT " QUALITY !! ..... )

Best.-Nr.: CBS 2M 35903 ----- ( SALE = AUSVERKAUF-C 10/18 ) ----- OUT OF PRINT - C ----- AUDIOPHILE CBS-MASTERSOUND double-LP/RECORD ----- (RARITÄT !!)

Preis: EUR 99,99 Euro (SALE/DISCOUNT = minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 49,99 Euro) ----- NEW = MINT = EINE ABSOLUT NEUWERTIGE AUDIOPHILE CBS-MASTERSOUND-DOPPEL-LP/RECORD AUS DEN USA !! (DIESE DOPPEL-LP/RECORD WURDE NUR 1x ZU PRÜFZWECKEN GESPIELT !!(SORRY, .... PLAYED ONCE FOR TEST!!) ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION (ONE SAMPLE) !! ...... SIEHE XXL-FOTO (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " NEW = MINT " QUALITY !! ..... )


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