Produktsuche

Gesamtkatalog

• Audiophile Pop -Rock LP's
  • MFSL - HALFSPEED-LP`s USA (Out of Print )
  • DCC-audiophile LP`s USA(180gVinyl-Out of Print)
  • Nautilus-audiophile Half-Speed Lp`s(Out of Print)
  • Sweet Thunder-Halfspeed Lp`s-USA (Out of Print)
  • A & M Half-Speed LP`s (Out of Print )
  • Simply Vinyl - LP`s (180g Reissue´s)
  • Audiophile Pop-Rock Lp`s (viele Japanpressungen)
  • Pop-Rock-Folk Lp`s (Normalpressungen)
  • EASY LISTENING LP ( ORIGINALE & REISSUES )
  • Testpressungen - LP (Pop-Jazz-Classic)
  • Sheffield Lab - LP`s USA (Jazz/Pop & Classic)
  • Stereoplay-Highlights (audiophile Halfspeed LP`s)
  • American Grammaphone LP`s (Mannheim Steamroller)
  • CBS-Mastersound LP`s (Half-Speed-USA)
  • Telarc (audiophile LP`s / Classic-Jazz)
  • Audiophile Cassetten (MFSL)
  • 45RPM-SINGLES / MAXI-SINGLES POP/ROCK
  • POP-ROCK-LP´s / JAPANPRESSUNGEN
• Audiophile Jazz LP's
• Audiophile Classic LP's
• Audiophile Pop - Rock - Jazz - Classic CD's

Produkt Detailansicht:

TOTO ----- TOTO IV ----- 200GRAM VINYL MFSL-ANADISC SERIES, USA ----- EXTREMELY RARE, NEUWERTIGE MFSL-ANADISC-TESTPRESSING (A4-B1)!! ----- WITH A WHITE TEST-PRESSING-COVER !! ----- ( ...... ULTRA RARE AUDIOPHILE MFSL-ANADISC-TESTPRESSING-LP !! / ..... IN EINEM WEISSEN TESTPRESSING-COVER / ..... RE-MASTERING BY MOBILE FIDELITY SOUND LAB, USA / ...... TEST-HALFSPEED MASTERED IN USA BY MOBILE FIDELITY SOUND LAB / ..... ORIGINAL MASTER RECORDING USA / ..... 200g HIGH QUALITY VINYL - MFSL- ANADISC / ..... ORIGINALAUFNAHMEN 1982 BEI COLUMBIA RECORDS IN USA / ..... ORIGINAL RECORDING 1982 BY COLUMBIA RECORDS IN USA / ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... OUT OF PRINT ...... TRAUMHAFTER KLANG !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - TESTPRESSING - QUALITY !! ...... EINE IN DIESER QUALITÄT WELTWEIT WOHL KAUM NOCH ZU FINDENDE MFSL-ANADISC-HALFSPEED-TESTPRESSING-LP !! ..... LIMITED EDITION !!..... LP WURDE KAUM GESPIELT !! ..... LP IST NEUWERTIG !! .......... HIERVON GIBT ES WOHL WELTWEIT NUR ETWA 6-10 EXEMPLARE !! = MADE 6-10 COPIES WORLDWIDE !! ....... )

*************************************************************************************************** ********************** NEUWERTIGE MFSL-ANADISC LP-TESTPRESSUNG - MADE IN USA ********************* ******************* WITH A ORIGINAL WHITE TESTPRESSING-COVER - MADE IN USA !! ******************* *************************************************************************************************** **** ULTRA RARE ORIGINAL MFSL-MOBILE FIDELITY SOUND LAB RECORDS - TESTPRESSING MADE IN USA **** **************************************************************************************************** ************************** LIKE NEW - LP-TESTPRESSING - MADE IN USA !!************************** ************************************************************************************************** ************************************************************************************************* TRACK LISTING* ..... rosanna ..... make believe ..... i won't hold you back ..... good for you ..... it's a feeling ..... afraid of love ..... lovers in the night ..... we made it ..... waiting for your love ..... africa ..... ************************************************************************************************* ............................. Review by William Ruhlmann ................................. It was do or die for Toto on the group's fourth album, and they rose to the challenge. Largely dispensing with the anonymous studio rock that had characterized their first three releases, the band worked harder on its melodies, made sure its simple lyrics treated romantic subjects, augmented Bobby Kimball's vocals by having other group members sing, brought in ringers like Timothy B. Schmit, and slowed down the tempo to what came to be known as "power ballad" pace. Most of all, they wrote some hit songs: "Rosanna," the old story of a lovelorn lyric matched to a bouncy beat, was the gold, Top Ten comeback single accompanying the album release; "Make Believe" made the Top 30; and then, surprisingly, "Africa" hit number one ten months after the album's release. The members of Toto may have more relatives who are NARAS voters than any other group, but that still doesn't explain the sweep they achieved at the Grammys, winning six, including Album of the Year and Record of the Year (for "Rosanna"). Predictably, rock critics howled, but the Grammys helped set up the fourth single, "I Won't Hold You Back," another soft rock smash and Top Ten hit. As a result, Toto IV was both the group's comeback and its peak; it remains a definitive album of slick L.A. pop for the early '80s and Toto's best and most consistent record. Having made it, the members happily went back to sessions, where they helped write and record Michael Jackson's Thriller. .................................... ************************************************************************************************* ................................. ALBUM NOTES: ......................................... ......................... Toto: Steve Lukather (vocals, guitar, piano); David Paich, Steve Porcaro (vocals, keyboards); Bobby Kimball (vocals); David Hungate (bass); Jeff Porcaro (drums, percussion). Additional personnel: James Newton Howard (conductor); Mike Porcaro (cello); The Martyn Ford Orchestra (strings); Jim Horn (recorder, saxophone); Tom Scott, Jon Smith (saxophone); Jerry Hey, Gary Grant (trumpet); Jimmy Pankow (trombone); Ralph Dyck (synthesizer); Joe Porcaro (marimba, xylophone, tympani, percussion); Lenny Castro (congas, percussion); Roger Linn (keyboard programming); Tom Kelly, Timothy B. Schmit (background vocals). Engineers: Al Schmitt, Tom Knox, Greg Ladanyi. ........................................ Principally recorded at Sunset Sound and Record One, Los Angeles, California. Record mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique. ................................... ************************************************************************************************** --------------------------------------------------------------------------------------- *************************************************************************************************** Production Information: Metal Laquer Disc Cutting: To produce an ANADISQ 200 LP, the disc cutting process began with the use of the original stereo master tape. To cut the metal lacquer, the disc cutting turntable was rotated at 16 2/3 rpm, while the master tape was played at one-half the actual recorded speed. This half-speed disc cutting process allowed the cutting stylus twice as much time to carve an accurate groove. The GAIN system was used in the process, which featured Pass SE units with only three gain stages in the signal path. This resulted in minimal signal degradation and better quality discs. No transformers or limiters were used in the process. Plating Process: MFSL used a unique 18-24 hour plating process where the lacquers were processed into the metal masters and stampers used to produce the ANADISQ 200 pressings. The number of final pressings was restricted to insure the quality of every pressing. Production Length: Each ANADISQ 200 Original Master Recording release required a minimum of three months to complete. Sound Quality of LPs vs. CDs: There has been much debate between music listeners over whether vinyl albums or compact discs have the better sound quality. It is interesting to note that MFSL continued producing vinyl record albums into the 1990s, investing heavily in a record pressing plant long after vinyl albums had been replaced in record stores by the CD. Discussing this issue in an article about MFSL in Goldmine Magazine, Mobile Fidelity Sound Lab engineer Shawn Britton talked about the sound of vinyl LPs, stating, "There's a lot more to sound than just what your ears perceive. There's psychoacoustics, and mathematically because of the sample rate of typical compact discs, you're missing information. You're looking out your bay window, onto the river, and you can crank those vertical blinds slightly to where they're not parallel any more, they start closing. That's what CD audio is like. A bit of the information is missing. And in comparing CD to LP, the resolution's not there. That's why a lot of the audiophiles say LPs sound better. A lot of people can perceive that. If you play it for them, and you A/B with a very valid comparison, same cabling, same pre-amp, same amplification, you do an A/B switching, most people can perceive that. Joe and Jane six-pack, if you point out to them how to listen, they say, "I see what you mean." What most people hear is the room, the ambient information. That lack of information is what we address in our analog-to-digital converter technology. With custom built high-resolution electronics from Theta Digital, we can get the listener closer to the actual sonics of the master tape, closer to the LP sound." Vinyl Weight: MFSL ANADISQ 200 LPs were pressed on high quality vinyl with a standard mass of approximately 200 grams. *************************************************************************************************** ................................. DIESE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNEHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI DER BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP ANSTANDLOS ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LP-KAUF IST EINE VERTRAUENSSACHE !! ....... SORRY......I have verified and evaluated all used LPs and CDs according to the official collectors rating. I will take any LP or CD back, if you are not satisfied with the quality of the item and disagree with my rating. .... SORRY, I GIVE ...... .....*** WITH MONEY BACK GUARANTEE ***..................... ************************************************************************************************* 1) Test Press - These are the actual 1st press - These do exists from MFSL in plain white cover with Test Press Labels. These would be the absolute cleanest copy but are Very Rare and not many copies are even made ************************************************************************************************* 2) Demonstration Copy - These are the 2nd press - These are printed prior to the very first copy of the record is pressed for the consumer to purchase. These are inspected to make sure they are perfect so they can be used as a Demo Disc. Rare ************************************************************************************************** 3) Standard Numbered or Limited Press - These are the 3rd press - These are the copies you can or could purchase. If you want an early press a press prior to the standard press for absolute best quality then a Test Press or Demonstration Copy is what you should seek. I was the former Mobile Fidelity Representative these have been in storage for 20 plus years. **************************************************************************************************

Zustand121: M- / M- = NEUWERTIGE MFSL-ANADISC-TESTPRESSING !! ----- WELTWEIT NUR 6-10 EXEMPLARE !! ----- ORIGINAL MFSL-200GRAM-ANADISC-HALFSPEED-LP ----- LONG-OUT OF PRINT ----- WITH A WHITE TEST-PRESSING-COVER !! ----- ( ...... EXTREMELY RARE MFSL-HALFSPEED-LP/RECORD !! ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-MFSL-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-MFSL-LP/RECORD-COLLECTION (ONE COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH QUALITY - !! ...... )

Best.-Nr.: MFSL 1-250 (A4-B1) ----- OUT OF PRINT ----- ( EXTREM RARE, NEUWERTIGE MFSL-ANADISC-TESTPRESSUNG !! ) ----- WITH A WHITE TEST-PRESSING-COVER !! -----

Preis: EUR OUT OF STOCK