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• Audiophile Pop -Rock LP's
• Audiophile Jazz LP's
  • DIRECT-TO-DISC-LP´s (DIREKTSCHNITTE)
  • Audiophile Jazz Lp`s (viele Japanpressungen)
  • Impulse Jazz Lp`s-USA (Out of Print)
  • Audioquest Lp`s-USA - Blues&Jazz (Out of Print)
  • ECM Jazz Lp`s (German Pressing)
  • Enja Jazz Lp`s (German Pressing)
  • CMP Jazz/Rock Lp`s (German Pressing)
  • Mosaic - audiophile Jazz Lp-Boxen (u. andere..)
  • Steeple Chase - audiophile Jazz Lp`s
  • Jazz- Lp`s (Normalpressungen)
  • Analogue Productions- audiophile LP´s USA
  • Cardas Records-audiophile LP`s USA (Folk & Jazz)
  • ESA Records-audiophile LP`s(Folk,Jazz & Pop)
  • IN & OUT audiophile Jazz - LP´s
• Audiophile Classic LP's
• Audiophile Pop - Rock - Jazz - Classic CD's

Produkt Detailansicht:

DUKE ELLINGTON & JOHN COLTRANE ----- DUKE ELLINGTON & JOHN COLTRANE ----- (......OUT OF PRINT!! /.....LIMITIERTE NEUE JAPANPRESSUNGEN 2007 !! /.........RARE JAPANPRESSUNG MIT BANDEROLE - OBI IN EINEM WERTIGEN ORIGINAL-KLAPPCOVER(GATEFOLD COVER) /.....ORIGINAL MONO AUFNAHMEN 1962 BY IMPULSE RECORDS(IMPULSE A-30)IN USA / ......JAPANPRESSING BY UNIVERSAL RECORDS 2007 JAPAN / .....AUF FEINSTEM 200 GRAMM VINYL IN JAPAN GEPRESST!! /.....JAPAN LP REISSUE 2007 MIT JAPANISCHEM BEIBLATT / .....DIESE SEHR WERTVOLLE,LIMITIERTE JAPAN-LP WURDE BISLANG NOCH NICHT GESPIELT = UNPLAYED !!.....ABSOLUTER NEUZUSTAND!!..... TAS EMPFEHLUNG !! .....)

************************************************************************************************* ......................... Coltrane, John - Duke Ellington & John Coltrane (200 g, Japan) .............................................. Duke Ellington - piano ..... John Coltrane - tenor - & soprano sax. ..... Jimmy Garrison & Aaron Bell - bass ..... Sam Woodyard & Elvin Jones - drums .......................................... Aufnahmen 26. September 1962. ........................................................................... Wenn zwei solche Stars aufeinandertreffen, dann darf der Jazzfan zweifellos gespannt sein. Auf dieser LP tritt ein subtiles Zusammenspiel zutage, die Stücke sind meist sehr atmosphärisch und verbinden Tradition mit Moderne in recht melodischer Weise, wobei besonders Coltrane sich von seiner angenehmen Seite zeigt. Das schönste Stück ist die Billy Strayhorn-Ballade „My Little Brown Book“. ....................................................................... * Interpret: John Coltrane ..... * Titel: Duke Ellington & John Coltrane ..... * Audiophile LP (200 g, Japan) ..... * Label: Universal Japan ............... ************************************************************************************************** 200 Gram 33RPM Sealed Vinyl Record. Label= Universal Records (Japan) Limited Edition. ......... Factory Sealed, Stored in a Climate and Light Controled Enviroment. Condition is New Factory Mint. ......... We have thousands of titles in the sealed vinyl format so if there are others you seek, just request a stock check . ......... *********************************************************************************************** ............. DUKE ELLINGTON ............... JOHN COLTRANE ............... MUSICIANS: ............... Duke Ellington - Piano ............... John Coltrane - Tenor Saxophone, Soprano Saxophone ............... Jimmy Garrison - Bass ............... Elvin Jones - Drums ............... Sam Woodyard - Drums ............... Aaron Bell - Bass ............... Bob Thiele - Producer ............... ************************************************************************************************* ............... TRACK TITLES ............... "In a Sentimental Mood" – 4:14 ............... (Duke Ellington) "Take The Coltrane" – 4:42 ............... (Billy Strayhorn) "Big Nick" – 4:30 ............... (John Coltrane) "Stevie" – 4:22 ............... (Duke Ellington) "My Little Brown Book" – 5:20 ............... (Billy Strayhorn) "Angelica" – 6:00 ............... (Duke Ellington) "The Feeling of Jazz" – 5:34 ............... (Bobby Troup/Duke Ellington/George T. Simon) ............... ************************************************************************************************ ............Album Notes ............ Personnel: Duke Ellington (piano); John Coltrane (tenor & soprano saxophones); Jimmy Garrison, Aaron Bell (bass); Elvin Jones, Sam Woodyard (drums). Recorded at The Van Gelder Studio, Englewood Cliffs, New Jersey on September 26, 1962.Personnel: Duke Ellington (piano); John Coltrane (saxophone); Jimmy Garrison, Aaron Bell (acoustic bass); Elvin Jones, Sam Woodyard (drums).DUKE ELLINGTON & JOHN COLTRANE begins with a remarkable performance of "In A Sentimental Mood." Ellington's chattering, bell-like accompaniment sets off Coltrane's fulsome, rhapsodic interpretaion in sharp relief. For Johnny Hodges--one of Duke's main men, and an early employer of Coltrane--"In A Sentimental Mood" was a showpiece. The Rabbit practically owned the tune, and yet Hodges considered Coltrane's to be the finest version of the song he'd ever heard.Which indicates how deeply rooted in the jazz and blues tradition Coltrane always was. DUKE ELLINGTON & JOHN COLTRANE represented an opportunity for Trane to step back and reflect upon the elemental lyricism and swing that were at the heart of even his most adventurous flights--and to silence those nay-sayers who were carping about how his band with Eric Dolphy was "anti-jazz.""Take The Coltrane" offers up one of Duke's great vamp tunes, and illustrates just how well the master knew how to accomodate Coltrane and play to his strengths, gently prodding him into fresh melodic directions. with its insistent bluesy hosannas and tart, off-center harmonies, "Take The Coltrane" is an improviser's delight, as the pianist offers elegant harmonic contrasts to Trane's backwoods preacher. "Big Nick" is Trane's tip of the hat to tenor man and raconteur Nick Nicholas, a tipsying, elusive little melody with a hint of Sidney Bechet (and Hodges) that allows the saxophonist to range up and down his soprano.The remainder of the repetoire is from the Ellington/Strayhorn songbook, beginning with Duke's infectious minor blues, "Stevie." Ellington treats his keyboard as a mini-orchestra, and Coltrane rides Sam Woodyard's backbeat into the sun. Strayhorn's "My Little Brown Book" opens with a bell-like fantasia between piano and Elvin Jones' cymbals, as Coltrane demonstrates a variety of refined ballad inflections. "Angelica" offers an infectuous Afro-Cuban dialogue between Ellington and Woodyard, and an earnest, fervent Coltrane who doesn't rise to the tune's humor the way a Sonny Rollins would, but when Aaron Bell seats that 4/4 in the bass...look out. "The Feeling Of Jazz" is just that, closing things out with a classic blues that shuffles happily between swing and a hard rock ............ ************************************************************************************************ ............. DESCRIPTION .............. John William Coltrane, also known as "Trane" (September 23, 1926 – July 17, 1967[1]), was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes in jazz and later was at the forefront of free jazz. He organized at least fifty recording sessions as a leader during his recording career, and appeared as a sideman on many other albums, notably with trumpeter Miles Davis and pianist Thelonious Monk. As his career progressed, Coltrane and his music took on an increasingly spiritual dimension. His second wife was pianist Alice Coltrane and their son Ravi Coltrane is also a saxophonist. Coltrane influenced innumerable musicians, and remains one of the most significant saxophonists in jazz history. He received many posthumous awards and recognitions, including canonization by the African Orthodox Church as Saint John William Coltrane. In 2007, Coltrane was awarded the Pulitzer Prize Special Citation for his "masterful improvisation, supreme musicianship and iconic centrality to the history of jazz."[2] ............... ************************************************************************************************** ............... Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974)[1] was an American composer, pianist, and jazz-orchestra leader. His career spanned over more than 50 years: Ellington led his orchestra from 1923 until his death. A pivotal figure in the history of jazz, Ellington though called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category".[2] Born in Washington DC, he was based in New York City from the mid-1920s onwards, and gained a national profile through his orchestra's appearances at the Cotton Club. In the 1930s they toured in Europe. Some of the musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered among the best players in jazz in their own right, but it was Ellington who melded them into the best-known jazz orchestral unit in the history of jazz. Several members of the orchestra remained members for several decades. A master at writing miniatures for the 3 minute 78 rpm record format, Ellington often composed specifically for the style and skills of his individual musicians, such as "Jeep's Blues" for Hodges, and "Concerto for Cootie" for trumpeter Cootie Williams, which later became "Do Nothing Till You Hear from Me" with Bob Russell's lyrics. .................... *************************************************************************************************** .................. Japanische Vinyl-Veröffentlichungen sind hochwertige Pressungen, viele von Audiophilen und Sammlern gesucht. In den 1960er Jahren hat Toshiba /Pionier Top-Qualität Pressungen mit ihrer Marke "Ever-Clean"-Prozess veröffentlicht,diese nutzt einen speziellen Wirkstoff der verhindert den Aufbau von statischer Elektrizität auf dem Vinyl. Japanische Pressungen sind gleichbedeutend mit Qualität - das Vinyl glänzt wie kein anderes Vinyl . Die Klangqualität der japanischen Pressungen gilt als eines der besten in der Welt und darüber hinaus sind sie wunderschön präsentiert, In der Regel sind die Cover auf eine bessere Qualität mit schwerem Papier gedruckt und oft auch einen Bonus lyrischen Einlage mit zwei Sprachen Japanisch & englische Text . Fast alle japanischen LPs wurden mit einem "obi" ausgestellt - wörtlich übersetzt bedeutet dies "Flügel" und wird von der obi (Flügel) um den traditionellen Kimono Kleid getragen abgeleitet. Dieses zarte Papierstreifen, in der Regel um die linke Seite des Album-Cover umhüllt, enthält oft Marketing-Informationen und Album inhaltliche Angaben, alle in der japanischen Kanji-und Kana ~ script gedruckt. Obi Designs können so unterschiedlich sein wie die LPs . 'Hankake "(3/4 Länge Obis) sind fast unmöglich zu finden, und die' Rock Age"-Serie von OBIS sind besonders selten und wertvoll. Unabhängig von Ihrem musikalischen Geschmack sind japanischen Aufzeichnungen eine beeindruckende Ergänzung für jede Sammlung. Akustisch und visuell präsentieren sie dem Sammler ein Fest der Genüsse. Mint condition records, komplett mit Beilagen und obi, sind seltener jeden Tag zu finden. Mit japanischen Aufzeichnungen erhalten Sie Top Qualität Pressungen. .............. **************************************************************************************************

Zustand121: NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! ----- ORIGINAL 200GRAMM AUDIOPHILE LP/RECORD JAPANPRESSUNG MIT BANDEROLE-OBI !! ----- OUT OF PRINT ----- LIMITED EDITION ----- MADE IN JAPAN ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE COPY) !! ...... SIEHE XXL-FOTO (LOOK THE XXL-PHOTOS) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " NEW = UNPLAYED " QUALITY !! ..... )

Best.-Nr.: UNIVERSAL UCJU-9077 ----- OUT OF PRINT ----- (NEU/NEW = UNGESPIELT = NEVER PLAYED !! / JAPANPRESSUNG !!)

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! ----- ORIGINAL 200GRAMM AUDIOPHILE LP/RECORD JAPANPRESSUNG MIT BANDEROLE-OBI !! ----- OUT OF PRINT ----- LIMITED EDITION ----- MADE IN JAPAN ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE COPY) !! ...... SIEHE XXL-FOTO (LOOK THE XXL-PHOTOS) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " NEW = UNPLAYED " QUALITY !! ..... )