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Dire Straits – Making Movies
Label: Mobile Fidelity Sound Lab – MFSL 2-468
Serie: Original Master Recording – , Gain 2™ Ultra Analog 45RPM 180g Series –
Format: 2 × Vinyl, 12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition,
Stereo, Gatefold, 180g
Land: US
Veröffentlicht: 13 Nov 2019
Genre: Rock
Stil: Rock & Roll, Pop Rock, Classic Rock
Trackliste
A Tunnel Of Love
B1 Romeo And Juliet
B2 Skateaway
C1 Expresso Love
C2 Hand In Hand
D1 Solid Rock
D2 Les Boys
Unternehmen usw.
Phonographic Copyright (p) – Phonogram Ltd.
Mastered At – Mobile Fidelity Sound Lab
Manufactured By – Rhino Entertainment Company
Pressed By – Record Technology Incorporated
Licensed From – Warner Records Inc.
Copyright (c) – Mobile Fidelity Sound Lab, Inc.
Phonographic Copyright (p) – Warner Records Inc.
Published By – Straitjacket Songs Ltd.
Published By – Rondor Music (London) Ltd.
Published By – Almo Music Corp.
Published By – Williamson Music, Inc.
Published By – T.B. Harms Co.
Published By – Welk Music Group
Mitwirkende
Bass, Vocals – John Illsley
Design, Artwork – Neil Terk
Drums, Vocals – Pick Withers
Engineer – Shelly Yakus
Engineer [Assistant] – Jeff Hendrickson, Jon Mathias
Keyboards – Roy Bittan
Mastered By [Assisted By] – Shawn R. Britton
Mastered By, Lacquer Cut By – Krieg Wunderlich
Photography By – Brian Griffin (3)
Producer – Jimmy Iovine, Mark Knopfler
Vocals, Guitar [Guitars] – Mark Knopfler
Written-By – Mark Knopfler
Anmerkungen
Comes with special static free and dust free inner sleeves, and heavy duty protection packaging.
Lyrics printed on the gatefold inside.
From back cover:
Special Edition.
℗ 1980 & 2019 Warner Records Inc.
© 2019 Mobile Fidelity Sound Lab®, Inc. Printed in the U.S.A.
Specially plated and pressed on 180g high-definition vinyl
From gatefold inside:
Recorded July-August 1980.
Keyboards by Roy Bittan (courtesy of the E Street Band)
All songs published by Straitjacket Songs Limited (admin in the U.S./Canada by Almo Music Corp. ASCAP).
Extract from The Carousel Waltz composed by Richard Rodgers and Oscar Hammerstein II. Published by William Music Inc. (ASCAP)
Barcode und andere Identifikationsmerkmale
Barcode (Text): 8 21797 24681 1
Barcode (Scanned): 821797246811
Matrix / Runout (Side 1): MFSL 2-468 A2 31538.3 (3)... kw@MoFi
Matrix / Runout (Side 2): MFSL 2-468 B5 32099.2 (3)... kw@MoFi
Matrix / Runout (Side 3): MFSL 2-468 C4 31539.3 (3).. kw@MoFi
Matrix / Runout (Side 4): MFSL 2-468 D2 31538 43 (3).. kw@MoFi
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Neben dem selbstbetitelten Debüt-Album der Dire Straits bringt MFSL auch deren drittes Album, „Making Movies“, rechtzeitig vor den Weihnachtseinkäufen als frisch remasterte 45er-Version in die Läden. Das Album markierte 1980 einen Wendepunkt für die weltweit erfolgreiche Band: Mark Knopflers Bruder David verließ die Band währen der Aufnahmen, dafür hatte man mit Roy Bittan (E-Street Band) einen hochkarätigen Pianisten und Keyboarder mit an Bord. Der Sound hier ist eine Ecke rockiger, aber auch eigenwilliger und komplexer als auf den vorherigen Alben. Knopflers Songwriting ist hier definitiv auf höchstem Niveau angekommen, und seine vokale Darbietung so souverän wie nie zuvor. Das Album hielt sich fünf Jahre am Stück in den britischen Charts - und im genialen Remastering von Krieg Wunderlich ist der mächtige Band-Sound nun so richtig zu genießen. Auf zwei LPs mit 45 rpm, im Klappcover, streng limitiert mit fortlaufender Seriennummer.
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Rezension:
Der jüngere Knopfler-Bruder David war vor dieser dritten LP ausgestiegen; mit seinem Weggang fand ein Kurswechsel statt. Der Rockanteil wurde zugunsten von Mark Knopflers Neigungen zu Jazz und Folk spürbar zurückgefahren; dazu wurden die Songs ambitionierter – und länger: Epen wie "Tunnel Of Love" oder "Romeo And Juliet" darf man durchaus als kleine Filme verstehen; bei dem Albumtitel hatte sich die Band schon etwas gedacht – und mit Jimmy Iovine einen Produzenten eingeladen, der die neuen Ideen auch klangästhetisch umzusetzen wußte. Was die 45 UPM-Version besonders reizvoll macht! (1980/2019)
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* MFSL - Mobile Fidelity Sound Lab
*** Gatefold Cover
Aufgrund unterschiedlicher Auffassungen über die Rollenverteilung in der Band verließ David Knopfler die Dire Straits während der Aufnahmen zum dritten Album »Making Movies«. Er fühlte sich von seinem Bruder Mark eingeengt und fand mit seinen eigenen Songbeiträgen kein Gehör in der Band. Der Weggang von David fiel zusammen mit Mark Knopflers Ambitionen, seine Fähigkeiten als Komponist und Texter weiter auszubauen - was glücklicherweise gelang. »Romeo and Juliet« wurde zu einem der bekanntesten Hits der Dire Straits, aber auch »Tunnel of Love« und »Skateaway« sind gute Beweise dafür. »Making Movies« ist jazziger als die beiden Vorgängeralben, mit musikalisch komplexeren Arrangements und einer New-Wave-inspirierten Produktion.
Das Remastering für die Doppel-LP auf 180-g-Vinyl mit 45 RPM übernahm Krieg Wunderlich, assistiert von Shawn R. Britton. Die limitierte Auflage mit fortlaufender Seriennummer erscheint im Klappcover.
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Titel:
Side 1:
1. Tunnel Of Love
Side 2:
2. Romeo And Juliet
3. Skateaway
Side 3:
4. Expresso Love
5. Hand In Hand
Side 4:
6. Solid Rock
7. Les Boys
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Description
180-gram 45 RPM double LP set pressed at RTI!
Considered to be Dire Straits' most complete album!
1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette
Mastered from the original tapes, sublime audiophile dynamics!
Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180-gram 45RPM 2LP set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record — which contains many Springsteen-esque elements — features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.
You know you're in the presence of sonic greatness as soon as the first few seconds of the opening "Tunnel of Love" pass, as the introductory passage built on organ and piano — new additions to Dire Straits' palette — intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.
Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.
The album's power isn't lost on Iovine, who later told Rolling Stone: "The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that."
Indeed, the first five tracks — "Tunnel of Love," "Romeo and Juliet," "Skateaway," "Expresso Love," "Hand in Hand" — comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.
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