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TONY ALLAN / HUGH MASEKELA ----- REJOICE ----- PURE ANALOGUE, AUDIOPHILE ORIGINALJAZZ-LP/RECORD - MADE IN GERMANY ----- 180GRAM VIRGIN VINYL PRESSINGS IN GEMANY ----- LIMITED EDITION ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE JAZZ-LP/RECORD IN EINEM WERTIGEN COVER / ..... ORIGINAL LP/RECORD BEI WORLD CIRCUIT RECORDS IN ENGLAND (U.K.) / ...... ANALOGUE HIGH QUALITY PRESSING 2020 IN GERMANY / ..... 180g HIGH QUALITY VIRGIN VINYL / ..... PURE ANALOGUE AUDIOPHILE MASTERING IN ENGLAND (U.K.) / ...... ORIGINAL-AUFNAHMEN 2010-2020 BEI WORLD CIRCUIT RECORDS IN ENGLAND (U.K.) / ...... ORIGINAL RECORDING 2010-2020 BY WORLD CIRCUIT RECORDS IN U.K. / ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN, GEPFLEGTEN, AUDIOPHILEN LP/RECORD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE LP-COLLECTION (ONE EXEMPLARY !!) ..... DIESE ANALOGUE, AUDIOPHILE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = OVP = FACTORY SEALED !! ..... TAS EMPFEHLUNG !! .....)

**************************************************************************************************** Ein Schatz aus dem Archiv Vor zwei Jahren musste die Musikwelt Abschied von einem ihrer ganz großen nehmen: Hugh Masekela. 2020 gibt es nun das erste posthume Album des südafrikanischen Jazz- und Weltmusikpioniers, Musikers, Sängers und Komponisten. »Rejoice« heißt die Aufnahme zusammen mit dem nigerianischen Schlagzeuger und Songschreiber Tony Allen, die nun endlich den Weg aus dem Archiv gefunden hat und vollendet wurde. Ein wahrer Schatz. ************************************************************************************************** Rejoice (Vinyl, LP) album cover Tony Allen, Hugh Masekela ‎– Rejoice Label: World Circuit ‎– WCV094 Format: Vinyl, LP, 180g Country: Europe Released: 20 Mar 2020 Genre: Jazz Style: Tracklist A1 Robbers Thugs & Muggers (O'Galajani) A2 Agbada Bougou A3 Coconut Jam A4 Never (Lagos Never Gonna Be The Same) B1 Slow Bones B2 Jabulani (Rejoice, Here Comes Tony) B3 Obama Shuffle Strut Blues B4 We've Landed Companies, etc. Record Company – BMG UK Phonographic Copyright (p) – World Circuit Ltd. Copyright (c) – World Circuit Ltd. Published By – Shining Music Published By – Semopa Music Published By – Sony ATV Recorded At – Livingston Studios Mixed At – Livingston Studios Mixed At – The Nave Mastered At – Electric Mastering Pressed By – Optimal Media GmbH – BJ93440 Credits Art Direction – Neel Panchal Bass – Mutale Chashi (tracks: A4, B1), Tom Herbert (tracks: A1 to A4, B2, B4) Design – Florence de la Fournière Drums, Percussion – Tony Allen Engineer [2010 Assistant Studio Engineer] – Dan Ingall Flugelhorn – Hugh Masekela Keyboards – Elliot Galvin (tracks: B3), Joe Armon-Jones (tracks: A1, A4, B1) Mastered By – Guy Davie Mixed By – Sonny Johns Percussion – Lekan Babalola (tracks: A1, A3 to B1, B3, B4) Photography By – Gavin Rodgers, Hugo Glendinning Producer – Hugh Masekela, Nick Gold, Tony Allen Producer [Additional Production] – Sonny Johns Recorded By – Jerry Boys, Sonny Johns Recorded By [Additional Recording By] – Patrick Ruffino Tenor Saxophone – Steve Williamson (tracks: A2, B1, B3) Vibraphone – Lewis Wright (tracks: A4, B2, B4) Vocals – Hugh Masekela (tracks: A1, A4, B2), Tony Allen (tracks: B4) Written-By – Hugh Masekela, Tony Allen Notes ℗ & © 2020 World Circuit Ltd, a BMG company. [copyright notice] Manufactured in the E.U. Barcode and Other Identifiers Barcode (Scanned): 4050538557497 Barcode (Text): 4 050538 557497 > Label Code: LC 02339 Rights Society: mcps Matrix / Runout (Etched A): WCV 094 A1 S= BJ93440-01 A1 Matrix / Runout (Etched B): WCV 094 A1 Guy's ELECTRIC S= BJ93440-01 B1 ************************************************************************************************ Dieses ganz besondere Album hat schon eine sehr besondere, lange Geschichte. 1977 gab es ein großes Festival „Festac 77“ in der nigerianischen Stadt Lagos. Fela Kuti boykottierte dieses Konzert, da es vom Militär-Diktator Olusegun Obasanjo gesponsert wurde. Er lud als Gegenmaßnahme teilnehmende Künstler in seinen eigenen Club „The Shrine“ ein. Bei einer dieser Jam Sessions kam es zu einem schicksalhaften Zusammentreffen. Tony Allen war der damalige Schlagzeuger von Kutis Band Africa 70. Der Trompeter Hugh Masekela war einer der zum Festival eingeladenen Musiker. Die beiden jammten nach Herzens-Freude zusammen. Das Konzert wurde nicht aufgenommen. Die Bänder hätten eh nicht überlebt. Sieben Tage nach den Sessions wurde der Club „The Shrine“ von der Militärdiktatur zerstört. In Erinnerung an die damalige Zeit begannen Masekela und Allen in London 2010 mit Aufnahmen zu einem gemeinsamen Album. Es wurde aber bis zum Tod Masekelas am 23. Januar 2018 nicht vollendet. Allen hat es nun fertiggestellt, mit dem Pianisten Joe Armon-Jones und dem Bassisten Tom Herbert. Das war eine sehr gute Idee. Denn die Musik ist richtig klasse. “Slow Bones“ beginnt am Schlagzeug mit dem kräftigen rhythmischen Herzschlags Afrika. Masekela feuert messerscharfe Trompetenriffs ab. An Präzision und Timing nicht zu übertreffen. Dazu kommt der herrliche Ton, der aus seinem Blasinstrument kommt. Warm und weich intoniert er sein spannendes Solo. Armon-Jones webt einen band-dienenden Klang-Teppich. “Weve Landend“ treibt geradeaus vorwärts. Bass und Schlagzeug pushen den Song zum Climax. Masekela bläst ein eruptiv-explosives Solo. Man kann sich der Magie dieser Musik nur schwer entziehen. „Coconut Jam“ steckt so voller Lebendigkeit und Leidenschaft, dass man es gar nicht in Worte fassen kann. Aber das Hören lohnt sich. Klasse auch das Cover im old-fashioned style. Passt musikhistorisch perfekt dazu. ************************************************************************************************* Rezension: Kennengelernt haben sich diese beiden Ikonen des afrikanischen Jazz schon in den 70ern, auf Vermittlung von Fela Kuti. Der Drummer und der Trompeter schlossen auch umgehend Freundschaft, doch der Beschluß, irgendwann mal etwas Gemeinsames zu machen, wurde erst 2010 endlich in die Tat umgesetzt – und dann doch nicht vollendet; das Band verschwand im Archiv. Gemeinsam mit Produzent Nick Gold, der die damalige Session aufgenommen hatte, und einigen Spitzenkräften der Londoner Jazz-Szene (etwa Saxophonist Steve Williamson und Keyboarder Joe Armon-Jones) hat Tony Allen das Fragment nun liebevoll vervollständigt. Es entstand dabei ein Album, das sich neben den besten Arbeiten sowohl der Afrobeat-Rhythmuslegende als auch des 2018 verstorbenen Trompeten-Genies souverän behaupten kann. Stilistisch tut sich dabei sogar mehr, als man erwartet hätte – neben diversen afrikanischen Stilen finden etwa auch modaler Jazz und knochentrockener Funk statt. Das Cover-Artwork ist symbolisch – eine Kreuzung aus John Coltranes "Olé" und Solomon Iloris "African High Life". Ein Klassiker schon bei Erscheinen - trotz zehnjähriger Verspätung. (2020) ************************************************************************************************** 0 Description Tracks 180-gram vinyl Rejoice is a very special collaboration between Tony Allen, the legendary drummer and co-founder of Afrobeat, and Hugh Masekela, the master trumpet player of South African jazz. Having first met in the '70s thanks to their respective close associations with Fela Kuti, the two world-renowned musicians talked for decades about making an album together. When, in 2010, their touring schedules coincided in the U.K., the moment presented itself and producer Nick Gold took the opportunity to record their encounter. The unfinished sessions, consisting of all original compositions by the pair, lay in archive until after Masekela passed away in 2018. With renewed resolution, Tony Allen and Nick Gold, with the blessing and participation of Hugh Masekela's estate, unearthed the original tapes and finished recording the album in summer 2019 at the same London studio where the original sessions had taken place. Rejoice can be seen as the long overdue confluence of two mighty African musical rivers — a union of two free-flowing souls for whom borders, whether physical or stylistic, are things to pass through or ignore completely. According to Allen, the album deals in "a kind of South African-Nigerian swing-jazz stew," with its roots firmly in Afrobeat. Allen and Masekela are accompanied on the record by a new generation of well-respected jazz musicians including Tom Herbert (Acoustic Ladyland / The Invisible), Joe Armon-Jones (Ezra Collective), Mutale Chashi (Kokoroko) and Steve Williamson. Side 1 1. Robbers, Thugs and Muggers (O'Galajani) 2. Agbada Bougou 3. Coconut Jam 4. Never (Lagos Never Gonna Be the Same) Side 2 1. Slow Bones 2. Jabulani (Rejoice, Here Comes Tony) 3. Obama Shuffle Strut Blues 4. We've Landed *************************************************************************************************** Product Information Tony Allen & Hugh Masekela will release their very special collaborative new album »Rejoice« through World Circuit. The record will be the first posthumous release from Masekela, who passed away in 2018. Having first met in the 70s thanks to their respective close associations with Fela Kuti, Allen, the Nigerian master drummer widely hailed as the co-founder of Afrobeat (and long-time member of alt-rock supergroup The Good The Bad & The Queen), and Masekela, South Africa’s legendary trumpet player, talked for decades about making an album together. When, in 2010, their touring schedules coincided in the UK, the moment presented itself and producer Nick Gold took the opportunity to record their encounter. The unfinished sessions, consisting of all original compositions by the pair, lay in archive until after Masekela passed away in 2018. With renewed resolution, Tony Allen and Nick Gold, with the blessing and participation of Hugh’s estate, unearthed the original tapes and finished recording the album in summer 2019 at the same London studio where the original sessions had taken place. Allen and Masekela are accompanied on the record by a new generation of well-respected jazz musicians including Tom Herbert (Acoustic Ladyland / The Invisible), Joe Armon-Jones (Ezra Collective), Mutale Chashi (Kokoroko) and Steve Williamson. »Rejoice« can be seen as the long overdue confluence of two mighty African musical rivers – a union of two free-flowing souls for whom borders, whether physical or stylistic, are things to pass through or ignore completely. According to Allen, the album deals in »a kind of South African-Nigerian swing-jazz stew« – a description borne out by even a cursory earful of the parallel harmony horn hook and loping drums of »Agbada Bougou«, the propulsive percussive swing and brass chatter of »Coconut Jam« or the skittering snare drums of »Obama Shuffle Blues«. As well as blowing exquisite flugelhorn, Masekela was also inspired to overdub some spontaneous vocals on a trio of numbers, either deploying colloquial Zulu, as on the seductively loose-limbed opening track, »Robbers, Thugs and Muggers«, with its earworm chant of »O Galajani« – township slang for any such collective of rogues – or, as on the appropriately jazz-meets-Afrobeat-hued tribute to Fela Kuti »Never (Lagos Never Gonna Be The Same)«, in English. »The feeling was really good«, Allen recalls of those initial sessions. »All of us were thinking we were going to follow it up with overdubs of percussion, keyboards, voices and so on. It was an exciting idea.« Unfortunately, diarising those studio dates would prove problematic, even though Masekela and Allen would regularly bump into one another on the European festival circuit. »Every time we met he would ask me, ›What’s happening with this project‹? I had to say, ›I don’t know!‹ Eventually I asked Nick if I could hear the tapes, and that started the project back up again. Unfortunately, Hugh passed away soon after.« Allen pronounces himself very happy with the finished album and remains phlegmatic about its protracted gestation. »Ten years is a long time from beginning to end of [making] an album, but my own philosophy is that everything eventually appears at the right time, for a reason…« In addition to his unique drumming style, Allen also contributes a hushed but celebratory, semi-spoken commentary to the first single, »We’ve Landed«. »The song is dedicated to today’s youth«, explains Tony, »the lyric addresses people at seventeen, eighteen, nineteen years old, who are slowly becoming more mature, finding out who they are and realising that it’s their generation’s turn to wake up!« ************************************************************************************************

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Best.-Nr.: WORLD CIRCUIT WCV 094 ----- LIMITED EDITION ----- OUT OF PRINT ----- WORLD CIRCUIT ORIGINAL LP/RECORD ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

Preis: EUR 199,99 (minus 50% discount/rechnungsrabatt = 99,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- PURE ANALOGUE, AUDIOPHILE RE-MASTERING BY SPEAKERS CORNER - MADE IN GERMANY ----- MADE FROM THE ANALOGUE MASTER TAPES ----- ONLY THE BEST MASTERING STUDIOS WORLDWIDE ----- PURE ANALOGUE, AUDIOPHILE MASTERING ----- 180GRAM VIRGIN VINYL PRESSINGS FROM PALLAS/GEMANY ----- FAITHFUL REPRODUCTION OF ORIGINAL ARTWORK AND LABELS ----- LIMITED EDITION ----- ( ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN LP-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE LP-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(CLICK ON THE XXL-PICTURES!!) ..... )