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Produkt Detailansicht:

BOB DYLAN ----- OH MERCY ------ ANALOGES, AUDIOPHILES RE-MASTERING BY MOBILE FIDELTY SOUND LAB IN USA ----- AUDIOPHILES MOBILE FIDELITY SOUND LAB(MFSL) RE-MASTERING 2020 - ORIGINAL MASTER RECORDING - MADE IN USA ----- GAIN 2™ ULTRA ANALOG 45RPM 180GRAM SERIES ----- 45RPM DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD-JACKET)----- SPECIAL LIMITED EDITION -- WITH SPECIAL LIMITED NUMBER #1220 ----- OUT OF PRINT ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... BESONDERS WERTVOLLE ANALOGE 45RPM-MFSL-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) / ..... ORIGINAL PRODUCTION AND RE-MASTERING BY MOBILE FIDELITY SOUND LAB, USA 2020 / ..... ORIGINAL MASTER RECORDING USA WITH SPECIAL LIMITED EDITION NUMBER #1220 !! / ..... 180g HIGH DEFINITION VINYL / ..... MFSL-GAIN 2 ULTRA ANALOG SYSTEM / ..... MASTERED FROM THE FIRST ORIGINAL STEREO TAPES BY KRIEG WUNDERLICH AT MOBILE FIDELITY SOUND LAB, SEBASTOPOL IN CALIFORNIA USA ON THE GAIN 2 ULTRA ANALOG SYSTEM / ..... ORIGINAL AUFNAHMEN 1987 BEI COLUMBIA RECORDS IN USA / ..... ORIGINAL RECORDING 1989 BY COLUMBIA RECORDS IN USA / ..... ANALOGUE RE-MASTERING BY MOFI = MOBILE FIDELITY SOUND LAB, USA 2020 / ..... ORIGINAL MFSL PACKAGING !! / ..... WITH SPECIAL LIMITED EDITION NUMBER ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN MFSL-LP/RECORD SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ...... DIESE WERTVOLLE MFSL-45RPM-DOPPEL-LP/RECORD IST NOCH ORIGINAL VERSIEGELT = OVP = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )

************************************************************************************************** Oh Mercy (Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered) album cover Bob Dylan ‎– Oh Mercy Label: Mobile Fidelity Sound Lab ‎– MFSL 2-488, Columbia ‎– 88875022541 Series: Gain 2™ Ultra Analog 45RPM 180g Series – Format: 2 × Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, 180g, Gatefold Country: US Released: 07 Jul 2020 Genre: Rock Style: Folk Rock, Blues Rock, Classic Rock Tracklist Show Credits A1 Political World 3:43 A2 Where Teardrops Fall 2:30 A3 Everything Is Broken 3:12 B1 Ring Them Bells 3:00 B2 Man In The Long Black Coat 4:30 B3 Most Of The Time 5:02 C1 What Good Am I? 4:45 C2 Disease Of Conceit 3:41 D1 What Was It You Wanted 5:02 D2 Shooting Star 3:12 Companies, etc. Manufactured By – Sony Music Entertainment Mastered At – Mobile Fidelity Sound Lab Phonographic Copyright (p) – Columbia Records Pressed By – Record Technology Incorporated – 32943 Pressed By – Record Technology Incorporated – 33249 Credits Artwork [Street Art] – Trotsky (3) Design [Album Design] – Christopher Austopchuk Design [Type Design] – Mark Burdett Mastered By – Krieg Wunderlich Mastered By [Assisted By] – Shawn R. Britton Photography By – Suzie-Q Producer, Mixed By – Daniel Lanois Recorded By, Mixed By – Malcolm Burn Recorded By, Technician [Studio Installation] – Mark Howard Written-By, Vocals – B. Dylan* Notes Limited Edition Of 4,000 © 1989, 2018 Columbia Records, a division of Sony Music Entertainment. ℗ 1989 Columbia Records. Mastered by Krieg Wunderlich, assisted by Shawn R. Britton at Mobile Fidelity Sound Lab®, Sebastopol, CA on the Gain 2 Ultra Analog System™ Specially Plated and Pressed on 180g High-Definition Vinyl Barcode and Other Identifiers Barcode (String): 8 21797 24831 0 Barcode (Scanned): 821797248310 Matrix / Runout (Side A Runout, Etched): MFSL 2-488 Ar3 Kw@MoFi 33249.1(3)... Matrix / Runout (Side B Runout, Etched): MFSL 2-488 Br2 Kw@MoFi 32943.2(3)... Matrix / Runout (Side C Runout, Etched): MFSL 2-488 Cr2 Kw@MoFi 32943.3(3)... Matrix / Runout (Side D Runout, Etched): MFSL 2-488 Dr2 Kw@MoFi 32943.4(3)... ************************************************************************************************* Bob Dylan - Organ, Guitar, Harmonica, Piano, Vocals, 12 String Guitar Tony Hall - Bass John Hart - Saxophone Darryl Johnson - Percussion Daniel Lanois - Dobro, Guitar, Producer, Omnichord, Mixing, Lap Steel Guitar Cyril Neville - Percussion Rockin' Dopsie - Accordion Mason Ruffner - Guitar Brian Stoltz - Guitar Paul Synegal - Guitar Larry Jolivet - Bass Willie Green - Drums Alton Rubin - Drums Malcolm Burn - Keyboards, Tambourine, Engineer, Mixing Mark Howard Engineer Erstveröffentlichung September 1989. Von den Kritikern wurde Bob Dylans 26. Studioalbum “Oh Mercy“ hochgelobt. Und das zurecht! Eröffnet wird das starke Album mit “Political World“. Mit viel Druck agieren hier Bassist Tony Hall und Schlagzeuger Willie Green. Aufgrund der hervorragenden Aufnahme und der 45rpm-Pressung kommt die Dobro, geslidet von Daniel Lanois, besonders gut zum Klingen. Lanois ist auch der Produzent dieses außergewöhnlichen Albums. Cyril Neville bringt mit seinen Percussion-Instrumenten den Song zum Vibrieren. Darüber thront Bob Dylans knorzige, kraftvolle, durch die vielen Jahre der Never-Ending-Tour gereifte Stimme. Gleich drei Gitarristen, der Meister himself Bob Dylan, Brian Stoltz und Mason Ruffner verdichten den Song. “Where Teardrops Fall“ ist ein balladeskes Lied. Wunderschön, wie hier die Lap-Steel-Gitarre, meisterlich gespielt von Lanois, über allem schwebt. “Everything Is Broken“ ist ein absoluter Highlight-Song. Mit intensivstem Blues-Feeling wird hier zu Werke gegangen. Der schwer beladene Freight Train donnert hier durch den Süden der USA. “Ring Them Bells“ ist ein melancholischer Song mit Bob Dylan am wohltemperierten Klavier. Ein ganz zentrales Stück ist “Man In The Long Black Coat“. Dylan spielt hier eine zwölfsaitige Gitarre. Das Lied ist mystisch verklärt. Wunderschön das sparsame Arrangement. Klar und voll grenzenloser Intensität die Mundharmonika, geblasen von Dylan. Eindringlich die Lyrics zu diesem Song. Seite 2 beginnt mit “Most Of The Time“. Hier ein kleiner Auszug des Songtexts: “Most of the time/Im clear focused all around/Most of the time/I can keep both feet on the ground/I can follow the path, I can read the signs...“. Für diese starken Texte wird ihm 2016 der Literatur-Nobelpreis verlieren. “What Good Am I?“ ist eine wunderschöne Ballade mit enormen Tiefgang. Dylans Stimme strahlt hier in besonders schönen Klangfarben. Bei “Disease Of Conceit“ überzeugt der Multiinstrumentalist Dylan an der Orgel und am Piano. In magmaschweres Moll getaucht ist “What Was It You Wanted“. Daniel Lanois und Mason Ruffners E-Gitarren greifen wundersam in den Melodien und Riffs ineinander und bilden eine kraftvolle Einheit. Dylans Mundharmonika kommt hier himmlisch zum Tragen. Auch hier zeigt sich die enorme Strahlkraft der profunden, sountechnischen Edition. Dylans Stimme geht tief in Herz und Seele. Mit herrlichem Country-Feeling und beeindruckender, nach-hall-tiger Bottleneck-Gitarre endet die Schallplatte mit “Shooting Star“. Eine besondere musikalische Notre erhält der Song hierbei mit dem von Daniel Lanois gespielten Omnichord. Diese Scheibe gehört wirklich zu den ganz wichtigen Veröffentlichungen in Dylans umfangreicher Diskographie. Die gelungene Cover-Artwork dazu lieferte der Street Art-Künstler Trotsky. Eine wunderbare LP zum Zurücklehnen und Genießen, mit den feinen intimen Momenten, die einen Popklassiker ausmachen! Klanglich überragend. wb Numbered Limited Edition! Limitiert und nummeriert auf 4,000 Stück! Gepressed bei RTI auf 180 g-schwerem Heavy Quiet-Vinyl. Krieg Wunderlich sorgte für das sorgfältige Mastering und den überragenden Klang. Titel: 1. Political World 2. Where Teardrops Fall 3. Everything Is Broken 4. Ring Them Bells 5. Man in the Long Black Coat 6. Most of the Time 7. What Good Am I? 8. Disease of Conceit 9. What Was It You Wanted 10. Shooting Star ************************************************************************************************* Rezension: Zehn Jahre lang hatte der Meister es seinen Bewunderern nicht gerade leicht gemacht – auch wenn die Alben jener Dekade sich mit zunehmendem zeitlichen Abstand als besser oder zumindest interessanter erweisen, als sie damals von Publikum und Kritik wahrgenommen wurden. Das 1989er "Oh Mercy" wurde jedenfalls erleichtert und begeistert als Rückkehr zur einstigen Form gefeiert; in der Tat ist es das in sich stärkste Werk seit "Blood On The Tracks": Zum einen dank Daniel Lanois' atmosphärischer Produktion, die dem Hörer suggeriert, an etwas Wichtigem teilzuhaben; zum anderen auch einfach wegen der überragenden Songs: "Political World", "Ring Them Bells" und "What Was It You Wanted" wurden sofort zu Klassikern. Höhepunkt des Albums (und hier funktioniert die Symbiose Dylan/Lanois perfekt!) aber ist "The Man In The Long Black Coat": Ein Über-Song, der seine Wirkung niemals verfehlt. Und der sich auch ganz hervorragend zum Anlagenvorführen eignet – in vorliegender Form sicherlich mehr denn je! Limitiert auf 4000 Stück, bei solch einem Titel ist das nicht viel. (1989/2020) *********************************************************************************************** MFSL - Mobile Fidelity Sound Lab *** Gatefold Cover 1989 feierte Bob Dylan nach einer ausgedehnten Welt-Tournee mit dem Studio-Album "Oh Mercy" sein Comeback in den Longplay-Charts. Das von Daniel Lanois produzierte Werk gefällt mit strahlenden Songsternen wie "Political World", "Everything Is Broken", "Most Of The Time" und "Shooting Star". Für sein 26. Studioalbum tat sich Bob Dylan mit dem visionären Produzenten Daniel Lanois zusammen. Nach einer Reihe kommerziell weniger erfolgreicher Alben galt »Oh Mercy« 1989 als Comeback des Barden. Lanois, der kurz zuvor U2s »Joshua Tree« produziert hatte, verlieh Dylans messerscharfen Texten in angemessenem Maß Atmosphäre und Wärme. Die 180-Gramm-LP aus dem Hause MFSL, neu gemastert von Krieg Wunderlich und Shawn R. Britton, verschaffen »Oh Mercy« zusätzlich eine Räumlichkeit, Klarheit und Dynamik, die keine frühere Ausgabe bot. Titel wie »Everything is Broken« wurden zu Klassikern unter Dylan-Fans. »Man in the Long Black Coat« gehört insbesondere unter HiFi-Liebhabern zu den Favoriten. Lanois selbst spielt hier die Resonator-Gitarre von Dobro. Die auf 4.000 Exemplare limitierte Auflage erscheint auf 180-Gramm-Vinyl mit 45 RPM im Klappcover mit fortlaufender Seriennummer. Rezensionen »Denn die kalifornischen Reissue-Spezialisten haben die 1989 veröffentlichte CD/LP jetzt auf zwei schnelllaufende, 180 Gramm schwere Langspielplatten umgeschnitten, was der Dynamik und der Bass-Power gehörig aufhilft. (...) Am meisten unter die Haut aber geht der ›Man In The Long Black Coat‹, einer der eindringlichsten Dylan-Songs über die Anziehungskraft des Unheimlichen.« (Good Times, Oktober / November 2020) ************************************************************************************************* 180-gram 45 RPM double LP Pressed at RTI Limited to 4,000 numbered copies! As soon as it was issued, Bob Dylan's Oh Mercy was rightly regarded as a striking return to form. The 1989 set also won acclaim for the singer's decision to pair with visionary producer Daniel Lanois, whose sonic guidance draws vivid colors, hues, and warmth from the songs — all the while adding significant ambience, effect, and context. Removed from the circumstances of its original release, Oh Mercy has managed to both justify and transcend such praise. As time wears on, the record only gets better, with its razor-sharp songwriting and atmospheric soundscapes escalating to legendary proportions via Mobile Fidelity's definitive analog reissue. Mastered on Mobile Fidelity's world-renowned mastering system, pressed at RTI, and limited to 4,000 numbered copies, Oh Mercy now takes on cinematic qualities worthy of Lanois' production and Dylan's performances. Available for the first time on audiophile vinyl, the music benefits from a spaciousness, tonality, and surrealism no prior edition delivers. The extra groove space, too, seemingly gives each note its own physical dimension, whereby the Oh Mercy simultaneously immerses and surrounds you. Its clarity, dynamics, and extension also reach new heights throughout — whether it's the low-end reach on the spiritual-minded "Ring Them Bells" or combination of guitar-chord treble and piano decay on "Disease of Conceit." Achieving a cohesiveness and richness absent from Dylan's other '80s efforts, Oh Mercy further stands out for its on-the-floor immediacy and nuanced treatments. Gone are the slick, processed, "shoulder pad" synthetic backdrops Dylan employed on the preceding Empire Burlesque. Borrowing from approaches he used on U2's The Joshua Tree, Lanois serves rather than obscures Dylan's intent — enhancing the topicality of barbed fare like "Political World" and further charging the self-doubting emotions of quizzical compositions such as "What Good Am I?" For all of Lanois' magic, it's impossible to overlook the brilliance of Dylan's lyrics — or timbre and commitment of his singing. Many tracks on Oh Mercy have become live staples and fan favorites, and for very good reason. The swampy, percussive-augmented "Everything Is Broken" finds Dylan at his most forthright and descriptive, with the metaphorical and direct account of estrangement, loss, and chaos applicable to any number of eras, situations, or regimes. Mystery, voodoo, and portent fill "Man in the Long Black Coat," appointed by Lanois with aptly spooky devices and designed by its architect to "make an attack on your most vulnerable spots." Indeed, vulnerability peppers the second half of Oh Mercy, whether on the unrequited bite of "What Was It You Wanted" or the gentle, heartbreaking look-back ballad "Shooting Star." By extension, Dylan strips himself of any defense mechanisms on the romantic albeit somber "Most of the Time," which rates among the icon's moving creations and captures the memory-haunting aftermath of a dissolved relationship with a frankness, transparency, and self-knowingness few artists would dare commit to tape. 1. Political World 2. Where Teardrops Fall 3. Everything Is Broken 4. Ring Them Bells 5. Man in the Long Black Coat 6. Most of the Time 7. What Good Am I? 8. Disease of Conceit 9. What Was It You Wanted 10. Shooting Star ************************************************************************************************* AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head Mobile Fidelity - MFSL 2-488 - 180 Gram Virgin Vinyl - AAA 100% Analogue Mastered by Kreig Wunderlich from the Original Master Tape AAA 100% Analogue - 4,000 Numbered Limited Edition - Pressed at RTI Half Speed Mastered on the Mobile Fidelity The Gain 2 Ultra Analog System I expect Oh Mercy to be considered as among Dylan’s finest work after Desire. Mobile Fidelity’s significant improvement of the album's sound may help elevate our appreciation of it - Theaudiobeat Bob Dylan and Daniel Lanois Hit All the Right Notes on Oh Mercy: 1989 Album Mesmerizes with Brilliant Songwriting, Inspired Performances, Atmospheric Feel, and Visionary Production Mastered on Mobile Fidelity's World-Renowned Mastering System, Strictly Limited to 4,000 Copies, and Pressed at RTI: 180g 45RPM Vinyl 2LP Features Cinematic Sound and Vast Spaciousness As soon as it was issued, Bob Dylan's Oh Mercy was rightly regarded as a striking return to form. The 1989 set also won acclaim for the singer's decision to pair with visionary producer Daniel Lanois, whose sonic guidance draws vivid colors, hues, and warmth from the songs – all the while adding significant ambience, effect, and context. Removed from the circumstances of its original release, Oh Mercy has managed to both justify and transcend such praise. As time wears on, the record only gets better, with its razor-sharp songwriting and atmospheric soundscapes escalating to legendary proportions via Mobile Fidelity's definitive analog reissue. Mastered on Mobile Fidelity's world-renowned mastering system, pressed at RTI, and strictly limited to 4,000 numbered copies, Oh Mercy now takes on cinematic qualities worthy of Lanois' production and Dylan's performances on 180g 45RPM 2LP. Available for the first time on audiophile vinyl, and at 45RPM speed, no less, the music benefits from a spaciousness, tonality, and surrealism no prior edition delivers. The extra groove space, too, seemingly gives each note its own physical dimension, whereby the Oh Mercy simultaneously immerses and surrounds you. Its clarity, dynamics, and extension also reach new heights throughout – whether it's the low-end reach on the spiritual-minded "Ring Them Bells" or combination of guitar-chord treble and piano decay on "Disease of Conceit." Achieving a cohesiveness and richness absent from Dylan's other 80s efforts, Oh Mercy further stands out for its on-the-floor immediacy and nuanced treatments. Gone are the slick, processed, "shoulder pad" synthetic backdrops Dylan employed on the preceding Empire Burlesque. Borrowing from approaches he used on U2's The Joshua Tree, Lanois serves rather than obscures Dylan's intent – enhancing the topicality of barbed fare like "Political World" and further charging the self-doubting emotions of quizzical compositions such as "What Good Am I?" For all of Lanois' magic, it's impossible to overlook the brilliance of Dylan's lyrics – or timbre and commitment of his singing. Many tracks on Oh Mercy have become live staples and fan favorites, and for very good reason. The swampy, percussive-augmented "Everything Is Broken" finds Dylan at his most forthright and descriptive, with the metaphorical and direct account of estrangement, loss, and chaos applicable to any number of eras, situations, or regimes. Mystery, voodoo, and portent fill "Man in the Long Black Coat," appointed by Lanois with aptly spooky devices and designed by its architect to "make an attack on your most vulnerable spots." Indeed, vulnerability peppers the second half of Oh Mercy, whether on the unrequited bite of "What Was It You Wanted" or the gentle, heartbreaking look-back ballad "Shooting Star." By extension, Dylan strips himself of any defense mechanisms on the romantic albeit somber "Most of the Time," which rates among the icon's moving creations and captures the memory-haunting aftermath of a dissolved relationship with a frankness, transparency, and self-knowingness few artists would dare commit to tape. Conversations about how Oh Mercy compares to Dylan's classic 1960s output continue to this day and, if anything, have become deeper and more involved due to the record's still-growing strengths. That several outtakes – "Series of Dreams," "Dignity," and "Born in Time" among them – landed on subsequent Dylan records and are beloved by fans speak to Oh Mercy's lingering magnetism and power. Hear the 1989 staple as Dylan and Lanois intended, and secure your limited-numbered copy Producer– Daniel Lanois Written- – B. Dylan Political World Where Teardrops Fall Everything Is Broken Ring Them Bells Man in the Long Black Coat Most of the Time What Good Am I? Disease of Conceit What Was It You Wanted Shooting Star Bob Dylan - Oh Mercy - 45rpm 180g 2LP Image result for mofi mobile fidelity sound lab GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases. The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!) First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first. As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most. https://store.acousticsounds.com/images/FormatIcons/180gram.jpg RTI 180 HQ Vinyl Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world. *************************************************************************************************

Zustand121: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGES, AUDIOPHILES RE-MASTERING BY MOBILE FIDELTY SOUND LAB IN USA ----- AUDIOPHILES MOBILE FIDELITY SOUND LAB(MFSL) RE-MASTERING 2020 - ORIGINAL MASTER RECORDING - MADE IN USA ----- GAIN 2™ ULTRA ANALOG 45RPM 180GRAM SERIES ----- 45RPM DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD-JACKET) ----- SPECIAL LIMITED EDITION -- WITH SPECIAL LIMITED NUMBER #1220 ----- OUT OF PRINT ----- ( ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN MFSL-LP-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE MFSL-LP-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )

Best.-Nr.: MFSL 2-488 ----- ANALOGE ORIGINAL 45RPM-MFSL-DOPPEL-LP/RECORD ---- LIMITED EDITION - WITH SPECIAL LIMITED NUMBER #1220 ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

Preis: EUR 399,99 (minus 50% discount with invoice/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGES, AUDIOPHILES RE-MASTERING BY MOBILE FIDELTY SOUND LAB IN USA ----- AUDIOPHILES MOBILE FIDELITY SOUND LAB(MFSL) RE-MASTERING 2020 - ORIGINAL MASTER RECORDING - MADE IN USA ----- GAIN 2™ ULTRA ANALOG 45RPM 180GRAM SERIES ----- 45RPM DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD-JACKET) ----- SPECIAL LIMITED EDITION -- WITH SPECIAL LIMITED NUMBER #1220 ----- OUT OF PRINT ----- ( ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN MFSL-LP-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE MFSL-LP-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )