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Produkt Detailansicht:

BOB DYLAN ----- " LOVE AND THEFT " ------ ANALOGES, AUDIOPHILES RE-MASTERING BY MOBILE FIDELTY SOUND LAB IN USA ----- AUDIOPHILES MOBILE FIDELITY SOUND LAB(MFSL) RE-MASTERING 2020 - ORIGINAL MASTER RECORDING - MADE IN USA ----- GAIN 2™ ULTRA ANALOG 45RPM 180GRAM SERIES ----- 45RPM DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD-JACKET)----- SPECIAL LIMITED EDITION -- WITH SPECIAL LIMITED NUMBER ----- OUT OF PRINT ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... BESONDERS WERTVOLLE ANALOGE 45RPM-MFSL-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) / ..... ORIGINAL PRODUCTION AND RE-MASTERING BY MOBILE FIDELITY SOUND LAB, USA 2020 / ..... ORIGINAL MASTER RECORDING USA WITH SPECIAL LIMITED EDITION NUMBER # !! / ..... 180g HIGH DEFINITION VINYL / ..... MFSL-GAIN 2 ULTRA ANALOG SYSTEM / ..... MASTERED FROM THE FIRST ORIGINAL STEREO TAPES BY KRIEG WUNDERLICH AT MOBILE FIDELITY SOUND LAB, SEBASTOPOL IN CALIFORNIA USA ON THE GAIN 2 ULTRA ANALOG SYSTEM / ..... ORIGINAL AUFNAHMEN 2001 BEI COLUMBIA RECORDS IN USA / ..... ORIGINAL RECORDING 2001 BY COLUMBIA RECORDS IN USA / ..... ANALOGUE RE-MASTERING BY MOFI = MOBILE FIDELITY SOUND LAB, USA 2020 / ..... ORIGINAL MFSL PACKAGING !! / ..... WITH SPECIAL LIMITED EDITION NUMBER ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN MFSL-LP/RECORD SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE MFSL-LP/RECORD-COLLECTION (ONE EXEMPLARY)!! ...... DIESE WERTVOLLE MFSL-45RPM-DOPPEL-LP/RECORD IST NOCH ORIGINAL VERSIEGELT = OVP = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )

************************************************************************************************** "Love And Theft" (Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered) album cover Bob Dylan ‎– "Love And Theft" Label: Mobile Fidelity Sound Lab ‎– MFSL 2-489, Columbia ‎– 88875022701, Sony Music Commercial Music Group ‎– 88875022701 Series: Original Master Recording – , Gain 2™ Ultra Analog 45RPM 180g Series – Format: 2 × Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Gatefold 180g Country: US Released: 09 Sep 2020 Genre: Rock Style: Folk Rock, Blues Rock Tracklist Hide Credits A1 Tweedle Dee & Tweedle Dum Bongos – Clay Meyers 4:47 A2 Mississippi 5:21 A3 Summer Days 4:53 B1 Bye And Bye 3:16 B2 Lonesome Day Blues 6:05 B3 Floater (Too Much To Ask) 4:59 C1 High Water (For Charley Patton) 4:04 C2 Moonlight 3:24 C3 Honest With Me Bongos – Clay Meyers 5:49 D1 Po' Boy 3:06 D2 Cry A While 5:06 D3 Sugar Baby 6:44 Companies, etc. Phonographic Copyright (p) – Columbia Records Manufactured For – Mobile Fidelity Sound Lab, Inc. Manufactured By – Sony Music Entertainment Mastered At – Mobile Fidelity Sound Lab Lacquer Cut At – Mobile Fidelity Sound Lab Pressed By – Record Technology Incorporated Credits Accordion, Organ – Augie Meyers Art Direction – Geoff Gans Banjo, Mandolin, Guitar, Violin – Larry Campbell Bass – Tony Garnier Drums – David Kemper Engineer [Assistant] – Jeremy Welch Engineer, Recorded By, Mixed By – Chris Shaw Guitar – Charlie Sexton Guitar, Vocals, Piano, Written-By – Bob Dylan Mastered By – Krieg Wunderlich Mastered By [Assisted By] – Shawn R. Britton Photography By – David Gahr Photography By, Cover – Kevin Mazur Producer – Jack Frost (2) Notes Limited Edition Of 3,000. 45rpm. Gatefold. © 2001, 2019 Columbia Records, a division of Sony Music Entertainment. ℗ 2001 Columbia Records. Printed in the U.S.A. Mastered by Krieg Wunderlich, assisted by Shawn R. Britton at Mobile Fidelity Sound Lab®, Sebastopol, CA on the Gain 2 Ultra Analog System™ Specially Plated and Pressed on 180g High-Definition Vinyl Production by Mobile Fidelity Sound Lab® Barcode and Other Identifiers Barcode (text): 8 21797 24891 4 Barcode (scanned): 821797248914 ********************************************************************************************** Es ist eines seiner schönsten und wohl auch bestklingendsten Alben. “Love And Theft“, das am 11. September 2001 erschienen ist, ist auch unheimlich musikalisch abwechslungsreich und präsentiert mit das Beste was US-amerikanische Musik zu bieten hat. Schön dass es jetzt als Doppel-LP mit insgesamt 360 Gramm bei MFSL (Mobile Fidelity Sound Lab) erscheint und nochmal erstaunlicherweise klanglich zulegt. Großen Anteil an dem highendigen Sound haben Krieg Wunderlich und Shawn R. Britton. Das Mastering und der Schnitt lassen nicht den geringsten Wunsch übrig. Es gibt lediglich 3.000 streng limitierte Exemplare. Diese laufen in 45 rpm und kommen mit fortlaufender Seriennummer. Eingepackt sind sie in schützenden, gefütterten Innenenhüllen, die wiederum in einem wertigen stabilen Karton-Klapp-Cover stecken. Mit “High Water (For Charley Patton)“ verbeugt sich Bob Dylan vor einem der Giganten des Delta-Blues. Wunderschön hier die Klangkraft der akustischen Instrumente. Jedes einzeln sauber ortbar und trotzdem erklingt alles als kompakte Einheit. Larry Campbell an Gitarre, Banjo und Mandoline sorgt bei diesem Song für das maximal authentische Feeling. Dylans knauzig-knorrige, einzigartige Stimme schwebt über allem. “Cry A While“ ist ein richtig klasse Mid-Tempo-Rock-Song mit vertrackter Rhythmus-Struktur und einem höchst inspirierten Charlie Sexton an der Leadgitarre. Jazzig und verspielt ist “Bye And Bye“. Das Album wurde übrigens von Bob Dylan selbst produziert unter dem Pseudonym Jack Frost. Dylan as Dylan can do! Dieses Meisterwerk gehört in jede Sammlung. Und zwar wegen den Kompositionen, der musikalischen Güte und dem perfekten Sound. wb Numbered Limited Edition! Limitiert und nummeriert auf 3,000 Stück! Gepressed bei RTI auf 180 g-schwerem Heavy Quiet-Vinyl. Krieg Wunderlich und Shawn R. Britton sorgten für das sorgfältige Mastering und den überragenden Klang. *********************************************************************************************** Rezension: "I used to care, but things have changed." Mit diesen Worten hatte Bob Dylan im Jahr zuvor der Gegenwart den Rücken gekehrt (und für den Titelsong zu Curtis Hansons Film "Wonder Boys" auch noch einen Oscar mitgenommen). Auf "Love And Theft" wurde entsprechend die alte Kunst des Songwritings vorgeführt; die Geister, die hier beschworen werden, heißen Robert Johnson und Sonny Terry, Charlie Christian und Django Reinhardt, Chuck Berry und Buddy Holly. Trotziger Rock'n'Roll, staubiger Blues und lässiger Swing. Dylans Stimme dazu ist ein entschlossenes Knarzen und Knören, dabei kaum zu übertreffen in seiner Ausdrucksfähigkeit (der wohl einzige Kollege, der ein vergleichbares Kunststück fertigbrachte, ist Leon Redbone). Indes: "Love And Theft" ist rückwärtsgewandt, aber es ist nicht nostalgisch. Es war und ist ein Gegenentwurf zur aktuellen Lage der Dinge, nicht ohne Zorn. Was wir allerdings damit anfangen, bleibt allein uns überlassen. Die Zeiten des Missionierens sind vorbei. – Hier funktioniert der 45er-Umschnitt ohne "Bequemlichkeitsverlust": Auch die 33er-Originalpressung hatte pro Seite nur drei Songs mit maximal 17 Minuten Spielzeit zu bieten. Reiner klanglicher Mehrwert mithin. Allerdings ist die Erstauflage (insgesamt liegt die Limitierung bei 3000) auch schon wieder beim Label vergriffen; mal sehen, wieviele wir bekommen… (2001/2020) ************************************************************************************************* ************************************************************************************************* AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head Mobile Fidelity - MFSL 2-489 - 180 Gram Virgin Vinly - AAA 100% Analogue 3,000 Numbered Limited Edition - Pressed at RTI Half Speed Mastered by Kreig Wunderlich from the Original Mastertapes on the Mobile Fidelity GAIN 2™ A Visionary Survey of American Music and Its Vast Landscapes: Bob Dylan's Love and Theft Tours Swing, Blues, Country, Folk, and Vaudeville En Route to Becoming a Roots-Rock Landmark Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Bob Dylan's Love and Theft is a visionary train ride through the vast American landscape and all its hills, valleys, mountains, river towns, and urban and rural settlements. As they burrow into villages and barrel across trestle bridges, the 2001 record's songs introduce us to outlaws, outliers, gamblers, brawlers, tricksters, bootleggers, and scoundrels. It is, in effect, a commanding survey of and plunge into American music. Named the best album of the year by Rolling Stone and the Village Voice's Pazz & Jop Critics Poll, anointed the second-best album of the decade by Newsweek, and later declared the 385th Greatest Album of All Time by Rolling Stone, Love and Theft remains the Nobel Laureate's finest effort since 1975's Blood on the Tracks – and an extension of the jesting, imagery, and free-form looseness present on his seminal 1960s works. Now, it possess knock-out sound. Mastered from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's transparent reveals the you-are-there immediacy of Dylan's production and the colorful textures inherent to every passage. Experienced on this audiophile version, the songs possess a sense of swing and naturalism so sure-footed that they seem to float, with Dylan and his crack ensemble setting up as a live band taking down the house in a deep-in-the-woods Louisiana shotgun shack. Prized aural traits such as presence, imaging, separation, and soundstaging depth don't come better. This is the very definition of sonic chemistry. Indeed, Dylan's virtuosic cast that rides in akin to a pack of Old West horsemen – Texas guitar whiz Charlie Sexton, drummer David Kemper, bassist Tony Garnier, multi-instrumentalist Larry Campbell, and keyboardist Augie Meyers – emerges with detailing, scaling, and tonality so realistic, it's scary. Various imperfections – stray notes, errant chords that Dylan valued to suit the overall atmosphere – further become enmeshed with the entire tapestry. Surpassing even the emotionally engaging experiences provided by the rare, long-out-of-print Drawing from roots-based styles that always inspired him – including blues, vaudeville, country, jazz, swing, and folk – Dylan turns in a masterwork that references the past without reverentially giving into it. Hence, each composition is vital, contemporary, timeless, and, ultimately, classic. As esteemed critic Greg Kot observed in his salient review of the Grammy-winning effort for the Chicago Tribune: "This is a tour of American music – jump blues, slow blues, rockabilly, Tin Pan Alley ballads, country swing – that evokes the sprawl, fatalism and subversive humor of Dylan's sacred text, Harry Smith's Anthology of American Folk Music, the pre-rock voicings of Hank Williams, Charley Patton and Johnny Ray, among others, and the ultra-dry humor of Groucho Marx." Similarly, the scope of the record – along with its mysteries, riddles, and fantasies – wasn't lost on Rolling Stone scribe Rob Sheffield, who mused: "The music evokes an America of masquerade and striptease, a world of seedy old-time gin palaces, fast cash, poison whiskey, guilty strangers trying not to make eye contact, pickpockets slapping out-of-towners on the back. Love and Theft comes on as a musical autobiography that also sounds like a casual, almost accidental history of the country. Relaxed, magisterial, utterly confident in every musical idiom he touches, Dylan sings all twelve songs in a voice that sounds older than he is, a grizzled con man croaking biblical blues and Tin Pan Alley valentines out of the side of his mouth while keeping one eye on the exit." Throughout, subtle changes in keys, tempos, and approaches adapt to the specific feel of each song – many of which were performed in the studio after Dylan played everyone vintage recordings by the likes of a Billie Holiday or Jimmy Rushing to establish the mood and manner he desired. The collective went from there. The resultant arrangements fit the lyrics to a proverbial "t." Consider the apocalyptic nature of the symbolic "High Water (for Charley Patton)," which doubles as a mini-history of the U.S.' racial strife as well as a metaphor for contemporary problems. Or the deceptive ease of the crooned ballad "Bye and Bye" that hides a clever kiss-off. Every song, every note matters. And whether via the swing of "Summer Days" (pregnant with a destructive ending), galloping death trip of "Tweedle Dee & Tweedle Dum," or desperate slide of "Honest with Me," Dylan and company turn each track into a powerful commentary on power, folklore, and myths. "Things should start to get interesting right about now," Dylan sings in his trademark rasp on "Mississippi," the line doubling as an apt metaphor for every second of Love and Theft – one of the greatest records of our time. Secure your numbered, limited-edition Today Musicians: Bob Dylan Larry Campbell Charlie Sexton Augie Meyers Tony Garnier David Kemper Clay Meyers 1. Tweedle Dee & Tweedle Dum 2. Mississippi 3. Summer Days 4. Bye and Bye 5. Lonesome Day Blues 6. Floater (Too Much to Ask) 7. High Water (For Charley Patton) 8. Moonlight 9. Honest with Me 10. Po' Boy 11. Cry a While 12. Sugar Baby Bob Dylan - Love and Theft - Numbered, Limited Edition Strictly Limited to 3,000 Numbered Copies 180g 2LP 45rpm Production and Mastering by Mobile Fidelity Sound Lab Specially Plated and Pressed on 180 grams of High Definition Vinyl Special Static Free - Dust Free Inner Sleeve Heavy Duty Protective Packaging Pressed at RTI Image result for mofi mobile fidelity sound lab GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases. The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!) First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first. As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most. https://store.acousticsounds.com/images/FormatIcons/180gram.jpg RTI 180 HQ Vinyl Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world. **********************************************************************************************

Zustand121: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGES, AUDIOPHILES RE-MASTERING BY MOBILE FIDELTY SOUND LAB IN USA ----- AUDIOPHILES MOBILE FIDELITY SOUND LAB(MFSL) RE-MASTERING 2020 - ORIGINAL MASTER RECORDING - MADE IN USA ----- GAIN 2™ ULTRA ANALOG 45RPM 180GRAM SERIES ----- 45RPM DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD-JACKET) ----- SPECIAL LIMITED EDITION -- WITH SPECIAL LIMITED NUMBER # ----- OUT OF PRINT ----- ( ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN MFSL-LP-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE MFSL-LP-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )

Best.-Nr.: MFSL 2-489 ----- ANALOGE ORIGINAL 45RPM-MFSL-DOPPEL-LP/RECORD ---- LIMITED EDITION - WITH SPECIAL LIMITED NUMBER ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

Preis: EUR 599,99 (minus 50% discount with invoice/rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGES, AUDIOPHILES RE-MASTERING BY MOBILE FIDELTY SOUND LAB IN USA ----- AUDIOPHILES MOBILE FIDELITY SOUND LAB(MFSL) RE-MASTERING 2020 - ORIGINAL MASTER RECORDING - MADE IN USA ----- GAIN 2™ ULTRA ANALOG 45RPM 180GRAM SERIES ----- 45RPM DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD-JACKET) ----- SPECIAL LIMITED EDITION -- WITH SPECIAL LIMITED NUMBER # ----- OUT OF PRINT ----- ( ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN MFSL-LP-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE MFSL-LP-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )