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A WINGED VICTORY FOR THE SULLEN ----- INVISIBLE CITIES / LE CITTA INVISIBILITI ---- AUDIOPHILE 180GRAM VINYL ELEKTRONIC-POP-LP/RECORD-2021 ----- BLACK EDITION ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... DIESE ELECTRONIC POP-LP/RECORD IST OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ...... AUDIOPHILE ELECTRONIC-LP/RECORD - 2021 !! / ..... ORIGINAL AUFNAHMEN 2021 BEI ARTIFICAL PINEARCH RECORDS IN USA / ..... ORIGINAL RECORDING 1997 BY ARTIFICAL PINEARCH RECORD RECORDS IN USA / ..... ORIGINAL LP/RECORD PRESSING IN ENGLAND (U.K.) / ..... OUT OF PRINT ..... LIMITED EDITION ----- EINZIGES EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN LP/RECORD-SAMMLUNG !! = ONLY ONE SAMPLE IN MY PRIVATE AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... ) ************************************************************************************************** ----- AUDIOPHILE 180GRAM VINYL ELEKTRONIC-POP-LP/RECORD-2021 ----- BLACK EDITION ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!)!! ...... SIEHE XXL-FOTOS (LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! .....) ************************************************************************************************

*********************************************************************************************** A Winged Victory For The Sullen – Invisible Cities / Le Città Invisibili A Winged Victory For The Sullen - Invisible Cities / Le Città Invisibili album cover ********************************************************************************************* More images Label: Artificial Pine Arch Manufacturing – APAMFGLP4X Format: Vinyl, LP, Album, Limited Edition, Beer Orange Transparent Country: Europe Released: Feb 26, 2021 Genre: Electronic, Classical Style: Contemporary, Drone, Dark Ambient, Neo-Classical ********************************************************************************************** A1 So That The City Can Begin To Exist 4:46 A2 The Celestial City 3:44 A3 The Dead Outnumber The Living 2:41 A4 Every Solstice & Equinox 2:24 A5 Nothing Of The City Touches The Earth 3:10 A6 Thirteenth Century Travelogue 2:19 B1 The Divided City 2:53 B2 Only Strings And Their Supports Remain 3:42 B3 There Is One Of Which You Never Speak 3:08 B4 Despair Dialogue 2:47 B5 The Merchants Of Seven Nations 2:20 B6 Desires Are Already Memories 3:55 B7 Total Perspective Vortex 4:20 ********************************************************************************************* Recorded At – Vox-Ton Recorded At – Begijnhof, Brussels Recorded At – King Sound, Glassell Park, CA Recorded At – Magyar Rádió 22-es Stúdió Recorded At – Peter Pejsik Orchestra Engineered At – East Connection Music Recording Co. Mixed At – Vox-Ton Made By – Lid Music Mastered At – Calyx Mastering Published By – Diggers Factory Pressed By – GZ Media – 218616E ************************************************************************************************ Artwork [Design] – Davy Evans Conductor – Peter Pejsik Contractor – Lukács Miklós (2) Mastered By – Bo Kondren Mixed By – Francesco Donadello Orchestrated By – Adam Wiltzie, Dustin O'Halloran ********************************************************************************************** Transparent Beer Orange Vinyl - Gatefold Sleeve Labels state code as APAMFGLP04. Tracks are numbered sequentially 1 through 13. Initial copies from Rough Trade UK came with a signed postcard. ************************************************************************************************ Invisible Cities ist das vierte Studioalbum des Ambient-Musik- Duos A Winged Victory for the Sullen. Es wurde am 26. Februar 2021 von Artificial Pinearch in Zusammenarbeit mit Ninja Tune veröffentlicht. Das Album wurde als Partitur einer 90-minütigen Multimedia-Theaterproduktion komponiert, die von Italo Calvinos gleichnamigem Roman von 1972inspiriert war. [1] [2] Die Platte basiert in hohem Maße auf einer Instrumentalproduktion mit Klavierakkorden, arpeggierten Streichern und Verzerrungen. [2] Musikkritiker standen dem Album im Allgemeinen positiv gegenüber, insbesondere der instrumentalen Klanglandschaft. Ein geflügelter Sieg für die mürrischen - unsichtbaren Städte (Albumcover) .jpg Studioalbum von Ein geflügelter Sieg für die Mürrischen Hintergrund und VeröffentlichungBearbeiten Invisible Cities folgt dem Studioalbum The Undivided Five des Duos aus dem Jahr 2019 . [3] Das neoklassische Duo, bestehend aus Adam Wiltzie und Dustin O'Halloran , hat zuvor Partituren für zahlreiche Filme und Fernseher komponiert. [1] [2] Sie beauftragt wurden , die Partitur für eine 90-minütige Multimedia - Bühnenproduktion zu komponieren, von Video - Designer Leo Warner gerichtet. [1] [2] Das Album wurde als die Partitur der Tanztheaterproduktion konzipiert. [4] Die Bühne wurde vom italienischen Schriftsteller Italo Calvinos postmodernem Roman Invisible Cities inspiriert(1972), geschrieben als Gespräche zwischen Kublai Khan und Marco Polo . [4] [5] Es befindet sich auf dem Premiere hatte Manchester International Festival im Juli 2019 und wurde für eine weltweite Tour geplant , bevor COVID-19 - Pandemie , die Pläne und die Produktion geschabt wurde stillgelegt. Vier Monate sind nicht viel Zeit, um 90 Minuten Musik für eine Produktion mit klassischem Theater, Tanz und hochauflösendem Video-Mapping auf einer Bühne von der Größe von zwei Fußballfeldern zu erstellen. -  Wiltzie über den Album-Erstellungsprozess, Exclaim! [3] Invisible Cities wurde im Dezember 2020 zusammen mit dem Cover und der Tracklist angekündigt. Der Titel "Desires are Already Memories" wurde als Lead-Single des Albums ausgeliefert. [6] Die Aufzeichnung wurde am 26. Februar 2021 von Artificial Pinearch in Zusammenarbeit mit Ninja Tune veröffentlicht . [3] -WIKIPEDIA- ************************************************************************************************ Nach diversen Alben auf Erased Tapes und zuletzt Ninja Tune veröffentlicht das US-Duo A Winged Victory For The Sullen sein neues Werk auf dem Label seines Mitglieds Adam Wiltzie, Artificial Pinearch Manufacturing. »Invisible Cities« ist der Soundtrack zu einer Multimedia-Show aus Theater, Musik, Tanz, Design und Visuals, basierend auf der gleichnamigen Novelle des italienischen Schriftstellers Italo Calvino aus 1972, die auf dem Manchester International Festival 2019 Premiere feierte und zur Zeit aufgrund der Pandemie pausiert. Das Duo AWVFTS wird im Neoklassik/Ambient/Drone-Genre mittlerweile in einem Atemzug mit Max Richter, Jon Hopkins, Hauschka, Hildur Gudnadöttir und Tim Hecker genannt. Adam Wiltzie ist Gründungsmitglied der Drone-Legenden Stars Of The Lid und schrieb zahlreiche Film- und TV-Scores (»Transformers: Dark Of The Moon«, »Godzilla«, »Whitney«, »The Yellow Birds«, »Nip/Tuck«). Dustin O'Halloran war Mitglied der Indierock-Band Dévics (Bella Union), veröffentlicht auf Deutsche Grammophon und schrieb u.a. die Filmmusik für Sofia Coppolas »Marie Antoinette« und die TV-Serie »Transparent«, für die er mit einem Emmy Award ausgezeichnet wurde. Rezensionen »Wenn große Musik so intim wirkt, sind meist die beiden Amerikaner mit ihrem Neo-Klassik und Ambient dafür verantwortlich.« (Musikexpress) ********************************************************************************************* A Winged Victory for the Sullen, the collaboration between Adam Wiltzie & Dustin O'Halloran, release their 2021 album ‘Invisible Cities’, the stunning score to the critically acclaimed theatre production directed by London Olympics ceremony video designer Leo Warner. Released on their own Artificial Pinearch Manufacturing label, the album comes as part of an agreement with A Winged Victory for the Sullen’s current label, Ninja Tune. Premiering to a sell-out audience in July 2019 at the Manchester International Festival, the duo was commissioned by Warner’s 59 Productions to score the music for the 90-minute multimedia theatrical stage show, adapted from Italo Calvino’s 1972 novel, ‘Invisible Cities’. Described by The Sunday Times as “a beautiful frenzy of movement”, it fuses theatre, music, dance, architectural design, and visuals and brings to life a series of fantastical places and disparate worlds, centered on the tense relationship between Kublai Khan, the volatile head of a vast empire, and explorer Marco Polo. Originally conceived as a touring project, its last performance was in Brisbane, Australia before COVID-19 changed... more credits released February 26, 2021 ************************************************************************************************** The neoclassical-ambient duo of Adam Wiltzie and Dustin O’Halloran offers a gorgeous, towering, and apposite score for a dance theater production based on the Italo Calvino novel of the same name. While appearing on albums for reputable labels such as Mute, Kranky, and Bedroom Community, today’s electronic-ambient artists are also afforded a healthy sideline in commissions for dance, theater, art installation, and film. One key benefactor is the choreographer Wayne McGregor, who treats his internationally acclaimed spectacles like he’s booking Moogfest, enlisting composers such as Max Richter, Ben Frost, and Jon Hopkins. But those lines seem especially blurred in the case of A Winged Victory for the Sullen, whose second album, Atomos, was written for McGregor. Two of the group’s four LPs are scores, not even counting two other compositions for film soundtracks. Pianist Dustin O’Halloran’s most famous song is the Transparent theme, while Adam Wiltzie—whose ambient group Stars of the Lid launched countless hum-alikes—was tapped to score the big Whitney Houston doc for reasons even he doesn’t understand. The only noticeable difference between the duo’s albums and commissions is the latitude that they allow themselves on the latter. That’s certainly the case on Invisible Cities, the score for a sprawling dance theater production based on Italo Calvino’s postmodern novel. Ambient musicians do have a habit of imputing weirdly specific concepts to interchangeable drones. But in this happy case, the applied content could hardly be more harmonious. Trending Now The One Song Vagabon Wishes She Wrote In Calvino’s 1972 novel, the 13th-century explorer Marco Polo describes imaginary cities to his contemporary, Kublai Khan, the Mongolian emperor later immortalized by a laudanum-dazed English poet. Any AWVFTS album would resonate with the beautifully wrought shape of Calvino’s prose, its sentimental, sorrowful grandeur, and the dreamlike flow of glittering details. Chip away all that agate and chalcedony, and Marco Polo is not describing cities, but how memory structures them, and what longings attached to them—two themes AWVFTS know well. On Invisible Cities, their established neoclassical-ambient template is perfectly intact, with wide, spreading basses on the bottom, distorted melodies sharply etching the high end, and soft harmonies shifting in the abyssal middle. The tempo is solemn, the pacing regal, the mood perpetually expectant. The hopeful uncertainty of O’Halloran’s piano lends human scale to towers of holy drones and fuming strings. But there are more varieties of motion and force here than their imperious stasis usually allows. Several songs dance on rapid pizzicato strings or driving violin ostinatos, while others incorporate tight, breathless arias. Others explode the elegant façade with exhilaration. “There Is One of Which You Never Speak” builds to a shorting mess of circuitry, almost shocking from a group that usually abhors any stereo chaos. The big finish, “Total Perspective Vortex,” goes even harder. The usual symphonic ice-melt erupts in volcanic distortion, which is then chopped into the strafing patterns that pervade the record, peaking in a metal scream. Naturally, the most explicit Calvino references are in the song titles, though it’s nice to think of the subtle elephant-trumpet timbre of “The Dead Outnumber the Living” as an homage to the pachyderm in the book’s prologue. Wiltzie and O’Halloran knew what they were about when they snagged the line “desires are already memories” for a title, though somehow they overlooked “a sense of emptiness that comes over us at evening,” an excellent précis of their whole vibe. Still, one more parallel might be suggested. Calvino deployed heightened emotion with schematic rigor—most of the book’s Wikipedia page is concerned with its intricate internal structure. (He was a member of Oulipo, some French authors who started trying to write literature with math in the 1960s.) In a different way, AWVFTS does the same thing. This is a group, after all, whose prior album was a sort of musical treatise on the perfect fifth. Their music conveys a sense of drama, high stakes, even godlike perspective, yet it does so in such a seamless, unerring way that it feels abstract, tooled for proscenium halls. A baseline of reliability can double as a cap on transcendent potential, and it’s those cap-rattling moments that make what’s otherwise simply another fine album from this duo worthwhile. **********************************************************************************************

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Best.-Nr.: ARTIFICAL PINEARCH RECORD APAMFG LP 4X ----- AUDIOPHILE ELECTRONIC LP/RECORD ----- (OVP = FACTORY SEALED = FACTORY SEALED)

Preis: EUR 49,99 Euro (zuzüglich der Versandkosten / plus shippingcosts)


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Zuletzt aktualisiert am 08.09.2023