Produktsuche

Gesamtkatalog

• Audiophile Pop -Rock LP's
• Audiophile Jazz LP's
  • DIRECT-TO-DISC-LP´s (DIREKTSCHNITTE)
  • Audiophile Jazz Lp`s (viele Japanpressungen)
  • Impulse Jazz Lp`s-USA (Out of Print)
  • Audioquest Lp`s-USA - Blues&Jazz (Out of Print)
  • ECM Jazz Lp`s (German Pressing)
  • Enja Jazz Lp`s (German Pressing)
  • CMP Jazz/Rock Lp`s (German Pressing)
  • Mosaic - audiophile Jazz Lp-Boxen (u. andere..)
  • Steeple Chase - audiophile Jazz Lp`s
  • Jazz- Lp`s (Normalpressungen)
  • Analogue Productions- audiophile LP´s USA
  • Cardas Records-audiophile LP`s USA (Folk & Jazz)
  • ESA Records-audiophile LP`s(Folk,Jazz & Pop)
  • IN & OUT audiophile Jazz - LP´s
• Audiophile Classic LP's
• Audiophile Pop - Rock - Jazz - Classic CD's

Produkt Detailansicht:

MILES DAVIS ----- KIND OF BLUE ----- ULTRA RARE ANALOGE UHQR 200GRAM LP/RECORD-BOX ----- UHQR BY ANALOGUE PRODUCTIONS IN USA ----- ULTRA HIGH QUALITY RECORD(UHQR) ----- 200GRAM CLARITY VINYL PRESSING ----- AUDIOPHILE 33RPM JAZZ-LP/RECORD IN WERTIGEN HARTKARTON - BOX ----- THE ACOUSTIC SOUNDS REISSUES 2021 ----- MASTERING BY BERNIE GRUNDMAN ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER ONE OF 25.000 ----- OUT OF PRINT ----- ( ..... RARE AUDIOPHILE 33 RPM UHQR JAZZ-LP/RECORD / ..... ACOUSTIC SOUNDS RECORDING 2021 IN USA / ..... ANALOGUE 33RPM UHQR JAZZ LP/RECORD BY ANALOGUE PRODUCTION IN USA 2021 / ..... ORIGINAL AUFNAHMEN 1958 BEI COLUMBIA RECORDS IN USA / ..... ORIGINAL RECORDING 1958 BY COLUMBIA RECORDS IN USA / ..... ORIGINAL HIGH QUALITY (UHQR) 200GRAM CLARITY VINYL 33RPM-PRESSING IN USA BY QUALITY RECORD TECHNOLOGY IN USA / ..... EIN BESONDERES HÖRERLEBNIS !!! / ..... LIMITED EDITION (MAX. 25000 EXEMPLARY) / ..... WITH SPECIAL LIMITED NUMBER ONE OF 25.000 COPIES / ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN LP/RECORD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... DIESE AUDIOPHILE 33RPM-DOPPEL-LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! -----

********************************************************************************************** Miles Davis – Kind Of Blue Label: Analogue Productions – UHQR 0004, Analogue Productions – AUHQR 0004, Columbia – CS 8163, Sony Music Commercial Music Group – 19075978621 Series: UHQR by Analogue Productions – UHQR 0004 Format: Vinyl, LP, Album, Limited Edition, Numbered, Reissue, Repress, Stereo, 200 g, Clear Country: US Released: May 21, 2021 Genre: Jazz Style: Modal Tracklist A1 So What A2 Freddie Freeloader A3 Blue In Green B1 All Blues B2 Flamenco Sketches Companies, etc. Copyright © – Columbia Records Record Company – Sony Music Entertainment Manufactured For – Analogue Productions Manufactured By – Sony Music Entertainment Printed By – Stoughton Printing Co. Lacquer Cut at – Bernie Grundman Mastering Pressed By – Quality Record Pressings Credits Alto Saxophone – Julian Adderly* (tracks: A1, A2, B1, B2) Bass – Paul Chambers (3) Drums – James Cobb* Lacquer Cut By – BG* Liner Notes – Ashley Kahn, Bill Evans, Robert Palmer Mastered By – Bernie Grundman Photography By [Uncredited] – Jay Maisel Piano – Bill Evans (tracks: A1, A3 to B2), Wyn Kelly* (tracks: A2) Tenor Saxophone – John Coltrane Trumpet, Leader – Miles Davis Written-By – M. Davis* Notes Handmade limited run reissue. Pressed 33 1/3 RPM LP, limited to 25,000 numbered copies. Housed in a full-colour, tip-on, stoughton, gatefold jacket jacket inside a textured slip-case w/ leatherette dowell featuring gold-foil stamp numbering. Mastered directly from the original 3-Track master tapes by Bernie Grundman. Pressed using Clarity Vinyl® on a manual Finebilt press. * A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What," "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This UHQR was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95. Julian Adderly, courtesy of Riverside Records. Wyn Kelly, courtesy of Riverside Records. Barcode and Other Identifiers Barcode (Text, sticker): 7 53088 40001 8 Barcode (Scanned, sticker): 753088400018 Matrix / Runout (Side A label): 19075978621A Matrix / Runout (Side B label): 19075978621B Matrix / Runout (Side A runout): CS 8163-C BG UHQR-0004 A Matrix / Runout (Side B runout): CS 8163-B BG 08 T UHQR-0004 B ********************************************************************************************* Miles Davis - trumpet Julian "Cannonball Adderley" - alto sax John Coltrane - tenor sax Bill Evans - piano Wynton Kelly - piano (on track 2) Paul Chambers- bass Jimmy Cobb - drums Kind Of Blue wurde am 2. März und am 22. April 1958 in New York aufgenommen und erschien ursprünglich 1959 auf Columbia Records. Die audiophile 200-Gramm-Pressung der Jahrhundert-Schallplatte „Kind Of Blue“ von Miles Davis aus dem Qualitäts-Hause Acoustic Records ist eines der Highlights dieses Klang- und Musikjahres 2021. Und keine Frage: In unserem Forum dVinyl ein ganz selbstverständliches Highlight. Die innenliegende LP kommen in Clarity Vinyl, frei von jedem Rußpigment, um auch nur jede kleinste Verunreinigung zu vermeiden. Die Scheibe dreht ihre Runden souverän in 33 1/3 rpm. Die UHQR-(Ultra High Quality Record) Pressungen sind der Maßstab aller Sound-Dinge. Editionen aus dieser Serie werden auf besonders geräuscharmem „Super Vinyl“ gepresst. Die LPs werden dabei nicht in herkömmlichen Plattenhüllen, sondern wie ein Box-Set in einem Karton konfektioniert. Wegen der hohen Pressqualität und den kleinen Auflagen mit einem nummerierten Zertifikat, sind diese Veröffentlichungen unmittelbar nach dem Erscheinen gesuchte und hochpreisige Sammlerstücke. Gepresst wird manuell mit einer Finebilt-Pressmaschine, bei der akribisch auf jedes feinstes Detail geachtet wird. Die 200-Gramm-Schallplatten weisen dabei das gleiche flache Profil auf, das die ursprünglichen UHQRs so begehrenswert gemacht hat. Von der Einlaufrille bis zur Auslaufrille ist das Profil plan, so dass die Abtastnadel des Plattenspielers wirklich senkrecht zu den Rillen von der Einlaufrille bis zur Mitte steht. Und nur absolut makellose Exemplare kommen nach individueller Prüfung per Hand auf den Markt. Jede UHQR wird in einer Deluxe-Box verpackt und enthält ein Booklet, in dem der gesamte Herstellungsprozess einer UHQR beschrieben wird mit einem handsignierten Zertifikat der Inspektion. Diese Edel-Edition wird natürlich auch der genialen Musik dieser am meistverkauften Jazz-LP auch mehr als gerecht. Eingespielt wurde die Scheibe von der sagenumwobenen Quintett-Besetzung Miles Davis an der Trompete, John Coltrane am Tenor-Saxophon, Julian Adderley am Alt-Saxophon, Bill Evans und Wynton Kelly (nur bei „Freddie Freeloader“) am Piano, Paul Chambers am Bass, James Cobb am Schlagzeug. Das musikalisch höchst spannende „So What“ eröffnet die LP. Kontrabass und Piano spielen das prägnante Thema ein, das dann von den Bläsern aufgenommen wird. James „Jimmy“ Cobb lässt sein Schlagwerk so souverän erklingen, dass man sich der Magie nicht entziehen kann. Von den Aufnahmen geht eine unnachahmliche Grundruhe aus. Die analoge Wärme ist in jedem einzelnen Ton spürbar. Dem angeregten Dialog zwischen Saxophon und Trompete zuzuhören, macht richtig Freude. Ein absolutes Highlight im Highlight ist „All Blues“. Das Stück basiert auf einem 12-Takt-Bluesschema. Jedoch ist die Komposition kein klassischer Blues, da er im 6/8-Takt gespielt wird. Als so bezeichneter Jazzblues zeigt das Lied beeindruckend die Beeinflussung des Jazz durch den Blues, der Mutter aller Musik. Davis arbeitete ein halbes Jahr an der Komposition. Erst auf dem Weg ins Studio beschloss Davis das Stück nicht im geraden Takt, sondern als Walzer zu spielen. Dies zu erhören und in dieser audiophilen Highend-Qualität erleben zu dürfen ist schon gigantisch. Auch an den weiteren Liedern wie „Flamenco Sketches“, „Freddie Freeloader“ und „Blue In Green“ kann man sich schier nicht satthören. Miles Dewey Davis III. wurde am 26. Mai 1926 in Alton, Illinois, USA, geboren. Er verstarb am 28. September 1991 in Santa Monica, Kalifornien, USA. Der Jazz-Trompeter, Flügelhornist, Komponist und Bandleader war einer der herausragendsten und einflussreichsten Jazzmusiker des 20. Jahrhunderts. Ursprünglich war er einer der Revolutionäre der Bebop-Bewegung. Danach beeinflusste er maßgeblich die Entwicklung unterschiedlicher Jazz-Stile wie Cool Jazz, Hard Bop, modalen Jazz und Jazzrock. „Kind of Blue“ war Davis 22. Studioalbum. Es ist ein absoluter Meilenstein der Jazz-Historie.wb Gepresst bei Quality Record Pressings auf 200 g schwerem Clarity Vinyl. Mastering durch Bernie Grundman vom Original-3-Spur-Masterband direkt auf seine röhrenbetriebene Schneidemaschine. Acoustic Sounds hat sich bei der Konzeption der Box Gedanken gemacht, so dass im Gegensatz zu den MFSL-Boxen nicht mit durchgeschlagenen Innencovern zu rechnen ist. So soll es sein! Titel: Side A: 1. So What 2. Freddie Freeloader 3. Blue In Green Side B: 1. Flamenco Sketches 2. All Blues ************************************************************************************************* Rezension: Es ist das legendäre 1995er Bernie Grundman-Mastering, das für diese Luxus-Ausgabe des vielleicht definitiven Jazz-Albums überhaupt gewählt wurde: Die damalige Classic Records-Wiederauflage setzte nicht nur neue Maßstäbe in Sachen Klang, sondern korrigierte auch endlich den Geschwindigkeitsfehler aller bisherigen Vinylausgaben (einer zu langsam laufenden Bandmaschine bei den Sessions zu verdanken). Die Pressung auf klarem Vinyl folgt dem technischen Prinzip der UHQR-Reihe von Classic Records, wie jene wird auf einer handgesteuerten Finebilt-Maschine gepreßt (der Prozess wird im luxuriösen Booklet ausführlich erläutert). Die Auflage von 25.000 Stück dürfte manchen Sammler die Brauen hochziehen lassen; aber die Nachfrage nach Edel-Vinyl ist nicht nur in den USA im letzten Jahr sprunghaft gestiegen: Einmal mehr ist es alles andere als selbstverständlich, daß ein Analogue Productions-Produkt ausreichend nach Europa kommt. Wir haben uns ein Kontingent gesichert, aber die Lieferzusage ist keine Garantie – drücken wir also die Daumen. Und wieder einmal gilt: Je früher bestellt wird, desto größer die Chance; verteilt wird konsequent chronologisch! (2021) *********************************************************************************************** AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head Analogue Productions - AUHQR Handmade UHQR Clarity 200 Gram Virgin Vinyl Numbered Copies - AAA 100% Analogue - Mastered By Bernie Grundman Hand Pressed Limited Edition - Pressed at QRP Quality Record Pressings Even the quietest original pressing creates a pleasing romantic blur over a soft bed of noise but compared to this issue the overall picture is distant and hazy (though the romanticized version still pulls). The UHQR offers the blackest, quietest backgrounds and unparalleled transparency, but more critically, the modified Finebuilt hand press produces unprecedented transient precision and instrumental focus and resolves low level details that will deliver surprises to even the most blasé KOB veteran, one of whom visited and exclaimed “I’ve never heard that before”. This pressing allows you to see further into the mix and transports you back in time and into the 30th Street studios. I don’t care what version you now have you’ve never heard Kind of Blue quite like this. And that’s not hyperbole!" OK it is hyperbole but hey! The thing is and add your own tired cliché here:- Sound 11/10 Michael Fremer Analogue Planet *********************************************************************************************** Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl! Definitive handmade limited run reissue Ultra High Quality Record! 33 1/3 RPM LP release limited to 25,000 copies Best-selling album in jazz history; mastered directly from the original 3-Track master tapes by Bernie Grundman Pressed at Quality Record Pressings using Clarity Vinyl® on a manual Finebilt press Purest possible pressing and most visually stunning presentation and packaging! Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history "The result (drum rolls) is the best-sounding Kind of Blue ever, superior in every way to all previous pressings, including the original. The pressing is superquiet, allowing the slightest of details to pop out from the black backdrop. Cobb's drumkit is spooky real. I've heard this album, in one version or another, hundreds of times, and there are fine touches in Cobb's snare swooshes and cymbal taps — accents on accents, rhythms within rhythms — that I've never heard before. Chamber's bass lines are stunningly clear: the notes he's playing, the pluck of the strings, the glow of the wood. There are also new layers of detail in Miles' mouthpiece manipulations, Evans's pedal work, and the sheer beauty of Coltrane's and Adderley's saxophones. ... the chase is eternal. This reissue holds the brass ring, for now." — Fred Kaplan, Stereophile, August 2021 "Quite clearly and obviously this new UHQR Kind of Blue sourced from Bernie Grundman's (1997) 'live' mix from the 3-track master, directly to lacquer sounds best compared to two early '6-Eyes,' Classic's own double 180g set and that label's single-sided 45rpm set, and Mobile Fidelity's double 45 boxed edition, to which I compared the UHQR. "Even the quietest original pressing creates a pleasing romantic blur over a soft bed of noise but compared to this issue the overall picture is distant and hazy (though the romanticized version still pulls). The UHQR offers the blackest, quietest backgrounds and unparalleled transparency, but more critically, the modified Finebuilt hand press produces unprecedented transient precision and instrumental focus and resolves low level details that will deliver surprises to even the most blasé KOB veteran, one of whom visited and exclaimed 'I've never heard that before.' This pressing allows you to see further into the mix and transports you back in time and into the 30th Street studios. I don't care what version you now have you've never heard Kind of Blue quite like this." — Music = 11/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com, May 17, 2021. Read the whole review here. "Until now The Classic Records Clarity Vinyl Flat Profile version of Kind of Blue was the closest to the sound on the three track session master from which it was cut. The Analogue Productions UHQR pressing from the same metal parts has taken it up a notch and gotten us even closer to the sound on those 1/2" analog session master tapes! Buy two so you have one for a backup or to give someone the gift of music!" — Michael Hobson, founder of Classic Records Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording — a five-track masterpiece of melancholy mood and melody. It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader." Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record. The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick," Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them." Kind of Blue is, in a sense, all melody — and atmosphere. None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune. Miles remained proud of the album, performing at least two of its tracks — "So What" and "All Blues" — for years after, until his musical path took him in a different direction. History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records — LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day — Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio. A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What," "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This UHQR was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95. Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment. Music Sound Ratings from Michael Fremer @ AnalogPlanet.com Side A 1. So What 2. Freddie Freeloader 3. Blue In Green Side B 1. Flamenco Sketches 2. All Blues *************************************************************************************************

Zustand121: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED ----- ULTRA RARE ANALOGE UHQR 200GRAM LP/RECORD-BOX ----- UHQR BY ANALOGUE PRODUCTIONS IN USA ----- ULTRA HIGH QUALITY RECORD(UHQR) ----- 200GRAM CLARITY VINYL PRESSING ----- AUDIOPHILE 33RPM JAZZ-LP/RECORD IN WERTIGEN HARTKARTON - BOX ----- THE ACOUSTIC SOUNDS REISSUES 2021 ----- MASTERING BY BERNIE GRUNDMAN ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER ONE OF 25.000 COPIES ----- OUT OF PRINT ----- ( ..... RARE AUDIOPHILE 33RPM-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! .....)

Best.-Nr.: ANALOGUE PRODUCTIONS UHQR 004 (STEREO VERSION-33RPM) ----- ANALOGE-UHQR-LP/RECORD ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)

Preis: EUR 999,99 Euro (zuzüglich der Versandkosten / plus shipping costs)