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Steely Dan – Countdown To Ecstasy
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Label: Geffen Records – UHQR 0010-45, Analogue Productions – UHQR 0010-45
Series: UHQR by Analogue Productions
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Format:
2 x Vinyl, LP, 45 RPM, Album, Deluxe Edition, Limited Edition, Numbered, Reissue, Stereo, 200g, Clarity Vinyl
Country: US
Released: Dec 16, 2022
Genre: Rock
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TRACKLIST:
A1 Bodhisattva 5:16
A2 Razor Boy
Bass [String Bass] – Ray Brown
4:10
B1 The Boston Rag 5:48
B2 Your Gold Teeth 7:30
C1 Show Biz Kids
Slide Guitar – Rick Derringer
5:21
C2 My Old School
Arranged By [Saxes] – Jimmie Haskell
Saxophone – Bill Perkins, Ernie Watts, John Rotella, Lanny Morgan
4:46
D1 Pearl Of The Quarter 3:55
D2 King Of The World 5:03
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Recorded At – The Village Recorder
Recorded At – Caribou Ranch
Pressed By – Quality Record Pressings
Manufactured For – Analogue Productions
Lacquer Cut At – Bernie Grundman Mastering
Phonographic Copyright ℗ – UMG Recordings, Inc.
Copyright © – UMG Recordings, Inc.
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Acoustic Guitar – Ben Benay
Backing Vocals – David Palmer (4), James Rolleston, Michael Fenelly*, Myrna Matthews, Patricia Hall, Royce Jones, Sherlie Matthews
Bass Guitar, Harmonica, Vocals – Walter Becker
Design – Dotty Of Hollywood
Drums, Percussion, Vocals – Jim Hodder
Engineer – Roger (The Immortal) Nichols*
Guitar, Mixed By [Stereo Mixmaster General] – Denny Dias
Guitar, Pedal Steel Guitar – Jeff "Skunk" Baxter*
Photography By – Ed Caraeff
Piano, Electric Piano, Synthesizer, Vocals – Donald Fagen
Producer – Gary Katz
Vibraphone, Marimba, Percussion – Victor Feldman
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45 RPM LP release, limited to 20,000 numbered copies with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
Mastered directly from the original master tape by Bernie Grundman
Pressed at Quality Record Pressings using 200-gram Clarity Vinyl®
Tip-on old style gatefold double pocket jackets with film lamination
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"Upon repeated listens, the UHQR version of Steely Dan's Countdown to Ecstasy continues to reveal itself to be truly worthy of a 10/10 rating in terms of both Music and Sound, each of them being a respective notch above the Thrill UHQR, not to mention being my preferred choice over any of the ABC and/or MCA Records versions I own." — Music =10/11; Sound = 10/11 — "Steely Dan's All-Analog Countdown to Ecstasy 200g 45rpm 2LP Set Establishes the Gold Standard for All Upcoming Releases in This Stellar UHQR Analogue Productions Series" Mike Mettler, AnalogPlanet.com. Read Mettler's full review here.
"I compared this costly reissue to a black label ABC Records original as well as a 1980 Japanese reissue (VIM-4043). The original scores 'fresh tape' points in the higher frequencies, the new UHQR easily betters the original on bottom as well as in terms of image focus and drop dead black backgrounds. ... A newly produced full color laminated 'one sheet' gives you both master tape boxes showing them to be 30 IPS Dolby masters and not EQ'd copies. This after years of hearing and reading that Nichols had digitized the tapes and then for 'safe keeping' destroyed them, or that they were destroyed in the UMG fire. ... While some UHQRs are revelatory, this one compared to the original and Japanese is merely better overall, but it's sure to buy a thrill for Dan hard core devotees who will now own the definitive edition." — Michael Fremer, TrackingAngle.com. To read Fremer's full review, click here.
Steely Dan's second studio album, originally released in 1973 by ABC Records, was certified gold-selling by the Recording Industry Association of America (RIAA) for selling 500,000 copies in the U.S.
Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations.
Like Steely Dan's 1972 debut album Can't Buy A Thrill, Countdown to Ecstasy has a rock sound that exhibits a strong influence from jazz. It comprises uptempo, four-to-five-minute rock songs, which, apart from the bluesy vamps of "Bodhisattva" and "Show Biz Kids," are subtly textured and feature jazz-inspired interludes. Countdown to Ecstasy was the only album written by Steely Dan for a live band. "My Old School" features reverent horns and aggressive piano riffs and guitar solos. "The Boston Rag" develops from a jazzy song to unrefined playing by the band, including a distorted guitar solo by Jeff "Skunk" Baxter. Jim Hodder's drumming eschews rock music for pop and jazz grooves. Bop-style jazz soloing is set in the context of a pop song on "Bodhisattva." Commenting on the album's style and production, Tom Hull says it is "clean, almost slick," with "no dissonance, no clutter," reminiscent of 1940s bop and "the overproduced early 60s pop rock."
Countdown to Ecstasy has lyrical themes similar to Can't Buy A Thrill. It explores topics such as drug abuse, class envy, and West Coast excess. "My Old School" is inspired by a drug bust involving Walter Becker and Donald Fagen at Bard College, "King of the World" explores a post-Nuclear holocaust United States, and "Show Biz Kids" satirizes contemporary Los Angeles lifestyles.
Rolling Stone described Countdown To Ecstasy as "another dose of mainstream rock and roll, restating the basic themes of Can't Buy A Thrill, but this time concentrating a bit more on the rocking side of their style."
The original cover painting was by Fagen's then-girlfriend Dorothy White. At the insistence of ABC Records president Jay Lasker, however, several figures had to be added when he found the discrepancy between five band members and three figures on the cover unacceptable. The proofs for the album cover were later stolen during a dispute over the final layout. The back cover features an orchid surrounded by the band and their recording equipment.
After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.
This stereo UHQR reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
(QUELLE: www.acoustic-sounds.com)
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More About Clarity Vinyl
As we set out to make the world's best vinyl record, we began by establishing a set of exacting standards to address all of the components that comprise an LP. We call our records made under these strict standards Ultra High Quality Records (UHQR). Most audiophiles would understand that the list of critical components in UHQR includes recording, mastering, plating, pressing and quality control. But some may stop short of considering the raw material used to make the record: the vinyl itself.
We did some research and learned some interesting things about the history of the iconic black vinyl record. The most compelling revelation to us was the fact that LP vinyl is not black in its pure state. The off-white color of the record you are about to listen to is the color of raw vinyl in its purest form (un-tinted vinyl). The black color you're used to seeing is a colorant called "carbon black" that was part of the original compound formulation used in old shellac records. As vinyl compound replaced shellac-based compound, carbon black continued to be used as a colorant. We've expected our records to be black ever since.
To make the ultimate record, we decided to enhance sound quality by removing anything we believed could detract from it. Record styli vibrate (or jitter) on a microscopic level, and any particles of carbon black pigment that happen to be on the surface of the groove could introduce surface noise. By not adding carbon black to our Clarity Vinyl, we eliminate the possibility of noise contamination due to carbon black particles. Instead, your stylus is allowed to effortlessly slide down a glossy and silky smooth groove wall.
When we purchased Classic Records, the brand name Clarity Vinyl® came with it. We're proud to have resurrected, refined and trademarked Clarity Vinyl, the perfect canvas for our masterpiece: vinyl in its purest form. |