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Anthology 1 (Vinyl, LP, Album, Stereo, Mono) album cover
The Beatles – Anthology 1
Label: Apple Records – 7243 8 34445 1 9, Apple Records – PCSP 727
Format: 3 × Vinyl, LP, Album, Stereo, Mono
Country:
Released: 1995
Genre: Rock
Style: Rock & Roll, Pop Rock, Beat
Tracklist
Show Credits
A1 –The Beatles Free As A Bird 4:24
A2 –John Lennon "We Were Four Guys ... That's All" 0:12
A3 –The Quarrymen That'll Be The Day 2:07
A4 –The Quarrymen In Spite Of All The Danger 2:44
A5 –Paul McCartney "Sometimes I'd Borrow ... Those Still Exist" 0:17
A6 –The Beatles Hallelujah, I Love Her So 1:13
A7 –The Beatles You'll Be Mine 1:38
A8 –The Beatles Cayenne 1:13
A9 –Paul McCartney "First Of All ... It Didn't Do A Thing Here" 0:07
A10 –Tony Sheridan And The Beatles* My Bonnie 2:42
A11 –The Beatles Ain't She Sweet 2:13
A12 –The Beatles Cry For A Shadow 2:22
B1 –John Lennon "Brian Was A Beautiful Guy ... He Presented Us Well" 0:10
B2 –Brian Epstein "I Secured Them ... A Beatle Drink Even Then" 0:18
B3 –The Beatles Searchin' 2:59
B4 –The Beatles Three Cool Cats 2:25
B5 –The Beatles The Sheik Of Araby 1:43
B6 –The Beatles Like Dreamers Do 2:35
B7 –The Beatles Hello Little Girl 1:40
B8 –Brian Epstein "Well, The Recording Test ... By My Artists" 0:32
B9 –The Beatles Besame Mucho 2:37
B10 –The Beatles Love Me Do 2:31
B11 –The Beatles How Do You Do It 1:57
B12 –The Beatles Please Please Me 1:59
C1 –The Beatles One After 909 (Sequence) 2:23
C2 –The Beatles One After 909 (Complete) 2:55
C3 –The Beatles Lend Me Your Comb 1:49
C4 –The Beatles I'll Get You 2:08
C5 –John Lennon "We Were Performers ... In Britain" 0:12
C6 –The Beatles I Saw Her Standing There 2:48
C7 –The Beatles From Me To You 2:05
C8 –The Beatles Money (That's What I Want) 2:52
C9 –The Beatles You Really Got A Hold On Me 2:58
C10 –The Beatles Roll Over Beethoven 2:21
D1 –The Beatles She Loves You 2:50
D2 –The Beatles Till There Was You 2:54
D3 –The Beatles Twist And Shout 3:05
D4 –The Beatles This Boy 2:22
D5 –The Beatles I Want To Hold Your Hand 2:36
D6 –The Beatles With Morecambe And Wise* "Boys, What I Was Thinking ..." 2:05
D7 –The Beatles With Morecambe And Wise* Moonlight Bay 0:49
D8 –The Beatles Can't Buy Me Love 2:10
E1 –The Beatles All My Loving 2:19
E2 –The Beatles You Can't Do That 2:42
E3 –The Beatles And I Love Her 1:52
E4 –The Beatles A Hard Day's Night 2:43
E5 –The Beatles I Wanna Be Your Man 1:47
E6 –The Beatles Long Tall Sally 1:45
E7 –The Beatles Boys 1:49
E8 –The Beatles Shout 1:31
E9 –The Beatles I'll Be Back (Take 2) 1:12
E10 –The Beatles I'll Be Back (Take 3) 1:57
F1 –The Beatles You Know What To Do 1:58
F2 –The Beatles No Reply (Demo) 1:36
F3 –The Beatles Mr. Moonlight 2:47
F4 –The Beatles Leave My Kitten Alone 2:56
F5 –The Beatles No Reply 2:29
F6 –The Beatles Eight Days A Week (Sequence) 1:25
F7 –The Beatles Eight Days A Week (Complete) 2:47
F8 –The Beatles Kansas City / Hey-Hey-Hey-Hey! 2:44
Companies, etc.
Phonographic Copyright (p) – Apple Corps Ltd.
Phonographic Copyright (p) – EMI Records Ltd.
Copyright (c) – Apple Corps Ltd.
Licensed To – EMI Records Ltd.
Marketed By – EMI
Distributed By – EMI
Recorded At – Phillips Sound Recording Service
Recorded At – Hulme Hall, Cheshire
Recorded At – Friedrich-Ebert-Halle, Hamburg
Recorded At – EMI Studios, London
Recorded At – Decca Studios
Recorded At – Maida Vale Studios
Recorded At – London Palladium
Recorded At – Karlaplansstudion, Stockholm
Recorded At – Prince Of Wales Theatre
Recorded At – ATV Studios (2)
Recorded At – Pathé-Marconi Studios
Recorded At – Ed Sullivan Theater
Recorded At – I.B.C. Studios
Copyright (c) – Jann Wenner
Phonographic Copyright (p) – The John Lennon Estate
Phonographic Copyright (p) – Paul McCartney
Phonographic Copyright (p) – George Harrison
Phonographic Copyright (p) – Ringo Starr
Licensed To – Apple Corps Ltd.
Phonographic Copyright (p) – Jann Wenner
Phonographic Copyright (p) – MPL Communications Ltd.
Phonographic Copyright (p) – Mark Lewisohn
Phonographic Copyright (p) – Polydor International GmbH
Phonographic Copyright (p) – Polydor Ltd. (UK)
Phonographic Copyright (p) – The Estate Of Brian Epstein
Phonographic Copyright (p) – BBC
Phonographic Copyright (p) – PolyGram International Music B.V.
Phonographic Copyright (p) – Swedish Broadcasting Corporation
Phonographic Copyright (p) – Sullivan Production Inc.
Published By – Lenono Music Inc.
Published By – peermusic (UK) Ltd
Published By – MPL Communications Ltd.
Published By – Carlin Music Corp.
Published By – Lawrence Wright
Published By – EMI
Published By – Harrisongs Ltd.
Published By – B. Feldman
Published By – Redwood Music
Published By – Northern Songs
Published By – Latin American Music
Published By – Dick James Music Ltd.
Published By – Jobete Music UK
Published By – Jewel Music Publishing Co. Ltd.
Published By – EMI Music Publishing
Published By – Redwood Music Ltd.
Published By – Ardmore & Beechwood
Published By – Windswept Pacific Music Ltd.
Published By – BMG Music Publishing
Published By – Warner/Chappell
Published By – Lark Music Ltd.
Published By – Peter Maurice Music Co.
Published By – EMI/ATV Music
Credits
Bass – Stuart Sutcliffe (tracks: A6 to A8)
Compilation Producer, Directed By [Compilation], Directed By – George Martin
Coordinator [For Abbey Road Studios], Compilation Producer [Assistant To George Martin] – Allan Rouse
Design Concept [Cover Concept] – Klaus Voormann
Design, Art Direction – Richard Ward
Engineer – Hans Westman (tracks: C6 to C10), Karl Hinze (tracks: A10 to A12),
Norman Smith (tracks: B9 to C2, D8, E2 to E4, E9 to F8),
Terry Johnson (2) (tracks: E5 to E8)
Engineer [Remix] – Geoff Emerick
Liner Notes [Introduction] – Derek Taylor (2)
Painting – Alfons Kiefer, Klaus Voormann
Producer – Bert Kaempfert (tracks: A10 to A12), George Martin (tracks: B2,
B8 to C2, D8, E2 to E4, E9 to F8), Jack Good (tracks: E5 to E8),
Klas Burling (tracks: C6 to C10), Mike Smith (2) (tracks: B3 to B7)
Research [Additional] – Mark Lewisohn
Sleeve Notes – Mark Lewisohn
Notes
'Roll-fold' gatefold includes white paper, poly-lined inner sleeves. Made and printed in UK.
A collection of rarities covering recordings from 1958 up to 1994.
℗ 1995 The Copyright in this compilation is owned by Apple Corps Ltd/EMI Records Ltd.
© 1995 Apple Corps Ltd. Under exclusive licence to EMI Records Ltd.
Place of manufacture as stated on label
Marketed and Distributed by EMI
A1 Recorded: New York, circa 1977, and Sussex, England, February / March 1994
A2 & C5: 8 December, 1970, New York City. Special Thanks to Jann Wenner & Rolling Stone Magazine. ©1970 Jann Wenner.
A3 & A4 Recorded: Phillips Sound Recording Service, Liverpool, 1958
A5: 3 November 1994, London
A6 to A8 Recorded: Liverpool, 1960. Recorded in rehearsal in Paul McCartney's home in Liverpool.
A9: Recorded 27 October 1962 backstage at Hulme Hall, Port Sunlight, Cheshire.
A10 to A12 Recorded: Friedrich-Ebert-Halle, Hamburg, , 22 June 1961
B1: [for] BBC Radio 1 programme Scene and Heard (Broadcast November 1971). Interview recorded October 1971, in New York City.
B2 & B8 Recorded: EMI Studios, London, 13 October 1964. Extracts from [Brian Epstein's] autobiography A Cellarful Of Noise. Special Thanks to Queenie Epstein.
B3 to B7 Recorded: Decca Studios, London, 1 January 1962
B9 & B10 Recorded: EMI Studios, London, 6 June 1962
B11 Recorded: EMI Studios, London, 4 September 1962
B12 Recorded: EMI Studios, London, 11 September 1962
C1 & C2 Recorded: EMI Studios, London, 5 March 1963
C3 Recorded: BBC Maida Vale Studios, London, 2 July 1963. Broadcast on the 5th edition of the BBC Radio programme Pop Go The Beatles.
C4 Recorded: London Palladium, 13 October 1963. From a TV broadcast 13 October, 1963 on Val Parnell's Sunday Night At The London Palladium.
C6 to C10 Recorded: Karlaplansstudion, Stockholm, 24 October 1963. Recorded for Sveriges Radio broadcast 11 November 1963.
D1 to D3 Recorded: Prince of Wales Theatre, London, 4 November 1963. for TV broadcast on the Royal Command Performance, 10 November 1963.
D4 to D7 Recorded: ATV Studios, Borehamwood, 2 December 1963. from the Beatles appearance on The Morecambe And Wise Show.
D8 Recorded: Pathé Marconi, Paris, 29 January 1964
E1 Recorded: CBS television studio, New York, 9 February 1964. The first song from The Beatles' first appearance on The Ed Sullivan Show.
E2 & E3 Recorded: EMI Studios, London, 25 February 1964
E4 Recorded: EMI Studios, London, 16 April 1964
E5 to E8 Recorded: IBC Studios, London, 19 April 1964. recorded for the TV special Around The Beatles.
E9 & E10 Recorded: EMI Studios, London, 1 June 1964
F1 & F2 Recorded: EMI Studios, London, 3 June 1964
E3 & E4 Recorded: EMI Studios, London, 14 August 1964
F5 Recorded: EMI Studios, London, 30 September 1964
F6 & F7 Recorded: EMI Studios, London, 6 October 1964
F8 Recorded: EMI Studios, London, 18 October 1964
A1 ℗ 1995 The John Lennon Estate, Paul McCartney, George Harrison and Ringo Starr under exclusive license to EMI Records Ltd;
A2 & C5 ℗ 1970 Jann Wenner under license to Apple Corps Ltd;
A3 & A4 ℗ 1995 The John Lennon Estate, Paul McCartney, George Harrison and Apple Corps Ltd under exclusive license to EMI Records Ltd.
A5 ℗ 1995 MPL Communications Ltd under exclusive license to Apple Corps Ltd;
A6 to A8 ℗ 1995 Paul McCartney under exclusive license to Apple Corps Ltd;
A9 ℗ 1986 Mark Lewisohn under license to Apple Corps Ltd;
A10 to A12 ℗ 1961 Polydor International GmbH Hamburg under license to Apple Corps Ltd;
B1 ℗ 1976 Polydor Ltd (UK) under license to Apple Corps Ltd;
B2 & B8 ℗ 1995 The Estate of Brian Epstein under license to Apple Corps Ltd;
B3 to B7 ℗ Apple Corps Ltd under license to EMI Records Ltd;
B9 to C2, D8, E2 to F8 ℗ 1995 EMI Records Ltd;
C3 ℗ BBC under exclusive license to EMI Records Ltd;
C4, D1 to D7 ℗ 1995 Polygram International Music BV under license to Apple Corps Ltd;
C6 to C10 ℗ Swedish Broadcasting Corporation under license to Apple Corps Ltd;
E1 ℗ 1995 Sullivan Productions Inc. under exclusive license to Apple Corps Ltd;
E5 to E8 (courtesy of Dave Clark)
Publishers:
A1 Lenono Music Inc;
A3, E6 Peermusic (UK) Ltd;
A4, A7, A8, B10, D2 MPL Communications Ltd;
A6, A10, B3, B4, C3 Carlin Music Corp.;
A11 Lawrence Wright/EMI;
A12 Harrisongs Ltd;
B5 B. Feldman/Redwood Music;
B6, B7, C1, C2, C4, C6, C7, D1, D4, D5, D8, E1 to E5, E9, E10, F2, F5 to F7 Northern Songs;
B9 Latin American Music;
B11, B12, F6 Dick James Music Ltd;
C8, C9 Jobete Music (UK)
C10 Jewel Music Publishing Co. Ltd;
D3 EMI Music Publishing;
D7 Redwood Music Ltd;
E7 Ardmore and Beechwood/EMI;
E8 Windswept Pacific Music Ltd;
F3 BMG Music Publishing;
F4 Warner-Chappell/Lark Music Ltd;
F8 Peter Maurice Music Co.- EMI/ATV Music
A3, A4, A6 to A8, B3 to B7, B9 to C4, C5 to D5, D7, E1: MONO tracks
Barcode and Other Identifiers
Barcode (Print): 7 24383 44451 9
Barcode (Print): 7243 8 34445 1 9
Barcode (Scan, format: UPC_A): 724383444519
Label Code: LC 0299
Price Code (F:): PM 541
Other (Cat# disc 1): 7243 8 34446 1 8
Other (Cat# disc 2): 7243 8 34447 1 7
Other (Cat # disc 3): 7243 8 36234 1 9
Matrix / Runout (Side A runout etched): 8344451 1A1
Matrix / Runout (Side B runout etched): 8344451 1B1
Matrix / Runout (Side C runout etched): 8344451 1C1
Matrix / Runout (Side D runout etched): 8344451 1D1
Matrix / Runout (Side E runout etched): 8344451 1 D̶ E1
Matrix / Runout (Side F runout etched): 8344451 1F1
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Anthology 1 ist das erste Kompilationsalbum von insgesamt drei Doppelalben der britischen Gruppe The Beatles, das bisher überwiegend legal unveröffentlichte Aufnahmen beinhaltet. Das Album erschien am 20. November 1995 in Großbritannien und Deutschland und am 21. November 1995 in den USA.
Anthology 1 ist das dritte Album der Beatles, das nach deren Trennung bisher unveröffentlichtes Aufnahmematerial enthält.
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Rezensionen
ALL MUSIC GUIDE *** "...the alternates also illustrate how the group were virtually unerring in selecting the best arrangement and take of their songs for the final versions. The 1963-64 live material is excellent in both performance and sound quality. It does not stand up to The Beatles' fully conceived albums (even 'Live at the BBC'), but the Beatles' scraps and leavings are more interesting than over 95 percent of other per- formers' best work. By that standard, this must be judged a worthwhile collection, especially (but not solely) for dedicated Beatles fans."
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