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Gesamtkatalog

• Audiophile Pop -Rock LP's
  • MFSL - HALFSPEED-LP`s USA (Out of Print )
  • DCC-audiophile LP`s USA(180gVinyl-Out of Print)
  • Nautilus-audiophile Half-Speed Lp`s(Out of Print)
  • Sweet Thunder-Halfspeed Lp`s-USA (Out of Print)
  • A & M Half-Speed LP`s (Out of Print )
  • Simply Vinyl - LP`s (180g Reissue´s)
  • Audiophile Pop-Rock Lp`s (viele Japanpressungen)
  • Pop-Rock-Folk Lp`s (Normalpressungen)
  • EASY LISTENING LP ( ORIGINALE & REISSUES )
  • Testpressungen - LP (Pop-Jazz-Classic)
  • Sheffield Lab - LP`s USA (Jazz/Pop & Classic)
  • Stereoplay-Highlights (audiophile Halfspeed LP`s)
  • American Grammaphone LP`s (Mannheim Steamroller)
  • CBS-Mastersound LP`s (Half-Speed-USA)
  • Telarc (audiophile LP`s / Classic-Jazz)
  • Audiophile Cassetten (MFSL)
  • 45RPM-SINGLES / MAXI-SINGLES POP/ROCK
  • POP-ROCK-LP´s / JAPANPRESSUNGEN
• Audiophile Jazz LP's
• Audiophile Classic LP's
• Audiophile Pop - Rock - Jazz - Classic CD's

Produkt Detailansicht:

SONNY ROLLINS QUARTET ----- TENOR MADNESS ----- WITH SPECIAL LIMITED NUMBER ----- ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED /.....ULTRA RARE ANALOGUE DCC LP / ......ANALOGUE MASTERED BY DUNHILL RECORDS IN USA / .....ORIGINAL AUFNAHMEN 1956 BEI PRESTIGE RECORDS IN USA / .....ORIGINAL RECORDING 1956 BY PRESTIGE RECORDS IN USA / .....180+ PURE VIRGIN VINYL /.....ANALOGUE PRESSING IN USA / .....RE-MASTERING BY STEVE HOFFMANN /.....ALL VACUUM-TUBE CUTTING SYSTEM FROM ORIGINAL MASTERTAPE / .........LIMITED EDITION.....EINZIGES EXEMPLAR = ONE COPY !!........DIESE WERTVOLLE DCC-LP IST ORIGINAL VERSIEGELT = OVP = FACTORY SEALED !!.........EIN TRAUMHAFTES HÖRERLEBNIS !!........DIESE ANALOGE DCC-LP IST IN DIESER QUALITÄT WELTWEIT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!..........)

*********************************************************************************************** Tracks: ..... 1. Tenor Madness (Sonny Rollins) 12:15 ..... 2. When Your Lover Has Gone (Einar A. Swan) 6:12 ..... 3. Paul's Pal (Sonny Rollins) 5:12 ..... 4. My Reverie (Larry Clinton/Claude Debussy) 6:08 ..... 5. The Most Beautiful Girl In The World (Richard Rodgers/Lorenz Hart) 5:35 ..... ************************************************************************************************** At a time when he was a member of the legendary Clifford Brown/Max Roach sextet, Sonny Rollins was still the apple fallen not too far from the tree of Miles Davis. Tenor Madness was the recording that, once and for all, established Newk as one of the premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades and gives an indication why a young Rollins was so well liked, as his fluency, whimsical nature, and solid construct of melodies and solos gave him the title of the next Coleman Hawkins or Lester Young of mainstream jazz. With the team of pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones, staples of that era's Miles Davis combos, Rollins has all the rhythmic ammunition to cut loose, be free, and extrapolate on themes as only he could, and still can. This is most evident on his version of "The Most Beautiful Girl in the World," started in its normal choppy waltz time, followed by a sax/drums prelude, a drum solo from Jones, and steamed from there on in, a hot 4/4 romp. Garland is particularly outstanding for keeping up the pace, depth and placement on this one. A bluesy version of "When Your Lover Has Gone," again enlivened by Jones, and the legendary title track with Rollins and John Coltrane trading long solos, and fours with Jones, are tunes that in the mid-'50s defined the parlance "blowing session." "Paul's Pal," in tribute to Chambers, has become a standard in its own right with a bright, memorable melody showing the good humor of Rollins, especially on the second time through, while the saxophonist's ability to sing vocal like tones through his horn is no better evinced as during the light ballad "My Reverie." A recording that should stand proudly alongside Saxophone Colossus as some of the best work of Sonny Rollins in his early years, it's also a testament to the validity, vibrancy, and depth of modern jazz in the post-World War era. It belongs on everybody's shelf. ..................................... *********************************************************************************************** Personnel: ..... Sonny Rollins (Tenor Saxophone) ..... John Coltrane (Tenor Saxophone) ..... Red Garland (Piano) ..... Paul Chambers (Double Bass) ..... Philly Joe Jones (Drums) ..... ********************************************************************************************** ...... ORIGINAL RECORDING 1958 BY PRESTIGE RECORDS IN USA ........ ********************************************************************************************** ALBUM RECORDS: ............. ......... Sonny Rollins Quartet: Sonny Rollins (tenor saxophone); Red Garland (piano); Paul Chambers (bass); Philly Joe Jones (drums). Additional personnel: John Coltrane (tenor saxophone). Recorded at the Van Gelder Studio, Hackensack, New Jersey on May 24, 1956. It's interesting to contrast Sonny Rollins' playing here, backed by the 1956 Miles Davis rhythm section, and his work with Ray Brown/Max Roach Incorporated. Certainly if Clifford Brown hadn't died that summer in an auto wreck, Rollins and his PLUS FOUR teammates would have continued to rival the creative output of the heralded Davis Quintet. Here, Rollins and special guest John Coltrane get right down to it on the classic riff "Tenor Madness." Coltrane is still zeroing in on his sound, while Sonny has found his (for now). Coltrane chases the blue trains, the snakes and the wind on a fulminating solo, ending with a hint of "Stranger In Paradise." Rollins replies coyly--his sense of space and phrasing more akin to Miles--painting with clouds, patiently elongating his line out of dozens of little melodic motifs, teasing Philly Joe until he busts, finishing with a counterpunching flurry of his own. As Coltrane and Rollins trade riffs and choruses, you can hear them commenting favorably on each others' inventions until they're practically one voice. For the remainder of TENOR MADNESS, Rollins contents himself to nurse the most possible melody and swing out of a few smokey orbs of sound, in the manner of mid '50s Lester Young. With "When Your Lover Has Gone" Sonny sets a relaxed groove atop Garland's magic chordal carpet, letting the action come to him, before giving way to a brilliant Chambers aria and a masterful Philly Joe solo. "Paul's Pal" and "My Reverie" are also given slow soulful treatments, while "The Most Beautiful Girl" concludes things at a brighter tempo, as Rollins toys with his beat like a cat with a mouse, before pouncing on it with Parker-ish rhythmic drive. ............. ************************************************************************************************ SONNY ROLLINS * Tenor Madness * "Tenor Madness" war die Aufnahme, die Rollins ein für alle Mal als einen der besten Tenorsaxophonisten etablierte, ein Lob, das im Rückblick seit vollen sechs Dekaden Bestand hat und darauf verweist, warum Rollins als junger Musiker so beliebt war; seines flüssigen Spiels, seiner verschmitzten Art und des soliden Aufbaus seiner Melodien und Soli wegen wurde er als der nächste Coleman Hawkins oder Lester Young des Mainstream-Jazz bezeichnet. "Tenor Madness", für das er Miles Davis’ Gruppe nutzte – Pianist Red Garland, Bassist Paul Chambers und Schlagzeuger Philly Joe Jones - ist die einzige Aufnahme von Rollins mit John Coltrane, der ebenfalls in Davis’ Gruppe mitspielte. Rollins und John Coltrane begegneten sich 1956 und definierten in Folge im wesentlichen den Stand der Entwicklung des Jazz-Tenorsaxophons in der Mitte der 50er Jahre. Ihr Spiel setzte einen Standard, der seitdem zum Gradmesser von Saxophonisten — und anderen — geworden ist. Zu dem Zeitpunkt, als diese LP herauskam, gab es unter Rollins' Namen bereits Alben wie "Worktime" und "Sonny Rollins Plus 4" zusätzlich zu seinen 'Heldentaten' als zusätzlicher Solist im Clifford Brown/Max Roach Quintet. Neben dem gefeierten Titelsong enthält "Tenor Madness" eine faszinierende Eigenkomposition, "Paul’s Pal", und die Erforschung von weniger bekanntem Material wie "My Reverie" und "The Most Beautiful Girl In The World". *********************************************************************************************** "Tenor Madness" was the recording that, once and for all, established Rollins as one of the premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades and gives an indication why as a young player, Rollins was so well liked, as his fluency, whimsical nature, and solid construct of melodies and solos gave him the title of the next Coleman Hawkins or Lester Young of mainstream jazz. "Tenor Madness", using Miles Davis’ group – pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones, is the only recording of Rollins with John Coltrane, who was also in Davis’ group. Rollins and John Coltrane met in 1956 and went on to largely define the state of jazz tenor saxophone in the mid-Fifties. Their playing set a standard that has been a benchmark of excellence for saxophonists—and others—ever since. By the time this LP was released, Rollins already had such albums to his name as "Worktime" and "Sonny Rollins Plus 4" in addition to his sideman exploits with the Clifford Brown/Max Roach Quintet. As well as the celebrated title track, "Tenor Madness" includes an intriguing original, "Paul’s Pal", and the mining of unusual material such as "My Reverie", and "The Most Beautiful Girl in the World". Sonny Rollins, John Coltrane (ts); Red Garland (p); Paul Chambers (b); "Philly" Joe Jones (dr) **************************************************************************************************** ................ There have been so few vinyl LPs produced over the last 5 years that you should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever This is the only audiophile vinyl pressing of this classic recording ever and you will be one of the last people in the world to have it within your collection. DCC 180+ Gram LIMITED EDITION. This Limited Edition FACTORY SEALED LP is an audiophile collector’s item that simply gives the feeling of being directly in the studio with the artist. This DCC recording was re-mastered from the Original Master Tapes on DCC’s vintage Vacuum-Tube Playback System. The plating of the lacquers is done the same day as cutting using a slow low temperature bath to minimize groove echo and loss of frequency information. The result is the best sounding series of LPs in history. This collectible LP has all Liner Notes, Photos, and Artwork from the Original LP faithfully recreated A SONIC WORK OF ART. These Out of Print gems are the Finest/Rarest of the audiophile LP market. The future of these collectibles is so exciting because each piece is a sonic work of art that will never be reproduced using this expensive Vacuum-Tube Mastering System. You will be one of the lucky collectors in the world owning this audiophile classic.................................... ************************************************************************************************

Zustand121: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL PURE ANALOGUE-DCC-AUDIOPHILE-180GRAM-LP/RECORD ----- LONG-OUT OF PRINT ----- MADE IN USA ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-PURE ANALOGUE LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL PURE ANALOGUE DCC-LP-RECORD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK ON THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )

Best.-Nr.: DCC LPZ 2022 - (EXTREM RARE ANALOGE-LP) ----- OUT OF PRINT - D ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED) ----- WITH LIMITED NUMBER -----

Preis: EUR 599,99 (minus 50% discount/rechnungsrabatt = 299,99 euro) ----- (EXTREM RARE ANALOGE-LP) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL PURE ANALOGUE-DCC-AUDIOPHILE-180GRAM-LP/RECORD ----- LONG-OUT OF PRINT ----- MADE IN USA ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-PURE ANALOGUE LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL PURE ANALOGUE DCC-LP-RECORD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK ON THE XXL-PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ...... )