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• Audiophile Pop -Rock LP's
• Audiophile Jazz LP's
• Audiophile Classic LP's
• Audiophile Pop - Rock - Jazz - Classic CD's
  • Jazz & Blues CD`s (Normalpressungen)
  • MFSL - GOLD-UDCD / UDSACD`s (Out of Print)
  • DCC / AFZ audiophile GOLD-CD`s ( aus USA )
  • Sony - audiophile Gold CD`S (Out of Print )
  • Ryko - audiophile Gold CD`s (Out of Print )
  • MFSL-SILBER / ALUMINIUM CD`s ( Out Of Print )
  • Telarc-audiophile CD`s(Classic,Pop,Blues & Jazz)
  • Rock & Pop CD`s (Normalpressungen)
  • Classic - CD´s (Normalpressungen)
  • Rock & Pop audiophile CD`s (Gold-&Japanpressg.)
  • Classic-audiophile CD´s (Gold & Japanpressungen..)
  • Jazz & Blues audiophile CD`s(Gold-&Japanpressg.)
  • Stereoplay/Audio/Zounds-Audiophile CD`s
  • XRCD - SACD (audiophile Jazz/Pop/Classic-CD`s)
  • DAD - DVD (audiophile Pop-Jazz-Classic-DVD)
  • Reference Recording CD´s USA

Produkt Detailansicht:

CHARLIE MINGUS ---- TIJUANA MOODS ----- "THIS IS THE BEST RECORD I EVER MAD" - CHARLIE MINGUS 1962 ----- ( ..... ULTRA RARE CLASSIC-GOLD CD / ..... 24 KARAT GOLD PLATET / ..... RE-MASTERED BY CLASSIC RECORDS USA / ...... RCA STEREO RECORDING USA / .....ORIGINAL AUFNAHMEN 1957 BEI RCA RECORDINGS IN USA / ..... ORIGINAL RECORDING 1957 BY RCA RECORDS IN USA / ...... GOLD-CD-REISSUE 1998 BY CLASSIC RECORDS USA / ..... CLASSIC COMPACT DISC / ...... AUDIOPHILE MASTERED USING 20-BIT-A-D PRESSED ON 24 KARAT GOLD-CD MADE IN USA / ..... OUT OF PRINT ..... LIMITED EDITION ....... DIESE WERTVOLLE 24KARAT-GOLD-CD IST OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... EINE GOLD-CD MIT HERVORRAGENDER DYNAMIC.......EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN GOLD-CD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE GOLD-CD-COLLECTION (RARE LAST SAMPLE)!! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS HIGH - FACTORY SEALED - QUALITY !! ..... )

************************************************************************************************** ************************************************************************************** ............... CHARLIE MINGUS ................ ............. " TIJUANA MOODS "............. Label / Number : Classic Compact Disc LSPCD-2533 .................. Description : Original US pressing, out-of-print 24karat gold-cd ..... collector item. Long listed TAS super-disc.............................. Charlie Mingus - Tijuana Moods"This is The Best Record I Ever Made" Charlie Mingus 1962Produced by Bob Rolontz / Recording Engineer: Bob SimpsonRecorded July 18 & August 6, 1957 in RCA Victor's Studio A, New York City ********************************************************************************************* Tracklisting: .... with following tracks / titles: ........ Dizzy Moods ............ Ysabel's Table Dance................ Tijuana Gift Shop................... Los Mariachis (The Street Musicians)................. Flamingo........................ ********************************************************************************************* ........................ Performers on this disc include - Charlie Mingus, leader & bassJimmy Knepper, tromboneCurtis Porter (Shafi Hadi), alto saxClarence Shaw, trumpetBill Triglia, pianoDanny Richmond, drumsFrankie Dunlop, percussionYsabel Morel, castinetsLonnie Elder, voices .................... ********************************************************************************************* Aufnahmen Juli und August 1957 im RCA Victor's Studio A in New York City, USA. Charles „Charlie“ Mingus wurde am 22. April 1922 in der US-Militärbasis Nogales geboren.Obwohl er nur 57 Jahre alt wurde, etablierte er sich als einer der bedeutendsten US-Jazz-Kontrabassisten und gehört zu den wichtigsten Komponisten des modernen Jazz. Bereits in seiner Kindheit, die alles andere als einfach war, beschäftigte sich Mingus mit dem Cello-Spiel und machte erste Tast(en)-Versuche am Klavier. Eines seiner Meilenstein-Alben, das er bereits 1957 aufgenommen hatte, aber erst 5 Jahre später erschien, liegt nun als CLASSIC RECORDS - GOLD-CD vor. Die von Bob Rolontz produzierten und von Bob Simpson in den New Yorker RCA Studios aufgenommenen Songs wurden von CLASSIC RECORDS liebvoll und kompetent wieder aufbereitet. Diese LP macht richtig Spaß. Zum einen ist es eine Freude, dem kreativen Bass-Spiel von Mingus zuzuhören, zum anderern hat man selten einen so perfekt aufgenommenen, räumlich-klingenden und sonor schnurrenden Kontrabass gehört. Die perfekte rhythmische Ergänzung bzw. Veredelung liefern der Perkussionist Frankie Dunlop und Mingus langjähriger Drummer Danny Richmond. Es sind „nur“ 5 Songs auf der LP enthalten, aber diese Handvoll haben es in sich. In schwindelerregende Höhen und gleichzeitig abgründige Tiefen blasen sich Curtis Porter (Altsaxofon), Jimmy Knepper (Posaune) und Clarence Shaw (Trompete). Wunderschöne Farbtupfer und musikalische Harmonie gestaltet der Pianist Bill Triglia. Diese AUFNAHME gehört in jede ernstzunehmende Schallplatten-Sammlung. Ehrlich! ============================================================================================== ............... Album notes ............... Personnel: Charles Mingus (bass); Lonnie Elder (vocals); Shafi Hadi (alto saxophone); Clarence Shaw (trumpet); Jimmy Knepper (trombone); Bill Triglia (piano); Danny Richmond (drums); Ysabel Morel (castanets); Frankie Dunlop (percussion). Reissue producer: John Snyder. Recorded at RCA Victor's Studio A, New York, New York on July 18 & August 6, 1957. Includes liner notes by Charles Mingus, Martin Williams and Ed Michel. Personnel: Charles Mingus (vocals, bass); Ysabel Morel (vocals); Lonnie Felder (spoken vocals); Shafi Hadi (alto & tenor saxophones); Clarence Shaw (trumpet); Jimmy Knepper (trombone); Bill Triglia (piano); Dannie Richmond (drums); Frankie Dunlop (castanets). Producer: Bob Rolontz. Recorded at RCA Studio A, New York, New York on July 18 and August 6, 1957. Originally released on RCA (2533). Personnel: Charles Mingus (vocals); Ysabel Morel (vocals, castanets, hand claps); Lonnie Elder (vocals); Curtis Porter, Shafi Hadi (alto saxophone, tenor saxophone); Clarence Gene Shaw (trumpet); Jimmy Knepper (trombone); Bill Triglia (piano); Dannie Richmond (drums, percussion); Frankie Dunlop (castanets, tambourine, percussion). Liner Note Authors: Brian Priestley; Martin Williams ; Ben Young; Charles Mingus. Recording information: RCA Victor Studio A, New York, NY (07/18/1957/08/06/1957). Charles Mingus has been quoted as saying that this is the best album he ever made, and that's recommendation enough. The second song alone, "Ysabel's Table Dance," is a brilliant blending of Latin rhythms and Mingus jazz that even the most casual listener will find entrancing--10-plus minutes of castanet-frenzied joy make one yearn to see what Mingus and his running buddies encountered in Mexico. (The bassist wrote that he took the trip to Tijuana "minus a wife" specifically to lose himself, and instead found music and sights to inspire a masterpiece.) "Los Mariachis (The Street Musicians)" manages to evoke both intimate moments with its unaccompanied solos and the enforced fun and bounce that street musicians must employ to earn their bread. "Dizzy Moods" doffs a cap to Dizzy Gillespie's own forays into Latin music, and the riff of "Tijuana Gift Shop" sets up a galloping tune that suggests the excitement a tourist feels in any authentic, potently exotic locale. Charles Mingus has been quoted as saying that this is the best album he ever made, and that's recommendation enough. The second song, "Ysabel's Table Dance," is a brilliant blending of Latin rhythms and Mingus jazz that even the most casual listener will find entrancing--its 10-plus minutes of castanet-frenzied joy make one yearn to see what Mingus and his running buddies encountered in Mexico. (The bassist wrote that he took the trip to Tijuana "minus a wife" specifically to lose himself, and instead found music and sights to inspire a masterpiece.) "Los Mariachis (The Street Musicians)" manages to evoke both intimate moments with its unaccompanied solos and the enforced fun and bounce that street musicians must employ to earn their bread. "Dizzy Moods" doffs a cap to Dizzy Gillespie's own forays into Latin music, and the riff of "Tijuana Gift Shop" sets up a galloping tune that suggests the excitement a tourist feels in any authentic, potently exotic locale. Inspired by a trip to Tijuana, Tijuana Moods was recorded in 1957 but was sat on by RCA until its release in 1962. Bassist/composer Charles Mingus at the time said that this was his greatest recording and it certainly ranks near the top. The original version (which was usually edited together from a few different takes) consisted of just five performances. In the 1980s it doubled in size with the release of two versions of each of the songs and in 2001 it reappeared as a double CD with 22 performances. It has often been said that Mingus forced and pressured his sidemen to play above their potential, and that is certainly true of this project. Altoist Shafi Hadi (who doubles on tenor) is in blazing form on ... ************************************************************************************************** We have to admit that not a day goes by that we don't regret having sold off our last complete Classic Records (ClassRec) Gold CD collection about 3 years ago - dumb, dumb move on our part as now they are near impossible to find, especially in sealed condition. What's worse, the music on these discs are some of the greatest performances ever committed to CD. Even if we wanted to get a complete set for ourselves (which we do), it would be difficult, time consuming and expensive. There is no denying that the rarest and most desirable gold CDs on the planet are those issued by Classic Records. Some may argue that the MFSL, Au20, DCC, Sony Mastersound, Atlantic Gold, Zounds, MCA Masterdisc, Pope, Clarity, Sheffield Lab, FIM, GML XRCDs, Proprius, XLO, JMR, Water Lily, Analogue Productions and even Opus 3 gold CDs are just as rare (did we miss any?), but we would have to disagree. Most of the gold CDs from these companies can be found, but when it comes to Classic Records Gold CD titles, you can just forget about some of them completely! Why are they so rare and valuable? That is a tough question to answer. Perhaps it has to do with the fact that Classic Records was one of the first audiophile companies to embrace reissuing reference performances from history, especially in the classical and jazz areas? Perhaps it's because they produced their gold CDs for a very short time and in short order decided to cease this expensive production process? Maybe it's the wonderful sound and careful remastering? Whatever the reasons, this is your chance to acquire some of these super rare Classic Records gold CDs - in untouched, pristine, factory sealed condition - these are investment grade opportunities in music collecting - and that doesn't come around very often! ************************************************************************************************

Zustand121: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ------ MEGA RARE CLASSIC RECORDS 24KARAT GOLD-CD !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- MADE IN USA ----- ( ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN, AUDIOPHILEN GOLD-CD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE, AUDIOPHILE GOLD-CD-COLLECTION (LAST SAMPLE)!! ........ SIEHE XXL-FOTO(PLEASE SEE THE XXL-PHOTOS)!!.....BITTE ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES)!! .......)

Best.-Nr.: CLASSIC RECORDS RCA LSPCD 2533 (GOLD-CD) (COMPACT DISC) ---- ( SALE = AUSVERKAUF-C 10/18 ) ----- OUT OF PRINT - R ----- ( CLASSIC RECORDS GOLD-CD / OVP = ORIGINAL VERSIEGELT = FA

Preis: EUR 399,99 Euro (zuzüglich der Versandkosten / plus shipping costs)