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Pointer Sisters – Black & White
Pointer Sisters - Black & White album cover
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More images
Label: Planet (15) – PLR-25002, Alfa Records, Inc – PLR-25002
Format:
Vinyl, LP, Album, Stereo
Country: Japan
Released: 1983
Genre: Electronic, Funk / Soul, Pop
Style: Rhythm & Blues, Soul, Synth-pop
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A1 Sweet Lover Man
Bass – Nate Watts*
Drums – John Robinson (2)
Guitar – Paul Jackson*, Tim May
Lead Vocals – June*
Percussion – Paulinho Da Costa
Synthesizer, Keyboards – James Newton Howard
Written-By – Jerry Ragovoy, Len Roberts
4:12
A2 Someday We'll Be Together
Bass – Nate Watts*
Drums – John Robinson (2)
Guitar – Paul Jackson*, Tim May
Keyboards – John Barnes
Lead Vocals – Anita*
Percussion – Paulinho Da Costa
Synthesizer – Ed Walsh
Written-By – Russ Ballard
4:39
A3 Take My Heart, Take My Soul
Bass – Nate Watts*
Drums – John Robinson (2)
Guitar – Paul Jackson*, Tim May
Keyboards – John Barnes
Lead Vocals – Ruth*
Percussion – Paulinho Da Costa
Synthesizer – James Newton Howard
Tenor Saxophone [Tenor Sax Solo], Soloist – Cool T. (Trevor Lawrence)*
Written-By – Ken Gold, Micky Denne*
4:06
A4 Slow Hand
Bass – Nate Watts*
Drums – John Robinson (2)
Electric Piano – John Barnes
Guitar – Paul Jackson*, Tim May
Lead Vocals – Anita*
Organ – William Smith (2)
Percussion – Paulinho Da Costa
Written-By – John Bettis, Michael Clark (3)
3:54
A5 We're Gonna Make It
Arranged By [Special Thanks, Arrangement], Co-producer [Production Assistance] – David Foster
Bass – Mike Porcaro
Congas – Paulinho Da Costa
Drums – John Robinson (2)
Lead Vocals – Anita*, June*
Synthesizer [Additional Synthesizers], Programmed By [Synthesizer Programming] – Mike Cotton*
Synthesizer [Keyboard Synthesizers] – David Foster
Written-By – Anita Pointer, David Foster, June Pointer, Mike Cotten*
3:56
B1 What A Surprise
Bass – Nate Watts*
Drums – John Robinson (2)
Guitar – Paul Jackson*, Tim May
Keyboards – John Barnes
Lead Vocals – Anita*
Percussion – Paulinho Da Costa
Synthesizer – Ed Walsh
Tenor Saxophone [Tenor Sax Solo], Soloist – Cool T. (Trevor Lawrence)*
Written-By – Anita Pointer, June Pointer, Trevor Lawrence
4:11
B2 Got To Find Love
Bass – Nate Watts*
Drums – John Robinson (2)
Guitar – Paul Jackson*, Tim May
Keyboards – John Barnes
Lead Vocals – June*
Percussion – Paulinho Da Costa
Synthesizer – Ed Walsh
Written-By – David Lasley, Willie Wilcox
4:04
B3 Fall In Love Again
Bass – Nate Watts*
Drums – John Robinson (2)
Guitar – Paul Jackson*, Tim May
Keyboards – John Barnes
Lead Vocals – June*
Percussion – Paulinho Da Costa
Soloist [Guitar Solo] – Paul Jackson*
Synthesizer – James Newton Howard
Written-By – Patrick Henderson, Wornell Jones
4:30
B4 Should I Do It
Bass – Nate Watts*
Drums – John Robinson (2)
Electric Piano – Greg Phillinganes
Guitar – Paul Jackson*, Tim May
Lead Vocals – June*
Organ – Danny Faragher
Percussion – Paulinho Da Costa
Piano – John Barnes
Tenor Saxophone [Tenor Sax Solo], Soloist – Cool T. (Trevor Lawrence)*
Written-By – Layng Martine Jr.
3:53
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Phonographic Copyright ℗ – Planet Records (5)
Copyright © – Planet Records (5)
Distributed By – Warner-Pioneer Corporation
Recorded At – Studio 55, Los Angeles
Recorded At – Celebration Recording
Mixed At – Studio 55, Los Angeles
Mastered At – Precision Lacquer
Mastered At – Specialty Records Corporation
Lacquer Cut At – Precision Lacquer
Copyright © – Chappell & Co., Inc.
Copyright © – April Music Inc.
Copyright © – Russell Ballard Ltd.
Copyright © – Screen Gems-EMI Music Ltd.
Copyright © – Warner-Tamerlane Publishing Corp.
Copyright © – Flying Dutchman Music
Copyright © – Sweet Harmony Music, Inc.
Copyright © – Irving Music, Inc.
Copyright © – Foster Frees Music, Inc.
Copyright © – Pseudo Songs
Copyright © – Braintree Music
Copyright © – Tira Music Company
Copyright © – Almo Music Corp.
Copyright © – Daremoly Music
Copyright © – Monosteri Music
Copyright © – Teddy Jack Music
Copyright © – Unichappell Music, Inc.
Copyright © – Watch Hill Music
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Arranged By [Vocal Arrangements By] – Pointer Sisters
Co-producer [Associate Producer] – Trevor Lawrence
Coordinator [Musical] – Michael Barackman
Coordinator [Production] – Michael Solomon (2), Susan Epstein
Design, Art Direction – Kosh*
Engineer [Additional Recording, Celebration Recording] – Piers Plaskitt*
Engineer [Assistant, Studio 55] – Bobby Gerber, Stuart Furusho, Tim Dennen
Engineer [Recording, Studio 55] – Gabe Veltri
Engineer [Remix] – Bill Schnee
Lacquer Cut By – LE* (tracks: A1 to A5), SM* (tracks: B1 to B4)
Mastered By – Larry Emerine, Stephen Marcussen
Other [Accessories Courtesy Of, Los Angeles] – Maxfield
Other [Clothing Courtesy Of, Beverly Hills] – Lina Lee
Other [Make Up] – Liza Gonzalez
Photography By – Aaron Rapoport
Producer – Richard Perry
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Recorded and mixed at Studio 55, Los Angeles, California
Additional recording at Celebration Recording, NYC
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Comes with printed inner lyric sleeve.
A1. ©1976, 1981 Chappell & Co., Inc. - ASCAP
A2. ©1981 April Music Inc. & Russell Ballard Ltd. - ASCAP
A3. ©1980 Screen Gems EMI Music Ltd. - BMI
A4. ©1980 Warner-Tamerlane Publishing Corp., Flying Dutchman Music - BMI & Sweet Harmony Music, Inc. - ASCAP
A5. ©1981 Irving Music, Inc. / Foster Frees Music, Inc. / Pseudo Songs / Braintree Music - BMI
B1. ©1981 Braintree Music / Tira Music Company - BMI
B2. ©1981 Almo Music Corp. - ASCAP / Daremoly Music - BMI
B3. ©1978 April Music, Inc., Monosteri Music - ASCAP & Teddy Jack Music - BMI
B4. ©1981 Unichappell Music, Inc. / Watch Hill Music - BMI
On labels:
℗ 1981 Planet Records
Distributed by Elektra/Asylum/Nonesuch Records
On back jacket:
℗ & © 1981 Planet Records
Distributed by Elektra/Asylum Records
On inner sleeve:
© 1981 Planet Records
Distributed by Elektra/Asylum Records
Printed in U.S.A.
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Paulinho Da Costa appears courtesy of Pablo Records
"Sweet Lover Man" dedicated to the memory of the late George Goldner.
Runouts indicate the following:
The plating (processing / metalwork) was done at Specialty Records Corporation.
The processing of lacquer disc 'metalwork' / 'plating' was subcontracted out to Sheffield Lab Matrix.
The record was pressed at Allied Record Company.
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................. Japanische Vinyl-Veröffentlichungen sind hochwertige Pressungen, viele von Audiophilen und Sammlern gesucht. In den 1960er Jahren hat Toshiba /Pionier Top-Qualität Pressungen mit ihrer Marke "Ever-Clean"-Prozess veröffentlicht,diese nutzt einen speziellen Wirkstoff der verhindert den Aufbau von statischer Elektrizität auf dem Vinyl. Japanische Pressungen sind gleichbedeutend mit Qualität - das Vinyl glänzt wie kein anderes Vinyl .
Die Klangqualität der japanischen Pressungen gilt als eines der besten in der Welt und darüber hinaus sind sie wunderschön präsentiert,
In der Regel sind die Cover auf eine bessere Qualitätmit schwerem Papier gedruckt und oft auch einen Bonus lyrischen Einlage mit zwei Sprachen Japanisch & englische Text . Fast alle japanischen LPs wurden mit einem "obi" ausgestellt - wörtlich übersetzt bedeutet dies "Flügel" und wird von der obi (Flügel) um den traditionellen Kimono Kleid getragen abgeleitet. Dieses zarte Papierstreifen, in der Regel um die linke Seite des Album-Cover umhüllt, enthält oft Marketing-Informationen und Album inhaltliche Angaben, alle in der japanischen Kanji-und Kana ~ script gedruckt.
Obi Designs können so unterschiedlich sein wie die LPs .
'Hankake "(3/4 Länge Obis) sind fast unmöglich zu finden, und die' Rock Age"-Serie von OBIS sind besonders selten und wertvoll.
Unabhängig von Ihrem musikalischen Geschmack, machen japanischen Aufzeichnungen eine beeindruckende Ergänzung für jede Sammlung. Akustisch und visuell präsentieren sie dem Sammler ein Fest der Genüsse.
Mint condition records, komplett mit Beilagen und obi, sind seltener jeden Tag zu. Was auch immer das digitale Zeitalter bringt, mit japanischen Aufzeichnungen erhalten Sie Top Qualität Pressungen...........................
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................................. DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNEHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LP-KAUF IST EINE VERTRAUENSSACHE !! .......
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