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DUKE ELLINGTON AND JOHNNY HODGES ---- SIDE BY SIDE ---- MEGA RAR !! ----- EIN WELTWEIT SEHR GESUCHTES UND SEHR WERTVOLLES AUDIOPHILES ORIGINAL - CLASSIC RECORDS REISSUE - 45RPM - 3-LP/RECORD-SET ----- SPECIAL ONE SIDE-PRESSING ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... NEU = NEW = UNPLAYED = NEVER PLAYED !! !! / ...... SEHR SELTENES CLASSIC RECORDS USA - REISSUE 45RPM-3-LP/RECORD-SET / ..... CLASSIC RECORDS RECORDING 45rpm SERIES / ...... 3 LP`s a´ 180g VINYL (FIRST CLASSIC RECORD PRESSING) / ..... SPECIAL ONE - SIDE PRESSING / ..... AUDIOPHILE 45RPM AUFNAHME VOM ORIGINAL MASTERBAND / ..... AUDIOPHILE 45RPM REMASTERING FROM THE ORIGINAL ANALOGUE MASTER IN 1998 BY CLASSIC RECORDS IN USA / ...... ORIGINAL AUFNAHMEN 1959 BEI VERVE RECORDS IN USA / ...... ORIGINAL RECORDING 1959 BY VERVE RECORDS IN USA / ..... LIMITED EDITION ..... OUT OF PRINT ..... DIESES SEHR SELTENE UND SEHR WERTVOLLE AUDIOPHILE 45RPM-LP-SET IST = NEU = NEW = UNPLAYED = NEVER PLAYED !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " NEW = UNPLAYED " QUALITY !! ..... )...........

*********************************************************************************************** Track Listing - "Stompy Jones" (Duke Ellington) – 6:38 "Squeeze Me" (Fats Waller, Clarence Williams) – 4:36 "Big Shoe" (Jimmy Hamilton) – 5:37 "Going Up" (D. Ellington) – 4:51 "Just a Memory" (Lew Brown, Buddy DeSylva, Ray Henderson) – 5:53 "Let's Fall in Love" (Harold Arlen, Ted Koehler) – 6:47 "Ruint" (Mercer Ellington, Johnny Hodges) – 2:32 "Bend One" (Hodges) – 2:59 "You Need to Rock" (Hodges) – 5:52 ............. Duke Ellington - piano..... Johnny Hodges - alto sax..... Roy Eldridge, Harry Edison - trumpet..... Les Spann - flute, guitar..... Jo Jones - drums..... Lawrence Brown - trombone..... Ben Webster - tenor sax..... Billy Strayhorn - piano..... Al Hall , Wendell Marshall - bass..... Originalaufnahmen 14. August 1958 und 20. Februar 1959 in New York, USA......... ******************************************************************************************** ........ Ein Teil der Aufnahmen vom 20. Februar 59 sind auf der famosen LP "Back To Back", hier ist der andere Teil zusammen mit einer weiteren Session und einer geänderten Besetzung zu hören. Höchst interessant und vergnüglich gestaltet sich dabei der Wechsel zwischen beiden Bands. Und dem enormen Können dieser Spitzenmusiker ist es zu verdanken, dass sich hier kein stilistischer wie auch emotionaler Bruch ergab. Fein swingender Bebop mit herrlichen Soli kennzeichnet diese absolut empfehlenswerte LP. ............................................... Interpret: Duke Ellington & Johnny Hodges..... Titel: Side By Side..... Label: Verve..... Audiophile LP (180 g)..... ******************************************************************************************* ........ Some of the recordings from February 20th, 59 are on the famous LP "Back To Back", here you can hear the other part together with another session and a changed line-up. The change between the two bands is extremely interesting and enjoyable. And it is thanks to the tremendous skills of these top musicians that no stylistic as well as emotional break occurred here. Finely swinging bebop with wonderful solos characterizes this absolutely recommendable LP. ............................................... Artist: Duke Ellington & Johnny Hodges ..... Title: Side By Side ..... Label: Verve ..... Audiophile LP (180g) ..... ***************************************************************************************** Background - John Keith "Johnny" Hodges (July 25, 1906 – May 11, 1970) was an American alto saxophonist, best known for his solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years, except the period between 1932–1946 when Otto Hardwick generally played first chair. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946, when he was given the lead chair. He is considered one of the definitive alto saxophones players of the Big Band Era (alongside Benny Carter). Hodges started playing with Lloyd Scott, Sidney Bechet, Lucky Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges, who was featured on both alto and soprano sax. His playing became one of the identifying voices of the Ellington orchestra. Hodges left the Duke to lead his own band (1951–1955), but returned to the large ensemble shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and big-band leader. Ellington wrote over 1,000 compositions. In the opinion of Bob Blumenthal of The Boston Globe, "[i]n the century since his birth, there has been no greater composer, American or otherwise, than Edward Kennedy Ellington." A major figure in the history of jazz, Ellington's music stretched into various other genres, including blues, gospel, film scores, popular, and classical. His career spanned more than 50 years and included leading his orchestra, composing an inexhaustible songbook, scoring for movies, composing stage musicals, and world tours. Several of his instrumental works were adapted into songs that became standards. Due to his inventive use of the orchestra, or big band, and thanks to his eloquence and extraordinary charisma, he is generally considered to have elevated the perception of jazz to an art form on a par with other traditional genres of music. His reputation increased after his death and the Pulitzer Prize Board bestowed on him a special posthumous honor in 1999. Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". These included many of the musicians who were members of his orchestra, some of whom are considered among the best in jazz in their own right, but it was Ellington who melded them into one of the best-known jazz orchestral units in the history of jazz. He often composed specifically for the style and skills of these individuals, such as "Jeep's Blues" for Johnny Hodges, "Concerto for Cootie" for Cootie Williams, which later became "Do Nothing Till You Hear from Me" with Bob Russell's lyrics, and "The Mooche" for Tricky Sam Nanton and Bubber Miley. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan" and "Perdido" which brought the "Spanish Tinge" to big-band jazz. Several members of the orchestra remained there for several decades. After 1941, he frequently collaborated with composer-arranger-pianist Billy Strayhorn, whom he called his "writing and arranging companion". Ellington recorded for many American record companies, and appeared in several films. Ellington led his band from 1923 until his death in 1974. His son Mercer Ellington, who had already been handling all administrative aspects of his father's business for several decades, led the band until his own death in 1996. At that point, the original band dissolved. Paul Ellington, Mercer's youngest son and executor of the Duke Ellington estate, kept the Duke Ellington Orchestra going from Mercer's death onwards. Although it is billed as a Duke Ellington and Johnny Hodges album, Side by Side is a 1959 album mostly under the leadership of Johnny Hodges, Duke Ellington's alto saxophonist for many years. Ellington only appears on three of this album's tracks. The album places Hodges at the fore, backing him with piano by Ellington or Billy Strayhorn and providing other accompaniment by well-known jazz figures like Ben Webster, Roy Eldridge, Harry "Sweets" Edison and Jo Jones. The album is a follow-up to the popular Back to Back: Duke Ellington and Johnny Hodges Play the Blues. **************************************************************************************** .....................AUFWENDIGSTE UND BESTE LP-AUFNAHME UND -WIEDERGABE-QUALITÄT, DIE ES JE GEGEBEN HAT !! ......SEHR STRENG LIMITIERT !!......SEHR WERTVOLLES 45RPM LP`SET !!..... WELTWEIT SEHR GESUCHT.......WURDE NUR IN SEHR KLEINEN STÜCKZAHLEN ( ETWA 500 PRESSUNGEN ) VON CLASSIC RECORDS IN DEN USA HERGESTELLT !!....................LP`S SIND MEISTENS ORIGINAL VERSIEGELT = FACTORY SEALED !! ..................LP UND COVER SIND IN EINEM ABSOLUT NEUWERTIGEN-QUALITÄTS-ZUSTAND !! .....SIEHE GROSSES FOTO.....EINFACH UNTER DEM FOTO "XXL" ANKLICKEN !!...../

Zustand121: NEU = NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! ----- ANALOGUE, AUDIOPHILE CLASSIC RECORDS-45RPM-KLASSIK-3-LP-SET-REISSUE ----- FIRST 180GRAM HIGH QUALITY ANALOGUE CLASSIC RECORD PRESSING IN USA ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTO (LOOK ON THE XXL-PICTURES !!) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = UNPLAYED - QUALITY !! ..... )

Best.-Nr.: VERVE MGVS 6109 - 45RPM-3-LP/RECORD-SET ----- OUT OF PRINT ----- (NEU/NEW = UNGSPIELT = UNPLAYED )

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- NEU = NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! ----- ANALOGUE, AUDIOPHILE CLASSIC RECORDS-45RPM-KLASSIK-3-LP-SET-REISSUE ----- FIRST 180GRAM HIGH QUALITY ANALOGUE CLASSIC RECORD PRESSING IN USA ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTO (LOOK ON THE XXL-PICTURES !!) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - NEW = UNPLAYED - QUALITY !! ..... )


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Zuletzt aktualisiert am 08.09.2023