************************************************************************************************* *************************************************************************************************** ......................................................... Springsteen, Bruce - Born To Run ............... Erstveröffentlichung April 1975 .................... Angesichts des erstklassigen 2005er Albums „Devil & Dust“ möchten wir den Fokus auf eines seiner früheren Alben richten, das seither zu den Klassikern der Rockgeschichte zählt: „Born To Run“! „Born To Run“ war nach zwei weniger erfolgreichen Platten der erste große Erfolg für Bruce Frederic Springsteen und damit sein internationaler Durchbruch. Schon zu diesen Zeiten war er berühmt-berüchtigt für seine Marathonkonzerte, die nicht selten über 3 Stunden dauerten. Songs wie „Thunder Road“, „Jungleland“ oder das Titelstück „Born To Run“ sind beste Beispiele für den großen Sound, den Springsteen und seine neu formierte Band an den Tag legten. Die ruhigeren Nummern zwischen den lauteren Passagen sind bis heute das, was man mit Bruce Springsteen verbindet: einen großen, ehrlichen Rocker mit der Fähigkeit zu großen Gefühlen! Ein Meisterwerk der Rockgeschichte! ......................... Interpret: Bruce Springsteen ..... Titel: Born To Run ..................
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...................... Track Listing ......................
1. Thunder Road ......................
2. Tenth Avenue Freeze-Out ......................
3. Night ......................
4. Backstreets ......................
5. Born to Run ......................
6. She's the One ......................
7. Meeting Across the River ......................
8. Jungleland ......................
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...................... Album Notes ......................
Personnel: Bruce Springsteen (vocals, guitar); Steve Van Zandt (vocals); Suki Lahav (violin); Michael Brecker (tenor saxophone); David Sanborn (baritone saxophone); Clarence Clemons (saxophone, background vocals); Randy Brecker (trumpet, flugelhorn); Danny Federici (organ); Roy Bittan (keyboards, glockenspiel, background vocals); David Sancious (keyboards); Garry Tallent, Richard Davis (bass); Max Weinberg, Ernest "Boom" Carter (drums); Mike Appel (background vocals).Producers: Bruce Springsteen, Jon Landau, Mike Appel.Recorded at The Record Plant, New York, and 914 Sound Studio, Blauvelt, New York.Personnel: Bruce Springsteen (vocals, guitar, harmonica, alto horn); Steven Van Zandt (vocals, guitar, alto horn, background vocals); Clarence Clemons (vocals, saxophone, tenor saxophone); Danny Federici (vocals, organ, keyboards); Mike Appel (vocals, background vocals); Suki Lahav (violin); David Sanborn (saxophone, baritone saxophone, bass saxophone); Michael Brecker (tenor saxophone, horns); Randy Brecker (trumpet, flugelhorn, horns); Wayne Andre (trombone); Roy Bittan (piano, Fender Rhodes piano, harpsichord, organ, keyboards, glockenspiel, background vocals); David Sancious (keyboards); Garry Tallent (bass guitar); Ernest Carter, Max Weinberg (drums).Audio Mixer: Jimmy Iovine.Audio Remasterer: Bob Ludwig.Recording information: 914 Sound Studios, Blauvelt, NY (01/1974-07/1975); Record Plant Studios, New York, NY (01/1974-07/1975).Photographer: Eric Meola.Arranger: Bruce Springsteen.BORN TO RUN is the album that turned Springsteen from a phenomenon into a superstar. His first couple of releases found Bruce working out his fascination with Dylan and Van Morrison on earthy, wordy, folk-rock-R&B tunes full of soul and punch. On BORN TO RUN, Springsteen became even more ambitious, synthesizing Spectorian production with Orbison-esque drama and Duane Eddy-influenced guitar work, creating something grand enough to be called rock opera but too proletarian to ever claim that title.BORN TO RUN was also the first album where the Boss began to crystallize his recurring theme of working class America's doomed-but-passionate rage against its circumstances. With the earnestness and emotion that bursts forth from Springsteen's street poems, the album is never less than exhilarating, and songs like "Tenth Avenue Freeze-Out" (a tongue-in-cheek history of the E Street Band) provide humor. "She's The One" puts the Bo Diddley beat to its most effective post-'50s use, and the title track is Springsteen's quintessential underdog epic. ...................
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