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• Audiophile Pop -Rock LP's
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  • Sweet Thunder-Halfspeed Lp`s-USA (Out of Print)
  • A & M Half-Speed LP`s (Out of Print )
  • Simply Vinyl - LP`s (180g Reissue´s)
  • Audiophile Pop-Rock Lp`s (viele Japanpressungen)
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  • EASY LISTENING LP ( ORIGINALE & REISSUES )
  • Testpressungen - LP (Pop-Jazz-Classic)
  • Sheffield Lab - LP`s USA (Jazz/Pop & Classic)
  • Stereoplay-Highlights (audiophile Halfspeed LP`s)
  • American Grammaphone LP`s (Mannheim Steamroller)
  • CBS-Mastersound LP`s (Half-Speed-USA)
  • Telarc (audiophile LP`s / Classic-Jazz)
  • Audiophile Cassetten (MFSL)
  • 45RPM-SINGLES / MAXI-SINGLES POP/ROCK
  • POP-ROCK-LP´s / JAPANPRESSUNGEN
• Audiophile Jazz LP's
• Audiophile Classic LP's
• Audiophile Pop - Rock - Jazz - Classic CD's

Produkt Detailansicht:

LYN STANLEY (LP/RECORD IS SIGNED BY THE ARTIST) ----- THE CHALLENGE LP (TEST-LP) -- DIRECT-TO-DISC vs TAPE TO DISC ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- DIRECT-TO-DISC and PURE ANALOG 45RPM RECORDING 180GRAM VIRGIN VINYL ----- SINGLE-LP/RECORD ----- LIMITED EDITION ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE DIRECT-TO-DISC & ANALOGE ORIGINAL 45RPM-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2019 BY A.T. RECORDS IN USA ----- RECORDING AND MASTERING BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2019 BY A.T. RECORDS IN USA / ..... DIRECT-TO-DISC & PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-PRESSING BY RTI IN USA / ..... DIESE DIRECT-TO-DISC & ANALOGE JAZZ-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ----- EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )

************************************************************************************************* Lyn Stanley – The Challenge LP - London With A Twist Live At Bernie`s Lyn Stanley - The Challenge LP - London With A Twist Live At Bernie`s album cover ************************************************************************************************ Label: A.T.Music LLC – ATM3108T Format: Vinyl, 12", 45 RPM, Limited Edition Country: US Released: 2019 Genre: Jazz Style: Contemporary Jazz *********************************************************************************************** A1 Goody Goody 2:43 A2 Love Letters 3:53 A3 By By Blackbird 3:37 B1 Goody Goody 2:43 B2 Love Letters 3:56 B3 By By Blackbird 3:39 180g vinyl, limited edition of 300 copies Direct to Disc vs Tape to Disc Mixing Engineers: Allen Sides, Steve Genewick, Beno May Mastering Engineer: Bernie Grundman Pressed by Pallas in Germany ************************************************************************************************* Streng limitiert auf 300 Stück. Lyn Stanley - vocals Otmaro Ruiz - piano Mike Lang - piano Chuck Berghofer - bass Aaron Serfaty - drums John Chiodini - guitar Luis Conte - percussion Live-Aufnahmen am 19. und 20. Januar 2019 im Bernie Grundman's Mastering Studio, Hollywood, Kalifornien, USA. „The Challenge“ bietet eine interessante kleine Dreingabe zu Lyn Stanleys Album „London With A Twist“: Die drei Songs von Seite C des Albums („Goody Goody“, „Love Letters“ und „Bye Bye Blackbird“ finden sich hier zwei Mal, aufgenommen in zwei verschiedenen Takes der selben Session, einmal in der Direct-to-Disc-Version des Albums, und einmal in einer Überspielung von Bandmaschine auf Vinyl. Lyn Stanley, selbst bekennende Audiophile, weiß, wie sehr der geneigte Platten-Enthusiast sich von solchen Vergleichsmöglichkeiten im Bereich feinster Details begeistern lässt: Zum einen kann man hier zwei unterschiedliche Takes desselben Arrangements vergleichen - und man wird erstaunt sein, wie viel Präzision und Stabilität die Musiker hier einerseits an den Tag legen, wie viel Freiraum sie sich aber auch erarbeiten; das gilt im Besonderen natürlich für die Soli und für Lyn Stanleys Gesangspart. Zum anderen bietet sich hier die seltene Möglichkeit, zwei unterschiedliche hochwertige Aufnahmetechniken - Direct-to-Disc und Direct-to-Tape - zu vergleichen, die sich in keinem anderen Aspekt der Aufnahmesituation unterscheiden. Und natürlich kann man, wenn man auch das komplette Album besitzt, auch noch rotes und schwarzes Vinyl hinsichtlich etwaiger Klangunterschiede vergleichen. Wer all das also schon immer mal ganz genau wissen wollte, der kann sich hier an die Erforschung machen, und das noch dazu mit drei ausgezeichnet gespielten und gesungenen Jazz-Nummern. 1. Sound difference between 45rpm/180 gram Metal Lacquer Mastered analog Direct-To-Disc versus Studio captured traditional analog Reel-To-Reel version made into a vinyl record (Tape-To-Disc). 2. Track take differences between two complete three song takes of Side Cs songs in the album London With A Twist-LIVE at Bernies. 3. If you have London With A Twist-LIVE at Bernies album, you can compare red vinyl versus black vinyl for sound differences. One of the sides on the Challenge LP is in the regular album. Mastering durch Bernie Grundman. *********************************************************************************************** Rezension: Diesem eigentlich nur aus drei Songs bestehenden Album dürfte sein fester Platz bei künftigen High End-Veranstaltungen sicher sein. Drei Songs aus dem live in Bernie Grundmans Studio aufgenommenen Direktschnitt-Album "London With A Twist" – genauer: dessen komplette dritte Seite gibt es hier. Im Anschluß an die Aufnahmesession spielten die Musiker die drei Songs ("Goody Goody", "Love Letters" und "Bye Bye Blackbyrd") dann gleich noch mal – diesmal lief ein Tonband mit, von dem dann die A-Seite dieser limitierten Scheibe geschnitten wurde. Absolute Vorführqualität haben fraglos beide Seiten – an den feinen Unterschieden dürfen sich in Zukunft audiophile Gemüter erhitzen… Und wer das Original-Doppelalbum besitzt, kann obendrein auch den Klang von dessen roten mit dem des hier verwendeten schwarzen Vinyl vergleichen! (2019) ************************************************************************************************* Autographed, Limited Edition 180g 45rpm LP! Take The Direct-To-Disc vs Tape-To-Disc Challenge! Only 300 Units Pressed On Initial Run! This item not eligible for any further discount offers! The three songs on this LP are original master recordings and were recorded at Bernie Grundman's Mastering Studio on January, 20, 2019. This 45rpm 180 gram audiophile quality disc will take the same three songs recorded on two different takes within minutes of one another. Side A will have Take One and Side B will have Take Two. Everything else is the same – but on one side you will hear the Direct-To-Disc lacquer version and on the other side you will hear the Tape to (Lacquer) Vinyl version. The songs are 1) Goody Goody; 2) Love Letters; and 3) Bye Bye Blackbird. Not only will you hear the slight variations in the takes but you will also be able to make your own assessment of the quality of both analog recording techniques. Limited pressing non-numbered. To clarify, this 45rpm single LP has the SAME three songs on each side from two different takes recorded within 30 minutes of each other. The reel to reel was captured at the same moment the metal lacquer master was receiving the recording information on the lathe at Bernie Grundman's Mastering Studio. Here are the tests you can perform with this Challenge LP: 1. Sound difference between 45rpm/180 gram Metal Lacquer Mastered analog Direct-To-Disc versus Studio captured traditional analog Reel-To-Reel version made into a vinyl record (Tape-To-Disc). 2. Track take differences between two complete three song takes of Side C's songs in the album London With A Twist-LIVE at Bernie's. 3. If you have London With A Twist-LIVE at Bernie's album, you can compare red vinyl versus black vinyl for sound differences. One of the sides on the Challenge LP is in the regular album. Buy It Here: Lyn Stanley London With A Twist - Live At Bernie's Numbered Limited 180g D2D 45rpm 2LP (Autographed) (Ferrari Red Vinyl) Rare Live Vocal Direct To Disc! Lyn Stanley has been awarded Female Jazz Vocalist of The Year 2018 from one of the most visible public radio stations in the USA, KKJz-Los Angeles who have the highest Nielsen ratings for jazz radio audiences in the U.S. Mr. Levine notes that Ms. Stanley's recordings "are a revival of some of the greatest hits ever produced for Broadway Shows and Hollywood movies. They are chestnuts deserving to be reintroduced to the America public. The great American Songbook lives again with the added benefit of 'State Of The Art' recording techniques thanks to Lyn Stanley." About London With A Twist - Live At Bernie's: Part two of jazz recording artist Lyn Stanley's Julie London tribute project is a very rare Direct to Disc Live album with LA's top Jazz players who named themselves the Jazz Mavericks. Featuring Otmaro Ruiz (piano), Mike Lang (piano), Chuck Berghofer (bass), Aaron Serfaty (drums), John Chiodini (guitar) and Luis Conte (percussion), the Jazz Mavericks created arrangements for incredibly creative music plus over the top sound from the best engineers in LA. While both Lyn and London could be described as sultry and sophisticated singers, the album is an appreciation, not an imitation of London’s material selections. Stanley puts her own distinctive stamp on the material London performed and has decided to include some of Julie London’s husband’s works as well as pop songs that set a lively pace to a live album. Songs include: Route 66, written by Julie London’s second husband, Bobby Troup, Let There Be Love, Body and Soul, Pink Cadillac, You Never Can Tell, Lover Man, Bye Bye Blackbird and many more. In addition to acclaim for her velvety alto, choice of material, and her unique and personal approach to songs, Stanley’s attention to detail in the studio has garnered raves. This recording utilizes the best possible lathe in Los Angeles, tracked at Bernie Grundman Mastering studio in Hollywood. The ever so fastidious mastering guru, Bernie Grundman, commandeered the coveted Grundman studio lathe. In addition, Bernie’s long time associate and fellow audiophile, world famous multi-Grammy winning engineer, Allen Sides ensured the highest quality sound and mixing. Allen has engineered over 1,000 records with major studio artists selling over one billion records, including Joni Mitchell's Both Sides Now. Allen was also supported by Capitol Studios top engineer, Steve Genewick. Lyn can be counted on to surround herself in the studio with the crème de la crème of musicians. For this venture, she aims for the intimate sound of piano, bass, drums/percussion, and guitar. Lyn has engaged Arturo Sandoval’s long time extraordinary pianist, Otmaro Ruiz, along with her previous collaborators including legendary studio jazz pianist Mike Lang, Wrecking Crew and Frank Sinatra’s bassist Chuck Berghofer, plus featured guitarist John Chiodini (Peggy Lee and Natalie Cole), percussionist Luis Conte (James Taylor touring artist) and award winning Latin percussionist/drummer, Aaron Serfaty. While speaking of the album Lyn says "You have to be into the musical moment. There's pressure on everyone—me, the musicians—we have to be totally prepared. But it's a great format if we execute it well. I plan to let the real experience of a 'live' recording happen, even the countdowns, so my fans can feel like they are live with us in the studio 'lounge.'" "I'm not going to rave about the music because I've done it already. The Challenge LP consists of three cuts from the sessions for London With a Twist: Live at Bernie's so you know I really enjoyed the album and its stunning sound quality and that I recommend it and all that. The Challenge LP, therefore, isn't something to be reviewed, it's something that requires your active participation. Here's the deal: on Side A, those three tracks–'Goody Goody,' 'Love Letters' and 'Bye Bye Blackbird'–were recorded tape-to-disc, and Side B is the same three songs but direct-to-disc. To make things more interesting (and difficult, from an A/B perspective) is that these are two consecutive takes that happened minutes apart. Until we okay human cloning, this is the closest we can come. Or is it? I decided to sit down and listen to The Challenge LP and do the comparison immediately. Here's what happened with The Challenge LP. I listened to one side, and liked the sound. Then I flipped to the other side, and liked it better. I thought I heard a little more detail the second time around. So I flipped the LP again and THIS side now sounded better. I heard firmer, deeper bass and the soundstage opened up. Then I flipped it once more and Lyn Stanley's voice sounded more centered and focused, and I could hear more of her humorous inflections. This album, of course, sounds spectacular. So as I tried to make sonic comparisons, the sound quality of this recording kept pulling me into the present. I feel like it wiped out my memory of the last side. So maybe at this point of my life, I no longer care about bearing down and conducting a strict A/B comparison. I just want to enjoy music. I'm still listening to The Challenge LP from Lyn Stanley, flipping the LP over and over every few minutes, and I keep thinking 'this'll be the one.' Until that happens, let me know what you think." - Marc Phillips, Part-Time Audiophile Read more! Also Available: Lyn Stanley London With A Twist - Live At Bernie's Numbered Limited 180g D2D 45rpm 2LP (Autographed) (Ferrari Red Vinyl) Rare Live Vocal Direct To Disc! Features: • Autographed by Lyn Stanley • Limited Initial Run Of 300 Units • 180g Vinyl LP • 45rpm • Recorded live at Bernie Grundman's Mastering Studio, Hollywood, CA, January 19-20, 2019 • This album is a live recording, no alterations have been made to any part • No Auto-Tune, ProTools or Melodyne • Three original master recordings • Two live-consecutive three song takes from Side C of London With A Twist Direct-To-Disc 12 song album • One full take on Sides A & B of this disc • Recording & Mixing Engineer: Allen Sides • Disc Mastering by Bernie Grundman • Printed by Pallas, Germany Musicians: Lyn Stanley, vocals John Chiodini, guitar Otmaro Ruiz, piano Chuck Berghofer, bass Aaron Serfaty, drums Luis Conte, percussion ************************************************************************************************* The Challenge LP from Lyn Stanley is, as far as I can tell, the concluding chapter to this Julie London project–although I have noticed that Lyn’s been shooting a video with performances of these songs. Maybe she’ll do a few more, who knows. I don’t think you can possibly do too much in the service of Julie London advocacy, and it’s been a fun ride evaluating all these CDs and LPs over the last few months. Heck, I even got to meet the singer and she took me to Ocean Way to talk with Allen Sides and then Bernie Grundman Mastering and even Capitol Frigging Records in Hollywood to see where everything happened. So of course this is going to be another rave review, right? Hah! That’s where I got you. I’m not going to rave about the music because I’ve done it already. The Challenge LP consists of three cuts from the sessions for London With a Twist: Live at Bernie’s so you know I really enjoyed the album and its stunning sound quality and that I recommend it and all that. The Challenge LP, therefore, isn’t something to be reviewed, it’s something that requires your active participation. Here’s the deal: on Side A, those three tracks–“Goody Goody,” “Love Letters” and “Bye Bye Blackbird”–were recorded tape-to-disc, and Side B is the same three songs but direct-to-disc. To make things more interesting (and difficult, from an A/B perspective) is that these are two consecutive takes that happened minutes apart. Until we okay human cloning, this is the closest we can come. Or is it? I lurked on a couple audio discussion forums to see what everyone else thought–you know, because I wanted to pick the side most people like. (Kidding.) Okay, so it was a horror show with everyone arguing about whether you could do an accurate A/B comparison this way, and pretty soon my head started to ache. I suddenly remembered why I haven’t been on a forum in a long time. Anyway, I decided to sit down and listen to The Challenge LP and do the comparison immediately. Myself. Like I’m supposed to. Here’s another funny part–I’m breaking in a new pair of speakers this week. It’s a secret speaker. I’m not supposed to say I have them. They call this a moratorium. I’ve never had to do this before. It’s kind of cool. But here’s the thing–speakers brand new, still breaking in. Most speakers get about 90% of the way there after 48 hours on break-in, and that last ten percent can take days or years, depending upon how much wood is in your enclosure. In other words, I’m starting off poorly in my attempt to make a proper sonic comparison. Here’s what happened with The Challenge LP. I listened to one side, and liked the sound. Then I flipped to the other side, and liked it better. I thought I heard a little more detail the second time around. So I flipped the LP again and THIS side now sounded better. I heard firmer, deeper bass and the soundstage opened up. Then I flipped it once more and Lyn Stanley’s voice sounded more centered and focused, and I could hear more of her humorous inflections. Yeah, I know–these are all things that happen when you’re breaking in a new pair of speakers. It just keeps getting better and better, and sometimes suddenly. But I’ll make one half-assed explanation as to why I tried my best to come up with a preference for tape-to-disc or direct-to-disc and failed. This album, of course, sounds spectacular. So as I tried to make sonic comparisons, the sound quality of this recording kept pulling me into the present. I feel like it wiped out my memory of the last side. So maybe at this point of my life, I no longer care about bearing down and conducting a strict A/B comparison. I just want to enjoy music. I’m still listening to The Challenge LP from Lyn Stanley, flipping the LP over and over every few minutes, and I keep thinking “this’ll be the one.” Until that happens, let me know what you think. ********************************************************************************************

Zustand121: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Best.-Nr.: A.T. MUSIC ATLMP 3108-45CA ----- AUDIOPHILE 45RPM JAZZ-TEST-LP/RECORD ----- MIT ORIGINAL AUTOGRAMM !! ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Preis: EUR 199,99