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• Audiophile Pop -Rock LP's
• Audiophile Jazz LP's
• Audiophile Classic LP's
• Audiophile Pop - Rock - Jazz - Classic CD's
  • Jazz & Blues CD`s (Normalpressungen)
  • MFSL - GOLD-UDCD / UDSACD`s (Out of Print)
  • DCC / AFZ audiophile GOLD-CD`s ( aus USA )
  • Sony - audiophile Gold CD`S (Out of Print )
  • Ryko - audiophile Gold CD`s (Out of Print )
  • MFSL-SILBER / ALUMINIUM CD`s ( Out Of Print )
  • Telarc-audiophile CD`s(Classic,Pop,Blues & Jazz)
  • Rock & Pop CD`s (Normalpressungen)
  • Classic - CD´s (Normalpressungen)
  • Rock & Pop audiophile CD`s (Gold-&Japanpressg.)
  • Classic-audiophile CD´s (Gold & Japanpressungen..)
  • Jazz & Blues audiophile CD`s(Gold-&Japanpressg.)
  • Stereoplay/Audio/Zounds-Audiophile CD`s
  • XRCD - SACD (audiophile Jazz/Pop/Classic-CD`s)
  • DAD - DVD (audiophile Pop-Jazz-Classic-DVD)
  • Reference Recording CD´s USA

Produkt Detailansicht:

THE ALAN PARSONS PROJECT ----- I ROBOT ----- EINE NOCH NEUWERTIGE MFSL - MASTER RECORDING ALU-CD ----- LIMITED EDITION ------ LONG OUT OF PRINT ----- MADE IN JAPAN ----- (......ULTRA RARE MFSL-ALUMINIUM-CD / ...... MADE IN JAPAN / .... ORIGINAL MASTER RECORDING / ....... MFSL CD - RARITÄT / ...... LONG-OUT OF PRINT / ...... MOBILE FIDELITY SOUND LAB / ..... MFSL SILBER-CD /..... AAD = ANALOG-ANALOG-DIGITAL /..... LIMITED EDITION / ..... STEREO ORIGINALAUFNAHMEN 1977 BEI ARISTA RECORDS USA / .....STEREO ORIGINAL RECORDING 1977 BY ARISTA RECORDS IN USA / ...... EINZIGES ORIGINAL EXEMPLAR IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (ONE EXEMPLARY !!) ......DIESE SEHR WERTVOLLE MFSL-SILBER-CD WURDE NUR WENIGE MALE GESPIELT = NEUWERTIG = M- / M- !!..... MADE IN JAPAN !!..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " HIGH " QUALITY !! ..... )

*********************************************************************************************** Absolut seltene audiophile MFSL-Silver-CD: (Bei eBay nur zu höchsten Festpreisen zu kaufen!) MFSL MFCD 804 (Remaster von MFSL aus dem Jahre 1985 // CD MADE IN JAPAN) THE ALAN PARSONS PROJECT .......... I ROBOT .......... Audiophile Pressing > Very Rare & Out-Of-Print Record Label: Mobile Fidelity Sound Lab Klassiker von Alan Parsons aus dem Jahre 1977! Für die Sammler von Ausstellungsstücken mit hohen Ansprüchen an den Erhaltungszustand: Die CD stammt aus einer Sammlung und wurde pfleglich behandelt! Minimalste Gebrauchsspuren beim Booklet, der CD, dem Inlay und dem original MFSL-Jewel-Case können nicht völlig ausgeschlossen werden, da es sich nicht um Neuware handelt! (Siehe auch die original Fotos). Die Abspielfläche ist ohne – mit dem Auge betrachtet – erkennbare Gebrauchsspuren. Für den High-End-Fan und Freund des audiophilen Klangerlebnisses: Wer sich von der audiophilen Klangqualität der CD mitreißen lassen möchte, einer Studio-Aufnahme aus dem Jahre 1977 in der hier sicherlich besten Abmischung auf dem Hi-End-Markt, wird absolut begeistert sein! Kritiker sehen in dieser CD einen musikalischen Meilenstein der englischen Band um Alan Parsons. ************************************************************************************************** ALAN PARSONS PROJECT : I ROBOT ORIGINAL STILL SEALED MFSL CD MFCD 804 !!.................... RELEASED 1984 BY SANYO JAPAN.................... SUPERB MINT CONDTION !!.................... *********************************************************************************************** .................. I Robot - The man behind the recording of "Dark Side of the Moon" is none other than Alan Parsons. If you want to hear what is his definitive recording and a bit of the Dark Side then this is it. I ROBOT was produced and engineered by Alan at Abbey Road Studios and is an audiophile's dream recording. .................. ************************************************************************************************* .................. Tracks .................. 1. I Robot 6:06 Instrumental .................. 2. I Wouldn't Want To Be Like You 3:19 .................. 3. Some Other Time 4:05 .................. 4. Breakdown 3:50 .................. 5. Don't Let It Show 4:21 .................. 6. The Voice 5:21 .................. 7. Nucleus 3:35 Instrumental .................. 8. Day After Day (The Show Must Go On) 3:43 .................. 9. Total Eclipse 3:05 Instrumental .................. 10. Genesis Ch. 1 V. 32 3:37 Instrumental .................. *********************************************************************************************** Weitere Infos Produced by Alan Parsons .................. Executive Producer: Eric Woolfson .................. Engineered by Alan Parsons .................. Assistant Engineers: Pat Stapley, Chris Blair .................. All tracks written by Eric Woolfson and Alan Parsons except "Total Eclipse" which was written by Andrew Powell .................. Orchestra and Choir arranged and conducted by Andrew Powell .................. Orchestral Contractor: David Katz .................. Choirmaster: Bob Howes .................. Bass - David Paton .................. Drums and Percussion: Stuart Tosh .................. Electric Guitars: Ian Bairnson .................. Acoustic Guitars: Ian Bairnson, David Paton, Alan Parsons .................. Keyboards: Eric Woolfson, Duncan MacKay, Alan Parsons .................. Steel Guitar: B.J. Cole .................. "Projectron" and Vocoder: Eric Woolfson, Alan Parsons .................. Cimbalom and Kantele: John Leach .................. ************************************************************************************************** .................. Vocals: .................. - Allan Clarke (Track 4) .................. - Steve Harley (Track 6) .................. - Jack Harris (Track 8) .................. - Peter Straker and Jaki Whitren (Track 3) .................. - Dave Townsend (Track 5) .................. - Lenny Zakatek (Track 2) .................. .................. Additional Vocals: .................. Hillary Western, Smokey Parsons, David Paton, Stuart Tosh, Ian Bairnson, Tony Rivers, John Perry, Stuart Calver, Eric Woolfson, Alan Parsons, The English Chorale and the new Philharmonia Chorus .................. The album was recorded and mixed at Abbey Road Studios, London, between December 1976 and March 1977. .................. Recorded in studios 2 and 3 at Abbey Road, London, England. .................. Consoles: EMI 16 track & EMI-Neve 24 track with Necam computer mixer. .................. Microphones: Neumann condensers and AKG dynamics. .................. Tape machines: Studer A-80. .................. Cover Design and Photography: Hipgnosis .................. Robot Design: George Hardie .................. Illustration: Richard Manning .................. All songs (C) 1976 American Woolfsongs, Inc. (BMI) .................. Administered by Irving Music, Inc. .................. Produced and distributed by MFSL, Inc. under license from Arista Records, Inc. .................. (P) 1977 Arista Records, Inc. .................. Manufactured by Sanyo Japan .................. (Cover) Printed in Japan .................. ********************************************************************************************* .................. Produktbeschreibungen .................. Ein Jahr vor Kraftwerks Mensch-Maschine griffen Alan Parsons und Eric Woolfson 1977 auf ihrem zweiten Album I Robot das Thema nach dem gleichnamigen Science-Fiction-Buch von Isaac Asimov auf. Damit wiederholten die beiden eine für die Musikwelt völlig neue Arbeitsweise vergleichbar der von Filmproduzenten. Woolfson entwickelte das Konzept, für das man projektbezogen Musiker und Sänger auswählte. Aus vielen Versatzstücken entstand ein harmonisches Ganzes mit Electronics, einem funky Baß, Steelgitarre, großem Orchester und dem Chor der New Philharmonia, zwischen Folkrock und der Avantgardemusik von Ligeti. .................. Dem wuchtigen, rhythmusbetonten Instrumentalauftakt folgt die dramatische Ballade "Breakdown", gesungen von Hollies-Sänger Allan Clarke. Ein paranoides Paradestück ist "The Voice" mit der unübertroffenen Stimme von Steve Harley von den Cockney Rebels. Genial umgesetzt ist auch die totale Sonnenfinsternis "Total Eclipse", die am Schluß auf "Genesis Ch.1,V.32" aus der Bibel prallt. .................. Mit dem intelligenten Einsatz neuester Studiotechnik schuf das Alan Parsons Project eine liebenswerte und sehr berührende kleine Oper, die in den USA Platz 9 der Charts eroberte und ihnen die erste Platin-LP brachte.--Ingeborg Schober .................. ********************************************************************************************* .................. Album Notes .................. Personnel: Alan Parsons (vocals, guitar, vocoder); David Paton (vocals, guitar, bass); Ian Bairnson (vocals, guitar); Eric Woolfson (vocals, keyboards); Stuart Tosh (vocals, drums, percussion); Allan Clarke, Steve Harley, Jack Harris, Jaki Whitren, Dave Townsend, Lenny Zakatek (vocals); B.J. Cole (steel guitar); Duncan McKay (keyboards); John Leach (cimbalom, kantele); Hilary Wetern, Smokey Parsons, Tony Rivers, John Perry, Stuart Calver, The English Choral and The New Philharmonia Chorus (background vocals). Recorded at Abbey Road Studios in London, England. Conducted by Andrew Powell. .................. Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov's classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence -- will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth -- with enough knotty intelligence to make it a seminal text of late-'70s geeks, and while it is also true that appreciating I Robot does require a love of either sci-fi or art rock, it is also true that sci-fi art rock never came any better than this. Compare it to Jeff Wayne's War of the Worlds, released just a year after this and demonstrating some clear influence from Parsons: that flirts voraciously with camp, but this, for all of its pomp and circumstance, for all of its overblown arrangements, this is music that's played deadly serious. Even when the vocal choirs pile up at the end of "Breakdown" or when the Project delves into some tight, glossy white funk on "The Voice," complete with punctuations from robotic voices and whining slide guitars, there isn't much sense of fun, but there is a sense of mystery and a sense of drama that can be very absorbing if you're prepared to give yourself over to it. The most fascinating thing about the album is that the music is restless, shifting from mood to mood within the course of a song, but unlike some art pop there is attention paid to hooks -- most notably, of course, on the hit "I Wouldn't Want to Be Like You," a tense, paranoid neo-disco rocker that was the APP's breakthrough. It's also the closest thing to a concise pop song here -- other tunes have plenty of hooks, but they change their tempo and feel quickly, which is what makes this an art rock album instead of a pop album. And while that may not snare in listeners who love the hit (they should turn to Eye in the Sky instead, the Project's one true pop album), that sense of melody when married to the artistic restlessness and geeky sensibility makes for a unique, compelling album and the one record that truly captures mind and spirit of the Alan Parsons Project. ~ Stephen Thomas Erlewine .................. **************************************************************************************************** ....... Album Notes: Each MFSL ALUMINUM CD was pressed directly from the original studio master session tapes ; the purest source of musical information and engineered to produce the finest CD sound quality available. Every compact disc delivers the music to you with all the depth, dynamics, and richness of the live recording session. Invite you to hear the three-dimensional quality of the music just as the artist intended for it to sound. The proprietary mastering technology extracts and transparently stores more musical information from the original master tapes than any other method in existence. For the discriminating listener, the results include: a wider range of frequencies, increased depth and room dimension cues, clarity, and separation of instruments. The technology substantially decreases characteristics such as hardness and glare ...... **************************************************************************************************

Zustand121: M - / M - = EINE NOCH NEUWERTIGE MASTER RECORDING ALU-COMPACT DISC !! ----- ( ....... EINZIGES ORIGINAL EXEMPLAR IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (ONE EXEMPLARY !!) ......ULTRA RAR !!.....DIESE SEHR WERTVOLLE MFSL-SILBER-CD WURDE NUR WENIG GESPIELT = ABSOLUT NEUWERTIG = M- / M- !!.....AUS MEINER GEPFLEGTEN PRIVATEN MFSL-LP & CD -SAMMLUNG !!....SIEHE XXL-FOTO (LOKK THE XXL-PHOTOS!!) .....BITTE ANKLICKEN (CLICKON THE XXL-PHOTOS !!)..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " HIGH " QUALITY !! .....)

Best.-Nr.: MFSL MFCD 804 ----- LONG-OUT OF PRINT - M ----- LIMITED EDITION ----- (EINE NOCH NEUWERTIGE MFSL ALU-CD !! / MADE IN JAPAN)

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