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LYN STANLEY (LP/RECORD IS SIGNED BY THE ARTIST) ----- THE MOONLIGHT SESSIONS VOLUME TWO ----- ONE STEP PRESSING ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- PURE ANALOG 45RPM RECORDING 180GRAM VIRGIN VINYL IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD JACKET) ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER #0625(HANDNUMERIERT) ----- EDITION STRICTLY LIMITED TO 2000 COPIES ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE ANALOGE ORIGINAL 45RPM-DOPPEL-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2017 BY A.T. RECORDS IN USA ----- MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2017 BY A.T. RECORDS IN USA (MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-ONE-STEP-PRESSING BY RTI IN USA / ..... DIESE ANALOGE JAZZ-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER # 0625/2000 ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )

*********************************************************************************************** Lyn Stanley – The Moonlight Sessions Volume Two Lyn Stanley - The Moonlight Sessions Volume Two album cover ********************************************************************************************* More images Label: A.T.Music LLC – 3106 Format: 2 x Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered Country: US Released: Sep 15, 2017 Genre: Jazz Style: Contemporary Jazz ************************************************************************************************ A1 Makin' Whoopee A2 The Very Thought Of You A3 That Old Feeling A4 The Summer Knows B1 Over The Rainbow B2 How Deep Is The Ocean B3 Angel Eyes C1 At Seventeen C2 You've Changed C3 Smile C4 Love Me Or Leave Me D1 How Insensitive D2 Since I Fell For You D3 I'll Be Seeing You ********************************************************************************************** Pressed By – Record Technology Incorporated Mastered At – Bernie Grundman Mastering Recorded At – The Village Recorder Recorded At – Capitol Studios Recorded At – LAFX Studios ******************************************************************************************* Arranged By – Christian Jacob (tracks: A2, B1), Doug Walter (tracks: A4, C2), John Chiodini (tracks: D3), Lyn Stanley (tracks: C2), Mike Garson (tracks: A3, B2, B3, C1), Steve Rawlins (tracks: A1, C3), Tamir Hendelman (tracks: C4, D1, D2) Bass – Chuck Berghofer Design – Lyn Stanley, Philip Macias Drums – Bernie Dresel (tracks: A1, D3), Joe LaBarbera (tracks: A3, B2, B3, C1, C2, D2), Ray Brinker (tracks: A2, A4, B1, C3, C4, D1) Engineer – Al Schmitt, Paul Tavenner, Spencer Guerra Engineer, Producer – Steve Genewick Flugelhorn – Chuck Findley Guitar, Co-producer – John Chiodini (tracks: A1, A2, A4, B1, C3, C4, D1, D3) Harmonica – Hendrik Meurkens (tracks: A1 To A4, B1 To B3, C1 To C3, D1 To D3) Harp – Carol Robbins (tracks: C1), Corky Hale (tracks: A3) Mastered By – Bernie Grundman Mixed By – Al Schmitt Percussion – Luis Conte (tracks: A2 To A4, B1 To B3, C1 To C3, D1 To D3) Piano – Mike Garson, Tamir Hendelman (tracks: C4) Piano, Co-producer – Christian Jacob (tracks: A2, A4, B1, C3, D1), Mike Garson (tracks: A3, B2, B3, C1, C2, D2) Strings – Budapest Scoring Symphonic Orchestra (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Tenor Saxophone – Rickey Woodard (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Tracking By – Al Schmitt, Steve Genewick Trombone – Bob McChesney (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Trumpet – Chuck Findley (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Vocals, Producer – Lyn Stanley ********************************************************************************************* Limited to 2000 copies Serials numbers starting at 101 Only the first 1000 copies are manually numbered and autographed by Lyn Stanley One-Step Supersonic Vinyl Pressing Process ********************************************************************************************* Lyn Stanley The Moonlight Sessions Vol. 2 (Audiophile LP 2 LP, 45 rpm, 180 g, handsigniert) *********************************************************************************************** Lyn Stanley - Gesang Mike Garson, Tamiw Hendelman, Christian Jacob - Klavier Chuck Berghofer - Kontrabass Joe La Barbara, Ray Brinker, Bernie Dresel - Schlagzeug John Chiodini - Gitarre Rickey Woodard - Tenorsaxophon Chuck Findley - Trompete Bob McChesney - Posaune Corky Hale, Carol Robins - Harfe Hendrik Meurkins - Harmonika Luis Conte - Perkussion Steve Genewick - Schnipsen und das Budapest Scoring Symphonic Orchestra Die Aufnahmen entstanden February 2017 durch Al Schmitt und Steve Genewick, wurden gemixt von Al Schmitt und schließlich von Bernie Grundman bei Bernie Grundman Mastering gemastert. Aller guten Dinge sind drei, oder doch zumindest zwei, und so gibt es von Lyn Stanleys grandioser Scheibe „The Moonlight Sessions“ nun endlich das lange erwartete „Volume 2“. Lyn Stanley muss man mittlerweile wirklich niemandem mehr vorstellen, die Zeiten, als man noch umständlich erklären musste, ja, das ist die weltweit erfolgreiche Turniertänzerin, ja, die singt jetzt, ja, sogar noch besser, als sie tanzt - diese Zeiten sind vorbei, denn für Jazzfans, und die audiophilen ganz besonders, ist Miss Stanley längst ein Begriff, der so manchen ohne groß nachzudenken nach jeder neuen Scheibe von ihr greifen lässt. Was „The Moonlight Sessions Vol. 2“ angeht, können wir auch wirklich nur mit Nachdruck dazu raten! Die Aufnahmen zu dieser herrlichen Scheibe stammen aus der gleichen Recording-Session vom Februar 2017, bei der auch das Vorgänger-Album entstand; wer sich also auf Volume 1 schon für die samtweiche Stimme der amerikanischen Jazz-Sängerin und ihre vielköpfige, lässig groovende Combo begeistern konnte, der wird am Volume 2 seine wahre Freude haben - umso mehr natürlich die Unglücklichen, die von der streng limitierten ersten Scheibe keine mehr abbekommen haben. Das Rezept ist gleich geblieben: Im Zentrum steht der unverwechselbare Alt von Lyn Stanley und eine kleine aber unglaublich vielseitige Rhythmusgruppe. Mit sensibler Diktion, perfektem Timing und hingebungsvoller Emotionalität entführt einen Lyn Stanley in die Welt des Great American Songbook, zuweilen gesellen sich zur kleinen Combo ein paar Bläser, auch mal Harfe oder Mundharmonika und sogar Streicher dazu, stets aber sind die Arrangements dezent und geschmackvoll gemacht. Für besonders originelle Momente sorgt Pianist Mike Garson, der schon mal Debussys „Claire de Lune“ in „Somewhere Over The Rainbow“ überzuführen weiß, oder eine Beethoven-Sonate zum Intro für „How Incensitive“ werden lässt. Selten werden die großen Vokal-Jazz-Standards der Vergangenheit noch mit so viel Feingefühl, Stil und Eleganz vorgetragen wie von Lyn Stanley und ihrer Combo - und das dank der Toningenieurskunst von Al Schmitt und Steve Genewick sowie des längst legendären Masterings von Bernie Grundman auch noch in überragender Klangqualität. Auch Volume 2 der „Moonlight Sessions“ ist wie bereits Volume 1 weltweit auf 2000 Stück limitiert, kommt im hochwertigen Klappcover und ist in handsignierter Edition zu haben. Die beiden LPs mit 45 rpm auf 180 g schwerem Vinyl wurden im hochwertigen und klanglich überragenden One-Step-Verfahren hergestellt - eine echte Seltenheit, deren Aufwand sich aber definitiv lohnt! Beim One-Step-Verfahren werden zwei der normalerweise durchgeführten Galvanik-Schritte eingespart, indem der Pressstempel direkt von der Urfolie gezogen wird. Dadurch gehen weniger Klanginformationen verloren, die LP klingt störärmer, weiträumiger, detailreicher und dynamischer - allerdings können von jedem Stempel nur ca. 500 LPs produziert werden, danach ist ein neuer Stempel nötig - das erhöht Wertigkeit und Seltenheit dieser Platten noch einmal enorm. Aufgenommen wurden alle Tracks „live“, also ohne Overdubs, Schnitte und Nachbearbeitungen. Musikalisch eine echte Herausforderung, perfekt gemeistert und klanglich erstklassig eingefangen. Dieses Album sollte man sich und seiner Anlage unbedingt gönnen! Limitiert und nummeriert auf 1000 Stück weltweit. Handsignierte Edition. Das Album kommt auf zwei 180g-schweren audiophilen mit 45rpm geschnittenen Vinylscheiben im hochwertigen Klappcover, wurde im klanglich hochwertigen "One Step Pressing"-Verfahren hergestellt, ist handsigniert und streng limitiert. Die Besonderheit des "One Step Pressing"-Verfahrens ist, dass man nach dem Schneiden der Matritze zwei der üblichen Galvanik-Schritte einspart und so weniger "Verluste" bei der Herstellung der Schallplatte hat. Der Pressstempel wird hier direkt von der Urfolie gezogen. Dadurch klingt die LP störärmer, weiträumiger, detailreicher und dynamischer. Nachteil ist der hohe Aufwand, da von jedem Stempel nur ca. 500 LPs produziert werden können, dannach ist ein neuer Stempel notwendig. Limitiert und nummeriert auf 2000 Stück weltweit. *************************************************************************************************** Behind the Scenes--The Moonlight Sessions--Bernie Grundman with Lyn Stanley Take a look behind the closed door of big name studio recording sessions with top talent, including recording engineer Al Schmitt, as jazz vocalist Lyn Stanley produces her 2017 releases The Moonlight Sessions--Volumes One and Two. Let Bernie Grundman's interview with Lyn set the record straight about audiophile quality sound recordings and their mastering. You will also see the interesting process of taking the lacquer for a vinyl record and turning it into the Master to create One Step processed vinyl records. ************************************************************************************************** Autographed, Numbered Limited Edition 180g 45rpm One-Step Supersonic™ Vinyl All-analog recording - One pressing, strictly limited to the number of preorders accumulated - Don't miss out!!! "This classy lassie has been coming out of nowhere on the run since she...well, first started coming out of nowhere on the run. Upping her game with each successive release, here we find her firmly staking out her territory as the jazz diva of the times by surrounding herself with jazzbos who you would buy their own solo records, a song stack that is familiar but she gives a new swing to and a vocal style you will remember. This is a gal of the hour that will be much more than flavor of the month. Killer stuff throughout." — MidwestRecord.com "Wildly popular Southern California vocalist Lyn Stanley's new project ventures into new musical territory with her creative approach to American music. This time, she's borrowing from the classical composers — Chopin, Beethoven, Debussy, Mozart, and Ravel — to breathe a new excitement into a few jazz standards like you've never heard them before. This series begins with this Volume One. She has also added songs to this special project from the country and pop genres and added arrangement twists with jazz applications that modernize them as they delight your ears. Lyn delivers every song with the finesse and confidence of a veteran song stylist - and she is only a few years into her vocal career. "The ensemble is Lyn Stanley, vocals, Mike Garson, piano, Christian Jacob, piano, Tamir Hendelman, piano, Chuck Berghofer, bass, Ray Brinker, drums, Bernie Dresel, drums, Joe LaBarbara, drums, Luis Conte, percussion, John Chiodini, guitar, Chuck Findley, trumpet, Rickey Woodard, tenor saxophone, Bob McChesney, trombone, and Hendrik Meurkens, harmonica. "The lady steams with talent and surrounds herself with the very best musicians and arrangers in the business. A total Winner!" — Grady Harp, Amazon.com Jazz vocalist Lyn Stanley announces her BEST project to date, The Moonlight Sessions! Sure to please — every song is crafted with an unusual twist to the arrangements — the musical interpretations and the songs are meant to bring you to a new understanding of the American Songbook and pop tunes turned to jazz in her arrangements. The stellar cast of musicians and engineering team matches the quality and detail put into every aspect of this project's two album releases in 2017: Volume One and Two. The songs include hybrid classical romantic compositions with jazz standards on some of the song selections. Chopin is combined with Jobim, you'll hear quotes from Ravel, Mozart, Beethoven and Debussy with American Songbook jazz classics. Lyn brings her unusual creativity in music arrangements to add a new excitement to old standards. Recording engineers: Al Schmitt and Steve Genewick Mastered by Bernie Grundman All vocals by: Lyn Stanley The musicians on this album include: Pianists: Mike Garson, Tamir Hendelman, Christian Jacob; Bassist: Chuck Berghofer; Drums: Joe La Barbara, Ray Brinker, Bernie Dresel; Guitar: John Chiodini; Tenor Sax: Rickey Woodard; Trumpet: Chuck Findley; Trombone: Bob McChesney; Harp: Corky Hale, Carol Robins; Harmonica: Hendrik Meurkens; Percussion: Luis Conte * Engineers: Al Schmitt, Steve Genewick, Michael Bishop * Studios: Village Recording Studio, Los Angeles, CA and Capitol Recording Studio, Hollywood, CA ©2017 by A.T Music LLC. All rights reserved. ************************************************************************************************ Mitwirkende Arranged By – Christian Jacob (tracks: A2, B1), Doug Walter (tracks: A4, C2), John Chiodini (tracks: D3), Lyn Stanley (tracks: C2), Mike Garson (tracks: A3, B2, B3, C1), Steve Rawlins (tracks: A1, C3), Tamir Hendelman (tracks: C4, D1, D2) Bass – Chuck Berghofer Design – Lyn Stanley, Philip Macias Drums – Bernie Dresel (tracks: A1, D3), Joe LaBarbera (tracks: A3, B2, B3, C1, C2, D2), Ray Brinker (tracks: A2, A4, B1, C3, C4, D1) Engineer – Al Schmitt, Paul Tavenner, Spencer Guerra Engineer, Producer – Steve Genewick Flugelhorn – Chuck Findley Guitar, Co-producer – John Chiodini (tracks: A1, A2, A4, B1, C3, C4, D1, D3) Harmonica – Hendrik Meurkens (tracks: A1 To A4, B1 To B3, C1 To C3, D1 To D3) Harp – Carol Robbins (tracks: C1), Corky Hale (tracks: A3) Mastered By – Bernie Grundman Mixed By – Al Schmitt Percussion – Luis Conte (tracks: A2 To A4, B1 To B3, C1 To C3, D1 To D3) Piano – Mike Garson, Tamir Hendelman (tracks: C4) Piano, Co-producer – Christian Jacob (tracks: A2, A4, B1, C3, D1), Mike Garson (tracks: A3, B2, B3, C1, C2, D2) Strings – Budapest Scoring Symphonic Orchestra (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Tenor Saxophone – Rickey Woodard (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Tracking By – Al Schmitt, Steve Genewick Trombone – Bob McChesney (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Trumpet – Chuck Findley (tracks: A2 To A4, B1 To B3, C1 To C3, D1, D2) Vocals, Producer – Lyn Stanley Anmerkungen Limited to 2000 copies Serials numbers starting at 101 Only the first 1000 copies are manually numbered and autographed by Lyn Stanley One-Step Supersonic Vinyl Pressing Process ************************************************************************************************* Lyn Stanley The Moonlight Sessions Volume Two One-Step Hand-Numbered Limited Edition 180g 45rpm SupersonicVinyl 2LP Brand/Label/Format: *A.T. Music 180g 45rpm LP* (2LP) (Autographed) Unique One-Step Supersonic™ Process! Specially Autographed & Hand-Numbered by Lyn Stanley herself! Audiophile Limited Edition 180g 45rpm One-Step Supersonic Double Vinyl Mastered by Bernie Grundman! Special Limited Edition Pressing of Only 2000 Copies! Guarantee your copy by ordering today! Upon hearing the Test Pressings for Volume Two, renowned mastering engineer Bernie Grundman said that they were "The Best I Have Ever Heard!" This item not eligible for any further discount offers! The Moonlight Sessions has a total of 26 song divided into two albums (Volume One has 12 tracks and Volume Two has 14 tracks). Supported by the best jazz musicians in the business--Mike Garson, Tamir Hendelman and Christian Jacob take the listener on a journey that combines classical music with jazz standards plus some POP tunes with new approaches-including Willie Nelson's "Crazy, "Why Don't You Do Right?," "Over the Rainbow," and "At Seventeen." "Does the release of Lyn Stanley’s latest album, her fifth since 2013, warrant a full page of coverage in this magazine? I think it does, as Stanley is one of us. She recognizes the importance of good sound to advancing a musical message and spares no expense to achieve this end. " - Andrew Quint, The Absolute Sound, December 2017 Read the entire review! You will hear Chopin, Ravel, Beethoven, Debussy and Mozart references to breathe a new excitement into a few jazz standards like you've never heard them before! Critics are raving about this project and the #1 Jazz radio station in the USA, KKjz proclaims Lyn to be one of the "most outstanding" vocalists in jazz, calling the project "Brilliant!" "Hot on the heels of her late-spring release of the well-reviewed The Moonlight Sessions, Volume One, Southern California songstress Lyn Stanley issues her fifth recording, The Moonlight Sessions, Volume Two. The award-winning, internationally acclaimed jazz vocalist once again demonstrates her gift for mining classic material and making it her own. Stanley takes listeners on a delightful sonic journey, from her unique takes on familiar tunes including “Somewhere Over the Rainbow” and “The Very Thought of You” to her sensitive approach to too-seldom heard gems like “That Old Feeling” and “Smile.” Stanley ventures beyond the Great American Songbook to turn her tasteful eye—and voice!—to popular songs from the mid-’70s such as “At Seventeen” and “The Summer Knows” (from the film The Summer of ’42)." "Highlights from The Moonlight Sessions, Volume Two include: “How Deep is the Ocean”: Stanley shows off her range on this tune, which opens with a tender vocal-piano duet before giving way to a cool, “All Blues”-flavored swinger with some very tasty trombone from Bob McChesney. “I’ll Be Seeing You”: Rich strings and understated guitar combine, with Stanley’s voice floating lusciously on top. “Since I Fell for You”: From the rarely heard verse to the final note, Stanley delivers the lyric with a persuasive ache. Rickey Woodard’s bluesy saxophone offers a brilliant contrast with her velvety voice. “Makin’ Whoopee”: Stanley lives up to her sultry reputation, bringing a leisurely tension to this long-time fave. “At Seventeen”: Check out the bittersweet world-weariness and sophistication of Stanley’s take on Janis Ian’s #1 hit single from 1975." "Joining Stanley on The Moonlight Sessions, Volume Two is a top-flight band of in-demand players, including pianists Mike Garson, Christian Jacob and Tamir Hendelman; bassist Chuck Berghofer; drummers Ray Brinker, Bernie Dresel and Joe LaBarbara; percussionist Luis Conte; guitarist John Chiodini; trumpeter Chuck Findley; saxophonist Rickey Woodard; trombonist Bob McChesney; harmonica wizard Hendrik Meurkens; and harpists Corky Hale and Carol Robins; strings: Budapest SSO. Stellar recording quality makes The Moonlight Sessions, Volume Two an audiophile’s delight, and the creative arrangements will appeal to casual listeners and engage hard-core jazz aficionados. With two entertaining top-quality releases under her belt in 2017 alone, Lyn Stanley’s long-time fans and recent followers will look forward to discovering what fascinating new projects the singer has next on her agenda." She has also added songs to this special project from the country and pop genres and added arrangement twists with jazz applications that modernize them as they delight your ears. On board for The Moonlight Sessions are her stellar cast of musicians. Piano: Mike Garson, Christian Jacob and Tamir Hendelman; Bass: Chuck Berghofer; Drums: Joe La Barbara, Ray Brinker and Bernie Dresel; Jazz Guitar: John Chiodini; Percussion: Luis Conte; Harmonica: Hendrik Meurkens; Harp: Corky Hale, Carol Robins; Trumpet: Chuck Findley; Trombone: Bob McChesney; Tenor Sax: Rickey Woodard are all on board and recorded. This project’s arrangers include, Mike Garson, Christian Jacob, Tamir Hendelman, John Chiodini, Steve Rawlins and Doug Walter. Lyn Stanley is the Executive Producer with Co-Producers Lyn Stanley, Mike Garson and John Chiodini. Recording Engineers: Al Schmitt & Steve Genewick. Assistant Engineers: Paul Taveneer & Spencer Guerra. Mixing Engineer: Al Schmitt. One-Step SuperSonic Vinyl Mastered by Bernie Grundman at Bernie Grundman Mastering. Pressed on Premium HQ-180 Vinyl at RTI. Recorded at The Village Recording Studio D in Los Angeles, California in February 2017. "Does the release of Lyn Stanley's latest album, her fifth since 2013, warrant a full page of coverage in this magazine? I think it does, as Stanley is one of us... She's meticulous in her technical execution but takes chances artistically, which is a recipe for enduring success." - Andrew Quint, The Absolute Sound, December 2017 "High End 2017: Lyn Stanley amazes with her lacquers! I spoke with Lyn Stanley before the show, she was gentle enough as to tip me about this event, she would be playing lacquers in the EAR Yoshino room with legendary designer Tim de Paravicini. The system consisted of EAR top of the line electronics paired with Rockport speakers and Tim’s turntable with a My Sonic Lab MC cartridge. Lyn and Tim went through the details, explaining how difficult and expensive is to produce a one step vinyl record, omitting several passages (mother copy and stampers) in the pressing chain, thus keeping the sound as close as possible to the master lacquer and the recording itself. Add that to a superb production with nothing but analog equipment used throughout the recording and mastering process and with nothing but the best musicians out there (with names such as Mike Garson and Rickey Woodard to name a few) and you have one hell of a record with Lyn singing classics like "My Funny Valentine" and "Crazy."" - Panagiotis Karavitis, Part-Time Audiophile "LYN STANLEY/Moonlight Sessions V.1: This classy lassie has been coming out of nowhere on the run since she...well, first started coming out of nowhere on the run. Upping her game with each successive release, here we find her firmly staking out her territory as the jazz diva of the times by surrounding herself with jazzbos who you would buy their own solo records, a song stack that is familiar but she gives a new swing to and a vocal style you will remember. This is a gal of the hour that will be much more than flavor of the month. Killer stuff throughout." - Chris Spector, midwestrecord.com, Read More! "AXPONA 2017: Lee’s Best of Show: Best Music. Three-way tie. 1. Intervention Records‘ new Flying Burrito Brothers LP. Shane Buettner and Kevin Gray simply don’t know how to do bad work. 2. Lyn Stanley‘s Moonlight Sessions: Volume One. Sounded so natural on the Ultra 11s. Of course, Bernie Grundman was involved on the mastering side and Lyn always has the best musicians and producers. 3. MA Recordings‘ Todd Garfinkle is now pressing LPs of his stellar recordings. Sera Una Noche and several other titles are available so far and we analog fans are richer for it." - Lee Scoggins, Part-Time Audiophile "Lyn, I have seen you evolve from a very good vocalist to now among the most outstanding. I have to select airplay based on the content, not how much I admire the singer. In this case, you are so outstanding that admiration for your efforts makes it easy to provide you to get top billing on the station. The choice of selections and the arrangements plus your singing are marvelous - For all future releases please send to my attention, and have someone verify the CD was sent to me. As one who has the honor of programming the world's No. One Jazz station, I am pleased that we have such great product to perform." - Saul Levine, KKjz, Mt. Wilson Broadcasting "Jazz singer Lyn Stanley, whose three albums are prized by audiophiles for their pristine sound, is determined to achieve an even higher level of resolution on her next project. Stanley plans to have a very limited number of vinyl copies of her upcoming “Moonlight Sessions” releases made using the “one-step process.” The manufacturing technique promises to put listeners closer to the sound heard in the studio... The singer is calling her version of one-step “SuperSonicVinyl.” Each album will be spread across two 180-gram, 45-rpm discs. “The sound quality is going to blow everyone away,” Stanley said." - John Stancavage, Part-Time Audiophile Read more! This one-step pressing process was used often during the early days of vinyl record manufacturing. But when mass vinyl production was needed, the manufacturers had to create more cost effective means to make vinyl copies. To make a vinyl record, you need a "Negative Source" to imprint the vinyl grooves. The industry standard today is a THREE-step lacquer process designed to create the largest number of records from one lacquer (they are expensive to create). To do this three steps are required–from the lacquer (positive source) STEP ONE: make a "Father" (a negative source), STEP TWO: create a Mother from the Father (positive source) and then STEP THREE: create "Stampers" (negative source) from the "Mother." This way the "Father" does not get used very often and is the most preserved “negative source.” However, the record you listen to is three steps removed from the original mastered lacquer and can grab hissing, or subtile glitches that affect the sound recording on your system. The ONE-Step method takes the “Father” from the original lacquer and that is what will create your vinyl record. Some “Fathers” only last for 100 pressings, others have gone to 1000. It depends on the processing and original lacquer quality. Once the Father is no longer able to make a great recording, it must be destroyed and no other albums can be created from that original lacquer. Lyn Stanley's SupersonicVinyl™ is a superior quality vinyl record utilizing advanced recording techniques captured with analog mixed and mastered quality tape-recorded and mastered by award-winning engineers in state-of the art studios. Then they hire One-Step experienced 'audiophile quality' pressing plants to create what is believed to be "simply the best recordings' available today. "Six years ago, Lyn Stanley was a retired marketing executive wondering if she could pass muster for her church choir. Today, she’s an internationally known jazz vocalist whose award-winning audiophile recordings feature A-list musicians, producers and engineers. While Stanley has carved a niche in the high-end world, her albums go far beyond clinical speaker-testing tools. They practically ooze a lush, emotional atmosphere that only happens on those rare occasions when great players are allowed to stretch out in a relaxed, inspired setting." "Stanley is now working on her next project, a two-album set she’s calling “The Moonlight Sessions.” Being the restless spirit she is, Stanley has carefully devised an ambitious plan to break some new musical ground. “I’m going to combine jazz standards with classical music,” she explained. “For instance, we’re going to do (Antonio Carlos) Jobim’s “How Insensitive” merged with Chopin’s “Prelude in E Minor.” It may be hard to wrap your head around that concept, but a demo I heard from rehearsals sounded sublime." - John Stancavage, Part-Time Audiophile Read more! Features: • Unique SupersonicVinyl™ One-Step process • Specially Autographed & Hand-Numbered by Lyn Stanley • Audiophile Limited Edition • 45rpm 180 Gram Double Vinyl • Special Limited Edition Pressing of Only 2000 Copies! • As with all Lyn Stanley albums, Mastered by Bernie Grundman • Gatefold Jacket • Pressed at RTI • Release date: September 15, 2017 ***********************************************************************************************

Zustand121: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! (WITH ORIGINAL AUTOGRAPH !!)

Best.-Nr.: A.T. MUSIC 7819142 ----- AUDIOPHILE JAZZ-DOUBLE-LP/RECORD SET ----- WITH SPECIAL LIMITED NUMBER #0625 ----- WITH ORIGINAL AUTOGRAPH ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)

Preis: EUR 299,99 Euro (zuzüglich der Versandkosten / plus shipping costs)