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LYN STANLEY (LP/RECORD IS SIGNED BY THE ARTIST) ----- POTIONS (FROM THE 50´S) ----- MASTERING BY BERNIE GRUNDMAN IN USA ----- PURE ANALOG 45RPM RECORDING 180GRAM VIRGIN VINYL IN EINEM WERTIGEN KLAPPCOVER (GATEFOLD JACKET) ----- LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER #0807 ----- EDITION STRICTLY LIMITED TO 2000 COPIES ----- OUT OF PRINT ----- MIXED BY AL SCHMIDT AND MASTERED BY BERNIE GRUNDMAN IN USA ..... EINE ANALOGE ORIGINAL 45RPM-DOPPEL-JAZZ-LP/RECORD - MADE IN USA / ..... ORIGINAL RECORDING 2014 BY A.T. RECORDS IN USA ----- MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... ORIGINAL AUFNAHMEN 2014 BY A.T. RECORDS IN USA (MASTERED BY BERNIE GRUNDMAN STUDIOS IN USA / ..... PURE ANALOG MASTERING IN USA / ..... ORIGINAL HIGH QUALITY 180GRAM HIGH QUALITY VINYL-ONE-STEP-PRESSING BY RTI IN USA / ..... DIESE ANALOGE JAZZ-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LIMITED EDITION ----- WITH SPECIAL LIMITED NUMBER # 0807/2000 ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " FACTORY SEALED " QUALITY !! ..... )

************************************************************************************************* Lyn Stanley – Potions (From The 50's) Lyn Stanley - Potions (From The 50's) album cover ******************************************************************************************** Label: A.T.Music LLC – 3103 Format: 2 x Vinyl, LP, 45 RPM, Album, 180 gram Country: US Released: 2014 Genre: Jazz Style: Contemporary Jazz *********************************************************************************************** A1 Lullaby Of Birdland 2:56 A2 Cry Me A River 4:02 A3 Fly Me To The Moon 3:41 A4 Hey There 3:30 B1 I'm Walkin' 2:36 B2 You Don't Know Me 4:36 B3 In The Still Of The Night 4:28 C1 The Thrill Is Gone 4:41 C2 A Summer Place 3:33 C3 Love Potion #9 3:28 C4 Teach Me Tonight 3:53 D1 After The Lights Go Down Low 3:22 D2 Misty 5:24 D3 The Party's Over 2:48 D4 Bonus Track: The Man I Love 5:58 ********************************************************************************************** Pressed By – Record Technology Incorporated Mastered At – Bernie Grundman Mastering Mastered By – Bernie Grundman Mixed By – Al Schmitt Recorded By – Al Schmitt ************************************************************************************************ 12 tracks recorded and mixed on analog tape, pure analog from start to finish. 2 tracks recorded PCM/Protools (192/32) and then mixed and mastered through analog tape. 1 track is a hybrid, some of the musician tracks were recorded in analog and others in PCM/Protools (192/32) and then the track was mixed and mastered on analog tape. Gatefold jacket. First 1000 copies autographed and sequentially numbered ************************************************************************************************* Mit ihrem Debüt-Album „Lost In Romance“ eroberte Sängerin Lyn Stanley 2013 die Herzen der Audiophilen-Gemeinde wie auch der Jazzfans weltweit im Sturm. Die Unterstützung, die ihr seither speziell von Seiten der Vinyl-Liebhaber zuteil wurde, inspirierte sie dazu, ihr zweites Album, „Potions From The 50s“, mit ein paar besonderen audiophilen Leckerbissen auszustatten: Die gelungene Sammlung aus Jazz- und Pop-Standards der 50er Jahre erscheint auf 2 LPs mit 45 rpm, und für besonders Interessierte gibt es ein kleines Ratespiel: die meisten Songs hier wurden rein analog aufgenommen, einige aber wurden digital aufgenommen und analog gemischt und gemastert. Wer sich also schon mal gefragt hat, ob man da einen signifikanten Unterschied hört, der kann ja versuchen, herauszufinden, welche die digital aufgenommenen Songs sind (Die Lösung steht innen im Klappcover). So oder so: nicht nur klanglich, sondern auch musikalisch ist „Potions“ der reine Genuss: mal smooth und gelassen, mal tänzerisch beschwingt, und oft mit einem spannenden neuen Arrangement versehen, so werden einem hier Perlen von „Fly Me To The Moon“ bis „Im Walking“ präsentiert, von einer Sängerin, die eine echte Ausnahmestimme ihr eigen nennen darf. Umwerfend! Mastering durch Bernie Grundman. Rein analoges Mixing und rein analoger Schnitt. Gepresst bei RTI in den USA. ************************************************************************************************* Lyn Stanley hat sich in kürzester Zeit einen Namen in der audiophilen Szene gemacht. Die Profi-Tänzerin bedient nämlich eine ausgesuchte Nische und das sind Musikhörer mit Hang zu Klassikern und hervorragend klingenden Anlagen. Natürlich erscheint auch Lost in Romance in absolut grandiosem Klang und der amerikanische Analog-Guru Michael Fremer ließ sich sogar zur Aussage hinreißen, dies sei ein klangliches Highlight selbst in seiner fünfstelligen Plattensammlung. Wer Lyn Stanley nicht mag, der wird das Album allein wegen der hervorragenden Studio-Musiker erwerben müssen. Jeff Hamilton am Schlagzeug, Thom Rotella an der Gitarre und Bob Sheppard am Saxophon. Für das Mastering zeigte sich dann Altmeister Bernie Grundman verantwortlich. Die 180g-Doppel-Vinyl-LP erscheint mit 45 rpm im Klappcover. ************************************************************************************************* *** Gatefold Cover Im August 2013 rüttelte eine Amerikanerin namens Lyn Stanley die audiophile Gemeinschaft auf. Ihr Debütalbum Lost In Romance erhielt Auszeichnung über Auszeichnung und wurde vom Analog-Guru Michael Fremer, der Stanley als ›Chanteuse Extraordinaire‹ bezeichnet, zum Muss für jede audiophile Musiksammlung erklärt. Entdeckt wurde die Jazzsängerin, die vor ihrem ersten Album als Profi-Turniertänzerin auf dem Parkett stand, von Jazzlegende Paul Smith, der als Pianist und Dirigent Ella Fitzgerald begleitete. Stanley punktet mit einer wundervollen Stimme, die auch in tiefen Passagen voll klingt und mit einer Phrasierung, die ihre Musik zu einem persönlichen, intensiven Erlebnis macht. Für ihr zweites Album Potions (From The 50’s) traf die Sängerin eine Auswahl von Jazz-, Pop-, Blues-, Country- und R&B-Klassikern der titelgebenden 1950er Jahre. Maßgeblich war dabei weniger Konzept als Emotionen: »Die Auswahl war zu groß, daher beschloss ich, mich von meinem Herzen leiten zu lassen«. Der renommierte Jazz-Pianist und -Komponist Kenny Werner übernahm die Produktion für Potions (From the 50’s). Als Toningenieur für die Aufnahme wurde Al Schmitt engagiert, das Mastering übernahm Bernie Grundman. Mit diesem Team im Hintergrund ging Stanley in die legendären Capitol Recording Studios in Hollywood und sang in das gleiche Mikrofon – ein Neumann U47 – wie schon Nat King Cole und Frank Sinatra es benutzten. Zwölf der Titel wurden ausschließlich auf analogen Bändern aufgenommen, abgemischt und gemastert. Zwei Titel wurden mit PCM/ProTools aufgenommen, aber von Analogbändern abgemischt und gemastert. Nur Love Potion No. 9 ist ein Hybrid aus analogen und ProTools-Spuren. Musiker: Kenny Werner, Bill Cunliffe, Mike Lang - Klavier / Orgel Johannes Weidermüller und Mike Valerio - Bass Joe La Barbera, Ari Hoenig, John Robinson - Schlagzeug Solokünstler: Glen Drewes (Trompete / Flügelhorn), Thom Rotella (Gitarre), Rickey Woodard (Tenor-Saxophon), Tom Rainer (Klarinette) und Luis Conte (Perkussion) Product Information All tracks for this double LP 45rpm album were mixed and mastered in analog tape. Two of the 15 tracks are original ProTools recordings, one tracks is an analog / ProTools hybrid, and the other 12 tracks are pure analog tape. The musicians are stellar and the music is jazz reinvented in some Pop tunes of the '50s along with wonderful arrangements of jazz standard composed in the same decade – including »Cry Me A River«.– Known for her lush low notes, beautiful intonation, rich interpretations and phrasing, Lyn has been described by Scott Yanow as a »superior singer« and Don Heckman stated she »..is a potentially significant new [jazz] talent.« Rezensionen »Lyn Stanley benutzte dasselbe Neumann-47-Mikro, in das Frank Sinatra und Nat King Cole auch schon gesungen hatten. Zum audiophilen Coup werden die ›Zaubertränke aus den 1950ern‹ aber durch jene Feinnervigkeit, mit der ihre Musiker sie legendären Capitol Studio in L. A. begleiten.« (Audio, Januar 2015) ************************************************************************************************** Strictly limited to 1,000 copies! Lyn Stanley returns with classic song hits of the 1950s — captivating and imaginative Produced by renowned jazz pianist/composer Kenny Werner Recorded and mixed by Al Schmitt; mastered by Bernie Grundman All songs mixed and mastered on analog tape 180-gram 45 RPM gatefold double LP pressed by RTI Lynn Stanley's Interludes and Potions: From The '50s included in AllAboutJazz.com's Best Releases of 2015! "On Potions, Stanley assembles 15 pieces prominent in the 1950s. They are not all jazz standards or showtunes, though both are in evidence. Stanley's artistic care and attention to detail expresses itself from the start ... On Potions, Stanley perfects the thematic ring of her collection, adding one more bit of the past, analog recording. Music this warm should be bonded like fine brandy heated by the smoke of a Monte Cristo." — C. Michael Bailey, AllAboutJazz.com "Potions takes Lyn Stanley higher — Lost In Romance successfully achieved its objectives, presenting Lyn Stanley to a well-targeted international audiophile audience appreciative of both good material well-sung and the highest caliber sonics. The album was musical and sonic comfort food for an audience hungry for it. ... For her all-important follow-up Ms. Stanley doesn't stray all that far from her original game plan though the album's concept is in far better focus. Potions collects fourteen songs, mostly from the non-rock side of the 1950s (plus one LP bonus track from a different decade dedicated to her mentor Paul T. Smith who passed away in June of 2013). ... She glides and soars with an ease and control only occasionally heard on the debut, taking unexpected turns and abrupt volume shifts. She lingers longer and moves from phrase to phrase more gracefully and with greater rhythmic and intonation agility. ...the production and sound (are) even better here, again engineered and mixed by the great Al Schmitt. ... I guarantee you that Potions is among the best sounding new records (or SACDs) you are likely to hear this year or next, or the year after that." — Music = 9/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. Read the whole review. "On Potions, Stanley perfects the thematic ring of her collection, adding one more bit of the past, analog recording. Music this warm should be bonded like fine brandy heated by the smoke of a Monte Cristo." — 5 Stars. C. Michael Bailey, All About Jazz. Read the whole review. "Sure, she swings and almost belts it out in a few places, but the intelligence, restraint, and endless subtle inflections of her interpretations are what shine through everything." — Mark S. Tucker, acousticmusic.com. See the whole review. "The sound is simply stunning. Let me say that one more time in case you didn't hear me the first time; this is one good sounding LP! I love "Lullaby of Birdland." You can hear every nuance of her vocals and the instruments. Superb phrasing. I enjoyed every song on these two LPs." — Jack Roberts, dagogo.com, Nov. 2014 "Special recognition for the success of this album go to her arrangers, Steve Rawlins, Tamir Hendelman, Bill Cunliffe, and Mike Lang, who have taken these songs that are well known by anyone with even a passing knowledge of Jazz standards, songs sung by artists who have burned the memory of their version into the collective consciousness, and with their inventive efforts, have given them all a fresh spin that, along with Ms. Stanley's sweet and slightly smokey voice, have unearthed new delights, whether it be a tender lyric, or a new intent to the song not noticed before." — Jonathan Shade, cabaretexchange.com. See the whole review. "With her second album, Lyn Stanley has shown the Jazz scene that she is here to stay for quite a long time. Potions — From The 50's is a highly enjoyable collection of songs, all taken from the decade that introduced us to such disparate items as "I Love Lucy", the TV dinner, Holden Caulfield, and the Hula Hoop; where Eisenhower was President, and a change in the air was ever-looming near the end of last "innocent" decade of the 20th century." — NiteLife Exchange. See the whole review. "In my review of Lyn Stanley's first album, Lost in Romance, I said 'The 1940s style picture of a forlorn lady sitting on a piano, the title Lost In Romance, and the beautiful full toned music of this album never in a million years says, new artist. I had never heard of her but her website says she was discovered in 2010 by world class jazz pianist Paul Smith. Well since then I have had the privilege to meet this delightful lady and to hear her sing live. Having heard some of the songs on her new LP at audio shows played from the original lacquers it was with some excitement that I awaited to hear the LPs on my own system. Let me say in no way was I disappointed. I truly loved her selection of songs." — Jack Roberts, dagogo.com. Read the whole review. Breaking News! Lyn Stanley selected as one of 40 semi-finalists in the 2014 Sarah Vaughan International Jazz Vocal Competition. Chosen from a worldwide field of 500 female vocalists! Jazz singing phenomenon Lyn Stanley returns with a follow-up to her smash audiophile triumph Lost In Romance — a brilliant new collection of classics of the 1950s titled Potions. Potions draws from a broad palette of jazz, popular hits, blues, country, R&B and doo-wop (and one very special Gershiwn classic "The Man I Love" in a bonus track). "There were so many changes in jazz and pop tunes, while the introduction of rock 'n' roll happened in the 1950s," Stanley says. "As I began my journey of deciding which songs to include on this album, it was clear that the choices were way too many so I decided to let my heart guide me. It was a feeling thing." Stanley says many of these songs need hearts with "'worn tires' to get to where I think the composers intended. I also wanted to celebrate the 'Retro Jazz' effort of the era where swing was again 'hip.'" Stanley, a unique sultry jazz vocalist from the Los Angeles area, became an instant international success with her debut standards album, Lost In Romance, released Aug. 27, 2013, selling 7,000 copies worldwide to date. The album received several accolades in the hi fi world of audiophiles including Album of Choice, Best of 2013 Albums, No. 6/100 Top Vinyl Albums the highest rated by Chinese reviewer, Jack Lui in his 2014 book, "All About Vinyl" and awarded Top Rated Album by AnalogPlanet.com — "a must-have album for any audiophile collector" by renown international critic, Michael Fremer, who calls Stanley the "Chanteuse Extraordinaire." Stanley in October 2014 was named one of 40 semifinalists in the 2014 Sarah Vaughan International Jazz Vocal Competition. There were more than 500 female vocalists who entered from around the world. The award honors the "divine" jazz icon, who herself was the winner of an amateur singing contest at the legendary Apollo Theater when she was a teenager. To honor Vaughan's legacy the New Jersey Performing Arts Center holds a worldwide talent search culminating with an exciting concert in the Victoria Theater. Also a former USA amateur ballroom dance Pro/Am champion, Stanley's unique voice has been described as "beautiful," "rich in low tones," with "phrasing and storytelling that makes her music very personal." Her dancing background adds a special feel that few artists can deliver. L.A. jazz radio personality Bubba Jackson describes her as "the real deal — she has brought the songstress back to jazz!" Stanley was discovered by world-class jazz legend, pianist Paul Smith, best known as Ella Fitzgerald's accompanist/conductor. For Potions, Stanley decided to take the ultimate leap into analog recording by tackling a new album with a 1950s theme — an era when analog was king — and securing a world-class team to record and manufacture the album. Stanley hired renowned jazz pianist/composer and producer Kenny Werner to produce Potions. Werner, Bill Cunliffe, Mike Lang, Steve Rawlins, Tamir Hendelman and Lyn herself were arrangers for the project, defining the album concept and song selections. Al Schmitt was the recording and mixing engineer; the album was mastered by Bernie Grundman. The recording venues included Hollywood's legendary Capitol Recording Studios (Studio A — musician tracking and some vocals, Studio B — percussion and some vocals), and Avatar Recording Studio C in New York, where Stanley recorded with Werner and his musician trio. The vocalist microphone used in Los Angeles and NYC tracking for vocals was a Neumann U47, and the vocals recorded at Capitol were with the same Neumann U47 used by Nat King Cole and Frank Sinatra. The album contains 15 tracks, 12 of which are pure analog tape original recordings from start to finish, through the musicians/vocals, mixing and mastering. Two tracks — "In The Still Of The Night" and "The Party's Over" — were recorded in PCM/ProTools (192/32) but the mixing and mastering were done on analog tape. One of the tracks — "Love Potion No. 9" is a hybrid — some of the musician tracks were recorded in analog and others in ProTools (192/32). Record Technology Incorporated (RTI) began the plating process of the initial mastered lacquers within two hours of their completion by Bernie Grundman. New stampers were used for every 300 albums pressed. The initial pressing for the 180-gram 45 RPM double album called for 1,500 units — 1,000 numbered and 500 non-numbered. The album will also be produced as a Hybrid SACD by Sony's DADC plant in Austria. All of the technological resources at hand cannot produce great music without great artistry — a quality in abundance on this remarkable recording. Remarkable musicianship, brilliant arrangements and inspired concepts for every song, coupled with Stanley's radiant vocal artistry, make her second album simply mesmerizing. Musicians: Kenny Werner, Bill Cunliffe, Mike Lang, piano/organ Johannes Weidermeuller and Mike Valerio, bass Joe La Barbera, Ari Hoenig, John Robinson, drums Soloists: Glen Drewes (trumpet/flugelhorn), Thom Rotella (guitar), Rickey Woodard (tenor saxophone), Tom Rainer (clarinet) and Luis Conte (percussion) **************************************************************************************************

Zustand121: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Best.-Nr.: A.T. MUSIC LLC 3103 (53426) ----- AUDIOPHILE 45RPM-JAZZ-DOUBLE-LP/RECORD SET ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)

Preis: EUR 299,99 Euro (zuzüglich der Versandkosten / plus shipping costs)