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• Audiophile Pop -Rock LP's
• Audiophile Jazz LP's
  • DIRECT-TO-DISC-LP´s (DIREKTSCHNITTE)
  • Audiophile Jazz Lp`s (viele Japanpressungen)
  • Impulse Jazz Lp`s-USA (Out of Print)
  • Audioquest Lp`s-USA - Blues&Jazz (Out of Print)
  • ECM Jazz Lp`s (German Pressing)
  • Enja Jazz Lp`s (German Pressing)
  • CMP Jazz/Rock Lp`s (German Pressing)
  • Mosaic - audiophile Jazz Lp-Boxen (u. andere..)
  • Steeple Chase - audiophile Jazz Lp`s
  • Jazz- Lp`s (Normalpressungen)
  • Analogue Productions- audiophile LP´s USA
  • Cardas Records-audiophile LP`s USA (Folk & Jazz)
  • ESA Records-audiophile LP`s(Folk,Jazz & Pop)
  • IN & OUT audiophile Jazz - LP´s
• Audiophile Classic LP's
• Audiophile Pop - Rock - Jazz - Classic CD's

Produkt Detailansicht:

CLARE TEAL WITH THE SYD LAWRENCE ORCHESTRA - LEADER CHRIS DEAN ----- A TRIBUTE TO ELLA FITZGERALD ----- PURE ANALOGUE-DIRECT-TO-DISC-JAZZ-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD-JACKET) ----- CHASING THE DRAGON - BINAURAL RECORDINGS IN ENGLAND (U.K.) ----- A DIRECT CUT RECORDING ----- HIGH QUALITY 180GRAM AUDIOPHILE VIRGIN VINYL PRESSING IN GERMANY ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! !! ..... PURE ANALOGE DIRECTSCHNITT-LP/RECORD 2016 MADE IN ENGLAND (U.K.) / ..... CHASING THE DRAGON - BINAURAL RECORDINGS (A DIRECT CUT RECORDING) 2016 / ..... ORIGINAL AUFNAHMEN 2016 BEI CHASING THE DRAGON - BINAURAL RECORDINGS (DIRECT TO DISC) IN ENGLAND (U.K.) / ..... ORIGINAL RECORDING 2016 BY CHASING THE DRAGON - BINAURAL RECORDINGS (DIRECT TO DISC) IN ENGLAND (U.K.) / .... HIGH QUALITY 180g AUDIOPHILE PRESSING / ..... LIMITED EDITION ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... DIESE PURE ANALOGUE DIREKTSCHNITT LP/RECORD IST = NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! " QUALITY !! ..... ) ----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! -----

************************************************************************************************ A Tribute To Ella Fitzgerald (Vinyl, LP, Album) Plattencover Clare Teal With The Syd Lawrence Orchestra* Leader Chris Dean ‎– A Tribute To Ella Fitzgerald Label: Chasing The Dragon ‎– VALDC003 Format: Vinyl, LP, Album, A Direct Cut Recording Land: UK & Europe Veröffentlicht: Sep 2016 Genre: Jazz Stil: Big Band, Swing Trackliste A1 I've Got You Under My Skin A2 Begin The Beguine A3 I Get A Kick Out Of You A4 Ding Dong The Witch Is Dead B5 Night And Day B6 Anything Goes B7 That Old Black Magic B8 Too Darn Hot Unternehmen usw. Pressed By – Optimal Media GmbH – BG42100 Recorded At – Air Lyndhurst Studios Lacquer Cut At – Air Lyndhurst Studios Mitwirkende Arranged By – Colin Skinner Co-producer – Françoise Valentine Engineer [Assistant] – John Prestage Engineer [Balance Engineer] – Rupert Coulson Lacquer Cut By – John Webber Leader – Chris Dean Performer – The Syd Lawrence Orchestra* Photography By – Jay Maidment Producer – Françoise Valentine, Mike Valentine (3) Producer [Assistant] – Adriano Pennetti Vocals – Clare Teal Anmerkungen Back cover: www.chasingthedragon.co.uk "A Direct Cut Recording" Inside gatefold: Rehearsed, mixed, and cut all directly to vinyl, all in one day! Spine: directly cut to vinyl Track numbering on this release is sequential. Barcode und andere Identifikationsmerkmale Matrix / Runout (Etched): BG42100-07 /X1 Matrix / Runout (Etched): BG42100-01 B1 ************************************************************************************************** Clare Teal - Gesang The Syd Lawrence Orchestra Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 95/100! TAS Super LP List! Special Merit: Informal Aufnahmen über Gefell-, AKG- und Flea-Röhrenmikrofone direkt auf einer Neumann VMS 80 Schneidemaschine. Schnitt direkt auf Vinyl innerhalb eines einzigen Tages durch Mike Valentine, Eigentümer von Chasing The Dragon Records. wv Titel: Side A: 1. I've Got You Under My Skin 2. Begin The Beguine 3. I Get A Kick Out of You 4. Ding Dong The Witch Is Dead Side B: 5. Night And Day 6. Anything Goes 7. That Old Black Magic 8. Too Darn Hot ************************************************************************************************* Rezension: Nicht nur die wahrscheinlich beste Big Band der Insel, sondern auch gleich die neben Stacey Kent wohl populärste britische Jazzsängerin konnte Mike Valentine für sein drittes Direktschnitt-Projekt gewinnen. Mit dem ihr eigenen Flow swingt Teal durch acht Repertoireklassiker der First Lady Of Song, mit einer exzellenten Version ihrer Glanznummer "Too Darn Hot" zum Abschluß! Daß er weiß, wie man ein großes Jazzensemble aufnimmt, zeigte Valentine bereits auf dem vorangegangenen, treffend betitelten "Big Band Spectacular" – die Abbildung ist hier gleichfalls spektakulär natürlich, obendrein wurde die bei Direktschnittaufnahmen durchaus anspruchsvolle Problematik der Balance zwischen Stimme und Band perfekt gelöst! (2016) ************************************************************************************************ Description AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head Chasing the Dragon - VALDC003 - AAA 100% Analogue - 180 Gram Virgin Vinyl AAA 100% Analogue - D2D Live Direct Cut To Vinyl - Direct to Disc D2D Mastered by John Webber Air London - Limited Edition - Pressed in Germany The Absolute Sound Super Disc List TAS Harry Pearson Super LP List We should be grateful that someone is taking the time and spending the money to produce a direct to disk record but more grateful that the music lives up to the sonic promise - Sound 10/10 Music 10/10 Micheal Fremer Analogueplanet 100 Recommended All-Analog ressues Worth Owning - Michael Fremer Analogplanet 2019 The album was rehearsed, mixed and cut directly to vinyl, ALL IN ONE DAY! And the overall sound quality? Well, I think our new album has the “jump factor”, but this time I hope that you will feel that Clare is standing right in the centre of the speakers and if there was a knob on the desk, which was marked foot tapping, I have this time been able to turn it all the way up to ten. It will also be a unique opportunity to hear a master tape which we recorded at the same time at 30 ips on 1⁄2 “ tape The great day dawned and with much trepidation we all turned up at Air studios at 9 AM. Remember, with a direct cut process, everything has to be recorded live in one take. There is no editing or mixing down or sweetening. You have only one day to rehearse, mix and cut both sides of the album. No digital toys were used at all and the stereo signal from the desk was passed up two floors to John Webber, Air’s long-standing cutting engineer, who again used a Neumann VMS 80 lathe. Rupert Coulson created a fantastic mix and again I was looking for a “you are there” balance. Have we achieved it? Well, I loved the shuffling sound of the band turning the pages of the score and if you listen carefully, you can almost hear Chris the leader, counting everyone in. The choice of microphone itself was obvious, for if you look at photographs of many of the old sessions recorded in the era, you will see a big fat sexy valve powered microphone, the ubiquitous Neumann U47. I have used this beautiful old mic on many sessions and even though its design is over fifty years old, I have really found nothing to touch its quality in the modern world. Our mixing desk was built by Neve over thirty years ago, which obviously also adds to the great warm sound. We opened Clare’s voice up a little by adding an EMT plate rather than a digital box of tricks The album was rehearsed, mixed and cut directly to vinyl, ALL IN ONE DAY! "Being a Direct Cut Disc, this meant that performing would need to be done all in one go without any post-editing. In my career, I have often found that musicians, narrators and actors perform better knowing that it is "as live"; often the 'security' of having the facility to edit any mistakes at a late date prompts hap-hazard performances…Being a live recording, with no stops between tracks, any rustling of pages or noises from trumpet and trombone mutes being picked up for quieter sections, or even vocal injections from the leader, Chris Dean, only add to the "liveliness" of the album." - Janine Elliot, Hifi Pig This vintage desk is one of three unique boards designed solely for AIR Studios. The first of the consoles was designed in 1977 and destined for AIR’s new facility on the Caribbean island of Montserrat. The legendary Beatles producer and founder of Air Studios, George Martin (1926-2016) was heavily involved with Rupert Neve in the design process of what was a radical new desk at the time. For the technical amongst you this 56 channel, 24 track desk has toroidal wound transformers, instead of the standard audio Neve transformers, just as toroidal transformers are favoured by many audiophiles, especially me. Sound quality was the key aim here, as it always should be. Recording direct-to-disk is difficult enough. The entire side has to be cut in one long take. Consider a big band vocal album like this, which has four songs per side. The orchestra and singer have to be ready as soon as the cutting stylus hits the lacquer and then they have to perform flawlessly on each track, pausing but a few seconds between songs. Often these records sound stilted and mannered as no one wants to produce a "clam" and ruin the whole thing but here everything works perfectly, with the mellifluous Clare Teal backed by The Syd Lawrence Orchestra—a brash and brassy ensemble. Incredibly, it was ll rehearsed, mixed and cut to lacquer at Air Studios in one day!, under the supervision of producer Mike Valentine and co-producer Francoise Valentine. So first, who is Clare Teal? She's well-known in the U.K. In 2004, the then thirty one year old singer was signed to Sony Jazz, in a deal that at the time was the biggest recording deal in U.K. jazz history. She grew up listening to her father's 78rpm record collection and fell in love with big band vocal music, particularly the records of Ella Fitzgerald. Teal, for all intents and purposes, sounds like a 1940's era singer transported to 2016, not just in her phrasing but particularly her vocal timbre. I can think of no other female vocalist today who hits this particular nostalgic mark and does so without it sounding forced or archaic. Instead it sounds refreshing and generous. The repertoire is of course familiar: "I've Got You Under My Skin", " Begin the Beguine", "I Get a Kick Out of You", "Ding Dong The Witch Is Dead", "Night and Day", "Anything Goes", "That Old Black Magic" and "Too Darned Hot". Everyone's ears perked up when I played this at RMAF. The playing is crisp (under the direction of Chris Dean), the arrangements are dynamic with nicely placed hard-driving kick drum accents, and Clare sounds, for all intents and purposes, like the fourth Andrews Sister. We should be grateful that someone is taking the time and spending the money to produce a direct to disk record but more grateful that the music lives up to the sonic promise. But next time, get the writing on the jacket's spine going in the right direction! Sound 10/10 Music 10/10 Michael Fremer www.analogplanet.com Side A: 1. I've Got You Under My Skin 2. Begin the Beguine 3. I Get A Kick Out of You 4. Ding Dong the Witch is Dead Side B: 5. Night and Day 6. Anything Goes 7. That Old Black Magic 8. Too Darn Hot *************************************************************************************************** A Tribute to Ella Fitzgerald Performed By Clare Teal Recorded Direct-to-Disc Michael Fremer | Oct 26, 2016 A Tribute to Ella Fitzgerald Clare Teal With the Syd Lawrence Orchestra Chasing The Dragon VALDC003 180g LP Produced by: Mike Valentine Engineered by: Rupert Coulson Mixed by: Rupert Coulson Mastered by: John Webber at Air Studio, London MUSIC SOUND Recording direct-to-disk is difficult enough. The entire side has to be cut in one long take. Consider a big band vocal album like this, which has four songs per side. The orchestra and singer have to be ready as soon as the cutting stylus hits the lacquer and then they have to perform flawlessly on each track, pausing but a few seconds between songs. Often these records sound stilted and mannered as no one wants to produce a "clam" and ruin the whole thing but here everything works perfectly, with the mellifluous Clare Teal backed by The Syd Lawrence Orchestra—a brash and brassy ensemble. Incredibly, it was ll rehearsed, mixed and cut to lacquer at Air Studios in one day!, under the supervision of producer Mike Valentine and co-producer Francoise Valentine. So first, who is Clare Teal? She's well-known in the U.K. In 2004, the then thirty one year old singer was signed to Sony Jazz, in a deal that at the time was the biggest recording deal in U.K. jazz history. She grew up listening to her father's 78rpm record collection and fell in love with big band vocal music, particularly the records of Ella Fitzgerald. Teal, for all intents and purposes, sounds like a 1940's era singer transported to 2016, not just in her phrasing but particularly her vocal timbre. I can think of no other female vocalist today who hits this particular nostalgic mark and does so without it sounding forced or archaic. Instead it sounds refreshing and generous. The repertoire is of course familiar: "I've Got You Under My Skin", " Begin the Beguine", "I Get a Kick Out of You", "Ding Dong The Witch Is Dead", "Night and Day", "Anything Goes", "That Old Black Magic" and "Too Darned Hot". Everyone's ears perked up when I played this at RMAF. The playing is crisp (under the direction of Chris Dean), the arrangements are dynamic with nicely placed hard-driving kick drum accents, and Clare sounds, for all intents and purposes, like the fourth Andrews Sister. We should be grateful that someone is taking the time and spending the money to produce a direct to disk record but more grateful that the music lives up to the sonic promise. But next time, get the writing on the jacket's spine going in the right direction! *************************************************************************************************

Zustand121: NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! ----- PURE ANALOGUE-DIRECT-TO-DISC-JAZZ-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD-JACKET) ----- CHASING THE DRAGON - BINAURAL RECORDINGS IN ENGLAND (U.K.) ----- A DIRECT CUT RECORDING ----- HIGH QUALITY 180GRAM AUDIOPHILE VIRGIN VINYL PRESSING IN GERMANY ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! " QUALITY !! ..... )

Best.-Nr.: CHASING THE DRAGON VAL 003 - (DIRECT-TO-DISC) ----- LIMITED EDITION ----- OUT OF PRINT ----- (PURE ANALOGE-DIREKTSCHNITT-LP/RECORD / OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! )

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! ----- PURE ANALOGUE-DIRECT-TO-DISC-JAZZ-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD-JACKET) ----- CHASING THE DRAGON - BINAURAL RECORDINGS IN ENGLAND (U.K.) ----- A DIRECT CUT RECORDING ----- HIGH QUALITY 180GRAM AUDIOPHILE VIRGIN VINYL PRESSING IN GERMANY ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS PERFECT " NEU = UNGESPIELT = NEW = UNPLAYED = NEVER PLAYED !! " QUALITY !! ..... )