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GERSHWIN----CONCERTO-CUBAN OVERTURE... ---- BOSTON POPS ORCHESTRA / CONDUCTOR-ARTHUR FIEDLER ----- ORIGINAL - CLASSIC RECORDS REISSUE - 45RPM ----- ( ......SEHR SELTENES CLASSIC RECORDS USA - REISSUE / 4 LP-45-rpm-ONE SIDE PLATING-RARITÄT- OUT OF PRINT / .....RCA RECORDING 45-rpm SERIES / ( 4 LP`s a´ 180g VINYL) / SPECIAL ONE - SIDE PRESSING / AUDIOPHILE AUFNAHME VOM ORIGINAL MASTERBAND / ORIGINALAUFNAHMEN USA / LIMITED EDITION / ......DIESES SEHR SELTENE UND SEHR WERTVOLLE 45RPM-LP-SET IST ORIGINAL VERSIEGELT = FACTORY SEALED !!.....)

*************************************************************************************************** .......Boston Pops u.d.Ltg.v. Arthur Fiedler Earl Wild - Piano............ Ohne Zweifel gehört diese LP zu den dynamischsten Aufnahmen von Living Stereo. Hier bekommt der Hörer die geballte Kraft eines Orchesters demonstriert. Musikalisch zählen diese populären Gershwin-Stücke zu den eher leichter zu verarbeitenden Klassikwerken des 20. Jahrhunderts. Fiedler verstand es ausgezeichnet, der Musik eine heitere Stimmung und Lebendigkeit zu verleihen...... Interpret: Gershwin.......... Titel: Concerto In F/Cuban Overture/"I Got Rhythm" Variations................ Label: RCA Living Stereo / Classic Records................ Audiophile LP (4x12", 45 rpm).......... ************************************************************************************************** Royland Earl Wild (November 26, 1915 – January 23, 2010) was an American pianist, renowned as a leading virtuoso of his generation. Harold C. Schonberg called him a "super-virtuoso in the Horowitz class". He was well known for his transcriptions of classical music and jazz and he was a composer. Born in Pittsburgh, Pennsylvania, Wild was a musically precocious child and studied under Selmar Janson, Simon Barere and Egon Petri, among others. As a teenager, he started making transcriptions of romantic music and composition. In 1937, Wild was hired as a staff pianist for the NBC Symphony Orchestra. In 1939, he became the first pianist to perform a recital on U.S. television. Wild later recalled that the small studio became so hot under the bright lights that the ivory piano keys started to warp. In 1997 he was also the first pianist to stream a performance over the Internet. In 1942, Arturo Toscanini invited him for a performance of Gershwin's Rhapsody in Blue, which was a resounding success and made him a household name. During World War II, Wild served in the United States Navy as a musician. He often traveled with Eleanor Roosevelt while she toured the United States supporting the war effort. Wild's duty was to perform the national anthem on the piano before she spoke. A few years after the war he moved to the newly formed American Broadcasting Company (ABC) as a staff pianist, conductor and composer until 1968. He performed many times for the Peabody Mason Concert series in Boston, in 1952, 1968, and 1971 and three concerts of Liszt in 1986. Wild was renowned for his virtuoso recitals and master classes held around the world, from Seoul, Beijing, and Tokyo to Argentina, England and throughout the United States. Earl Wild created numerous virtuoso solo piano transcriptions - 14 songs by Rachmaninoff, and works on themes by Gershwin. His Grand Fantasy on Airs from Porgy and Bess, the first extended piano paraphrase on an American opera, was recorded in 1976 and had its concert premiere in Pasadena on December 17, 1977. He also wrote Seven Virtuoso Études on Popular Songs, based on Gershwin songs such as "The Man I Love", "Fascinating Rhythm" and "I Got Rhythm". He also wrote a number of original works. These included a large-scale Easter oratorio, Revelations (1962), the choral work The Turquoise Horse (1976), and the Doo-Dah Variations, on a theme by Stephen Foster (1992), for piano and orchestra. His Sonata 2000 had its first performance by Bradley Bolen in 2003 and was recorded by Wild for Ivory Classics. Wild recorded for several labels, including RCA Records, where he recorded an album of Liszt and a collection of music by George Gershwin including "Rhapsody in Blue," "Cuban Overure," "Concerto in F," and "I Got Rhythm Variations," all with the Boston Pops and Arthur Fiedler. Later in his career, Wild recorded for Ivory Classics. Wild, who was openly gay, lived in Columbus, Ohio and Palm Springs, California with his domestic partner of 38 years, Michael Rolland Davis. He died aged 94 of congestive heart disease at home in Palm Springs. *************************************************************************************************** ...................AUFWENDIGSTE UND BESTE LP-AUFNAHME UND -WIEDERGABE-QUALITÄT, DIE ES JE GEGEBEN HAT !! ......SEHR STRENG LIMITIERT !!......SEHR WERTVOLLES 45RPM LP`SET !!..... WELTWEIT SEHR GESUCHT.......WURDE NUR IN SEHR KLEINEN STÜCKZAHLEN ( ETWA 500 PRESSUNGEN ) VON CLASSIC RECORDS IN DEN USA HERGESTELLT !!....................LP`S SIND ORIGINAL VERSIEGELT = FACTORY SEALED !! ..................LP UND COVER SIND IN EINEM ABSOLUT NEUWERTIGEN-QUALITÄTS-ZUSTAND !! .....SIEHE GROSSES FOTO.....EINFACH UNTER DEM FOTO "XXL" ANKLICKEN !!.... ............ Wie einige Audiophile sich bewusst sind, klang Classic Record LP Titel, die auf 180 Gramm Vinyl (oder weniger Gewicht) ausgegeben wurden, viel besser als die späteren 200 Gramm Versionen des gleichen Titels. Anscheinend hat dies mit den Vinylpressen zu tun, die verwendet wurden, um die LPs zu machen, wenn sie auf 200 Gramm Vinyl umgestellt wurden. Diese Maschinen wurden nie eingerichtet, um die extra dicken, 200 Gramm Platten von Vinyl zu behandeln. Und um einfach von 180 auf 200 zu schlagen, war es sehr problematisch. Das Vinyl war laut. Es gab dringende Mängel. Alles in allem ein minderwertiges Produkt im Vergleich zu dem etwas weniger schweren, aber viel besser klingenden 180 Gramm Vinyl. Classic Records kam mit allen Arten von Varianten für ihre 200 Gramm Pressungen - erinnern Sie sich das alles? Wenn du diese Periode gelebt hast, fragst du dich wahrscheinlich, warum es so viele Versionen derselben Musik gab, die von der gleichen Firma in etwas anderen Vinyl-Gebräu gemacht wurde! Es war einfach, dass die 200 Gramm-Versionen den früheren Pressungen auf 180 Gramm Vinyl unterlegen waren. Dies ist der Grund, warum die 180 Gramm-Versionen nicht nur viel mehr kosten, um jetzt zu erwerben, aber sie taten in der Tat viel besser. Als Sammler werden Sie wahrscheinlich versuchen, ein paar Versionen selbst zu sehen, ob Audiophile sich einfach vorstellen würden, was sie hörten - das ist Ihre Chance, einen solchen Titel zu erwerben. Diese LP ist auf 180 Gramm Vinyl. Es ist einer der ersten Pressungen aus diesem Titel und am besten von allen, es ist werkseitig versiegelt! Warten Sie nicht zu lange, um diese LPs zu bekommen, da die Lieferungen verschwinden. Wenn sie weg sind, sind sie für immer weg und wir alle wissen, was das bedeutet, insofern (steigende) Preise betroffen sind .................. ************************************************************************************************* Four SINGLE SIDED 45 Speed 180 Gram LPs. This Long Out of Print 45 LP SET was mastered from the Original Session Tapes to 180 Gram Heavy Virgin Vinyl and is one of the Rarest Limited Edition Audiophile LP's in existence (only 500 ever pressed & one of the only copies left in the world). Don't miss Out. (FIRST CLASSIC RECORDS 45RPM-PRESSING IN USA)............ Each set has 4 LPs at 45 Speed, 180 Gram Vinyl on a 12” LP. Cannot be found at any retailer. These 45 LPs are so Rare that many of these Out of Print masterpieces sell for $1000+ in these Factory Sealed Limited 1st Edition/1st Generation Pressings............... COLLECTORS INFO ABOUT Classic Records TITLES .............. Classic Records has proven to be an Audiophile Company second to none in the new millennium. But ALL CLASSIC RECORDS TITLES ARE NOW OUT OF PRINT SINCE THE COMPANY WENT OUT OF BUSINESS IN 2010. These Editions have become some of the rarest pressings in the Audiophile Collector's Market. Just try to find them at any Audiophile Retailer after the next few months. They are simply gone from the market and we has seen some these First Editions sell for over $800............. When you take that into consideration, what will this Audiophile Pressing will be worth in the years ahead? It could be one of the most collectible pressings ever especially since Classic records is no longer in business............. How rare and valuable are each one of these titles now still Factory Sealed Priceless!............................. ***********************************************************************************************

Zustand121: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- MEGA RARES ANALOGE CLASSIC RECORDS 45RPM-4-LP/RECORD-SET ----- ORIGINAL - 180GRAM CLASSIC RECORDS 45RPM-VINYL REISSUE ----- SPECIAL ONE-SIDED PRESSING OF (FIRST 45RPM-PRESSING IN USA) ----- LIMITED EDITION ----- LONG-OUT OF PRINT ----- REMEMBER THE SOUND ----- PERFEKTER KLANG !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION !!(ONLY ONE EXEMPLARY !!) ...... SIEHE XXL-FOTO (LOOK THE XXL-PICTURES) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )

Best.-Nr.: CLASSIC RECORDS RCA LSC 2586-45 ----- (45 rpm-4-LP-SET) ----- ( SALE = AUSVERKAUF-C 10/18 ) ----- OUT OF PRINT ----- (FACTORY SEALED / OVP)

Preis: EUR 399,99 Euro (zuzüglich der Versandkosten / plus shipping costs)


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Zuletzt aktualisiert am 08.09.2023