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ANALOGUE PRODUCTION APP BSTBOX-45 RPM ----- (8-45RPM-LP/RECORD-BOX) ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

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BLOOD,SWEAT & TEARS ----- BLOODLINES ---- ACOUSTIC SOUNDS 200GRAM HIGH QUALITY VINYL REISSUE - 45RPM ----- MEGA RAR !! ----- LIMITED EDITION ----- SEHR STRENG LIMITIERT !! ----- SEHR WERTVOLLES 45RPM 8-LP/RECORD-BOX !! ----- WELTWEIT SEHR GESUCHT ----- WURDE NUR IN SEHR KLEINEN STÜCKZAHLEN VON ACOUSTIC SOUNDS IN DEN USA HERGESTELLT !! ----- DIE BOX UND ALLE 8-LP`S SIND ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- LONG-OUT OF PRINT ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED ..... ULTRA RARES ACOUSTIC SOUNDS REISSUE USA / ..... 45 rpm SERIES - 8-LP/RECORD-BOX ----- OUT OF PRINT / ..... . AUDIOPHILE AUFNAHME VOM ORIGINAL MASTERBAND / ..... ORIGINAL USA - REISSUE 2017 / ..... SPITZEN-KLANGQUALITÄT / ..... ORIGINAL ZUSAMMENSTELLUNG DER AUFNAHMEN 2016 BEI COLUMBIA RECORDS IN USA / ..... ORIGINAL COMPILATION OF RECORDING 2016 BY COLUMBIA RECORDS IN USA / ..... 8-LP/RECORD á HIGH QUALITY 200g PREMIUM VINYL / ..... OUT OF PRINT ..... LIMITED EDITION ..... DIESES SEHR WERTVOLLE 45RPM-8-LP/RECORD-BOX IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !! ....... IN DIESER QUALITÄT WOHL WELTWEIT KAUM NOCH ZU FINDEN !! .....VERY HARD TO FIND WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... MEGA RAR !! ..... LIMITED EDITION ..... SEHR STRENG LIMITIERT !! ..... SEHR WERTVOLLE 45RPM 8-LP/RECORD-BOX !! ..... WELTWEIT SEHR GESUCHT ..... DIESE SEHR SELTENE UND SEHR WERTVOLLE 45RPM-8-LP/RECORD-BOX IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... LONG-OUT OF PRINT ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! - QUALITY !! ..... )

Weitere Details: **************************************************************************************************** Bloodlines (Box Set, Compilation, Limited Edition) album cover Blood, Sweat And Tears ‎– Bloodlines ******************************************************************************************* Label: Analogue Productions ‎– APP BSTBOX-45, Columbia ‎– 88875018671, Sony Music Commercial Music Group ‎– 88875018671, Analogue Productions ‎– APP 085, Sony Music Commercial Music Group ‎– 88875018661, Columbia ‎– PC 9619, Columbia ‎– CS 9619, Analogue Productions ‎– APP 085-45, Columbia ‎– 88875018671, Analogue Productions ‎– APP 086, Sony Music Commercial Music Group ‎– 88875089151, Columbia ‎– CS 9720, Analogue Productions ‎– APP 086-45, Columbia ‎– 88875089231, Analogue Productions ‎– APP 087, Sony Music Commercial Music Group ‎– 88875089161, Columbia ‎– KC 30090, Analogue Productions ‎– APP 087-45, Columbia ‎– 88875089251, Analogue Productions ‎– APP 088, Sony Music Commercial Music Group ‎– 88875089171, Columbia ‎– KC 30590, Analogue Productions ‎– APP 088-45, Columbia ‎– 88875089271 Format: Box Set, Compilation, Limited Edition 2 × Vinyl, 12", 45 RPM, Album, Reissue, Remastered, Stereo, Gatefold, 200 gram 2 × Vinyl, 12", 45 RPM, Album, Reissue, Remastered, Stereo, Gatefold, 200 gram 2 × Vinyl, 12", 45 RPM, Album, Reissue, Remastered, Stereo, Gatefold, 200 gram 2 × Vinyl, 12", 45 RPM, Album, Reissue, Remastered, Stereo, Gatefold, 200 gram Country: US Released: 05 May 2017 Genre: Jazz, Rock, Blues Style: ********************************************************************************************* Tracklist Child Is Father To The Man A1 Overture 1:32 A2 I Love You More Than You'll Ever Know 5:58 A3 Morning Glory 4:15 B1 My Days Are Numbered 3:19 B2 Without Her 2:42 B3 Just One Smile 4:38 C1 I Can't Quit Her 3:38 C2 Meagan's Gypsy Eyes 3:24 C3 Somethin' Goin' On 8:01 D1 House In The Country 3:05 D2 The Modern Adventures of Plato, Diogenes and Freud 4:13 D3 So Much Love/Underture 4:44 Blood, Sweat & Tears A1 Variations On A Theme (1st And 2nd Movements) A2 Smiling Phases A3 Sometimes In Winter B1 More And More B2 And When I Die B3 God Bless The Child C1 Spinning Wheel C2 You've Made Me So Very Happy D1 Blues - Part II D2 Variation On A Theme (1st Movement) Blood, Sweat & Tears 3 A1 Hi-De-Ho 4:39 A2 The Battle 2:41 B1 Lucretia Mac Evil 3:00 B2 Lucretia's Reprise 2:31 B3 Fire And Rain 4:01 B4 Lonesome Suzie 4:35 C1 Symphony For The Devil 9:15 C2 He's A Runner 4:13 D1 Somethin' Comin' On 4:47 D2 40,000 Headmen 5:28 B, S & T; 4 A1 Go Down Gamblin' 4:14 A2 Cowboys and Indians 3:07 A3 John The Baptist (Holy John) 3:35 B1 Redemption 5:11 B2 Lisa, Listen To Me 2:58 B3 A Look To My Heart 0:52 C1 High On A Mountain 3:13 C2 Valentine's Day 3:56 C3 Take Me In Your Arms (Rock Me A Little While) 3:27 D1 For My Lady 3:23 D2 Mama Gets High 4:09 D3 A Look To My Heart 2:07 Companies, etc. Copyright (c) – Analogue Productions Copyright (c) – Columbia Records Phonographic Copyright (p) – Columbia Records Manufactured For – Analogue Productions Manufactured By – Sony Music Entertainment Mastered At – Sterling Sound Lacquer Cut At – Sterling Sound Pressed By – Quality Record Pressings ***************************************************************************************** Credits Design – James Wolf (4) Lacquer Cut By – RKS* Liner Notes – David Clayton-Thomas Mastered By – Ryan K. Smith* Plated By – Gary Salstrom Reissue Producer – Chad Kassem ****************************************************************************************** Notes Gatefolds doesn't mention 45rpm, and used also in 33rpm version. Boxset: APP BSTBOX-45 - spine 88875018671 - back cover, book Child Is Father To The Man: APP 085 - spine 88875018661 - back cover, inner PC 9619 - front cover CS 9619 - back cover APP 085-45 - labels, matrix 88875018671 - labels Blood, Sweat & Tears: APP 086 - spine 88875089151 - back cover CS 9720 - front cover, back cover APP 086-45 - labels, matrix 88875089231 - labels Blood, Sweat & Tears 3: APP 087 - spine 88875089161 - back cover KC 30090 - front cover APP 087-45 - labels, matrix 88875089251 - labels B, S & T; 4: APP 088 - spine 88875089171 - back cover KC 30590 - back cover APP 088-45 - labels, matrix 88875089271 - labels Remastered from the original master tapes by Ryan K. Smith at Sterling Sound in New York and was plated and pressed at Quality Record Pressings. Set comes in a custom-designed deluxe hinged box and includes an in-depth essay booklet by lead singer David Clayton-Thomas. Barcode and Other Identifiers ************************************************************************************************ David Clayton-Thomas war in New York um für John Lee Hooker Gitarre zu spielen - und begegnete in den angesagten Klubs in Greenwich Village mehreren Gründungsmitgliedern einer bald darauf die Charts dominierenden Jazz Fusion Band mit absolut unverkennbarem Sound - Blood, Sweat & Tears. Für einen kurzen Zeitraum zwischen dem Ende der 1960er Jahre und dem Beginn der 1970er stürmten Blood, Sweat & Tears, die eine Rock 'n' Roll-Rhythmus- mit einer einer Blechbläser-Sektion verschmolzen, die Pop-Charts. ********************************************************************************************** Blood, Sweat & Tears: Bloodlines (200g) (Limited-Edition) (Box-Set) (45 RPM) 8 LPs, (200g) (Limited-Edition) (Box-Set) (45 RPM) »Bloodlines« enthält die Blood Sweat And Tears Alben »Child Is Father To The Man«; Self-Titled; »3«; »4« David Clayton-Thomas war in New York um für John Lee Hooker Gitarre zu spielen – und begegnete in den angesagten Klubs in Greenwich Village mehreren Gründungsmitgliedern einer bald darauf die Charts dominierenden Jazz Fusion Band mit absolut unverkennbarem Sound – Blood, Sweat & Tears. Für einen kurzen Zeitraum zwischen dem Ende der 1960er Jahre und dem Beginn der 1970er stürmten Blood, Sweat & Tears, die eine Rock 'n' Roll-Rhythmus- mit einer Blechbläser-Sektion verschmolzen, die Pop-Charts. Clayton-Thomas stieß 1969 zu dieser brillanten Musiker-Truppe, wobei er eine Handvoll neuer Songs zu ihrem monumentalen ›Grammy-Album des Jahres‹ »Blood, Sweat & Tears« beisteuerte. Jetzt kann man die Musik hören und die gesamte Erfolgsgeschichte dieser legendären Band nachlesen, verfasst vom ultimativen BS&T-Insider – David Clayton-Thomas höchstselbst! »Bloodlines« von Analogue Productions fängt den BS&T-Sound besser als je zuvor auf vier neu gemasterten LPs ein – »Child Is Father To The Man«, »Blood, Sweat & Tears«, »Blood, Sweat & Tears 3« und »Blood, Sweat & Tears 4«. Jedes Album wurde unter Verwendung der Original-Masterbänder durch Ryan K. Smith von Sterling Sound in New York neu gemastert, und jede Platte wurde galvanisiert und gepresst auf luxuriösem 200g schwerem Vinyl von unseren hauseigenen Quality Record Pressings, die zu den weltbesten Herstellern hervorragender LPs gehören. Stoughton Printing zeichnet für die erstklassigen Cover verantwortlich – hergestellt im alten Stil und mit von Hand aufgebrachtem Deckblatt, an der typischen Falzung erkennbar – die das künstlerische Design makellos reproduzieren. Diese Gesamtausgabe erscheint in einer speziell angefertigten luxuriösen Kassette. Dankenswerterweise hat David Clayton-Thomas zu dieser besonderen Ausgabe ein wunderbar geschriebenes Essay beigesteuert, das die komplette Geschichte der Gruppe von ihren Ursprüngen an erzählt. Die achtköpfige Band unterzeichnete einen Vertrag mit Columbia Records und nahm das Blood, Sweat & Tears-Debütalbum »Child Is Father To The Man« auf, das im Februar 1968 erschien. Der Mitbegründer Al Kooper verließ die Gruppe im Anschluss, die sich daraufhin neu strukturierte. David Clayton-Thomas stieß als Sänger neu dazu, Posaunist Dick Halligan wechselte ans Keyboard und die Trompeter Chuck Winfield und Lew Soloff ersetzten Randy Brecker und Jerry Weiss, während Jerry Hyman neuer Posaunist wurde. Die neunköpfige Truppe erschuf gemeinsam mit dem Produzenten James William Guercio das unter dem eigenen Namen im Januar 1969 erschienene zweite Album. »Blood, Sweat & Tears« wurde augenblicklich zum Hit; das Album brachte drei Top Ten Singles mit Goldstatus hervor, »You've Made Me So Very Happy«, »Spinning Wheel« and »And When I Die«, es wurde 3 Mio. mal verkauft und gewann den Grammy Award als Album des Jahres. Guercio beendete die Zusammenarbeit, verfolgte aber ein ähnliches musikalisches Konzept mit Chicago Transit Authority. Blood, Sweat & Tears wandelte sich zunehmend zu einer Backup-Gruppe für Clayton-Thomas. Nichtsdestotrotz wurden das dritte Album, »Blood, Sweat & Tears 3« (1970), und das vierte, »Blood, Sweat & Tears 4« (1971), beachtliche Erfolge. Dies ist eine wichtige Alben-Kassette, die eine historisch bedeutende Band in der üppigen Ausstattung präsentiert, die sie verdient. Wie bei sämtlichen Analogue Productions Neuauflagen wurde hier ebenfalls größter Wert auch auf die geringsten Details gelegt, um unseren Kunden den größtmöglichen Hörgenuss zu bieten. Jetzt kann man diesen in Ehren gehaltenen Lieblingsalben in höchster Qualität lauschen und gleichzeitig bei der Lektüre von Clayton-Thomas' informativem Bericht Einblicke in die Geschichte der Band und ihrer Aufnahmen bekommen. ************************************************************************************************ Tracklisting: ........................ Das Set enthält folgende Stücke: Child Is Father to The Man 1. Overture 2. I Love You More Than You'll Ever Know 3. Morning Glory 4. My Days Are Numbered 5. Without Her 6. Just One Smile 7. I Can't Quit Her 8. Meagan's Gypsy Eyes 9. Somethin' Goin' On 10. House In the Country 11. The Modern Adventures of Plato, Diogenes and Freud 12. So Much Love / Underture Blood, Sweat & Tears 1. Variations On A Theme by erik Satie (1st and 2nd Movements) 2. Smiling Phases 3. Sometimes In Winter 4. More and More 5. And When I Die 6. God Bless the Child 7. Spinning Wheel 8. You've Made Me So very Happy 9. Blues - Part II 10. Variation On a Theme by Erik Satie (1st Movement) Blood, Sweat & Tears 3 1. Hi-De-Ho 2. The Battle 3. Lucretia Mac Evil 4. Lucretia's Reprise 5. Fire and Rain 6. Lonesome Suzie 7. Symphony for The Devil 8. He's A Runner 9. Somethin' Comin' On 10. 40,000 Headmen Blood, Sweat & Tears 4 1. Go Down Gamblin' 2. Cowboys and Indians 3. John the Baptist (Holy John) 4. Redemption 5. Lisa, Listen To Me 6. A Look To My Heart (Instrumental) 7. High On A Mountain 8. Valentine's Day 9. Take Me In Your Arms (Rock Me A Little While) 10. For My Lady 11. Mama Gets High 12. A Look To My Heart ****************************************************************************************** Analogue Productions' new Blood, Sweat & Tears box set Bloodlines captures the band's cornerstone horn driven sound as never before, across 4 albums and 8 LPs – Child Is Father To The Man (1968), Blood, Sweat & Tears (1968), Blood, Sweat & Tears 3 (1970) and B, S & T 4 (1971). Each album was remastered from the original master tapes by Ryan K. Smith at Sterling Sound in New York, and each was plated and pressed on deluxe 200g 45rpm double vinyl at Quality Record Pressings. The jackets – from Stoughton Printing – are top-of-the-line, old-style tip-ons showcasing immaculately reproduced artwork. The whole set comes in a custom-designed deluxe hinged box. An in-depth essay by lead singer David Clayton-Thomas highlights an accompanying booklet which is stocked with rare photos. The Al Kooper-helmed Blood, Sweat & Tears created the often imitated but never duplicated '60s big horn, big city rock sound. The band's 1968 debut, Child Is Father To The Man, was their lone release with the celebrated singer/keyboardist and it stands as Blood, Sweat & Tears' most enduring collection. The inventive and soulful set was produced by John Simon and features such accomplished Kooper compositions as "I Can't Quit Her," "I Love You More Than You'll Ever Know," "House in the Country" and "The Modern Adventures of Plato, Diogenes and Freud," plus excellent takes on Tim Buckley's "Morning Glory," Harry Nilsson's "Without Her" and Randy Newman's "Just One Smile." In 1969, faced with both the departure of Kooper and the pressures created by the critical acclaim of their debut, Blood, Sweat & Tears stood tall and delivered with their 1968 self-titled sophomore release. Welcoming vocalist David Clayton-Thomas aboard, the band advanced beyond its R&B/blues origins to create what can only be described as a masterpiece, culminating in a Grammy award for Album Of The Year. Utilizing Erik Satie's "Variations On a Theme" to quietly open and close the album, in-between the band mixed songs from exciting, contemporary writers like Laura Nyro ("And When I Die"), Traffic ("Smiling Phases"), and Barry Gordy ("You've Made Me So Very Happy,") with classic original material such as "Spinning Wheel" and "Sometime In Winter," creating a virtual greatest hits set of concert staples. After the runaway success of Blood, Sweat & Tears, the band returned with the appropriately titled Blood, Sweat & Tears 3 in 1970. Same as its predecessor, 3 also rose to the top of the charts, yielding the two hit singles "Lucretia MacEvil" and Carole King's "Hi-De-Ho." In addition, the free flowing affair also includes sparkling renditions of Laura Nyro's "He's a Runner," Traffic's "40,000 Headmen," a grandiose version of the Rolling Stone's "Sympathy for the Devil" and a compelling take on James Taylor's "Fire and Rain." The last in the band's procession of self-titled albums was their 1971 Top 10 B, S & T 4, which was Clayton Thomas' final effort with the group before embarking on a solo career although he would return three records later for 1975's New City. The 12-track affair marked the end of an unprecedented run for the band and boasts the Top 40 hit "Go Down Gamblin" and fellow charter "Lisa, Listen to Me" while former member Al Kooper even contributes the cut "John the Baptist (Holy John)" to the proceedings. Features: • 200g 45rpm 8LP box set from Analogue Productions • Featuring remastered versions of Child Is Father To The Man, Blood, Sweat & Tears, Blood, Sweat & Tears 3 and B, S & T 4 • LPs mastered from the original master tapes by Ryan K. Smith at Sterling Sound • Old-style tip-on jackets from Stoughton Printing • Plated by Gary Salstrom & pressed at Quality Record Pressings • In-depth essay by lead singer David Clayton-Thomas highlights booklet with rare photos • Housed in custom designed deluxe hinged box ************************************************************************************** ALBUM NOTES .................... David Clayton-Thomas got a NYC gig playing guitar for John Lee Hooker — and in the funky clubs of Greenwich Village he met several founding members of what was to become a chart-dominating jazz fusion band with an utterly distinctive sound — Blood, Sweat & Tears. For a brief period at the end of the 1960s and the start of the 1970s, Blood, Sweat & Tears, which fused a rock 'n' roll rhythm section to a horn section, stormed the pop charts. Clayton-Thomas joined this stellar group of musicians in 1969, bringing a handful of new songs as they delivered the monumental Grammy Album of the Year "Blood, Sweat & Tears". Now hear the music and read the complete story about how this legendary band succeeded, from the ultimate BS&T insider — David Clayton-Thomas himself! "Bloodlines", from Analogue Productions captures the BS&T sound as never before, on four remastered LPs — "Child Is Father To The Man", "Blood, Sweat & Tears", "Blood, Sweat & Tears 3" and "Blood, Sweat & Tears 4". Each album was remastered from the original master tapes by Ryan K. Smith at Sterling Sound in New York, and each was plated and pressed on deluxe 200-gram heavyweight vinyl at our own Quality Record Pressings, maker of the world's finest-sounding LPs. The jackets - from Stoughton Printing - are top-of-the-line, old-style tip-on showcasing immaculately reproduced artwork. The whole set comes in a custom-designed deluxe slipcase. For this special box set, David Clayton-Thomas was gracious enough to contribute a wonderfully-written essay telling the whole history of the band and its origins. The eight-piece band signed to Columbia Records and recorded Blood, Sweat & Tears' debut album, "Child Is Father to the Man", which was released in February 1968. Cofounder Al Kooper then departed, and the group was reorganized. Singer David Clayton-Thomas was added, trombonist Dick Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Randy Brecker and Jerry Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made Blood, Sweat & Tears' self-titled second album, released in January 1969. Blood, Sweat & Tears was a runaway hit, spawning three gold-selling Top 10 singles, "You've Made Me So Very Happy", "Spinning Wheel", and "And When I Die", selling 3 million copies and winning the Grammy Award for Album of the Year. Guercio left afterward to work on a similar musical concept with Chicago Transit Authority, and Blood, Sweat & Tears increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, "Blood, Sweat & Tears 3" (1970), and the fourth, "Blood, Sweat & Tears 4" (1971), were substantial hits. This is a momentous box set presenting a historically-significant band in the deluxe fashion that it deserves. Like all of our Analogue Productions reissues, we've painstakingly sweated the details to bring you the utmost listening experience. Now you can listen to these cherished album favorites in the highest quality, as you gain insights into the band and its recordings from Clayton-Thomas' informative account of the band's history. Blood, Sweat & Tears - Bloodlines (Limited Numbered Edition 8x LP Boxset) APPBSTBOX-45 MASTERED FROM ORIGINAL ANALOG TAPES. 8LP BOX SET (4 ALBUMS) Bloodlines, from Analogue Productions captures the BS&T sound as never before, on four remastered LPs — Child Is Father To The Man, Blood, Sweat & Tears, Blood, Sweat & Tears 3 and Blood, Sweat & Tears 4. Each album was remastered from the original master tapes by Ryan K. Smith at Sterling Sound in New York, and each was plated and pressed on deluxe 200-gram heavyweight vinyl at our own Quality Record Pressings, maker of the world's finest-sounding LPs. The jackets - from Stoughton Printing - are top-of-the-line, old-style tip-on showcasing immaculately reproduced artwork. The whole set comes in a custom-designed deluxe slipcase. ANALOGUE PRODUCTIONS BOX SET TELLS THE STORY BEHIND THE GROUNDBREAKING HORN BAND! For this special box set, David Clayton-Thomas was gracious enough to contribute a wonderfully-written essay telling the whole history of the band and its origins. The eight-piece band signed to Columbia Records and recorded Blood, Sweat & Tears' debut album, Child Is Father to the Man, which was released in February 1968. Cofounder Al Kooper then departed, and the group was reorganized. Singer David Clayton-Thomas was added, trombonist Dick Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Randy Brecker and Jerry Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made Blood, Sweat & Tears' self-titled second album, released in January 1969. Blood, Sweat & Tears was a runaway hit, spawning three gold-selling Top 10 singles, "You've Made Me So Very Happy," "Spinning Wheel," and "And When I Die," selling 3 million copies and winning the Grammy Award for Album of the Year. Guercio left afterward to work on a similar musical concept with Chicago Transit Authority, and Blood, Sweat & Tears increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, Blood, Sweat & Tears 3 (1970), and the fourth, Blood, Sweat & Tears 4 (1971), were substantial hits. This is a momentous box set presenting a historically-significant band in the deluxe fashion that it deserves. Like all of our Analogue Productions reissues, we've painstakingly sweated the details to bring you the utmost listening experience. Now you can listen to these cherished album favourites in the highest quality, as you gain insights into the band and its recordings from Clayton-Thomas' informative account of the band's history. TRACKLIST Child Is Father To The Man: 1 Overture 2 I Love You More Than You’ll Ever Know 3 Morning Glory 4 My Days Are Numbered 5 Without Her 6 Just One Smile 7 I Can’t Quit Her 8 Meagan’s Gypsy Eyes 9 Somethin’ Goin’ On 10 House In The Country 11 The Modern Adventures Of Plato, Diogenes And Freud 12 So Much Love / Underture Blood, Sweat & Tears: 1 Variations On A Theme By Erik Satie (1st And 2nd Movements) 2 Smiling Phases 3 Sometimes In Winter 4 More And More 5 And When I Die 6 God Bless The Child 7 Spinning Wheel 8 You’ve Made Me So Very Happy 9 Blues – Part II 10 Variation On A Theme By Erik Satie (1st Movement) Blood, Sweat & Tears 3: 1 Hi-De-Ho 2 The Battle 3 Lucretia Mac Evil 4 Lucretia’s Reprise 5 Fire and Rain 6 Lonesome Suzie 7 Symphony For The Devil 8 He’s A Runner 9 Somethin’ Comin’ On 10 40,000 Headmen Blood, Sweat & Tears 4: 1 Go Down Gamblin’ 2 Cowboys And Indians 3 John The Baptist (Holy John) 4 Redemption 5 Lisa, Listen To Me 6 A Look To My Heart (Instrumental) 7 High On A Mountain 8 Valentine’s Day 9.Take Me In Your Arms (Rock Me A Little While) 10 For My Lady 11 Mama Gets High 12 A Look To My Heart ***************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Preis: EUR 599,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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ANALOGUE PRODUCTIONS AIPJ 04 ( IMPULSE A-4 ) ----- LIMITED EDITION ----- ( PURE ANALOGUE 45RPM-DOPPEL-LP-RECORD / OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! )

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THE GIL EVANS ORCHESTRA ----- OUT OF THE COOL ----- 45RPM - LIMITED NUMBER EDITION ----- WITH SPECIAL LIMITED NUMBER 1429 ----- ( ....... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED / ..... 45RPM ANALOGE JAZZ-2-LP-SET / ..... ANALOGUE PRODUCTIONS - MADE IN USA / ..... ACOUSTIC SOUNDS USA / ..... ACOUSTECH MASTERING BY KEVIN GREY / ..... ORIGINAL STEREO AUFNAHMEN 1960 IMPULSE RECORDS USA / ...... ORIGINAL STEREO RECORDING 1960 BY IMPULSE RECORDS USA / ..... LIMITED EDITION ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION !! ..... DIESES WERTVOLLE 45rpm-2-LP-SET IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ....... )

Weitere Details: ************************************************************************************************ ************************************************************************************************* Dieses Album von Gil Evans, hauptsächlich bekannt durch seine langjährige Zusammenarbeit mit Miles Davis, schrieb Jazzgeschichte und demonstriert erneut Evans' einflussreiches und überlegenes Können als Jazz-Arrangeur. "Out Of The Cool" ist ein brillantes Beispiel für Evans' außergewöhnliche Fähigkeit, die Intimität und Spontanität einer kleinen Gruppierung auf ein großes Orchester zu übertragen und es so wie eine kleine Jazzband klingen zu lassen. Auf "Out Of The Cool" sind einige der besten Kompositionen zu hören, das berühmte "La Nevada" ebenso wie eine prächtige Interpretation von George Russell's "Stratosphunk". Unter den Solisten finden sich große Namen wie Budd Johnson (Tenorsaxophon), Johnny Coles (Trompete), Ray Crawford (Gitarre), Elvin Jones (Schlagzeug), Ron Carter (Bass) and Jimmy Knepper (Posaune). Das Ensemble wurde von dem legendären Rudy Van Gelder aufgenommen, ein Muss für alle Liebhaber des Jazz. ......................... *************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Preis: EUR 299,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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ANALOGUE PRODUCTIONS AIPJ 54 ( IMPULSE AS-54 ) ----- LIMITED DITION ----- ( PURE ANALOGUE 45RPM-DOPPEL-LP-RECORD / OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! )

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CHARLES MINGUS ----- MINGUS, MINGUS, MINGUS, MINGUS ----- PURE ANALOGUE 45RPM-JAZZ-DOUBLE-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD-JACKET) - LIMITED EDITION - WITH SPECIAL LIMITED NUMBER 1494 ----- OUT OF PRINT ----- MASTERING BY KEVIN GRAY IN USA ----- ( ....... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED / ..... 45RPM ANALOGE JAZZ-2-LP/RECORD-SET / ..... ANALOGUE PRODUCTIONS - MADE IN USA /..... ACOUSTIC SOUNDS USA / ..... ACOUSTECH MASTERING BY KEVIN GREY / ..... ORIGINAL STEREO AUFNAHMEN 1963 IMPULSE RECORDS USA / ...... ORIGINAL STEREO RECORDING 1963 BY IMPULSE RECORDS USA / ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION !! ..... LIMITED EDITION ..... DIESES WERTVOLLE 45rpm-2-LP-SET IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ....... )

Weitere Details: *************************************************************************************************** Mingus Mingus Mingus Mingus Mingus (Vinyl, LP, 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo) album cover ************************************************************************************************** Charles Mingus ‎– Mingus Mingus Mingus Mingus Mingus Label: Impulse! ‎– AS-54, Analogue Productions ‎– AIPJ 54, Universal Music Special Markets ‎– B0012103-01 Series: Impulse! Reissues – Format: 2 × Vinyl, LP, 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo, Gatefold Country: US Released: 2009 Genre: Jazz Style: Post Bop ****************************************************************************************** Tracklist Show Credits A1 II B.S. 4:46 A2 I X Love 7:38 B Celia 6:11 C1 Mood Indigo 4:43 C2 Better Get Hit In Yo' Soul 6:28 D1 Theme For Lester Young 5:39 D2 Hora Decubitus 4:41 *********************************************************************************************** Companies, etc. Designed At – Viceroy (2) Phonographic Copyright (p) – Universal Music Enterprises Record Company – UMG Recordings, Inc. Licensed From – The Verve Music Group Published By – Jazz Workshop Published By – Mills Music Mastered At – AcousTech Mastering Lacquer Cut At – AcousTech Mastering Pressed By – Record Technology Incorporated – 17897 ********************************************************************************************** Credits Alto Saxophone – Charlie Mariano (tracks: A2, A3, B1) Alto Saxophone, Flute – Eric Dolphy (tracks: A1, A4, B2, B3) Bass, Piano – Charles Mingus Clarinet – Dick Hafer (tracks: A1, A4, B2, B3) Design [Cover] – Robert Flynn (2) Design [Liner] – Joe Lebow Drums – Dannie Richmond (tracks: A2, A3, B1), Walter Perkins (tracks: A1, A4, B2, B3) Engineer – Bob Simpson Guitar – Jay Berliner (tracks: A2, A3, B1) Liner Notes – Nat Hentoff Mastered By, Lacquer Cut By – Kevin Gray Photography By [Cover Photograph] – Joe Alper Piano – Jaki Byard Producer – Bob Thiele Soprano Saxophone, Baritone Saxophone, Flute – Jerome Richardson Tenor Saxophone – Booker Ervin (tracks: A1, A4, B2, B3) Tenor Saxophone, Flute – Dick Hafer Trombone – Britt Woodman (tracks: A1, A4, B2, B3), Quentin Jackson (tracks: A2, A3, B1) Trumpet – Eddie Preston (tracks: A1, A4, B2, B3), Richard Williams, Rolf Ericson (tracks: A2, A3, B1) Tuba – Don Butterfield ************************************************************************************************ Notes A1, C1, D1, D2 Recorded September 20, 1963. A2, B1, C2 Recorded January 20, 1963. Some copies of this reissue were numbered and some were unnumbered. This is the numbered version. The non-numbered version is here: Mingus Mingus Mingus Mingus Mingus Barcode and Other Identifiers *********************************************************************************************** Matrix / Runout (Label A): AS-54-A Matrix / Runout (Label B): AS-54-B Matrix / Runout (Label C): AS-54-C Matrix / Runout (Label D): AS-54-D Matrix / Runout (Label A): B0012103-01LP1A Matrix / Runout (Label B): B0012103-01LP1B Matrix / Runout (Label C): B0012103-01LP1C Matrix / Runout (Label D): B0012103-01LP1D Matrix / Runout (Etched A): B0012103-01 AS-54-(45)-ARC KPG+ATM -19335- 17897.1(3).. Matrix / Runout (Etched B): B0012103-01 AS-54-(45)-B KPG+ATM -19335- 17897.2(3).. Matrix / Runout (Etched C): B0012103-01 AS-54-(45)-CRE KPG+ATM -19337- 17897.3(3).. Matrix / Runout (Etched D): B0012103-01 AS-54-(45)-D KPG&PSH+ATM -19335- 17897.4(3).. Rights Society: BMI Rights Society: ASCAP ************************************************************************************************* Diese Aufnahme, 1963 produziert vom Impulse! A&R-Direktor Bob Thiele, ist ein Paradebeispiel des talentierten Charles Mingus als Bassist, Pianist und Komponist. Es ist immer wieder faszinierend, wie eine bisher als klanglich hochwertig angesehene LP durch eine neue Wiederauflage noch so dramatisch übertroffen werden kann. Das MCA-Reissue aus dem Jahre 1995 war zweifellos nicht schlecht, das Speakers Corner-Reissue deutlich besser, aber erst jetzt wird durch die Analogue Production-Version deutlich, was klanglich aus über 40 Jahre alten Bändern noch herauszuholen ist: staubtrockene Bässe, Percussions,die man jetzt auch exakt auseinanderhalten kann, großartige Dynamik und Räumlichkeit. Bei derart großer Besetzung ist dies nicht nur notwendig, sondern sorgt eben auch für das besondere Erlebnis. Dass diese LP zu den Meisterleistungen des Musikers, Komponisten und Arrangeurs Charlie Mingus zählt, ist ja hinlänglich bekannt. Man höre nur einmal das furiose und auch bekannte „Better Get Hit In Yo Soul“ und staune über diesen extraordinären Big Band Sound. Topempfehlung! *************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Preis: EUR 299,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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ANALOGUE PRODUCTIONS AJAZ 7243 ----- LIMITED EDITION ----- (2-LP-SET -45 RPM / OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)

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JOHN COLTRANE ----- STANDARD COLTRANE ----- ( .......OVP = ORIGINAL VERSIEGELT = FACTORY SEALED /.....45RPM ANALOGE BLUES-2-LP-SET WITH LIMITED NUMBER # 0583/1000 / ..... ANALOGUE PRODUCTIONS USA /.....ACOUSTIC SOUNDS USA /.....ACOUSTECH MASTERING .....BY KEVIN GREY AND STEVE HOFFMAN / .....ORIGINAL STEREO AUFNAHMEN 1958 PRESTIGE (PR 7243) RECORDS USA /.....ORIGINAL RECORDING 1958 BY PERSTIGE (PR 7243) RECORDS USA /....DOUBLE LP - REISSUE - 180GRAM HEAVY VINYL / .....LIMITED EDITION ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK) IN MEINER PRIVATEN, GEPFLEGTEN,AUDIOPHILEN UND ANALOGEN LP-CD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY AUDIOPHILE, ANALOGUE LP/RECORD & CD -COLLECTION (ONE EXEMPLARY)!! .........45rpm-2-LP-SET IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!.......)

Weitere Details: ************************************************************************************************* John Coltrane – Standard Coltrane John Coltrane - Standard Coltrane album cover *********************************************************************************************** More images Label: Analogue Productions – AJAZ 7243, Prestige – PR 7243 Series: Fantasy 45 Series Format: 2 x Vinyl, 12", 45 RPM, Album, Stereo, Reissue, Remastered, Limited Edition, 180 g Country: US Released: 2003 Genre: Jazz Style: Hard Bop *********************************************************************************************** A Don't Take Your Love From Me 9:13 B I'll Get By 8:09 C Spring Is Here 6:54 D Invitation 10:22 ********************************************************************************************** Licensed From – Fantasy, Inc. Remastered At – AcousTech Mastering Bass – Paul Chambers (3) Drums – Jimmy Cobb Engineer – Rudy Van Gelder Liner Notes – Robert Levin (2) Piano – Red Garland Remastered By – Kevin Gray, Steve Hoffman Supervised By – Bob Weinstock Tenor Saxophone – John Coltrane Trumpet – Wilbur Hardin* ************************************************************************************************ * Recorded in Hackensack, NJ, July 11, 1958. * Prestige silver and black label. ************************************************************************************************** Mit John Coltrane kam ein neuer Sound und Stil in den Jazz, er fand seinen ganz eigenen Weg im Umgang mit dem Standardmaterial aus dem Lagerhaus des Amerikanischen Songbooks, zusammengetragen aus Hollywood, der Tin Pan Alley und dem Broadway. Mit dem exzellenten Rhythmusteam Red Garland, Paul Chambers (beide hatten viele Konzerte, Clubauftritte und Aufnahmedates mit Coltrane absolviert), Jimmy Cobb und dem von Miles Davis beeinflussten Wilbur Harden am Flügelhorn drückte er seltenen Nummern wie Henry Nemos "Don't Take Your Love From Me" und Fred Ahlerts "I'll Get By", aber auch zwei bekannteren und doch nicht übermäßig oft zu hörenden Songs von Richard Rodgers ("Spring Is Here") und Bronislau Kaper ("Invitation") seinen ganz persönlichen Stempel auf. **************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!

Preis: EUR 199,99 Euro (zuzüglich der Versandkosten / plus shipping costs)

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ANALOGUE PRODUCTIONS AJAZ 9336 - 45RPM ----- ( SALE = AUSVERKAUF-A 10/18 ) ----- ( PURE ANALOGUE 45RPM-DOPPEL-LP-RECORD / OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! )

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BLUE MITCHELL (with WYNTON KELLY-SAM JONES - ROY BROOKS) ----- BLUE´S MOODS ----- ORIGINAL STEREOPHONIC ANALOGE ACOUCH TECH(ANALOGUE PRODUCTIONS) 45-RPM DOPPEL-LP ----- LIMITED EDITION ----- MASTERED BY KEVIN GRAY & STEVE HOFFMAN IN USA ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... 45-RPM REISSUE BY ANALOGUE PRODUCTIONS 2005 IN USA / ..... MASTERING FROM THE ORIGINAL MASTER TAPES BY KEVIN GRAY AT ACOUS TECH, CAMARILLO CALIFORNIA IN USA / ..... HQ-180 HIGH QUALITY PREMIUM VIRGIN VINYL (180GRAM VINYL) / ..... ORIGINAL RECORDING 1960 BY RIVERSIDE RECORDS IN USA / ..... ORIGINALAUFNAHMEN 1960 BEI RIVERSIDE RECORDS IN USA / ..... LIMITED EDITION ..... OUT OF PRINT ...... DIESE ANALOGE 45RPM-DOPPEL-LP-BOX IST OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ....... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ....... TOP KLANGQUALITÄT !! ...... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION !! ...... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE RECORD-COLLECTION(ONE SAMPLE) !! ..... )

Weitere Details: ************************************************************************************************* ................ Rezension: ................ Vor seinen bekannteren Blue Note-Aufnahmen veröffentlichte der Hard Bop-Trompeter mit dem leichten, doch direkten Ton sieben Alben auf Riverside – Cannonball Adderley hatte den 18jährigen Musiker 1958 dorthin geholt. Nur auf diesem einen jener sieben war Mitchell der einzige Bläser und Frontmann. Die Rhythmusgruppe bei diesen zwei Eigenkompositionen und sechs Standards besteht aus Wynton Kelly, Sam Jones und Roy Brooks. (1960/2005) **************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGE 45RPM-DOPPEL-LP/RECORD ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE RECORD-COLLECTION(ONE SAMPLE) !! ..... SIEHE XXL-FOTO (LOOK THE XXL-PHOTOS)!! ..... BITTE ANKLICKEN(CLICK ON THE XXL-PICTURES) !! ...... )

Preis: EUR 399,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 199,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGE 45RPM-DOPPEL-LP/RECORD ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE RECORD-COLLECTION(ONE SAMPLE) !! ..... SIEHE XXL-FOTO (LOOK THE XXL-PHOTOS)!! ..... BITTE ANKLICKEN(CLICK ON THE XXL-PICTURES) !! ...... )

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ANALOGUE PRODUCTIONS APB 7501-45 ----- ( SALE = AUSVERKAUF-A 10/18 ) ----- OUT OF PRINT - A ----- (NEUWERTIGE 45RPM-DOPPEL-LP !! )

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ALBERT KING WITH STEVIE RAY VAUGHAN ----- IN SESSION ----- ( ..... 45RPM-FANTASY REISSUES-DOPPEL-LP .... WITH SPECIAL LIMITED NUMBER !! / ..... WELTWEIT SEHR GESUCHTE AUDIOPHILE JAZZ LP / ..... 180g HEAVY VINYL / ..... ORIGINAL AUFNAHMEN 1983 BEI FANTASY RECORDS IN USA / ..... ORIGINAL RECORDING 1983 BY FANTASY RECORDS IN USA / ....... 45RPM - REISSUE BY ANALOGUE PRODUCTIONS IN USA 2008 / ..... MASTERED BY KEVIN GREY AND STEVE HOFFMAN AT ACOUSTECH MASTERING !! / ..... EXCELLENTER KLANG !! / ..... LIMITED EDITION !! ..... OUT OF PRINT!! ..... DIESE WERTVOLLE ANALOGUE LP IST NEUWERTIG UND WURDE NUR WENIG GESPIELT !! ..... EINE WELTWEIT IN DIESER QUALITÄT WOHL KAUM NOCH ZU FINDENDE ANALOGUE LP !! ...... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-45RPM-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-45RPM-LP/RECORD-COLLECTION (LAST COPY) !! ..... VERY-HARD-TO-FIND-WORLDWIDE-IN-THIS - HIGH - QUALITY!! ....... )

Weitere Details: .............. Here's How it was done: Using only the original analog master tapes, the renowned team of Steve Hoffman & Kevin Gray remastered and cut all of the titles at AcousTech Mastering, which features a pure Class-A disc-cutting system. AcousTech is located at Record Technology, Inc. the plant where the vinyl was pressed. It is a tremendous sonic advantage to have the pressing plant plating department & mastering room in the same facility as Steve & Kevin could cut a lacquer and plated immediately. This prevents the degradation of the grooves in a lacquer which is very fragile to quick deterioration. And of course cutting at 45 speed is the audiophile choice for the highes quality. A 45-RPM record is sonically superior to a 33 1/3 variety because of a 35 percent reduction of groove curvature compared to a 33 1/3 cut.. It means that while you can't fit as much music into a 45, the undukations of the groove that your cartridge has to track are stretched over a longer distance. For these reissues, the music was displaced onto four sides, meaning each side contains about 10 minutes of music. This is the ultimate reissues. The only way you'll get closer to this classic music is to listen to the master tapes or have been in the studio with the artist originally during the actual session. High definition analog vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and ears. The ultimate record – the way music was meant to be heard. Out of Print forever!! There have been so few vinyl LPs produced over the last 5 years that you should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever. In Session, recorded in 1983, is the only known recording of Albert King and Stevie Ray Vaughan performing together. Its long-overdue commercial release (the album didn't come out until 1999) stands as a fitting tribute to the genius of two of the greatest musicians ever to have played the blues on electric guitar. Now, it's available on vinyl for the first time. Anyone who's witnessed a much-anticipated jam session only to be disappointed - with each participant deferring to the other, the end result being that neither ever got out of first gear — will welcome this pairing of two giants of blues guitar. Albert King and Stevie Ray Vaughan obviously shared a mutual admiration, but it simply wasn't in either one's makeup to a) be intimidated or b) take a backseat to anyone. Not without kicking up a little dust. This is such a precious set to any fan of either of these blues giants. In addition to the free-spirited jams, there are priceless episodes of conversation between each song, both men exchanging accolades and King giving the much younger Vaughan (though tragically it was Vaughan who died first) some sage advice. This simply is a must-have. Analogue Productions introduced test pressings from their Stax Records reissue at the June 2003 Home Entertainment Expo in San Francisco. Among the exhibitors to show off their wares using these yet-to-be-released 45s was Richard Vandersteen of Vandersteen Audio. "It was a big hit. The visitors packed the room every time we put it on. For once at one of these shows, there was some music that people wanted to hear. I mean, famous, classic music sounding incredible. It's just great old music that sounds much better than it ever had before. The people just loved it, and we loved playing it." - Richard Vandersteen, Vandersteen Audio Track Listings 1. Call It Stormy Monday 2. Old Times 3. Pride And Joy 4. Ask Me No Questions 5. Pep Talk 6. Blues At Sunrise 7. Turn It Over 8. Overall Junction 9. Match Box Blues 10. Who Is Stevie? 11. Don't Lie To Me ---------------------------------------------------------------------------------------------------- ................... DIESE ÜBER VIELE JAHRE GEPFLEGTE, OFFENE UND GESPIELTE LP WURDE VON MIR AUF DER VPI 17 SCHALLPLATTENWASCHMASCHINE GEREINIGT, MIT EINER NEUEN ANTISTATISCHEN INNEHÜLLE (INNERSLEEVE) VERSEHEN, VON MIR PERSÖNLICH DURCHGEHÖRT UND NACH EUROPÄISCHEN KRITERIEN STRENG UND FAIR BEWERTET !! ...... SOLLTE DENNOCH EIN FEHLER BEI MEINER PERSÖNLICHEN BEWERTUNG VORKOMMEN .... NEHME ICH NATÜRLICH DIE LP UMGEHEND ZURÜCK ---- MIT-GELD-ZURÜCK-GARANTIE !! ----- ....... DENN LPs-SAMMELN IST EINE VERTRAUENSSACHE !! ....... SORRY.....BEFORE SHIPPING ALL OLDER AND USED RECORDS, WILL BE WASHED FREE OF CHARGE USING A V.I.P. HW 17-F CLEANING/WASHING MACHINE FOR RECORDS AND PROVIDED WITH A NEW ANTISTATIC INNERSLEEVE. .....SORRY.....I HAVE VERIFIED AND EVALUATED ALL USED LPs AND CDs ACCORDING TO THE OFFICIAL COLLECTORS RATING. I WILL ANY TAKE ANY LP OR CD BACK, IF YOU ARE NOT SATISFIED WITH THE QUALITY OF THE ITEM AND DISAGREE WITH MY RATING. .... SORRY, I GIVE ......... .............................***WITH MONEY BACK GUARANTEE *** ............................

Zustand: M- / M - = NEUWERTIGE ANALOGUE 45RPM DOPPEL-LP !! ----- ORIGINAL ANALOGUE 45+RPM PRESSING IN USA !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ...... EXTREMELY RARE ANALOGUE 45-RPM-LP/RECORD !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-45RPM-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-45RPM-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... )

Preis: EUR 399,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 199,99 Euro ) ----- M- / M- = NEUWERTIGE ANALOGUE 45RPM DOPPEL-LP !! ----- ORIGINAL ANALOGUE 45+RPM PRESSING IN USA !! ----- LONG-OUT OF PRINT ----- LIMITED EDITION ----- ( ...... EXTREMELY RARE ANALOGUE 45-RPM-LP/RECORD !! ----- ( ..... EINZIGES EXEMPLAR IN MEINER GEPFLEGTEN, ANALOGEN, PRIVATEN ORIGINAL-45RPM-LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY WELL TENDED, PERSONAL, ANALOGUE ORIGINAL-45RPM-LP/RECORD-COLLECTION (LAST COPY) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN(PLEASE CLICK) !! ..... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - HIGH - QUALITY - !! ...... )

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ANALOGUE PRODUCTIONS APJ 82020 ----- ( SALE = AUSVERKAUF-A 10/18 ) ----- OUT OF PRINT - A ----- (45rpm/DOPPEL-LP/OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) --

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HUGH MASEKELA (TRUMPET) ---- HOPE ---- ( ..... 45RPM -DOPPEL-LP(RECORD !! / ..... OVP - ORIGINAL VERSIEGELT = FACTORY SEALED !! / .... .WELTWEIT SEHR GESUCHTE AUDIOPHILE JAZZ LP/RECORD / ..... 180g HEAVY VINYL / ..... ORIGINAL AUFNAHMEN 1993 BEI TRIKOLA RECORDS IN USA / ..... ORIGINAL RECORDING 1993 BY TRIKOLA RECORDS IN USA / ....... ORIGINAL - LIVE - AUFNAHMEN 1993 IN WASHINGTON USA / ...... 45RPM - REISSUE BY ANALOGUE PRODUCTIONS, USA 2008 / ..... MASTERED BY KEVIN GREY AT ACOUSTECH MASTERING !! / ..... EXCELLENTER KLANG !! / ..... LIMITED EDITION !! ........ EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK) IN MEINER PRIVATEN, GEPFLEGTEN,AUDIOPHILEN UND ANALOGEN LP/RECORD & CD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY AUDIOPHILE, ANALOGUE LP/RECORD & CD-COLLECTION (ONE EXEMPLARY)!! ......... .... DIESE WERTVOLLE ANALOGUE LP IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... EINE WELTWEIT IN DIESER QUALITÄT WOHL KAUM NOCH ZU FINDENDE ANALOGUE LP !! ...... VERY-HARD-TO-FIND-WORLDWIDE-IN-THIS-FACTORY SEALED-QUALITY!! ....... ----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! ----- ... )

Weitere Details: ************************************************************************************************** Hope (Vinyl, 12", 45 RPM, Album) for sale More Images Hugh Masekela ‎– Hope Label: Analogue Productions ‎– APJ 82020, Sheridan Square Records ‎– APJ 82020 Format: 2 × Vinyl, 12", 45 RPM, Album, 180 Gram Country: US Released: 2008 Genre: Jazz Style: Afrobeat Tracklist A1 Abangoma (The Healers) Written-By – Miriam Makeba 4:59 A2 Languta Written-By – Hugh Masekela 8:04 B1 Grazin' In The Grass Written-By – Philemon Hou 3:27 B2 Nomali Written-By – Caiphus Semenya 8:55 C1 Marketplace Written-By – Hugh Masekela 5:28 C2 Ntyilo Ntyilo (The Love Bird) Written-By – Alan Salinga 5:55 D Stimela (The Coal Train) Written-By – Hugh Masekela 10:00 Companies, etc. Mastered At – AcousTech Mastering Lacquer Cut At – AcousTech Mastering Pressed By – Record Technology Incorporated – 17098 Licensed To – Analogue Productions Licensed From – Sheridan Square Records Phonographic Copyright (p) – Sheridan Square Records Copyright (c) – Sheridan Square Records Published By – Makeba Music Published By – Almo Music Published By – Cherio Music Published By – Semenya Music Published By – Gallo Music Credits Executive-Producer – K.D. Kagel, Mitchell Markus, Paul A. Sloman Lacquer Cut By – KPG* Mastered By – Kevin Gray Producer – Hugh Masekela, K.D. Kagel Notes Mastered at AcousTech Mastering ℗ © 2004 Sheridan Square Records Licensed exclusively from Sheridan Square Entertainment, Inc. by Analogue Productions in 2008. Printed in the USA. Barcode and Other Identifiers Matrix / Runout (Runout side A, variant 1): [Etched] AAPJ - 82020 - A KPG@ATM [Stamped] 17098.1 (3) Matrix / Runout (Runout side B, variant 1): [Etched] AAPJ- 82020 - B KPG@ATM [Stamped] 17098.2 (3) Matrix / Runout (Runout side C, variant 1): [Etched] AAPJ· 82020 -C KPG@ATM [Stamped] 17098.3 (3) Matrix / Runout (Runout side D, variant 1): [Etched] AAPJ - 82020 - D KPG@ATM [Stamped] 17098.4 (3) Matrix / Runout (Side A Etching, variant 2): AAPJ-82020-A Matrix / Runout (Side B Etching, variant 2): AAPJ-82020-B Matrix / Runout (Side C Etching, variant 2): AAPJ·82020-C Matrix / Runout (Side D Etching, variant 2): AAPJ-82020-D Matrix / Runout (Side A Pressing Plant Stamp, variant 2): 17098.1 (3) Matrix / Runout (Side B Pressing Plant Stamp, variant 2): 17098.2 (3) Matrix / Runout (Side C Pressing Plant Stamp, variant 2): 17098.3 (3) Matrix / Runout (Side D Pressing Plant Stamp, variant 2): 17098.4 (3) Matrix / Runout (Side A & B Etching, variant 2): -18109- Matrix / Runout (Side C & D Etching, variant 2): -18110- Matrix / Runout (Lacquer Cutting Engineer Initials / Lacquer Cutting Facility Initials Etching On All Sides, variant 2): KPG@ATM ************************************************************************************************ .................. Masekela, Hugh - Hope (2 LP, 180 g, 45 rpm) ..................... ............................................. Aufnahmen 30. Juli bis 1. August 1993. ......................................................................................... Eines der genialsten Worldmusic-Alben kehrt auf unseren Plattenteller zurück: „Hope“ von Hugh Masekela! Aber nicht in irgendeiner Nachpressung, sondern in der wohl absoluten Version, die dem damaligen Liveerlebnis sehr nahe kommt, so perfekt wurden seinerzeit die Konzerte im Blues Alley (Washington D.C.) mitgeschnitten und die analogen Originalbänder von Kevin Grey mit höchster Sorgfalt überspielt. Das mit 45 Umdrehungen rotierende Vinyl ist schlicht ein Traum, das Erlebnis steigert sich dabei mit der Fähigkeit der Wiedergabekette, allerfeinste Nuancen erkennbar werden zu lassen. Das auf Hifi-Vorführungen so gerne präsentierte 10-minütige „Stimela“ (der Kohlenzug!) ist dabei nicht der einzige Song, der für Gänsehaut sorgt. Hugh Masekela und seine Truppe bietet eine unglaubliche Mischung aus westlich orientierter Jazzmusik und afrikanischer Folklore, dargeboten in einer atemberaubenden Intensität. Der Trompeter und Sänger Masekela, geboren in Südafrika, blickt bei den sieben Stücken auf eine Epoche von drei Jahrzehnten und einer wechselvollen Zeit zurück, die auch die Apartheit überdauerte. Dass manche Wunden nicht verheilen, macht gerade „Stimela“ deutlich, hören Sie die emotionale Tiefe dieser Musik und lassen sich in eine andere Welt entführen! ......................... ************************************************************************************************* Hugh Masekela Hope on 200g 45RPM 2LP from Analogue Productions Hugh Masekela is a world-renowned South African flugelhornist, trumpeter, bandleader, composer, singer and defiant political voice. Masekela began to hone his, now signature, Afro-Jazz sound in the late 1950s during a period of intense creative collaboration, most notably performing in the 1959 musical King Kong, written by Todd Matshikiza, and, soon thereafter, as a member of the now legendary South African group, the Jazz Epistles (featuring the classic line up of Kippie Moeketsi, Abdullah Ibrahim and Jonas Gwangwa). In 1960, at the age of 21 he left South Africa to begin what would be 30 years in exile from the land of his birth. On arrival in New York he enrolled at the Manhattan School of Music. This coincided with a golden era of jazz music and the young Masekela immersed himself in the New York jazz scene where nightly he watched greats like Miles Davis, John Coltrane, Thelonious Monk, Charlie Mingus and Max Roach. Under the tutelage of Dizzy Gillespie and Louis Armstrong, Hugh was encouraged to develop his own unique style, feeding off African rather than American influences. In the late 1960s Hugh moved to Los Angeles in the heat of the ‘Summer of Love’, where he was befriended by counter culture icons like David Crosby, Peter Fonda and Dennis Hopper. In 1967 Hugh performed at the Monterey Pop Festival alongside Janis Joplin, Otis Redding, Ravi Shankar, The Who and Jimi Hendrix. In 1968, his instrumental single "Grazin’ in the Grass" went to No. 1 on the American pop charts and was a worldwide smash, elevating Hugh onto the international stage. His subsequent solo career has spanned 5 decades, during which time he has released over 40 albums (featured on countless more) and has worked with such diverse artists as Harry Belafonte, Dizzy Gillespie, The Byrds, Fela Kuti, Marvin Gaye, Herb Alpert, Paul Simon, Stevie Wonder and the late Miriam Makeba. In 1990 Hugh returned home, following the unbanning of the ANC and the release of Nelson Mandela – an event anticipated in Hugh’s anti-apartheid anthem "Bring Home Nelson Mandela" (1986) which had been a rallying cry around the world. A longtime audiophile demonstration disc, Hugh Masekela's heralded 1994 live album Hope will show off your system's dynamic range as well as any record ever released. Recorded in the Summer of 1993 at Washington, D.C.'s Blues Alley with a fiery seven-piece group, Hope finds the music legend revisiting his rich history with a touchstone 7-song set which covers material reaching over 5 different decades and several countries and composers. The songs are diverse, passionate and transcendent, and as for the sound...WOW! "...Hope is one of those intensely visceral, large as life, and immediately present recordings that will make pretty much any system sound at least very good, and will cause better ones to raise goose bumps." – Wayne Garcia, The Absolute Sound "Here's another masterpiece from Chad Kassem and Kevin Gray…you would swear that you are listening to a master tape in your living room...this one is great for showing off what your stereo system can do." – Jeff Dorgay, Tone Audio, No. 15, 2008 "...Believe me, this double 45 makes the CD sound like digital dog crap. It you thought the CD version sounded good, you ain't heard nuttin' yet." - Michael Fremer, www.musicangle.com "Wow! Hugh Masekela never sounded more real – the BEST Masekela album, a definitive must have!" – Danny Kaey, Positive-Feedback Online Hugh Masekela Hope Track Listing: 1. Abangoma (The Healers) 2. Languta 3. Grazin' In The Grass 4. Nomali 5. Marketplace 6. Ntyilo Ntyilo (The Love Bird) 7. Stimela (The Coal Train) ************************************************************************************************

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Preis: EUR 799,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 399,99 Euro ) ----- OUT OF PRINT - A ----- (..... LIMITED EDITION !! ..... ... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK) IN MEINER PRIVATEN, GEPFLEGTEN,AUDIOPHILEN UND ANALOGEN LP/RECORD & CD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY AUDIOPHILE, ANALOGUE LP/RECORD & CD-COLLECTION (ONE EXEMPLARY)!! ......... OUT OF PRINT!! ..... DIESE WERTVOLLE ANALOGUE LP IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... EINE WELTWEIT IN DIESER QUALITÄT WOHL KAUM NOCH ZU FINDENDE ANALOGUE LP !! ...... VERY-HARD-TO-FIND-WORLDWIDE-IN-THIS-FACTORY SEALED-QUALITY!! ....... )

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ANALOGUE PRODUCTIONS APP 51056 - 45RPM ----- ( SALE = AUSVERKAUF-A 10/18 ) ----- OUT OF PRINT - A ----- (45RPM-DOPPEL-LP / OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

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RICKIE LEE JONES ----- IT´S LIKE THIS ----- ORIGINAL ANALOGE ACOUCH TECH(ANALOGUE PRODUCTIONS) 45-RPM DOPPEL-LP ----- LIMITED EDITION ----- MASTERED BY KEVIN GRAY & STEVE HOFFMAN IN USA ----- ( ...... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... 45-RPM REISSUE BY ANALOGUE PRODUCTIONS 2008 IN USA / ..... MASTERING FROM THE ORIGINAL MASTER TAPES BY KEVIN GRAY AT ACOUS TECH, CAMARILLO CALIFORNIA IN USA / ..... HQ-180 HIGH QUALITY PREMIUM VIRGIN VINYL (180GRAM VINYL) / ..... ORIGINAL RECORDING BY SHERIDAN SQUARE ENTERTAINMENT 2000 IN USA / ..... ORIGINALAUFNAHMEN 2000 BEI SHERIDAN SQUARE RECORDS IN USA / ..... ORIGINAL RECORDING 2000 BY SHERIDAN SQUARE RECORDS IN USA / ......... LIMITED EDITION ..... OUT OF PRINT ...... DIESE ANALOGE 45RPM-DOPPEL-LP-BOX IST OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ....... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ....... TOP KLANGQUALITÄT !! ...... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION !! ...... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE RECORD-COLLECTION(ONE SAMPLE) !! ..... )

Weitere Details: ********************************************************************************************** Explore Marketplace Community audiophile-collector 16 It's Like This (Vinyl, LP, 45 RPM, Album, Reissue) for sale Rickie Lee Jones ‎– It's Like This Label: Analogue Productions ‎– APP 51056 Format: 2 × Vinyl, LP, 45 RPM, Album, Reissue, 180g Country: US Released: 2008 Genre: Jazz, Rock Style: Tracklist A1 Show Biz Kids Piano, Backing Vocals – Joe JacksonWritten-By – Donald Fagen, Walter Becker 4:34 A2 Trouble Man Written-By – Marvin Gaye 5:11 B1 For No One Piano – Joe JacksonWritten-By – John Lennon, Paul McCartney* 2:32 B2 Smile Written-By – Charlie Chaplin, Geoffrey Parsons, John Turner (2) 1:48 B3 Low Spark Of High Heeled Boys Piano – Ben FoldsWritten-By – Jim Capaldi, Steve Winwood 5:12 C1 On The Street Where You Live Written-By – Lerner & Loewe 3:28 C2 I Can't Get Started Written-By – Ira Gershwin, Vernon Duke 4:29 D1 Up A Lazy River Backing Vocals – Ben Folds, Dan Hicks, Taj MahalWritten-By – Hoagy Carmichael, Sidney Arodin 2:49 D2 Someone To Watch Over Me Written-By – George & Ira Gershwin 2:02 D3 Cycles Written-By – Gayle Caldwell 3:16 D4 One Hand, One Heart Piano, Backing Vocals – Joe JacksonWritten-By – Leonard Bernstein, Stephen Sondheim 1:57 Companies, etc. Mastered At – AcousTech Mastering Credits Acoustic Bass – Michael Elizondo*, Paul Nowinski, Richard Davis (2) Acoustic Guitar – John Pizzarelli Acoustic Guitar, Electric Guitar, Organ, Vocals – Rickie Lee Jones Art Direction, Photography – Lee Cantelon Artwork [Graphic Production] – Michael Love (3) Bass Clarinet – Jeff Dellisant* Co-producer – Ben Sidran (tracks: A1, C1 to D1, D3) Drums – Carl Allen, Peter Erskine, Rick Marotta Engineer – Barry Goldberg (2) (tracks: A1, B3 to C2, D1, D3), James Farber (tracks: A1, C1, C2, D3), Larry Alexander, Rob Smith (10) (tracks: A1, B1, B2, D2, D4) Mastered By – Kevin Gray Organ – Bruce Brody Percussion – Bashiri Johnson Producer – Bruce Brody, Rickie Lee Jones Saxophone – Alex Foster Trombone – Conrad Herwig Notes Analogue Productions (p) (c) 2000 Sheridan Square Entertainment, LLC. Licensed from Sheridan Square Entertainment, Inc. by Analogue Productions in 2008 Premium Vinyl Pressing HQ-180 ************************************************************************************************** .................... Jones, Rickie Lee - It's Like This (2 LP, 45 rpm, 180 g) ....................... Rickie Lee Jones - vocals, organ, guitar ..... Bruce Brody - organ ..... John Pizzarelli - guitar ..... Paul Nowinski - bass ..... Alex Foster - sax. ..... Jeff Dellisanti - clarinet ..... Conrad Herwig - trombone ..... Carl Allen, Peter Erskine - drums ..... Bashiri Johnson - percussions ........................... *********************************************************************************************** Aufnahmen 2000. ..................................................... Seit Billie Holiday hat es keine Sängerin gegeben, die einen Song so sehr zu ihrem eigenen machen konnte, wie Rickie Lee Jones. In dem Album „Its Like This“ interpretiert die eklektisch arbeitende Songwriterin verschiedene Klassiker, Show- bzw. Musicalsongs und sogar reinen Jazz-Rock mit ihrer bekannt jugendlich-piepsigen Stimme. In dem gleichen Charakter, in dem 1991 „Pop Pop“ entstand, fügt Jones unterschiedlichste Songs des zwanzigsten Jahrhunderts zusammen und verbindet sie mit einem dünnen, zerbrechlichen Garn. Bruce Brody ist der Produzent (Maria McKee, Bette Midler) dieses Albums, das vor allen durch seine ruhigen Arrangements besticht. Etliche bekannte Künstler fügen sich unaufdringlich in den Sound des Albums ein, unter anderem Joe Jackson, Ben Folds, John Pizzarelli und Taj Mahal. Alle leihen dem Gesamtwerk einen dezenten Basston oder eine zweite Gesangstimme, aber immer passend und vorsichtig, ohne Jones Ton zu übertönen. Dass dabei die hervorragende Klangqualität eine bedeutende Rolle spielt, muss angesichts der bekannten Top-LPs aus dem Hause Analogue Productions nicht weiter erwähnt werden? ....................................................... * Interpret: Rickie Lee Jones ..... * Titel: It's Like This ..... * Audiophile LP (2 LP, 45 rpm, 180 g) ..... * Label: Analogue Productions .... ************************************************************************************************ DESCRIPTION: ................. 2008 US limited edition 11-track 2-LP set pressed on 45rpm 180gram VIRGIN VINYL - eclectic folkie Rickie Lee Jones envelops standards, showtunes, '70s soul & even slick jazz-rock, interpreting them with her familiar childlike, breathy shouts, pulling together a collection of diverse songs from throughout the 20th century & gives them a sparse, fragile spin, kind of like Diana Krall & Bjork sharing coffee at an all-night diner! Mastered by Kevin Gray at AcousTech, presented in deluxe picture sleeve, housed in perforated tear strip bag. .................. *************************************************************************************************** Rickie Lee Jones, It's Like This. ................. 180 Gram, 45 RPM, Sealed (2) LP Set, Label= Analogue Productions. .................... Factory Sealed, Stored in a Climate and Light Controled Enviroment. Condition is New Factory Mint. ........................... Not since Billie Holiday has there been a vocalist who so completely transforms a song into her own. On It's Like This, eclectic folkie Rickie Lee Jones envelops standards, showtunes, '70s soul, and even slick jazz-rock, interpreting them with her familiar childlike, breathy shouts. In a very similar vein as 1991's Pop Pop, Jones pulls together a collection of diverse songs from throughout the 20th century and gives them a sparse, fragile spin, kind of like Diana Krall and Bjork sharing coffee at an all-night diner. Produced by Bruce Brody (who has also worked with Maria McKee and Bette Midler), this album is really a showcase for the dynamic vocalist - her voice pitching and yawing like a sloop far out at sea. Several notable artists scatter themselves unobtrusively throughout the album like Joe Jackson, Ben Folds, John Pizzarelli, and Taj Mahal; each lend a subtle bass line or harmony vocal, cautiously not stepping on any of Jones' delicate lines. ............................. ************************************************************************************************* Album Notes: ................ Personnel: Rickie Lee Jones (vocals, acoustic & electric guitar, organ); Joe Jackson (vocals, piano); Taj Mahal, Dan Hicks, Ben Folds (vocals); John Pizzarelli (acoustic guitar); Jeff Dellisanti (bass clarinet); Alex Foster (saxophone); Conrad Herwig (trombone); Bruce Brody (organ); Richard Davis, Paul Nowinski, Michael Elizondo (acoustic bass); Carl Allen, Peter Erskine, Rick Marotta (drums). Engineers include: James Farber, Larry Alexander, Barry Goldberg.Recorded at Right Tracks Studios, Avatar Studios, and Sterling Sound, New York, New York; Conway Studios, Los Angeles, California.Though Rickie Lee Jones began her career as a highly idiosyncratic singer-songwriter, this album finds her taking on a slightly different role that began in earnest with her POP POP album; that of the interpreter. IT'S LIKE THIS consists entirely of cover tunes, all delivered in that unmistakably unique Jones style. She takes on material from several different eras of pop music here, and is to be credited for the breadth of her vision. She sounds equally at home delivering quirky, stripped-down versions of standards ("I Can't Get Started," "Someone to Watch over Me") or digging into the sleazy jazz-funk of Steely Dan ("Show Biz Kids"). Along the way, she renders a poignant version of the Beatles ballad "For No One," gets jazzy on Traffic's FM radio staple "Low Spark of High Heeled Boys," and reinvents Marvin Gaye's "Trouble Man," a tune which has also been taken on (not insignificantly) by Jones influence Joni Mitchell. ................... **********************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGE 45RPM-DOPPEL-LP/RECORD ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE RECORD-COLLECTION(ONE SAMPLE) !! ..... SIEHE XXL-FOTO (LOOK THE XXL-PHOTOS)!! ..... BITTE ANKLICKEN(CLICK ON THE XXL-PICTURES) !! ...... )

Preis: EUR 599,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 299,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGE 45RPM-DOPPEL-LP/RECORD ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE RECORD-COLLECTION(ONE SAMPLE) !! ..... SIEHE XXL-FOTO (LOOK THE XXL-PHOTOS)!! ..... BITTE ANKLICKEN(CLICK ON THE XXL-PICTURES) !! ...... )

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ANALOGUE PRODUCTIONS APW 29 - 45RPM ----- ( SALE = AUSVERKAUF-A 10/18 ) ----- OUT OF PRINT - A ----- (45RPM-DOPPEL-LP / OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

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RY COODER & V.M. BHATT ----- A MEETING BY THE RIVER ----- (.....45-RPM DOPPEL-LP/RECORD/......OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! /.....45-RPM REISSUE BY ANALOGUE PRODUCTIONS 2008 IN USA /....MASTERING FROM THE ORIGINAL MASTER TAPES BY KEVIN GRAY AT ACOUS TECH, CAMARILLO CALIFORNIA, USA /.....HQ-180 PREMIUM VIRGIN VINYL (180GRAM VINYL) /.....ORIGINAL RECORDING 1992 BY WATER LILY ACOUSTICS IN USA /.....ORIGINALAUFNAHMEN 1992 NEI WATER LILY RECORDS IN USA /.........LIMITED EDITION........ EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK) IN MEINER PRIVATEN, GEPFLEGTEN,AUDIOPHILEN UND ANALOGEN LP-CD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY AUDIOPHILE, ANALOGUE LP/RECORD & CD -COLLECTION (ONE EXEMPLARY)!! ......OUT OF PRINT......DIESE DOPPEL-LP-BOX IST NOCH OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!.......VERY-HARD-TO-FIND-WORLDWIDE IN THIS QUALITY !!.......TOP KLANGQUALITÄT !!......)

Weitere Details: ************************************************************************************************** A Meeting By The River (Vinyl, 12", 45 RPM, Album, Reissue, Stereo) for sale More Images Ry Cooder & V.M. Bhatt* ‎– A Meeting By The River Label: Analogue Productions ‎– APW 29 Format: 2 × Vinyl, 12", 45 RPM, Album, Reissue, Stereo, 180 gram Country: US Released: 2008 Genre: Folk, World, & Country Style: Tracklist A A Meeting By The River 10:03 B Longing 11:56 C Ganges Delta Blues 9:57 D Isa Lei 7:39 Companies, etc. Licensed From – Water Lily Acoustics, Inc. Phonographic Copyright (p) – Water Lily Acoustics, Inc. Copyright (c) – Water Lily Acoustics, Inc. Published By – Tonopah & Tidewater Music Published By – Pushpam Music Published By – Boosey & Hawkes Recorded At – Christ The King Chapel, St. Anthony's Seminary Mastered At – AcousTech Mastering Pressed By – Record Technology Incorporated – 16060 Pressed By – Record Technology Incorporated – 16061 Lacquer Cut At – AcousTech Mastering Credits Art Direction – Daniel Flowers Co-producer – Jayant Shah Goblet Drum [Dumbek] – Joachim Cooder Lacquer Cut By – KM* Mastered By – Kevin Gray Photography By [Back Cover] – Susan Titelman Photography By [Front Cover] – Michael Sexton Producer, Recorded By, Liner Notes – Kavichandran Alexander Slide Guitar [Bottleneck Guitar] – Ry Cooder Tabla – Sukhvinder Singh Namdhari Technician [Technical Consultant] – Tim de Paravicini Technician [Technical Maintenance] – Jeff Hanson (2), Roger Modjeski Veena [Mohan Vina] – V. M. Bhatt* Written-By – Lieut. A.W. Caten* (tracks: D1), Cooder* (tracks: A1 to C1), Bhatt* (tracks: A1 to C1) Notes Pure analogue recording, no noise reduction, equalization, compression nor limiting of any sort was used in recording or mastering this record. "Vinyl Pressing HQ-180" ℗ © Water Lily Acoustics, Inc. White inner sleeves and an additional Acoustic Sounds Inc. response card Barcode and Other Identifiers Barcode (Scanned): 753088202919 Rights Society: B.M.I. Rights Society: A.S.C.A.P. Matrix / Runout (Runout side A, etched): WLA-CS-29-LP-(45)-A2 KM@ATM 16061.1(3)... Matrix / Runout (Runout side B, etched): WLA-CS-29-LP-(45)-B KM@ATM 16060.2(3)... Matrix / Runout (Runout side C, etched): WLA-CS-29-LP-(45)-C KM@ATM 16060.3(3)... Matrix / Runout (Runout side D, etched): WLA-CS-29-LP-(45)-D2 KM@ATM 16061.4(3)... ************************************************************************************************** ........................ Cooder, Ry & V. M. Bhatt - A Meeting By The River (2 LP, 45 rpm, 180 g) ................................. Ry Cooder, Vishwa Mohan Bhatt - guitar ..... Joachim Cooder - dumbek ..... Sukhivinder Singh Namdhari - tabla .......................... Aufnahmen September 1992 in der Christ the King Chapel, St. Anthony's Seminary, Sanata Barbara / USA. .......................................................................... Der US-amerikanische Komponist, Musikwissenschaftler und legendäre Gitarrist Ry Cooder spielt zusammen mit dem aus Nordindien stammenden Künstler Vishwa Mohan Bhatt für das Label Water Lily Acoustic eine Platte ein, die schon bei ihrer Erstauflage Musikliebhaber wie auch Audiophile begeisterte! Ohne jegliche vorherige Proben spielten diese Musiker ein wunderbares Album ein, das den Hörer in andere Welten entführt, ihr faszinierendes Zusammenspiel entfaltet dabei musikalische Elemente vieler Kulturen und Stilrichtungen. Cooder und Bhatt spielten an der Slidegitarre, Sukhvindar Singh auf der Tabla und Cooders 14-jähriger Sohn Joachim auf einer Dumbek. Dieses rein instrumentelle Album wurde mit einem Grammy ausgezeichnet und ist nun auf dem renommierten Analogue Productions Label wiederaufgelegt worden. ........................................................................................ * Interpret: Ry Cooder ..... * Weitere: V. M. Bhatt ..... * Titel: A Meeting By The River ..... * Audiophile LP (2 LP, 45 rpm, 180 g)...... * Label: Analogue Productions .....

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- LIMITED EDITION ----- ( ..... OUT OF PRINT .... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE RECORD-COLLECTION !! . ....SIEHE XXL-FOTO !!.....BITTE ANKLICKEN !! .......)

Preis: EUR OUT OF STOCK

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ANALOGUE PRODUCTIONS VCS 2659 ( RCA LSC 2659 ) ----- ( SALE = AUSVERKAUF-A 10/18 ) ----- ( PURE ANALOGUE 45RPM-DOPPEL-LP-RECORD / OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! )

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ROYAL PHILHARMONIC ORCHESTRA - CONDUCTOR: RENÉ LEIBOWITZ ----- THE POWER OF THE ORCHESTRA - MOUSSORGSKY-A NIGHT ON BARE MOUNTAIN - PICTURES AT AN EXHIBITION (RAVEL) ----- 45RPM -EDITION ----- ( ....... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED / ..... 45RPM ANALOGE CLASSIC-2-LP-SET / ..... ANALOGUE PRODUCTIONS - MADE IN USA /..... ACOUSTIC SOUNDS USA / ..... ACOUSTECH MASTERING BY KEVIN GREY / ..... ORIGINAL STEREO AUFNAHMEN 1962 RCA-LIVING STEREO-RECORDS USA / ...... ORIGINAL STEREO RECORDING 1962 BY RCA-LIVING STEREO-RECORDS USA / ..... LIMITED EDITION ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION !! ..... DIESES WERTVOLLE 45rpm-2-LP-SET IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ....... ) ----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! -----

Weitere Details: ********************************************************************************************** ................. Aufnahmen 1962 ................... Leibowitz, Royal Philharmonic Orchestra................... Schon allein Mussorgski Kompositionen „Eine Nacht auf dem kahlen Berge“ und „Bilder einer Ausstellung“ sind ein wahres Hörerlebnis. Während Ren Leibowitz auf Grundlage von Mussorgskis und Rimskij-Korsakovs Bearbeitungen des Originals die Orchesterparts für das Royal Philharmonic Orchestra arrangierte, handelt es sich bei den „Bildern einer Ausstellung“ um Ravels Orchesterbearbeitung. Leibowitz schöpft die Tiefen der Dynamik voll aus und bringt damit eine unglaubliche Spannung in die Stücke. Beeindruckend ist auch die Klangqulität der Aufnahme. Vor allem „Bilder einer Ausstellung“ (Seite 2 - 4) ist klanglich exemplarisch gut und macht die LP zu einem Schmuckstück für jeden Plattenfreund.................... ********************************************************************************************** ................... Titel:................... A Night On Bare Mountain................... Pictures At An Exhibition................... - Promenade................... - Gnomus................... - Promenade................... - II vecchio castello................... - Promenade................... - Tuileries................... - Bydlo................... - Promenade................... - Ballet of the Chicks in Their Shells................... - Samuel Goldenburg And Schmyle................... - The Market Place At Limoges................... - Catacombs: Con mortuis in lingua mortua................... - The Hut on Fowls Legs................... - The Great Gate Of Kiev................... ********************************************************************************************** * Musikstil: Klassik................... * Interpret: Moussorgsky................... * Titel: The Power of The Orchestra................... * Audiophile LP ................... * Label: Analogue Productions ************************************************************************************************** ............... (2-LP set) Recorded at Kingsway Hall and engineered by Kenneth Wilkinson, this record couples Moussorgsky's Pictures At An Exhibition with Night On Bare Mountain. It has long been considered among the greatest sounding records ever made. Perhaps most stunning about Power of the Orchestra are the effortless dynamics, which have been reviewed and raved about ever since the first RCA shaded dog. From the teeny, tiny, itsy, bitsy gentle plucks of strings to the power of a full orchestra without a bit of notice. It's heart-stopping, jump-out-of-your-seat-type dynamics. The Power of the Orchestra - a more appropriate title there never was.) .............

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGUE 45RPM DOPPEL-LP - MADE IN USA ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION !! ...... SIEHE XXL-FOTO (LOOK AT THE XXL-PICTURE) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURE !! ..... )

Preis: EUR 399,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 199,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ANALOGUE 45RPM DOPPEL-LP - MADE IN USA ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION !! ...... SIEHE XXL-FOTO (LOOK AT THE XXL-PICTURE) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURE !! ..... )

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Christian Hutmacher - Walter-Flex-Str. 16, 51373 Leverkusen - Tel.: +49(0)173 4796675
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