***************************************************************************************************
Haydn*, Giovanni Antonini, Kammerorchester Basel – No. 7 __ Gli Impresari
Label: Alpha Classics – ALPHA 681, Alpha Classics – ALPHA 680
Series: Haydn 2032 – No. 7
Format: 2 × Vinyl, LP, Limited Edition, Numbered, 180g
CD
Country: Europe
Released: 08 Nov 2019
Genre: Classical
Style: Classical
Tracklist
Hide Credits
Symphony No.67 In F Major Hob. I:67
Composed By – Franz Joseph Haydn*
A1 I. Presto 5:45
A2 II. Adagio 9:01
A3 III. Menuet – Trio 2:11
B1 IV. Finale. Allegro Di Molto – Adagio E Cantabile – Allegro Di Molto 7:13
Symphony No.9 In C Major Hob. I:9
Composed By – Franz Joseph Haydn*
B2 I. Allegro Molto 4:09
B3 II. Andante 4:25
B4 III. Menuetto. Allegretto – Trio 2:28
Thamos, König In Egypten K345/336a
Composed By – Wolfgang Amadeus Mozart
C1 II. Maestoso – Allegro 4:52
C2 III. Andante 4:58
C3 IV. Allegro – Allegretto (Melodrama) 2:44
C4 V. Allegro Vivace Assai 3:29
C5 VIIa. [Allegro] 1:22
Symphony No.65 In A Major Hob. I:65
Composed By – Franz Joseph Haydn*
D1 I. Vivace Con Spirito 7:32
D2 II. Andante 5:22
D3 III. Menuet – Trio 2:41
D4 IV. Finale. Presto 4:37
Symphony No. 67 In F Major, Hob. I:67
Composed By – Franz Joseph Haydn*
CD-1 I. Presto
CD-2 II. Adagio
CD-3 III. Menuet – Trio
CD-4 IV. Finale. Allegro Di Molto – Adagio E Cantabile – Allegro Di Molto
Thamos, König In Egypten, K. 345/336a
Composed By – Wolfgang Amadeus Mozart
CD-5 II. Maestoso – Allegro
CD-6 III. Andante
CD-7 IV. Allegro – Allegretto (Melodrama)
CD-8 V. Allegro Vivace Assai
CD-9 VIIa. [Allegro]
Symphony No. 65 In F Major, Hob. I:65
Composed By – Franz Joseph Haydn*
CD-10 I. Vivace Con Spirito
CD-11 II. Andante
CD-12 III. Menuet
CD-13 IV. Finale. Presto
Symphony No. 9 In C Major Hob. I:9
Composed By – Franz Joseph Haydn*
CD-14 I. Allegro Molto
CD-15 II. Andante
CD-16 III. Menuetto. Allegretto – Trio
Companies, etc.
Phonographic Copyright (p) – Joseph Haydn Stiftung
Phonographic Copyright (p) – Alpha Classics
Phonographic Copyright (p) – Outhere Music France
Copyright (c) – Alpha Classics
Copyright (c) – Outhere Music France
Copyright (c) – Peter van Agtmael
Copyright (c) – Magnum Photos
Copyright (c) – Łukasz Rajchert
Copyright (c) – Kemal Mehmet Girgin
Copyright (c) – Kathy Ryan
Copyright (c) – Reinhard Winkler
Recorded At – Landgasthof Riehen
Mastered At – GZ Media – 191495E
Mastered At – SNAdisc
Credits
Bassoon – Carles Cristobal Ferran*, Letizia Viola
Cello – Christoph Dangel, Georg Dettweiler, Hristo Kouzmanov
Conductor – Giovanni Antonini
Design, Artwork – Valérie Lagarde
Editor – Amélie Boccon-Gibod, Louise Burel
Flute – Isabelle Schnöller
Horn – Konstantin Timokhine, Mark Gebhart
Liner Notes – Christian Moritz-Bauer, Daniel Kehlmann, Giovanni Antonini
Liner Notes [English Translation] – Charles Johnston
Liner Notes [French Translation] – Dennis Collins (2), Laurent Cantagrel
Liner Notes [German Translation] – Jürgen Grözinger (3), Silvia Berutti-Ronelt
Liner Notes [Traduction] – Juliette Aubert
Liner Notes [Translation] – Ben Fergusson
Management [Director Alpha Classics] – Didier Martin
Oboe – Emiliano Rodolfi, Thomas Meraner
Orchestra [On Period Instruments] – Kammerorchester Basel
Photography By [Additional Photos] – Kathy Ryan, Kemal Mehmet Girgin, Lukasz Rajchert*
Photography By [Photo Gallery] – Magnum Photos, Peter van Agtmael
Producer [Recording Producer], Edited By [Editing], Mastered By [Mastering] – Jean-Daniel Noir
Timpani – Alexander Wäber
Trumpet – Christian Bruder, Jan Wollmann
Typography – Scala Pro
Viola – Anna Pfister, Bodo Friedrich, Katya Polin, Mariana Doughty
Violin [1st Violin] – Elisabeth Kohler-Gomes, Ewa Miribung, Irmgard Zavelberg, Tamás Vásárhelyi, Valentina Giusti, Yuki Kasai
Violin [2nd Violin] – Anna Faber (2), Barbara Bolliger, Maria Cristina Vasi, Mirjam Steymans-Brenner, Regula Keller
Violone – Daniel Szomor, Stefan Preyer
Notes
Sleeve
– Thick cardeboard gatefold-cover
– Shaped series title "Haydn 2032___"
– Separate banderole with the release title on front and tracklist and other information on back
– Including 36-page book with photo Album By Peter van Agtmael / Magnum Photos
Labels
– Series title
– Release title
– Side lettering
– Tracklist
– Artist credits
– Catalog number and label-logo
Catalog numbers
– ALPHA 681 on spine, labels and the banderole
– ALPHA 680 on CD cardboard sleeve ("not to be sold seperately")
Limited to 1000 copies,
also includes the CD in a printed cardboard sleeve and a code for downloading the programme.
DMM Cutting
Liner notes in English, French and German
Recorded at Landgasthof Riehen
2-6 October 2017
℗ Joseph Haydn Stiftung & Alpha Classics / Outhere Music France 2019
© Alpha Classics / Outhere Music France 2019
Made in France
72'49 (on LP banderole)
73'01 (on CD cardboard sleeve)
Barcode and Other Identifiers
Barcode (Text): 3 760014 196812
Barcode: 3760014196812
Label Code: LC00516
Matrix / Runout (Runout side A, stamped): 191495E1/A M0110243
Matrix / Runout (Runout side B, stamped): 191495E2/A M0110244
Matrix / Runout (Runout side C, stamped): 191495E3/A M0110245
Matrix / Runout (Runout side D, stamped): 191495E4/A M0110246
Matrix / Runout (CD, complete inscription): M0110247 ALPHA681 IFPI LD02
Mastering SID Code: IFPI LD02
Mould SID Code: IFPI 1A42
**************************************************************************************************
Rezension:
Die Mehrmalsverwendung von Ideen war für Komponisten, die aufgrund ihrer Arbeitsverträge mit Adel oder Kirche zu einem schier übermenschlichen Output gezwungen waren, nichts Ehrenrühriges, man findet sie in Bachs Kantatenwerk ebenso wie bei Haydn. Die drei Symphonien, die Giovanni Antonini für den siebten Teil seines Haydn-Projektes zusammengestellt hat, sind mutmaßlich "wiederverwertete" Schauspiel-Musiken, wobei es sich hier weniger um Recycling denn um Veredelung handelt, denn natürlich gab sich der Pionier der klassischen Symphonie bei der Ausführung keine Blöße. Wobei Antoninis sagenhafte Gestaltung der Werke zwischen Sturm und Drang-Energie und feinsten Details (die subtilen Pianissimo-Momente begeistern wie immer ganz besonders) das ihrige dazutut. Das ergänzende Werk diesmal muß natürlich auch mit der Theaterbühne zu tun haben; Antonini wählte Mozarts seltenst aufgeführte Bühnenmusik zu Tobias Philipp Freiherr von Geblers Schauspiel "Thamos, König von Ägypten". Jenes würde nun wohl niemand als essentiellen Baustein des Mozartschen Schaffens bezeichnen – aber natürlich gelingt es Antonini, es trotzdem so klingen zu lassen. – Die Ausstattung des Albums ist luxuriös wie immer! (2019)
***********************************************************************************************
Im Theater mit Haydn
Zu den Amtspflichten Joseph Haydns als Kapellmeister in Eszterháza gehörten auch die musikalische Organisation des Opernbetriebs sowie die Bereitstellung von Musik für Theateraufführungen. Letzterem Aspekt widmet sich die siebte Folge des hochgelobten Haydn-2032-Projekts auf ALPHA CLASSICS. Sie präsentiert nämlich einige Werke, die schon lange in Verdacht stehen, zu Sinfonien umgearbeitete Schauspielmusiken zu sein. Die in etwa zeitgleich, nämlich 1776 entstandenen instrumentalen Zwischenspiele aus Wolfgang Amadeus Mozarts Schauspielmusik zu von Geblers heroischem Drama Thamos, König in Egypten KV 345 bilden hierzu die perfekte Ergänzung.
Rezensionen
»Das wieder bestens eingestellte, hochmotivierte Basler Kammerorchester wirft sich mit attackierender Verve und entfesseltem Spielwitz voll ins Zeug und unterstreicht mit Nachdruck seinen Rang als führende europäische Originalklangtruppe: ›Gli Impressari‹ ist ein Album der Überraschungen und Gegensätze.« (stereoplay, Mai 2019)
************************************************************************************************
Description
Haydn 2032 Volume 7 - Gli Impresari Kammerorchester Basel, Giovanni Antonini
Under the title Gli impresari, The Impresarios – i.e. the directors of the theatre troupes that Nikolaus I, Prince Esterházy engaged to perform in his opera houses – this CD gathers together some of the orchestral works by Joseph Haydn linked by their origin and their reception; they were originally conceived as theatre music, before their metamorphosis into symphonies(…). The period from 1772 onwards, when Karl Wahr was responsible for for the summer theatre programme at Esterháza, saw the peak of the multidisciplinary collaboration taking place between the court music directed by Haydn and companies engaged from outside. (…) At the end of 1775 and the beginning of 1776, while Joseph Haydn was occupied in transforming his music for Collé’s comedy into a symphony for concert performance, Karl Wahr was enjoying enormous success with his theatrical entertainments in the ballroom at the theatre in Salzburg. It was there, on 3 January 1776, that Thamos, King of Egypt was staged, a heroic drama whose choruses, musicologists now believe, were composed by none other than Wolfgang Amadeus Mozart; for this Salzburg performance he also composed four instrumental entractes (recorded for this disc) as well as a melodrama and a Don Giovanni-esque descent into hell.
Haydn, Franz Joseph (1732-1809)
Mozart, Wolfgang Amadeus (1756-91)
Works
Haydn: Symphony No. 9 in C major
Haydn: Symphony No. 65 in A major
Haydn: Symphony No. 67 in F major
Mozart: Thamos, König in Ägypten, K.345: Overture
Antonini, Giovanni
Basel Chamber Orchestra
*************************************************************************************************
|