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ANALOGUE PRODUCTIONS AAPP 069 ----- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)	THE BEACH BOYS ----- SUNFLOWER ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2016 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1970 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1970 BY CAPITOL RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND VON KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2016 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... ) Weitere Details: Sunflower (Vinyl, LP, Album, Reissue, Remastered) album cover The Beach Boys ‎– Sunflower Label: Analogue Productions ‎– APP 069, Capitol Records ‎– APP 069, Brother Records (3) ‎– APP 069 Format:Vinyl, LP, Album, Reissue, Remastered, 200g, Gatefold Country: US Released: 2016 Genre: Rock Style: Pop Rock, Psychedelic Rock Tracklist Hide Credits A1 Slip On Through Written-By – Dennis Wilson (2) 2:15 A2 This Whole World Written-By – Brian Wilson 1:55 A3 Add Some Music To Your Day Written-By – Brian Wilson, Joe Knott, Mike Love 3:34 A4 Got To Know The Woman Written-By – Dennis Wilson (2) 2:40 A5 Deirdre Written-By – Brian Wilson, Bruce Johnston 3:26 A6 It's About Time Written-By – Alan Jardine, Bob Burchman, Dennis Wilson (2) 2:56 B1 Tears In The Morning Written-By – Bruce Johnston 4:03 B2 All I Wanna Do Written-By – Brian Wilson, Mike Love 3:34 B3 Forever Written-By – Dennis Wilson (2), Greg Jacobson* 2:40 B4 Our Sweet Love Written-By – Alan Jardine, Brian Wilson, Carl Wilson 2:38 B5 At My Window Written-By – Alan Jardine, Brian Wilson 2:29 B6 Cool, Cool Water Written-By – Brian Wilson, Mike Love 5:03 Companies, etc. Pressed By – Quality Record Pressings Credits Remastered By – Kevin Gray ********************************************************************************************* 1970 war kein leichtes Jahr für die Beach Boys - viel war geschehen, seit sie 1967 mit „Pet Sounds“ Popgeschichte geschrieben hatten; Verkaufszahlen waren zurückgegangen, bandinterne Spannungen forderten ihren Tribut, und schließlich führte ein Rechtstreit zur Trennung vom Label Capitol Records. Schließlich fand man mit Reprise ein neues Label, aber der Druck, endlich wieder Hits zu produzieren, war immens. „Sunflower“, das erste Album für Reprise, begeisterte Kritiker weltweit: Zeitgemäße, erwachsene Songs und Themen, geniale Arrangements, großer Abwechslungsreichtum (auf kaum einem Beach-Boys-Album zuvor war die Last des Songwritings und Producings so gleichermaßen auf die fünf Bandmitglieder verteilt worden), Gute-Laune-Hits wie „Slip On Through“, wundervolle Balladen wie „Forever“ und der unnachahmliche mehrstimmige Gesang machten „Sunflower“ zu einem der besten Post-Pet-Sounds-Alben. Dass es trotzdem nicht die verdienten Verkaufszahlen erreichte, bleibt bis heute ein Rätsel. Ein Grund mehr, sich jetzt das soundtechnisch grandiose Remastering von Acoustic Sounds zuzulegen. Mastering durch Kevin Gray bei Cohearent Audio, USA. Gepresst bei Quality Record Pressings auf 200 g-schwerem Vinyl. Titel: 1. Slip On Through 2. This Whole World 3. Add Some Music to Your Day 4. Got to Know the Woman 5. Deirdre 6. It's About Time 7. Tears in the Morning 8. All I Wanna Do 9. Forever 10. Our Sweet Love 11. At My Window 12. Cool, Cool Water ******************************************************************************************** Rezension: Nach "20/20" verlor die einstige Milchkuh des Capitol Labels ihren Plattenvertrag. Der neue Arbeitgeber Reprise lehnte den ersten Versuch ab, woraufhin sich die Band zusammenriß und mit "Sunflower" ein strahlendes Surf-Pop-Album präsentierte, das ziemlich nahtlos an alte, unbekümmerte Zeiten anknüpfte und die Stärke der Band, ihren einzigartig strahlenden Harmoniegesang, wieder ins rechte Licht rückte. Endlich wurden auch die bis dahin eher im Schatten blühenden Songwriting-Talente von Dennis Wilson und Bruce Johnston offenbar; überhaupt war das Album mehr denn je zuvor eine Gemeinschaftsarbeit, wie man den Songwriting- und Production-Credits sehr schön entnehmen kann. Die großen Hits blieben zwar aus – trotz hervorragender Kritiken muß man das Album in kommerzieller Hinsicht letztlich als Flop verbuchen –, doch war dies ein mehr als würdevoller Start in das neue Jahrzehnt und gehört auf jeden Fall zu den besten Post-"Pet Sounds"-Alben der Band! – Auch hier gelang Analogue Productions eine in jeder Beziehung definitive Ausgabe. (1970/2016, Pressung aktuell) ******************************************************************************************** Ein musikalisches Vermächtnis, das in Hawthorne in Kalifornien begann und von dort aus die Welt erobert hat. Analogue Productions präsentiert die ultimativen Neuauflagen von den vierzehn wichtigsten Beach Boys Alben. Von Kevin Gray größtenteils von den originalen Masterbändern neu gemastert, galvanisiert und gepresst bei Quality Record Pressings, einem der besten Presswerke weltweit, bieten diese Aufnahmen ein überwältigendes Erlebnis. Und der Anblick jedes Albums passt zu seinem überragenden Klang! Sie präsentieren sich in Stoughton-Covern alter Schule mit von Hand aufgeklebtem Deckblatt, an der typischen Falzung erkennbar, so dass diese altehrwürdigen LP-Klassiker noch beeindruckender sind als im Original! »Sunflower« wird von den meisten Fans – und einigen der Beach Boys selbst – als ihr bestes Werk nach »Pet Sounds« betrachtet. Mehr als jedes andere Beach Boys Album ist dieses hier eine wirkliche Gruppenarbeit, wobei Carl Wilson die Produktionaufsicht hatte und auch die Abmischung überwachte. Brian Wilson selbst war stark in die Erstellung dieses Albums involviert, das eine seiner bleibenden Kompositionen enthält, »This Whole World«, und außerdem eine erweiterte Fassung eines Fragments aus den Aufnahmen für »Smile«, »Cool Cool Water«, die dem Hörer einiges an besonders komplexen und verspielten ineinander verflochtenen Gesangspartien bietet. In »Sunflower« findet sich auch einiges von Dennis Wilsons besten Arbeiten, darunter das schnelle Stück zu Beginn des Albums, »Slip On Through«, sowie die klassische Beach Boys Ballade »Forever«. »Sunflower«, ursprünglich mit dem Titel »Add Some Music« (nach der ersten Single der Gruppe für Warner, »Add Some Music To Your Day«, das nicht oft genug im Radio gespielt wurde, um ein Hit zu werden), erlebte mehrfache Veränderungen in seiner Zusammenstellung, bevor es schließlich im Spätsommer 1970 veröffentlicht wurde. Das Album, das von der britischen Musikpresse als das »Sgt. Pepper-Album der Beach Boys« begrüßt wurde, floppte im Verkauf trotz glühender Kritiken und großem Beifall für seine reiche Klangstruktur (zu keinem kleinen Teil dem Toningenieur der Beach Boys, Stephen Desper, geschuldet, einem renommierten Pionier für Quadrophonie und Surround Sound Technologie). ********************************************************************************************* tracklisting .................... 1. Slip On Through 2. This Whole World 3. Add Some Music to Your Day 4. Got to Know the Woman 5. Deirdre 6. It's About Time 7. Tears in the Morning 8. All I Wanna Do 9. Forever 10. Our Sweet Love 11. At My Window 12. Cool, Cool Water The ultimate pressings of the Beach Boys discography from Analogue Productions! 33 1/3 RPM Stereo only Produced by the Beach Boys Audio production — Mark Linett For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings! "These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds "In retrospect this is a well-crafted, superbly recorded album that stands up well forty-six years later. And yes, it is one of the few 'true stereo' (soft) rock records ever recorded. Interestingly, the original was mastered at Artisan where Kevin Gray once worked (thought he didn't master the original). His cut here is far superior to the original in every way." — Michael Fremer, AnalogPlanet.com. Read the whole review here. "What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals! Sunflower is considered by most fans — and some of the Beach Boys themselves — to be their finest work after Pet Sounds. More so than any other Beach Boys album, it's a true group collaboration, with Carl Wilson overseeing the production and mixdowns. Brian Wilson himself was very involved in the creation of this album, which includes one of his most enduring compositions, "This Whole World," as well as an expansion of a fragment from the Smile sessions, "Cool Cool Water," featuring some of the band's most intricate and playful interlocking vocal parts. Sunflower is also the home of some of Dennis Wilson's most enduring work, including the uptempo album opener "Slip On Through," and the classic Beach Boys ballad "Forever." Sunflower, originally titled Add Some Music (after the group's initial single for Warners, "Add Some Music To Your Day," which failed to garner enough airplay to become a hit), underwent several lineup revisions before its eventual release in the late summer of 1970. The album, hailed by the U.K. music press as "The Beach Boys' Sgt. Pepper, failed to sell, despite glowing reviews and wide acclaim for its rich sonic texture (due in no small part to the efforts of Beach Boys' engineer Stephen Desper, a noted pioneer in quadrophonic and surround sound technologies). ********************************************************************************************* Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... ) Preis:** EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... ) In den Warenkorb


ANALOGUE PRODUCTIONS AAPP 070 ---- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!) XXL-Foto XXL-Foto	THE BEACH BOYS ----- SURF´S UP ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2016 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1970 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1970 BY CAPITOL RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND BY KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2016 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... ) Weitere Details: ********************************************************************************************** Surf's Up (Vinyl, LP, Album, Limited Edition, Reissue, Remastered) album cover The Beach Boys ‎– Surf's Up Label: Brother Records (3) ‎– B0021082-01, Capitol Records ‎– B0021082-01, Universal Music Special Markets ‎– B0021082-01, Analogue Productions ‎– APP 070 Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, 200 Gram, Gatefold Country: US Released: Jul 2016 Genre: Rock, Pop Style: Pop Rock, Psychedelic Rock Tracklist Hide Credits A1 Don't Go Near The Water Written-By – Alan Jardine, Mike Love 2:37 A2 Long Promised Road Written-By – Carl Wilson, Jack Rieley 3:28 A3 Take A Load Off Your Feet Written-By – Alan Jardine, Gary Winfrey 2:28 A4 Disney Girls (1957) Written-By – Bruce Johnston 4:07 A5 Student Demonstration Time (Based On "Riot In Cell Block #9") Lyrics By [New] – Mike LoveWritten-By – Jerry Leiber And Mike Stoller* 3:54 B1 Feel Flows Written-By – Carl Wilson, Jack Rieley 4:44 B2 Lookin' At Tomorrow (A Welfare Song) Written-By – Alan Jardine, Gary Winfrey 1:54 B3 A Day In The Life Of A Tree Written-By – Brian Wilson, Jack Rieley 3:04 B4 'Til I Die Written-By – Brian Wilson 2:29 B5 Surf's Up Written-By – Brian Wilson, Van Dyke Parks 4:11 Companies, etc. Record Company – UMG Recordings, Inc. Copyright (c) – Brother Records, Inc. Licensed To – Capitol Records, LLC Manufactured By – Universal Music Enterprises Distributed By – Capitol Records, LLC Mastered At – Cohearent Audio Pressed By – Quality Record Pressings Published By – Wilojarston Publ. Published By – Quintet Music Co. Published By – Brother Publishing Company Published By – Bri-Mur Credits Art Direction – Ed Thrasher Consultant [Audio, 2014 Reissue], Producer [Audio Production] – Mark Linett Consultant [Research, 2014 Reissue], Research, Research [Archive] – Alan Boyd Engineer [Chief], Mixed By [Mixer] – Stephen W. Desper Lacquer Cut By [Lacquers Plated By] – Gary Salstrom Liner Notes [2014 Reissue] – David Clouston, Marc Sheforgen Mastered By – Kevin Gray Producer – The Beach Boys Producer [2014 Reissue] – Chad Kassem Product Manager [2014 Reissue] – Brent Briggs Supervised By [A&R Supervision, 2014 Reissue] – Matt D'Amico Notes Originally released in 1971 by Brother Records Audio production — Mark Linett, For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings 1971 - UK Top 40 Album Chart #15, US Billboard 200 Albums Chart #29 Barcode and Other Identifiers Barcode: 7 53088 00701 9 Matrix / Runout (Side A and B Labels): 31,236 Matrix / Runout (Side A Runout Etched): RS-6453-A2 APP-070 A2 KPG@CA Matrix / Runout (Side B Runout Etched): RS 6453-B2 AP-070 B2 KPG@CA Matrix / Runout (Side A and B Runout Stamped): KEVIN GRAY QRP Rights Society: ASCAP Rights Society: BMI Other (Insert Catalog Number): B0019454-01NS01 ********************************************************************************************** Nachdem ihr 16. Studio-Album, „Sunflower“, das erste für das neue Label Reprise, trotz bester Kritiken kommerziell nahezu komplette gefloppt war, wurde es 1970 für die Beach Boys allerhöchste Zeit, sich neu zu erfinden. Und genau das tat man mit der Hilfe des neuen Managers Jack Rieley, und mit „Surfs Up“. Der ironische Titel und das düstere Cover des neuen Albums verkündeten stolz die Abkehr von Happy-Surfer-Sound früherer Jahre, unter der Leitung von Carl Wilson sprachen neue Songs eine rockigere Sprache und widmeten sich kontroversen politischen und sozialen Themen, während sich der frühere Frontmann Brian Wilson, der sich zunehmend in Depressionen verkroch, traute, Songs vom nie veröffentlichten Konzeptalbum „Smile“ auf diesem Album zu bringen. Der anspruchsvolle musikalische Kurswechsel zusammen mit ambitionierter Tontechnik (das Album wurde in Quadrophonie abgemischt) zahlten sich aus: Mit Platz 29 in den US-Charts war es das erfolgreichste Album der Band seit „Pet Sounds“. Jetzt bei Acoustic Sounds exzellent remastert und im hochwertig reproduzierten Originalcover. Mastering durch Kevin Gray bei Cohearent Audio, USA. Gepresst bei Quality Record Pressings auf 200 g-schwerem Vinyl. Titel: 1. Dont Go Near The Water 2. Long Promised Road 3. Take A Load Off Your Feet 4. Disney Girls 5. Student Demonstration Time 6. Feel Flows 7. Lookin At Tomorrow (A Welfare Song) 8. A Day In The Life Of A Tree 9. Til I Die 10. Surfs Up ****************************************************************************************** The ultimate pressings of the Beach Boys discography from Analogue Productions! 33 1/3 RPM Stereo only Produced by the Beach Boys Audio production — Mark Linett For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings! "These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds "While the consensus deems Pet Sounds to be The Beach Boys' greatest achievement, I derive much more joy from this 1971 release. Issued when the band was considered so unhip as to be beyond redemption, it featured Bruce Johnston's heartbreakingly gorgeous 'Disney Girls (1957),' famously covered by Art Garfunkel, 'Long Promised Road,' 'Til I Die,' 'Feel Flows' and the luscious title track. Surf's Up restored the band's credibility, despite Brian Wilson not dominating the proceedings. It sounds equally glorious on SACD. It was recorded for surround sound, to be heard via a Dynaco Quadaptor. Pity Acoustic Sounds didn't issue that mix, too!" — Sound Quality = 91% - Ken Kessler, HiFi News, "Years Best" Yearbook 2017 "The original Artisan Sound mastering is masterful and if you have a clean one, you're all set. This reissue is not quite as transparent but the inner detail resolution is superior as is the bottom end. If I had to guess which album(s) were cut from 'best available' as opposed to master tapes I'd pick this one simply because the top end is not as open and airy. If you don't have an original you won't know you're missing something, and you are getting inner detail and bottom end weight the original lacks." — Michael Fremer, AnalogPlanet.com. Read the whole review here. "While the consensus deems Pet Sounds to be The Beach Boys' greatest achievement, I derive much more joy from this 1971 release. Issued when the band was considered so unhip as to be beyond redemption, it featured Bruce Johnston's heartbreakingly gorgeous 'Disney Girls (1957),' famously covered by Art Garfunkel, 'Long Promised Road,' 'Till I Die,' 'Feel Flows' and the luscious title track. Surf's Up restored the band's credibility, despite Brian Wilson not dominating the proceedings. It sounds equally glorious on SACD. Audiophiles will note it was recorded for surround sound, to be heard via a Dynaco Quadaptor. Pity Acoustic Sounds didn't use that mix, too!" — Sound Quality = 91% - Ken Kessler, HiFi News, December 2016 "What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals! Worth noting on Surf's Up is Stephen Desper's engineering work — the entire album was mixed to a center channel quad matrix that he was developing at the time. Surf's Up hit the Top 30 on its first release, reaching No. 29 on the Billboard LP charts — the highest chart placement the group had had since 1967. At the time of its release, Surf's Up was hailed by many as a comeback for The Beach Boys, who were beginning to attract raves for their live performances, including highly acclaimed sets at New York's legendary Carnegie Hall. Carl Wilson makes solid contributions on Surf's Up with "Long Promised Road" and "Feel Flows," and the album also features stellar tracks by Al Jardine and Mike Love, as well as Bruce Johnston's most enduring composition, the gently nostalgic "Disney Girls (1957)," but the album's twin jewels are both from Brian Wilson — "Til I Die" and the title track — one of the centerpieces of the then-unreleased Smile (cowritten by lyricist Van Dyke Parks and here given that album's "Child Is Father to the Man" as a glorious coda.) Surf's Up track "A Day in the Life of a Tree" is the first in a series of Brian's songs that close the album. It's simultaneously one of Brian Wilson's most deeply touching and unusual compositions; he is the narrator and object of the song (though not the vocalist; co-writer Jack Rieley lends a hand), lamenting his long life amid the pollution and grime of a city park while the somber tones of a pipe organ build atmosphere. "Til I Die," isn't the love song the title suggests; it's a haunting, fatalistic piece of pop surrealism that appeared to signal Brian's retirement from active life. 1. Don’t Go Near The Water 2. Long Promised Road 3. Take A Load Off Your Feet 4. Disney Girls 5. Student Demonstration Time 6. Feel Flows 7. Lookin’ At Tomorrow (A Welfare Song) 8. A Day In The Life Of A Tree 9. ‘Til I Die 10. Surf’s Up *********************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... ) Preis:** EUR 599,99 (minus 50% discount/rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... ) In den Warenkorb


ANALOGUE PRODUCTIONS AAPP 093 ----- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)	DOCTOR JOHN ----- DR.JOHNS GUMBO ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS COUNTRY-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2016 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1972 BEI ATLANTIC RECORDS IN USA / ..... ORIGINAL RECORDING 1972 BY ATLANTIC RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND BY KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2016 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... ) Weitere Details: ************************************************************************************************** Dr. John's Gumbo (Vinyl, LP, Album, Limited Edition, Reissue, Remastered) album cover Dr. John ‎– Dr. John's Gumbo Label: Analogue Productions ‎– AAPP 093, ATCO Records ‎– SD 7006 Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Gatefold, 200 gram Country: US Released: 2016 Genre: Funk / Soul Style: Bayou Funk, Funk, Rhythm & Blues Tracklist Hide Credits A1 Iko Iko Written-By – James "Sugarboy" Crawford* 4:08 A2 Blow Wind Blow Written-By – Huey Smith, Izzy Cougarden 3:17 A3 Big Chief Written-By – E. Gaines 3:25 A4 Somebody Changed The Lock Written-By – Mac Rebennack 2:42 A5 Mess Around Written-By – Ahmet Ertegun 3:09 A6 Let The Good Times Roll Written-By – E. Johnson* 3:56 B1 Junko Partner Written-By – Bob Shad 4:27 B2 Stack-A-Lee Arranged By – ArchibaldWritten By – Traditional 3:28 B3 Tipitina Written-By – Roy Byrd 2:04 B4 Those Lonely Lonely Nights Written-By – Earl King, Johnny Vincent* 2:30 Huey Smith Medley (3:17) B5a High Blood Pressure Written-By – Huey Smith, Johnny Vincent B5b Don't You Just Know It Written-By – Huey Smith, Johnny Vincent B5c Well I'll Be John Brown Written-By – Huey Smith, Johnny Vincent B6 Little Liza Jane Written-By – Huey Smith, Johnny Vincent 2:59 Companies, etc. Pressed By – Quality Record Pressings Remastered At – Cohearent Audio Lacquer Cut At – Cohearent Audio Distributed By – Acoustic Sounds Credits Arranged By [Horns] – Harold Battiste Arranged By [Vocal] – Dr. John, Harold Battiste Backing Vocals – Alvin Robinson, Jesse Smith, Moe Bechamin, Robbie Montgomery, Ronnie Barron, Shirley Goodman, Tami Lynn Bass – Jimmy Calhoun Clarinet – Harold Battiste (tracks: A4) Cornet – Melvin Lastie Drums – Freddie Staehle Electric Piano, Organ – Ronnie Barron Engineer – Gary Brandt, Keith Olsen Guitar – Alvin Robinson, Dr. John (tracks: A6), Ken Klimak Harmonica – Sidney George (tracks: A6) Liner Notes – Jerry Wexler Percussion – Richard "Didimus" Washington Photography By, Design – Barry Feinstein, Tom Wilkes (2) Piano – Dr. John (tracks: A1, A2, A4, B1 to B6), Ronnie Barron (tracks: A6) Producer – Harold Battiste, Jerry Wexler Remastered By – Kevin Gray Saxophone – David Lastie, Harold Battiste, Lee Allen, Moe Bechamin, Sidney George Trombone – Streamline (5) (tracks: A4) Vocals – Dr. John Notes Title listed as "Gumbo" on both spine and labels. Barcode and Other Identifiers Barcode: 753088009310 ****************************************************************************************** Dr. John - Gesang, Klavier, Keyboard Ronnie Barron - Orgel, Gesang, Klavier, Keyboard Harold Battiste, Jr. - Klarinette, Saxophon Sidney George - Harmonica, Saxofon Morris Bechamin - Saxofon, Gesang Jimmy Calhoun - Bass Fred Staehle - Schlagzeug, Percussion Richard Washington - Percussion u.a. In der Musik Amerikas führen alle Wege früher oder später nach New Orleans, und der ultimative Wegweiser dorthin - man sieht es auch auf dem Cover dieser LP - ist Dr. John, die exzentrische lebende Piano-Legende. Und wer ihm folgt und sich auf den Weg nach New Orleans macht, der kommt unterwegs an „Dr. Johns Gumbo“ von 1972 nicht vorbei. Das Album, das jeder New-Orleans-Musiker von Cajun bis Zydeco als Meilenstein betrachtet, ist eine große Verneigung vor den Klassikern der Musik dieser einmaligen Stadt. Nur Traditionals und Evergreens sind hier versammelt, von „Iko Iko“ über „Mess Around“ und „Let The Good Times Roll“ bis zu „Tipitina“. Und natürlich drückt Dr. John mit seiner Stimme und seiner ganz eigenen „Funknology“, wir er selbst seinen groovenden Piano-Stil nennt, gemeinsam mit einer mächtig launigen Band jeder Nummer seinen unvergleichlichen Stempel auf. Bei Analogue Productions gibt es diese starke Scheibe jetzt von den Originalbändern remastert, druckvoll, warm, und mit hochglanzpoliertem Groove - das muss man sich einfach gönnen! Remastering durch Kevin Gray bei Cohearent Audio von den Original-Analogbändern. Gepresst auf 200-Gramm schwerem Vinyl bei Quality Record Pressings! ********************************************************************************************* Rezension: Es dürfte schwerfallen, aus den ersten fünf Jahren der Mac Rebennack-Diskographie ein definitives Werk zu isolieren. Neben dem Debüt "Gris-Gris" und dem 1973er "In The Right Place" hat "Gumbo" aber schon deswegen mit die besten Karten, weil der Album-Opener "Iko-Iko" so ziemlich das quintessentielle Stück Cajun-Rock überhaupt ist; man könnte fast von einer lokalen Nationalhymne sprechen. Womit die LP aber nur gerade mal angefangen hat: Was sich hier zwischen Klassikern (teils von eigener, teils von fremder Hand) wie "Big Chief", "Somebody Changed The Lock", "Tipitina" oder dem grandiosen Huey "Piano" Smith-Medley abspielt, war und ist durchweg geeignet, den New Orleans-Roots-Rock-Stil zu definieren…! Neu von Kevin Gray von den analogen Quellen gemastert, dynamischer und funkiger denn je! (1972/2016, Pressung aktuell) ******************************************************************************************* * Gatefold Cover Dr. John (voc, p, keyb, crt); Ronnie Barron (keyb, org, p, voc); Harold Battiste, Jr. (cl, sax); Sidney George (hca, sax); Morris Bechamin (sax, voc); Jimmy Calhoun (b); Fred Staehle (dr, perc); Richard Washington (perc); u. a. »Dr. John's Gumbo« ist das fünfte, 1972 erschienene Album des aus New Orleans stammenden Sängers und Pianisten Dr. John, alias The Night Tripper, und in vielerlei Hinsicht ein Tribut an die Musik seiner Heimatstadt. Es handelt sich dabei um eine Kollektion gecoverter New Orleans Klassiker (»Iko Iko«, »Tipitina«, »Junko Partner« und »Stack-O-Lee«), gespielt von einem der herausragenden Musiker dieser Stadt, sowie um zeitgenössischem R&B, geschrieben oder gespielt von Leuten wie Huey Piano Smith (»Blow Wind Blow« und »Huey Smith Medley«) Earl King und Earl Gaines (»Big Chief«, »Let The Good Times Roll« und »Lonely Lonely Nights«). Dr. John liefert ein starkes Set ansteckender Songs voll guter Vibes und gewürzt mit einer Prise Voodoo. Seine exzentrische (Bühnen-) Erscheinung bereichert auf einzigartige Weise seinen Status als Meister der Tasten und Entertainer. Dies großartige Album durchlief das volle Analogue Productions Wiederauflagen-Programm, beginnend mit Kevin Grays Remastering von den originalen analogen Bändern. Noch verbessert durch Galvanisierung und Pressung auf extrem ruhig laufenden 200g Vinyl aus dem hauseigenen Presswerk Quality Record Pressings. Abschließend verpackt in eine von Hand mit dem bedruckten Deckblatt aus mattglänzendem Papier beklebten Klappcover von Stoughton Printing. Schierer Luxus von A-Z; Sie werden vom Ergebnis entzückt sein! *********************************************************************************************** SCOTT NANGLE AUDIO SCOTT NANGLE AUDIO BEST in Audiophile Vinyl , New Release & Classics Home Contact Product search 180g 200g 45rpm Box Sets. 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Register Subscribe to newsletter Categories ROCK & POPULAR Dr John - Dr John's Gumbo - 200g LP Dr John - Dr John's Gumbo - 200g LP Product no.: AAPP 093 In stock £37.99 Price includes VAT, plus delivery + – Possible delivery methods: UK Tracked with Signature, Airmail Standard, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item Compare Recommend Ask question Description AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head Analogue Productions - AAPP 093 - 200 Gram Virgin Vinyl AAA 100% Analogue - Mastered by Kevin Gray at Cohearent Audio Limited Edition - Pressed at QRP The Absolute Sound Super Disc List I have some original Atco works that just don’t get the job done due to questionable pressings. I’m talking about new old-stock records that were ticky and crackly write out of the wrapper. One of those titles was by Dr. John, and AP recently put out his phenomenal Gumbo on 200-gram vinyl. My original copy was actually just fine, but it didn’t approach the level of magic found in these grooves. This is an unbelievable album presented unbelievably - Sound 4/5 HiFidelty. Remastered by Kevin Gray at Cohearent Audio, from the original analog tapes 200-gram vinyl plated and pressed by Quality Record Pressings! Tip-on style gatefold jacket by Stoughton Printing Dr. John's Gumbo bridged the gap between post-hippie rock and early rock & roll, blues, and R&B, offering a selection of classic New Orleans R&B, including "Tipitina" and "Junko Partner," updated with a gritty, funky beat. There aren't as many psychedelic flourishes as there were on his first two albums, but the ones that are present enhance his sweeping vision of American roots music. And that sly fusion of styles makes Dr. John's Gumbo one of Dr. John's finest albums. Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music. Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") and Earl King ("Big Chief" and "Those Lonely Lonely Nights"). Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer. This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analog tapes. Then we back that up with 200-gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be ecstatic with the results! • Re-mastered by Kevin Gray at Cohearant Audio • Re-mastered from Original Analog Tapes Musicians: Dr. John, vocals, piano, keyboards Ronnie Barron, keyboards, organ, piano, vocals Harold Battiste, Jr., clarinet, saxophone Sidney George, harmonica, saxophone Morris Bechamin, saxophone, vocals Jimmy Calhoun, bass Fred Staehle, drums, percussion Richard Washington, percussion 1. Iko Iko 2. Blow Wind Blow 3. Big Chief 4. Somebody Changed The Lock 5. Mess Around 6. Let The Good Times Roll 7. Junko Partner 8. Stack-A-Lee 9. Tipitina 10. Those Lonely Lonely Nights 11. Huey Smith Medley (High Blood Pressure / Don't You Just Know It / Well I'll Be John Brown) 12. Little Liza Jane Dr John - Dr John's Gumbo - 200g LP ORIGINAL MASTER TAPES AAA 100% ANALOGUE We use the Original Tapes and work with only the Best Mastering Studios QUALITY RECORD PRESSINGS Plated and Pressed at QRP the world`s Best Pressing Plant on Virgin Vinyl UNMATCHED QC Meticulous Test Pressing evaluation and Quality Control DELUXE PACKAGING Highest Quality Jackets and Rice Paper Inner Sleeves LIMITED EDITION Less than 1,000 Records per Stamper Released in Limited Quantities ********************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2020 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... ) Preis:** EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2020 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... ) In den Warenkorb


ANALOGUE PRODUCTIONS AAPP 118 ----- ( SALE = AUSVERKAUF-A 10/18 ) ----- ANALOGE-LP/RECORD ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED) XXL-Foto XXL-Foto	ROB WASSERMAN ----- DUETS ----- AUDIOPHILE 200GRAM HIGH QUALITY PRESSING MADE BY ANALOGUE PRODUCTION IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS POP-JAZZ-LP/RECORD IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD JACKET) / ..... ANALOGE LP/RECORD-REISSUE MADE IN 2017 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL STEREO-AUFNAHMEN 1988 BEI GEFFEN RECORDS IN USA / ..... ORIGINAL STEREO-RECORDING 1988 BY GEFFEN RECORDS IN USA / ..... REMASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2017 / ..... LIMITED EDITION ..... ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY!!) ..... DIESE WERTVOLLE ANALOGE LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... ) Weitere Details: ********************************************************************************************* Als Session-Musiker war der amerikanische Kontrabassist Rob Wasserman höchst gefragt, spielte mit Größen wie Van Morrison oder Dave Grisman zusammen. Unter eigenem Namen veröffentlichte Wasserman nur weniges, doch vieles davon war äußerst einflussreich, ganz besonders sein zweites Album „Duets“ von 1988. Eine ganze Reihe großer Sänger gingen für dieses Album mit Wassermann ins Studio, um Duette aus Kontrabass und Gesang aufzunehmen. Manche nahmen dabei wie z. B. Rickie Lee Jones, ihre Gitarre mit, andere, wie der unvergleichliche Bobby McFerrin, ließen via Overdubbing aus ihrer Stimme gewaltige Harmoniegeflechte entstehen, rocken wie Lou Reed mit der E-Gitarre, spielen die Geige wie Stephane Grapelli, und und und Auf der anderen Seite steht stets Wasserman, der mit seinem ruhigen und doch groovigen Spiel jedem der Songs und Standards auf diesem Album seinen Stempel aufzudrücken weiß. Eine starbesetzte Platte voller Überraschungen in erstklassiger Klangqualität. Es ist nicht verwunderlich, dass "Duets" zu den atemberaubendsten Kollektionen populärer Songs zählt, die in den 1980er Jahren erschienen sind. Von den Original-Master-Tapes durch Joe Gastwirt Mastering digital gemastert, Lackschnitt durch Kevin Gray bei Cohearant Audio. Gepresst auf 200 g-schwerem Vinyl bei Quality Record Pressings! ******************************************************************************************** Rezension: Der Kontrabassist hatte zu diesem Zeitpunkt bereits lange in David Grismans Band gespielt, hatte mit Größen wie Van Morrison gearbeitet und 1983 ein Solo-Album veröffentlicht, das von Down Beat zum "Album of the Year" gekürt worden war – die Grundvoraussetzungen für dieses Bravourstück waren also gegeben, insbesondere in Musikerkreisen war Wasserman eine feste Größe. Dennoch staunt man noch heute über die Namen der Partner, die Wasserman da im Jahre 1988 für jeweils ein Duett einlud: Aaron Neville, Joni Mitchell, Bobby McFerrin, Lou Reed, Jennifer Warnes, Dan Hicks, Cheryl Bentyne von The Manhattan Transfer und Stéphane Grappelli. So heterogen diese Schar anmuten mag – es ist die Intimität des Duetts, die die neun Songs zu einem schlüssigen Album verbindet. Welches vor allem aufgrund der überragenden Klangqualität in High End-Kreisen schnell zum Klassiker wurde, aber durchaus aufgrund seiner musikalischen Qualitäten gehört werden sollte… Für die Neuedition zum 30. Albumgeburtstag übernahm Kevin Gray den Vinyl-Schnitt! (1988/2018) ******************************************************************************************* Rob Wasserman gilt als einer der herausragenden Kontrabassisten der Neuzeit. Obwohl klassisch an der Violine ausgebildet, wechselte er mit 20 Jahren an den Bass und spielt seitdem mit Künstlern wie Elvis Costello oder Rickie Lee Jones regelmäßig zusammen. Für dieses Projekt kombinierte er Duette mit herausragenden Einzelkönnern wie Aaron Neville oder Bobby McFerrin und so bekannten Künstlern wie Jennifer Warnes und Lou Reed. ******************************************************************************************* Titel: Seite 1: 1. Stardust - Duet mit Aaron Neville 2. The Moon Is Made of Gold - Duet mit Rickie Lee Jones 3. Brothers - Duet mit Bobby McFerrin 4. Duet 5. One for My Baby (And One More for the Road) - Duet mit Lou Reed Seite 2: 1. Ballad of the Runaway Horse - Duet mit Jennifer Warnes 2. Gone With the Wind - Duet mit Dan Hicks 3. Angel Eyes - Duet mit Cheryl Bentyne 4. Over the Rainbow - Duet mit Stephane Grappelli **************************************************************************************** Description 200g Vinyl Pressing Mastered by Kevin Gray at Cohearant Audio This charming 1988 collection of distinct duets finds bass aficionado Rob Wasserman joined by revered vocalists like Aaron Neville, Rickie Lee Jones, Bobby McFerrin, Lou Reed, Jennifer Warnes, Dan Hicks, Cheryl Bentyne and Stephane Grappelli. The experimental release pairs the human voice with the bass guitar, resulting in a collection of singular and soulful collaborations. Unlike much of modern music, where vocals are squelched and compression molded into something of an afterthought, Wasserman sought to create a true music record – without technology interfering. "It's kinda like being in a club. It lets you get closer to the song," Wasserman says. Not surprisingly, Duets ranks among the most breathtaking collections of popular songs issued in the '80s and it sounds better than ever on this new 200g vinyl pressing from Analogue Productions, remixed from the analog multi tracks by Joe Gastwirt and Rob Wasserman, and mastered by Kevin Gray at Cohearant Audio. Features: • 200g vinyl from Analogue Productions • 33 1/3 rpm speed LP • Remixed from analog multi tracks to 88.2/24 by Joe Gastwirt and Rob Wasserman • Mastered by Kevin Gray at Cohearant Audio • Pressed at Quality Record Pressings • Heavy cardboard stock packaging featuring 'Old-School' tip-on gatefold sleeves **************************************************************************************** This charming collection of duets features the bass of Rob Wasserman with special guests Aaron Neville, Rickie Lee Jones, Bobby McFerrin, Lou Reed, Jennifer Warnes, Dan Hicks, Cheryl Bentyne and Stephane Grappelli. This is a successful experiment combining the human voice with the bass guitar and it delivers some very soulful sounds. Bass guitar at it's finest! Features: Limited Edition Only 1, 000 Numbered Copies Available! ****************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM POP-JAZZ LP/RECORD ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... ) Preis:** EUR 199,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 99,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM POP-JAZZ LP/RECORD ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... ) In den Warenkorb


ANALOGUE PRODUCTIONS AAPP 74024-45 ----- ANALOGE-45RPM-DOPPEL-LP/RECORD ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)	THE DOORS ----- WAITING FOR THE SUN ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2012 IN USA ----- MASTERING BY DOUG SAX AT THE MASTERING LAB IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION - MAXIMAL 2500 COPIES WORLDWIDE ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM-DOPPEL-LP/RECORD / ..... ACOUSTIC SOUNDS RECORDING IN USA / ..... ANALOGUE 45RPM-DOPPEL-LP/RECORD BY ANALOGUE PRODUCTION IN USA 2012 / ..... ORIGINAL AUFNAHMEN 1968 BEI ELEKTRA RECORDS IN USA / ..... ORIGINAL RECORDING 1968 BY ELEKTRA RECORDS IN USA / ..... ORIGINAL HIGH QUALITY 200GRAM VINYL PRESSING IN USA BY QUALITY RECORD TECHNOLOGY 2012 IN USA / ..... EIN BESONDERES HÖRERLEBNIS !!! / ..... LIMITED EDITION (MAX. 2500 EXEMPLARY) / ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN LP/RECORD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... DIESE AUDIOPHILE 45RPM DOPPEL-LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... )----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! ----- Weitere Details: *************************************************************************************************** Waiting For The Sun (Vinyl, 12", 45 RPM, Album, Reissue, Remastered) album cover The Doors ‎– Waiting For The Sun Label: Analogue Productions ‎– APP 74024-45, Elektra ‎– EKS-74024 Format: 2 × Vinyl, 12", 45 RPM, Album, Reissue, Remastered, 200g, Gatefold Country: US Released: 2012 Genre: Rock Style: Blues Rock, Psychedelic Rock Tracklist Hide Credits A1 Hello, I Love You 2:22 A2 Love Street 3:06 A3 Not To Touch The Earth 3:54 B1 Summer's Almost Gone 3:20 B2 Wintertime Love 1:52 B3 The Unknown Soldier Bass – Kerry Magness 3:10 C1 Spanish Caravan Acoustic Bass – Leroy VinegarBass – Douglas Lubahn 2:58 C2 My Wild Love 2:50 C3 We Could Be So Good Together 2:20 D1 Yes, The River Knows 2:35 D2 Five To One 4:22 Companies, etc. Phonographic Copyright (p) – Doors Music Company Manufactured By – Rhino Entertainment Company Copyright (c) – Doors Music Company Pressed By – Quality Record Pressings Mastered At – The Mastering Lab Credits Art Direction, Design – William S. Harvey Bass [Occasional] – Douglas Lubahn* Drums – John Densmore Engineer – Bruce Botnick Executive-Producer [Analogue Productions Reissue] – Chad Kassem Guitar – Robby Krieger Keyboards – Ray Manzarek Mastered By [Analogue Productions Reissue] – Doug Sax, Sangwook "Sunny" Nam* Photography By [Back Cover] – Guy Webster Photography By [Front Cover] – Paul Farrara* Producer – Paul A. Rothchild Producer [Production Supervisor, Analogue Productions Reissue] – Bruce Botnick, Jeff Jampol* Vocals – Jim Morrison Barcode and Other Identifiers Matrix / Runout (Side One): AAPP 74024-45 A RE1 TML-M Matrix / Runout (Side Two): AAPP 74024-45 B RE1 TML-M QRP Matrix / Runout (Side Three): AAPP 74024-45 C RE1 TML-M QRP Matrix / Runout (Side Four): AAPP 74024-45 D RE1 TML-M QRP Barcode (On outer bag only): 7 53088 40247 0 ******************************************************************************************** Jim Morrison - vocals Ray Manzarek - keyboards Robby Krieger - guitar John Densmore - drums Erstveröffentlichung 1968 Nachdem sie auf ihren ersten beiden Alben ausschließlich Song-Material verwendet hatten, dass bereits im langjährigen Live-Einsatz erprobt war, begannen "The Doors" mit dem Schreiben neuer Songs speziell für ihr drittes Album "Waiting For The Sun". Doch vieles vom neuen Material entpuppte sich als so anspruchsvoll und umständlich zu realisieren, dass es den Sprung auf die fertige Platte nicht schaffte, darunter skurrilerweise der Titeltrack des Album, und das episch angelegte "Celebration Of The Lizard", von dem in dieser Neu-Auflage immerhin die umfangreichen Lyrics von Jim Morrison im Klappcover abgedruckt sind. Die elf Songs, die es schließlich auf das Album schafften, zählen zwar insgesamt zu den kürzeren und knapperen aus dem werk der "Doors", aber auch allesamt zu den, vor allem textlich, stärksten. Humorig aufrührerische Hits wie "Hello I Love You" und politisch kontroverse Statements wie der Anti-Vietnam-Song "Unknown Soldier" katapultierten das Album auf Platz 1 der Charts. Alle Lackfolien wurden von Doug Sax neu von den originalen analogen Masterbändern geschnitten, ausgenommen „The Doors“, dieser Titel wurde von der besten vorhandenen Bandkopie gemastert. Ein authentisches Wiederauflage-Projekt, bei dem die Originalaufnahmen mit Röhrengeräten gemacht wurden, das Bandgerät zum Abspielen der Mastertapes ein Röhrengerät ist und das Schneidesystem gleichermaßen: durchweg Röhren! ******************************************************************************************** Rezension: Das dritte Album wurde bei Erscheinen gar nicht so wohlwollend aufgenommen – nach den beiden Vorgängern waren die Erwartungen in unerfüllbare Höhen gestiegen. Doch die Dichte an Klassikern war im Nachhinein so hoch wie auf kaum einem anderen Album der Band: "Hello, I Love You", "Love Street" (nicht der einzige Song, auf dem Jim Morrison seine sanftere Seite zeigte), "Summer's Almost Gone", das Antikriegs-Drama "The Unknown Soldier", das Flamenco-inspirierte "Spanish Caravan", "We Could Be So Good Together", "Five To One". Keine schlechte Bilanz, sollte man meinen…(1968/2012) ******************************************************************************************* Please note: Individual Doors titles are not numbered. Only the Infinite 45 RPM LP and SACD box sets are numbered, and limited to 2,500 copies. Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer. Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings! Waiting For The Sun, The Doors’ third album and its first chart-topper, delivered the No. 1 signature smash “Hello, I Love You” and the Top 40 hit “The Unknown Soldier.” Slant Magazine proclaims that Waiting For The Sun contains some of The Doors’ prettiest, most genial lilts: “Love Street,” a fictionalized sketch of the Bohemian street where Morrison lived with his wife, Pamela Courson; the wistful “Summer's Almost Gone,” which includes the lovely refrain, “Morning found us calmly unaware/Noon burned gold into our hair”; and the placid piano ballad “Yes, The River Knows.” More and more, says Slant, Morrison was starting to emulate one of his idols, Frank Sinatra — “after all, they had an insatiable taste for women and alcohol in common.” Waiting For The Sun was also some of The Doors' most combative, political work. "The Unknown Soldier" was a barefaced antiwar attack, a reaction to the Vietnam-era hostilities brewing on the home front. Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman — are featured on 200-gram vinyl, pressed at 45 rpm. All six titles are also available on Multichannel SACD! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy. A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby! This is no time to wallow in the mire. The Doors are on Analogue Productions! Originally released in 1968. Ray Manzarek, keyboards Jim Morrison, vocals John Densmore, drums Robby Krieger, guitar Technical notes about the recording process by Doors producer/engineer Bruce Botnick: "Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate. "If you listen to all the Doors albums, no attempt was made to create sounds that weren't generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that's another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn't have plug-ins or anything beyond an analogue eight-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, three-track. On EKS-74007, The Doors, we used four-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn't use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on "When The Music's Over," which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room. "When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters." - Bruce Botnick, July 2012 "I received test pressings today for both Morrison Hotel and L.A. Woman. I have to tell you that these are the very best pressings I've heard in many, many moons. Great plating and your compound is so quiet that I clearly heard every fade out to its conclusion with no problem. Doug (Sax) and company did a lovely job, the tapes sound pretty damn good for being almost 50 years old and his system is clearly the best...You should be very proud of what you and your troops are doing." - Bruce Botnick, The Doors producer/engineer Click here to read a 1997 interview in The Tracking Angle with Doors producer/engineer Bruce Botnick. play 1. Hello, I Love You play 2. Love Street play 3. Not To Touch The Earth play 4. Summer's Almost Gone play 5. Wintertime Love play 6. The Unknown Soldier play 7. Spanish Caravan play 8. My Wild Love play 9. We Could Be So Good Together play 10. Yes, The River Knows play 11. Five To One ********************************************************************************************* Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2012 IN USA ----- MASTERING BY DOUG SAX AT THE MASTERING LAB IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION - MAXIMAL 2500 COPIES WORLDWIDE ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) Preis:** EUR 799,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 399,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2012 IN USA ----- MASTERING BY DOUG SAX AT THE MASTERING LAB IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION - MAXIMAL 2500 COPIES WORLDWIDE ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) In den Warenkorb


ANALOGUE PRODUCTIONS AAPP 75011-45 ----- ANALOGE-45RPM-DOPPEL-LP/RECORD ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)	THE DOORS ----- L.A. WOMAN ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2012 IN USA ----- MASTERING BY DOUG SAX AT THE MASTERING LAB IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION - MAXIMAL 2500 COPIES WORLDWIDE ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM-DOPPEL-LP/RECORD / ..... ACOUSTIC SOUNDS RECORDING IN USA / ..... ANALOGUE 45RPM-DOPPEL-LP/RECORD BY ANALOGUE PRODUCTION IN USA 2012 / ..... ORIGINAL AUFNAHMEN 1971 BEI ELEKTRA RECORDS IN USA / ..... ORIGINAL RECORDING 1971 BY ELEKTRA RECORDS IN USA / ..... ORIGINAL HIGH QUALITY 200GRAM VINYL PRESSING IN USA BY QUALITY RECORD TECHNOLOGY 2012 IN USA / ..... EIN BESONDERES HÖRERLEBNIS !!! / ..... LIMITED EDITION (MAX. 2500 EXEMPLARY) / ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN LP/RECORD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... DIESE AUDIOPHILE 45RPM DOPPEL-LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... )----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! ----- Weitere Details: *************************************************************************************************** L.A. Woman (Vinyl, 12", 45 RPM, Album, Limited Edition, Reissue, Remastered) album cover The Doors ‎– L.A. Woman Label: Analogue Productions ‎– APP 75011-45, Elektra ‎– EKS-75011 Format: 2 × Vinyl, 12", 45 RPM, Album, Limited Edition, Reissue, Remastered, 200g, Gatefold Country: US Released: 2012 Genre: Rock Style: Blues Rock, Psychedelic Rock Tracklist Hide Credits A1 The Changeling 4:20 A2 Love Her Madly 3:18 A3 Been Down So Long 4:40 B1 Cars Hiss By My Window 4:10 B2 L.A. Woman 7:49 C1 L'America 4:35 C2 Hyacinth House 3:10 C3 Crawling King Snake Written-By – John Lee Hooker 4:57 D1 The WASP (Texas Radio And The Big Beat) 4:12 D2 Riders On The Storm 7:14 Companies, etc. Phonographic Copyright (p) – Elektra Entertainment Group Copyright (c) – Elektra Entertainment Group Licensed From – Elektra Entertainment Group Published By – Doors Music Co. Published By – Modern Music Publishing Co., Inc. Recorded At – The Doors Workshop Mastered At – The Mastering Lab Manufactured By – Rhino Entertainment Company Pressed By – Quality Record Pressings Credits Bass – Jerry Scheff Design Concept [Album Concept], Design – Carl Cossick Drums – John Densmore Executive-Producer – Chad Kassem Guitar – Robby Krieger Management [Associate] – Kenny Nemes Management [Personal] – Bill Siddons Management [Worldwide] – Jeff Jampol* Mastered By – Doug Sax, Sangwook "Sunny" Nam* Organ – Ray Manzarek Photography By, Artwork [Visual Effects] – Wendell Hamick Piano – Ray Manzarek Producer – Bruce Botnick, The Doors Rhythm Guitar – Marc Benno (tracks: A3, B1, B2, C3) Supervised By [Production] – Bruce Botnick, Jeff Jampol* Vocals – Jim Morrison Written-By – The Doors Barcode and Other Identifiers Matrix / Runout (Side A): AAPP 75011-45 A TML-M QRP Matrix / Runout (Side B): AAPP 75011-45 B TML-M QRP Matrix / Runout (Side C): AAPP 75011-45 C TML-M QRP Matrix / Runout (Side D): AAPP 75011-45 D TML-M QRP Barcode (On outer bag only): 7 53088 50117 3 *********************************************************************************************** Rezension: Das erste Werk ohne den Stammproduzenten Paul Rothchild sollte leider auch das letzte der Originalband werden: Jim Morrison kam bekanntlich von seinem 1971er Paris-Aufenthalt nicht zurück. Allen Unkenrufen zum Trotz (die Unzuverlässigkeit des drogengeschädigten Sängers war schon fast sprichwörtlich) gelang es der Band, die unglaubliche Spannung, die vier Jahre zuvor das Debüt geprägt hatte, hier noch einmal einzufangen. Dabei ist "L.A. Woman" fast noch näher am Blues als der Vorgänger; doch wird der klassische Blues Rock hier derart transzendiert, daß man ihn kaum noch als solchen wahrnimmt. Jim Morrison bräuchte kaum zu singen; seine Ausstrahlung ist förmlich spürbar. Die Hits: "Love Her Madly", der Titelsong, vor allem aber natürlich "Riders On The Storm". Doch sind die weniger oft gehörten Songs von nicht geringerer Intensität. – Die von Doug Sax im all-tube-analogue-Verfahren (unter Aufsicht des Original-Toningenieurs Bruce Botnick!) gemasterten 45 UPM-Umschnitte der sechs Studioalben werden wohl lange Zeit das letzte Wort in Sachen Doors sein. Nicht nur in klanglicher Hinsicht: Die Oberflächen (Quality Records) begeistern ebenso wie Optik und Haptik der schweren Klappcover! (1971/2012) ********************************************************************************************* Die Doors hatten mehrere Menschenleben in nur fünf Jahre als Band gepfercht, und Ende 1970 drohte der psychische Tribut von Jim Morrisons Sucht und rechtlichen Problemen die Gruppe zu überwältigen. Jeder Versuch, unter diesen Bedingungen ein Album zu machen, hätte eigentlich in einer Katastrophe enden müssen, aber auf L.A. Woman - der letzten Doors-LP, die zu Morrisons Lebzeiten veröffentlicht wurde - gelang es der Band fast trotz ihrer selbst. Selbst produziert und in ihrem privaten Proberaum aufgenommen, war das Album eine Heimkehr im musikalischen und spirituellen Sinne. "Unsere letzte Platte wurde wie unser erstes Album: roh und einfach", reflektierte Schlagzeuger John Densmore in seiner Autobiografie. "Es war, als hätten wir den Kreis geschlossen. Wir waren wieder eine Garagenband, in der der Rock & Roll begann." Morrison brach zu einer ausgedehnten Reise nach Paris auf, als die letzten Mixes vorbereitet wurden, in der Hoffnung, seine Muse in der Stadt des Lichts wiederzufinden. Er sollte nie mehr zurückkehren: Der Sänger starb dort im Juli 1971. Der Titelsong von diesem, dem letzten Doors-Album mit Jim Morrison, der kurz nach der Veröffentlichung starb, hat »vielleicht die besten Chuck-Berry-Riffs seit den Stones«, wie ein Kritiker vermerkte. Und das, ohne »Love Her Madly« überhaupt zu erwähnen, das für die Doors einer der größten Hits in den Charts wurde. »Love Her Madly« wurde von dem Doors-Gitarristen Robbie Krieger geschrieben, von dem es heißt, er hätte den Song verfasst aufgrund der unzähligen Male, die seine Freundin ihn zu verlassen drohte. Der Song stieg zur Nr. 11 der Billboard Hot 100 Singles auf und wurde die Nr. 3 in Kanada. »L. A. Woman« stand nach wie vor an der Spitze der Charts, als, genau wie in dem Gedicht »actor out on loan« im letzten Song der LP - dem gefeierten »Riders On The Storm« - Jim Morrison im Sommer 1971 in einer Badewanne in Paris starb. Durch Titel wie »The Changeling«, »Crawling King Snake« sowie dem luftigen, ausgelassenen Titelsong neigte diese Kollektion deutlich zum Blues - insbesondere durch Morrisons prahlerisches Markenzeichen »Lizard King«. Insgesamt erklärte Rolling Stone »L. A. Woman« zum »besten Album der Doors, das erste mit inbegriffen« und als »Maßstäbe setzend und wert, auf den Straßen getanzt zu werden«. Analogue Productions und Quality Record Pressings kündigen hiermit voller Stolz alle sechs Studio-LPs - »The Doors«, »Strange Days«, »Waiting For The Sun«, »Soft Parade«, »Morrison Hotel« und »L. A. Woman« - auf 200g / 45rpm an. Alle Lackfolien wurden von Doug Sax von den originalen analogen Masterbändern geschnitten, ausgenommen »The Doors«, dieser Titel wurde von der besten vorhandenen Bandkopie gemastert. Wahrhaftig ein authentisches Wiederauflage-Projekt, bei dem die Originalaufnahmen mit Röhrengeräten gemacht wurden, das Bandgerät zum Abspielen der Mastertapes ein Röhrengerät ist und das Schneidesystem gleichermaßen: durchweg Röhren! Jetzt ist nicht die Zeit, Trübsal zu blasen - die Doors jetzt auf Analogue Productions! ********************************************************************************************** Please note: Individual Doors titles are not numbered. Only the Infinite 45 RPM LP and SACD box sets are numbered, and limited to 2,500 copies. Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer. Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD Deluxe gatefold jacket Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings! The title track from this, the last Doors album recorded with Jim Morrison, who died shortly after it was released, has, said one reviewer, “maybe the best Chuck Berry riffs since the Stones.” And that’s not even mentioning “Love Her Madly,” which became one of the highest charting hits for The Doors. “Love Her Madly,” was written by Doors guitarist Robbie Krieger, who is said to have penned the song about the numerous times his girlfriend threatened to leave him. The song peaked at No. 11 on the Billboard Hot 100 singles chart and reached No. 3 in Canada. L.A. Woman was still high on the charts when, like in the lyric “actor out on loan” of its closing track — the celebrated “Riders on the Storm,” Jim Morrison died in a Paris bathtub in the summer of 1971. Via such tracks as “The Changeling,” “Crawling King Snake,” and the frothy, rollicking title track, the collection leaned heavily toward the Blues — in particular, Morrison’s boastful “Lizard King” brand of it. All-in-all, Rolling Stone proclaimed L.A. Woman, “The Doors’ greatest album, including their first,” and “A landmark worthy of dancing in the streets.” Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman — are featured on 200-gram vinyl, pressed at 45 rpm. All six are also available on Multichannel SACD! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy. This is no time to wallow in the mire. The Doors are on Analogue Productions! Originally released in 1971 Ray Manzarek, keyboards Jim Morrison, vocals John Densmore, drums Robby Krieger, guitar Technical notes about the recording process by Doors producer/engineer Bruce Botnick: "Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate. "If you listen to all the Doors albums, no attempt was made to create sounds that weren't generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that's another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn't have plug-ins or anything beyond an analogue eight-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, three-track. On EKS-74007, The Doors, we used four-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn't use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on "When The Music's Over," which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room. "When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters." - Bruce Botnick, July 2012 "I received test pressings today for both Morrison Hotel and L.A. Woman. I have to tell you that these are the very best pressings I've heard in many, many moons. Great plating and your compound is so quiet that I clearly heard every fade out to its conclusion with no problem. Doug (Sax) and company did a lovely job, the tapes sound pretty damn good for being almost 50 years old and his system is clearly the best...You should be very proud of what you and your troops are doing." - Bruce Botnick, The Doors producer/engineer Click here to read a 1997 interview in The Tracking Angle with Doors producer/engineer Bruce Botnick As soon as I held Analogue Productions' new pressing of L.A. Woman, I knew this LP was something truly special. The quality of the gatefold cover is astonishing, the colors pop and the weight of the materials are top-notch, it really is a beauty to behold. Upfront, I had some concerns of owning a 45 RPM LP (the shorter playing time per side, and the resulting record flips) but I found this was a short-lived issue. At 45 RPM the needle is reading more information than 33 RPM, so ideally this is the speed you want your vinyl to spin to achieve the absolute best sound quality. The two LPs are housed in high quality QRP inner sleeves, nearly identical to the MFSL sleeves - another firm statement of quality control. These are also great looking records with the classic Electra 'butterfly' labels and heavy-weight 200-gram vinyl. As soon as the needle dropped, real time stopped and the music flowed effortlessly from a deep blackness filled with vast dynamic contrasts and rich glowing tones. I read this album was remastered from the original analog tapes using an all-tube system - I just know the sound is awesome, with seemingly limitless analog resolution. Much of L.A. Woman is also deeply steeped in the Blues; hard-edged and often gritty performances exemplified by the Doors vicious cover of John Lee Hooker's 'Crawling King Snake'. On L.A. Woman, The Doors abandon the dated West Coast psychedelic flourishes of earlier albums for the more mature pop sensibility of 'Love Her Madly'. Outside of the prime songs, deep album cuts like 'The Wasp' illustrate Jim's often surreal poetic creativity. Sadly, this would be The Doors final album with Jim just before the darkness would envelop him in Paris. Significantly, L.A. Woman contains The Doors most mature and developed compositions and some of Jim's most ominous lyrics. A more cynical view of America and Los Angeles are vividly revealed by the famous title track - the blistering Hollywood noir 'L.A. Woman'. Their epic song 'Riders on the Storm' has the power to evoke spine-chilling emotions - this is cinematic music presented in full panoramic widescreen; the jazzy tempo, understated melody and poignant lyrics underscore the power and clarity of this stunning Analogue Productions pressing. I'm very happy to finally have the definitive audiophile vinyl edition of The Doors L.A. Woman in my growing vinyl LP collection. If you are a Classic Rock fan and/or a Doors fan spinning vinyl, or if you just want to be blown away by the sonic possibilities of audiophile vinyl, the Analogue Productions' edition of L.A. Woman is essential listening. - Paul Powell Jr, Acoustic Sounds Customer Side 1 play The Changeling play Love Her Madly play Been Down So Long Side 2 play Cars Hiss by My Window play L. A. Woman Side 3 play L'America play Hyacinth House play Crawling King Snake Side 4 play The WASP (Texas Radio and the Big Beat) play Riders On The Storm ******************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2012 IN USA ----- MASTERING BY DOUG SAX AT THE MASTERING LAB IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION - MAXIMAL 2500 COPIES WORLDWIDE ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) Preis:** EUR 799,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 399,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2012 IN USA ----- MASTERING BY DOUG SAX AT THE MASTERING LAB IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION - MAXIMAL 2500 COPIES WORLDWIDE ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) In den Warenkorb


ANALOGUE PRODUCTIONS AAPP 9135-45 ----- ANALOGE-45RPM-DOPPEL-LP/RECORD ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED) XXL-Foto XXL-Foto	CAT STEVENS ----- TEA FOR TILLERMAN ----- PURE ANALOGUE 200GRAM 45RPM SINGER/SONGWRITER-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES (ANALOGUE PRODUCTIONS RECORDING IN USA) ----- LIMITED EDITION - WITH SPECIAL LIMITED NUMBER # 3089 ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM SINGER/SONGWRITER-DOPPEL-LP/RECORD / ..... ACOUSTIC SOUNDS RECORDING IN USA / ..... ANALOGUE 45RPM SINGER/SONGWRITER-DOPPEL-LP/RECORD BY ANALOGUE PRODUCTION IN USA 2015 / ..... ORIGINAL AUFNAHMEN 1970 BEI ISLAND/FRESHWATER RECORDS IN USA / ..... ORIGINAL RECORDING 1970 BY ISLAND/FRESHWATER RECORDS IN USA / ..... ORIGINAL HIGH QUALITY 200GRAM VINYL PRESSING IN USA BY QUALITY RECORD TECHNOLOGY IN USA / ..... EIN BESONDERES HÖRERLEBNIS !!! / ..... LIMITED EDITION (MAX. 1000 EXEMPLARY) / ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN LP-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE LP-COLLECTION (ONE EXEMPLARY)!! ..... DIESE AUDIOPHILE 45RPM DOPPEL-LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... )----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! ----- Weitere Details: ************************************************************************************************* Tea For The Tillerman (Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered) album cover Cat Stevens ‎– Tea For The Tillerman Label: Analogue Productions ‎– APP 9135-45, Universal Music Special Markets ‎– B0015574-01, Island Records ‎– ILPS-9135 Format: 2 × Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, 200 Gm, Gatefold Country: US Released: 08 Apr 2015 Genre: Rock, Stage & Screen Style: Folk Rock, Pop Rock Tracklist A1 Where Do The Children Play? 3:50 A2 Hard Headed Woman 3:46 A3 Wild World 3:18 B1 Sad Lisa 3:40 B2 Miles From Nowhere 3:32 C1 But I Might Die Tonight 1:50 C2 Longer Boats 3:10 C3 Into White 3:24 D1 On The Road To Findout 5:07 D2 Father And Son 3:37 D3 Tea For The Tillerman 1:01 Companies, etc. Published By – Freshwater Music Record Company – UMG Recordings, Inc. Mastered At – Sterling Sound Remastered At – Sterling Sound Lacquer Cut At – Sterling Sound Pressed By – Quality Record Pressings Copyright (c) – Universal Music Enterprises Printed By – Stoughton Printing Co. Credits Arranged By [Strings] – Del Newman Bass – John Ryan (27) Drums – Harvey Burns Guitar – Cat Stevens Guitar [2nd Guitar] – Alun Davies Illustration [Front] – Cat Stevens Keyboards – Cat Stevens Lacquer Cut By – George Marino Photography By – Shepard Sherbell Photography By [Centre Photograph] – Shep* Producer – Paul Samwell-Smith Remastered By – George Marino Violin, Soloist – Jack Rostein* Written-By – Cat Stevens Notes Two record 45 RPM edition from Analogue Productions in a limited edition of 3500. Gold foil numbering. Lacquers cut using a Neumann VMS 80 lathe with a Neumann SX 74 cutter head. Glossy jacket with textured inner jacket. Comes with Analogue Productions catalog and insert detailing remastering using original master tape. STERLING- QRP stamped in all four runouts. Barcode and Other Identifiers Matrix / Runout (Side A Runout Etched and Stamped): APP-9135-45-A STERLING- QRP Matrix / Runout (Side B Runout Etched and Stamped): APP-9135-45-B STERLING- QRP Matrix / Runout (Side C Runout Etched and Stamped): APP-9135-45-C STERLING- QRP Matrix / Runout (Side D Runout Etched and Stamped): APP-9135-45-D STERLING- QRP Barcode: 7 5308891357 0 ************************************************************************************************* Cat Stevens - guitar, keyboard, vocals Alun Davies - guitar John Rostein - volin John Ryan - bass Harvey Burns - drums Erstveröffentlichung November 1970. (DOPPEL-LP-45RPM) Vielleicht geht es auch Ihnen so, wenn die LP mit „Where Do The Children Play“ beginnt: ein wohliger Schauer läuft über den Rücken, entspannt und freudig lauscht man der Musik, die man doch längst kennt. Wunderbare Songs wie „Wild World“, „Sad Lisa“, „Longer Boats“, „Father And Son“ oder das Titelstück „Tea For The Tillerman“ sind Perlen der Popmusik, wobei hier der Begriff Songwriter weit eher zutrifft. Cat Stevens (vocals, guitar) wurde hier nur sparsam begleitet, teils kamen Streicher hinzu, die ruhigen und verträumten Melodien stehen im Vordergrund. Fasziniert registriert man, welchen Frieden diese Musik ausstrahlt, wie sehr man sich damit vom hektischen Alltag entspannen kann! Mastering durch George Marino von Sterling Sound von den Original-Islands-Masterbändern. Gepresst bei Quality Record Pressings in den USA kommt die LP in einem Replikat des Original-Britisch-Island-Klappcovers mit einer strukturierten Kartoninnenseite und einer Hochglanz-Oberfläche außen. Inklusive Beiblatt zur Enstehung und zum Mastering der DOPPEL-LP. ******************************************************************************************* * Gatefold Cover Tea for the Tillerman ist das vierte Studioalbum des Folk-Rock-Sängers und Songwriters Cat Stevens. Es erschien 1970 und erreichte Platz 20 der britischen, Platz 8 der US-amerikanischen und Platz 43 der deutschen Charts. Die bekanntesten Songs des Albums sind Wild World, Sad Lisa und Father and Son, die von anderen Künstlern wie Boyzone, Ronan Keating oder Mr. Big vielfach gecovert wurden. Rezensionen ROLLING STONE ALBUM GUIDE * "'Tea for the Tillerman' and the likeably underwrought hit "Wild World" established Stevens as a more reserved British version of James Taylor." ALL MUSIC GUIDE "'Tea for the Tillerman' is like a musical collection of children's tales by Stevens. The delicacy of the arrangements, Paul Samwell-Smith's brilliant otherworldly production, and Steven's en- trancing melodies and images easily make this his best work." ******************************************************************************************* Tracklisting Mitwirkende 1 - Where do the children play? 2 - Hard headed woman 3 - Wild world 4 - Sad Lisa 5 - Miles From Nowhere 6 - But I Might Die Tonight 7 - Longer Boats 8 - Into White 9 - On The Road To Find Out 10 - Father And Son 11 - Tea For The Tillerman ******************************************************************************************** Analogue Productions ups the ante! Now on 45 RPM! Limited to 3,500 copies, gold foil numbered! 200-gram vinyl pressed by Quality Record Pressings Mastered from the original analog tapes by George Marino. Stoughton Printing glossy gatefold jacket "...this new LP of Tea is a doozy. I hesitate to use the term 'last word' on anything, particularly records these days which can be remastered and even remixed (though very rarely), but this may well be the last LP pressing of this title that anyone will ever need. The dynamic scale, level of detail and the overall atmosphere of this pressing is superb. The warmth and suppleness of the sound is without equal. Yet another unqualified triumph from Kassem's sonic wonderland out on the Great Plains!" — Robert Baird, Stereophile.com, May 2015. Read the full review here. "Yes, it does sound better at 45rpm: more open, dynamic and not slightly pinched on the inner groove area since it's stretched out to two LPs and the sides don't have to go as far towards the center of the record. If you already have the 33 do you need the 45 set? Only if you are absolutely fanatically dedicated to this record. Then you won't regret the purchase. It will become a collectible so you really can't go wrong." — Music = 10/11; Sound = 10/11 - Michael Fremer, AnalogPlanet.com. Read the full review here. Just when you thought it couldn't get any better, Analogue Productions has upped the ante! Introducing Tea For The Tillerman on 45 RPM. If you thought the 33 1/3 version was something to behold, just wait until you hear this. But don't wait too long. Our license to reissue this classic smash is nearing expiration, meaning these 3,500 copies — each gold foil numbered — will become increasingly collectible. Why wait? Order your copy now. Kudos for our 33 1/3 version of Tea For The Tillerman: "Chad, I just spent the afternoon listening to several versions of Cat Stevens' Tea For The Tillerman. My Tea For The Tillerman collection includes: Mobile Fidelity UHQR, standard MFSL, original Island, Island re-issue, A&M audiophile half-speed, standard A&M issues and a French pressing. After listening there is no question the new Analogue Productions re-issue is by far the finest. Great job!" - Jack Lind, Acoustic Sounds customer "These (two new LPs from Reference Recordings) and Analog Production's remastering of Tea for the Tillerman were both pressed at Quality Record Pressings, the superb Salina, Kansas, facility, and they are the best and the quietest LPs I've heard of recordings made during the LP era. In a sense, the silences of QRP's pressings, their lack of those hard-to-define anomalies of stylus-in-groove sonics, are comparable to the kind of quietness inherent in a magnetic-drive turntable...QRP has put its best feet forward. 'Spectacular' in this case means a freedom from defects (snaps, crackles, and pops) and an absence of groove noise and what I would call vinyl 'rumble,' hard to define except by contrast with normal pressings." - Harry Pearson, The Absolute Sound, January 2012 (or Issue 219) "...All you really need to know is that in every way this first effort from 'QRP' is of the highest quality...gatefold packaging which looks just like the original, only better. As far as the sound goes it is equally brilliant...And wow listening to this impeccably pressed on 200g vinyl reissue. The attack of the pick on the guitar strings is astonishingly clean and detailed. Depth is pronounced and because of both the blackness of the backdrop and the precision of both the state-of-the-art plating and the technological breakthroughs achieved in the retro-fitted presses, the resolution of low-level detail reveals a host of details that are either buried or glossed over on the other versions I've heard and own." - Jack Roberts, Dagogo, October 2011 "...Like the glossy gatefold covers used in their deluxe Impulse 45 RPM series, the cover reproduction here is absolutely top-notch...The vinyl itself arrived perfectly clean and flat, and played with nary a pop or tic throughout...The pressing is of extremely high quality." - My Vinyl Review, August 29, 2011 In 1970, Lee Hulko at Sterling Sound cut Tea For The Tillerman for A&M Records in the U.S. and Island Records in the UK using a Telefunken M10 tape machine and a Neumann VMS 66 lathe with a Neumann SX68 cutterhead. Hulko started Sterling in 1968 and was its original mastering engineer. He's considered among the first engineers to advance mastering from just transferring music from tape to lacquer to an art where attention is paid to all the details that result in better sound. We actually found Hulko's original mastering notes from more than 40 years ago. It's incredible, but Sterling still has all of their notes filed away. So, it was originally cut at Sterling - as were all of the early original Cat Stevens albums - and the tapes were last used at Sterling. How appropriate then that we should go back to Sterling for this monumental reissue. Using the original tapes, George Marino handled the mastering this time. He used an Ampex ATR-102 tape machine, another significant point of interest. While Ampex has long been revered for their sound, they had never made a preview version so that a mastering engineer could cut a lacquer from an Ampex machine. Mike Spitz at ATR Services made a unique preview modification for Sterling so that they could cut this record using an Ampex along with a Neumann VMS 80 lathe with a Neumann SX 74 cutterhead. ******************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- PURE ANALOGUE 200GRAM 45RPM SINGER/SONGWRITER-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES (ANALOGUE PRODUCTIONS RECORDING IN USA) ----- LIMITED EDITION - WITH SPECIAL LIMITED NUMBER # 3089 ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) Preis:** EUR 799,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 399,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- PURE ANALOGUE 200GRAM 45RPM SINGER/SONGWRITER-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES (ANALOGUE PRODUCTIONS RECORDING IN USA) ----- LIMITED EDITION - WITH SPECIAL LIMITED NUMBER # 3089 ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) In den Warenkorb


ANALOGUE PRODUCTIONS APB 034-45 ----- ANALOGE-45RPM-DOPPEL-LP/RECORD ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED) XXL-Foto XXL-Foto	JUNIOR WELLS´ CHICAGO BLUES BAND ----- HOODOO MAN BLUES ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-BLUES-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2020 IN USA ----- MASTERING BY KEVIN GRAY AT THE COHEARENT AUDIO IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION - MAXIMAL 1000 COPIES WORLDWIDE ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM-BLUES-DOPPEL-LP/RECORD / ..... ACOUSTIC SOUNDS RECORDING IN USA / ..... ANALOGUE 45RPM BLUES-DOPPEL-LP/RECORD BY ANALOGUE PRODUCTION IN USA 2020 / ..... ORIGINAL AUFNAHMEN 1965 BEI DELMARK RECORDS IN USA / ..... ORIGINAL RECORDING 1965 BY DELMARK RECORDS IN USA / ..... ORIGINAL HIGH QUALITY 200GRAM VINYL PRESSING IN USA BY QUALITY RECORD TECHNOLOGY 2020 IN USA / ..... EIN BESONDERES HÖRERLEBNIS !!! / ..... LIMITED EDITION (MAX. 1000 EXEMPLARY) / ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN LP/RECORD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... DIESE AUDIOPHILE 45RPM DOPPEL-LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... )----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! ----- Weitere Details: ************************************************************************************************ Hoodoo Man Blues (Vinyl, LP, 45 RPM, Album, Reissue, Remastered) album cover Junior Wells' Chicago Blues Band With Buddy Guy ‎– Hoodoo Man Blues Label: Analogue Productions ‎– APB 034-45 Format: 2 × Vinyl, LP, 45 RPM, Album, Reissue, Remastered, 200g, Gatefold Country: US Released: 2020 Genre: Blues Style: Chicago Blues, Harmonica Blues Tracklist Hide Credits A1 Snatch It Back And Hold It Written-By – Jr. Wells* 2:53 A2 Ships On The Ocean Written-By – Jr. Wells* 4:07 A3 Good Morning Schoolgirl Written-By – Trad* 3:50 B1 Hound Dog Written-By – Leiber - Stoller* 2:12 B2 In The Wee Wee Hours Written-By – Buddy Guy, Jr. Wells* 3:42 B3 Hey Lawdy Mama Written-By – Trad* 3:10 C1 Hoodoo Man Blues Written-By – Jr. Wells* 2:49 C2 Early In The Morning Written-By – Trad* 4:44 C3 We're Ready Written-By – Buddy Guy, Jr. Wells* 3:33 D1 You Don't Love Me, Baby Written-By – Jr. Wells* 2:58 D2 Chitlin Con Carne Written-By – Burrell* 2:12 D3 Yonder Wall Written-By – Trad* 4:10 Companies, etc. Licensed From – Delmark Records Pressed By – Quality Record Pressings – 17767 Published By – Sue Kay Music Recorded At – Sound Studios, Chicago Remastered At – AcousTech Mastering Lacquer Cut At – AcousTech Mastering Credits Bass – Jack Myers Cover [Cover Design], Design [Cover Design] – Z. Jastrzebski* Drums – Billy Warren* Guitar – Buddy Guy Harmonica, Vocals – Junior Wells Lacquer Cut By – KPG* Liner Notes – Bob Koester* Mastered By [Mastering Engineer] – Kevin Gray Photography By [Photos] – RGK* Recorded By [Recording] – Stu Black Supervised By [Supervision], Producer [Album Production] – Robert G. Koester Notes Tracks A3, B3, C2, D3: P. D. (Public Domain) Slightly different cover than the 2009 release along with Delmark labels. Barcode and Other Identifiers Barcode: 753088003417 Matrix / Runout: APB-034-(45)-A KPG@ATM 17767.1(3)... -78704- Matrix / Runout: APB-034-(45)-B KPG@ATM 17767.2(3)... -78704- Matrix / Runout: APB-034-(45)-C KPG@ATM 17767.3(3)... -78776- Matrix / Runout: APB-034-(45)-D KPG@ATM 17767.4(3)... -78776- *********************************************************************************************** Junior Wells - harmonica, vocals; Buddy Guy - guitar; Jack Myers - bass; Billy Warren - drums. Aufnahmen 1966 (Original: Delmark Records). Den Mann aus Tennessee bezeichneten die Fachleute als Saxophonist unter den Mundharmonikaspielern, da die Phrasierung seine Spielweise einzigartig virtuos machte. Mit Muddy Waters spielte er in der Chicago Blues Band zusammen und hatte in dieser Zeit große Erfolge. Eines seiner besten Alben ist allerdings „Hoodoo Man Blues“, das auch Blues-LP des Jahres (1966) wurde, was auf Grund des sehr differenzierten, typischen Chicagostiles kaum verwundert. *********************************************************************************************** Rezension: Dieses Album-Debüt unter eigenem Namen (Wells war freilich schon seit ca. 15 Jahren auf der Szene und galt als einer der bedeutendsten Bluesmusiker seiner Generation) ist ein Gigant selbst unter den Blues-Alben der 1960er Jahre, und da gab es ja durchaus das eine oder andere große. Wells beweist hier nicht nur seinen Ruf als einer der Götter der Blues-Harp, sondern auch als charismatischer Sänger und Show-Man – wobei es überhaupt immer wieder frappiert, wie sehr diese Studio-LP nach einem Live-Mitschnitt klingt. Seine Band ist natürlich auch brillant: Billy Warren (Drums) und Bassist Jack Myers bilden ein traumhaftes Rhythmus-Team, der Gitarrist in dieser Combo war niemand Geringeres als Buddy Guy! Die in jeder Form gut bis hervorragend klingende Aufnahme kommt auf diesem 45er-Umschnitt (Tip-On-Klappcover mit neuen Linernotes von Blues-Koryphäe Jim O'Neal; Mastering: Kevin Gray) natürlich besser denn je zur Geltung! (1965/2020) ********************************************************************************************* »Hoodoo Man Blues« ist nicht nur der erste Auftritt auf LP von Junior Wells, sondern sehr wahrscheinlich die erste LP einer Chicagoer Blues Band überhaupt. Dieses Album hat in den späten 60ern den Trend zur Gründung von Blues-Labels ausgelöst. Chess und einige andere Labels hatten 45er von Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Jimmy Reed, Elmore James, etc. wieder veröffentlicht, aber so gut wie niemand versuchte, den Chicago-Blues-Sound, frei von den Limitierungen der Jukebox / Radio-Werbung der 45er, einzufangen. Dieses Album präsentiert die rauchige Gitarre des legendären Buddy Guy, zusammen mit seiner famosen Rhythmussektion. ********************************************************************************************** Now in a gatefold jacket with faithfully reproduced Delmark True Stereo artwork! Plated and pressed on 200-gram 2LP at Quality Record Pressings! New additional liner notes by Jim O'Neal, co-founder of Living Blues Magazine! "This viscerally punchy electric blues is anchored by unimprovable harp playing from Junior Wells, a young Buddy Guy by his side. From the kick of up-tempo numbers like "Snatch It Back and Hold It" to the deep, sexy, slow moan of "Early in the Morning," you just can't top this. Current audiophile bona fides are in excellent order, thanks to fine remastering by Kevin Gray and Analogue Productions for 45 RPM, LP, SACD/CD, and DSD download." — Sasha Matson, Stereophile's Records To Die For, February 2018 "...this album is DYNOMITE and this pressing is sweet. A truly great album done truly well." Music = 11/11; Sound = 10/11 - Mark Schlack One of the all-time great urban blues records and the best-seller in the famed Delmark catalog. Hoodoo Man Blues is so full of bravado and snap it'll make you feel tough just listening to it. Not all of the Delmark titles were recorded very well, but this one certainly was. And at 45 RPM 2LP, plated and pressed at Quality Record Pressings, this now stands as the undisputed definitive version. For 2020 we've added a redesigned gatefold jacket with new artwork, plus, additional liner notes from Jim O'Neal, co-founder of Living Blues Magazine. Hoodoo Man Blues, which features Buddy Guy on guitar, is not only Junior Wells' first LP appearance, it's damn near the first LP by a Chicago blues band. Chess and a few other labels had reissued 45s by Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Jimmy Reed, Elmore James, etc., but virtually no one had tried to capture the Chicago blues sound free of the limitations of juke box/airplay promotion. Hoodoo Man Blues went a long way in the popularization of real Chicago blues and of Junior Wells. Originally released in 1965. Junior Wells, harmonica, vocals Buddy Guy, guitar Jack Myers, bass Billy Warren, drums *********************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2020 IN USA ----- MASTERING BY KEVIN GRAY AT THE COHEARENT AUDIO IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) Preis:** EUR 799,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 399,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2020 IN USA ----- MASTERING BY KEVIN GRAY AT THE COHEARENT AUDIO IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) In den Warenkorb


ANALOGUE PRODUCTIONS APF 080-45 ----- AUDIOPHILE 200GRAM-45RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)	JOAN BAEZ ----- DIAMONDS AND RUST IN THE BULLRING ----- AUDIOPHILE 45RPM 200GRAM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- MASTERED BY KEVIN GRAY AT COHEARENT STUDIOASIN USA ----- 200GRAM HIGH QUALITY PRESSING MADE BY QUALITY RECORD PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD JACKET) / ..... ANALOGE 45RPM-DOPPEL-LP/RECORD - MADE IN 2020 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1988 BEI GOLD CASTLE RECORDS IN SPANIEN / ..... ORIGINAL RECORDING 1988 BY GOÖD CASTLE RECORDS IN SPAIN / ..... 45RPM REMASTER FROM THE ORIGINAL ANALOGUE MASTERBAND ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2020 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE 45RPM-DOPPEL-LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... ) Weitere Details: ************************************************************************************************ Diamonds And Rust In The Bullring (Vinyl, LP, 45 RPM, Limited Edition, Reissue, Remastered) album cover Joan Baez ‎– Diamonds And Rust In The Bullring Label: Analogue Productions ‎– AAPF 080-45 Format: 2 × Vinyl, LP, 45 RPM, Limited Edition, Reissue, Remastered, 200 gram Country: US Released: 19 Jun 2020 Genre: Rock, Pop, Folk, World, & Country Style: Alternative Rock, Country Rock, Folk Rock, Pop Rock, Vocal Tracklist Hide Credits In English A1 Diamonds And Rust Composed By – Joan Baez 3:45 A2 Ain't Gonna Let Nobody Turn Me Around Arranged By – Joan BaezComposed By – Traditional 1:22 A3 No Woman No Cry Composed By – Vincent Ford 3:45 B1 Famous Blue Raincoat Arranged By [Cello] – Cesar CancinoComposed By – Leonard Cohen 4:58 B2 Swing Low Sweet Chariot Arranged By – Joan BaezComposed By – Traditional 3:41 B3 Let It Be Composed By – Paul McCartney/John Lennon* 3:59 In Spanish C1 El Preso Numero Nueve Composed By – Hermanos Cantoral 3:14 C2 Llego Con Tres Heridas Arranged By – Joan BaezComposed By – Miguel Hernandez* 2:28 C3 Txoria Txori Composed By – J.A. Arze, M. Laboa 2:54 D1 Ellas Danzan Solas (Cueca Sola) Composed By – Roberto Livi, Sting 5:35 D2 Gracias A La Vida Arranged By – Joan BaezComposed By – Violeta ParraVocals [Additional] – Mercedes Sosa 6:05 D3 No Nos Moveran Arranged By – Joan BaezComposed By – Traditional 1:22 Companies, etc. Remastered At – Cohearent Audio Pressed By – Quality Record Pressings Printed By – Stoughton Printing Co. Recorded At – Bullring, Bilbao Credits Arranged By [Cello] – Cesar Cancino (tracks: A4) Arranged By [Musical] – Cesar Cancino (tracks: B1, B4, B5) Artwork [Cover Design] – Marlene Bergman Bass – Jose Agustin Guereu* Cello – Costel Restea, John Acosta (2) Choir – L. A. Mass Choir* Directed By [Choir] – Donald Taylor (3) Drums – Begnat Amorena* Guitar – Jean Marie Ecay* Illustration – Joan Baez Mastered By – Wally Traugott Mixed By – Alan Abrahams (2), Charlie Paakkari Piano – Cesar Cancino Producer – Alan Abrahams (2) Remastered By – Kevin Gray Synthesizer, Keyboards [Additional In Los Angeles] – Laythan Armor Vocals [Additional vocals] – Mercedes Sosa Vocals, Guitar, Artwork By [Illustrations] – Joan Baez Notes Gatefold Edition with 2 disc for the first time Barcode and Other Identifiers Barcode: 753088080470 ************************************************************************************************ oan Baez - Arrangeur, Gesang, Gitarre Mercedes Sosa - Gesang Laythan Armor - Keyboard Cesar Cancino - Klavier Jean Marie Ecay - Gitarre John Acosta & Costel Restea - Violoncello Jose Agustin Guereu - Bass Begnat Amorena - Schlagzeug u.a. Aufnahmen 1988 in Bilbao, Spanien. Lang erwartet und herbeigesehnt wurde diese VinylEdition. “Diamonds And Rust In The Bullring“ von Joan Baez ist eine der meist gesuchtesten und in ebay und Discogs oder auf Plattenbörsen teuerst bezahlten Schallplatten. Sie wurde 1989 auf dem sehr kleinen, unabhängigen Label Gold Castle veröffentlicht. Das audiophile Werk wurde 1988 in Bilbao, Spanien, in der Stierkampfarena aufgenomen. Mit dabei bei diesem Auftritt war auch die legendäre argentinische Sängerin Mercedes Sosa. Vom spanischen Publikum wurde Baez frenetisch gefeiert, nicht nur, weil sie die Hälfte der Songs in Spanisch sang. Schon beim ersten Lied, dem Titeltrack, kann man gleich beim Akustik-GitarrenIntro die Güte der Aufnahmen erkennen. Dass Acoustic Sounds die ursprünglich als Einzel-LP erschienene Platte nun auf zwei sauber gepressten LPs in 45rpm veröffentlichte, macht klangtechnisch nochmal einen Quantensprung aus. Erstaunlich, da das Original auch schon sehr gut klingt. Wunderschön, wie klar definiert die Gesangsstimmen der Protagonistinnen klingen. Gerade die hohe Stimme von Baez klingt glockenklar und gleichzeitig angenehm warm und unangestrengt. Der Gospel “Swing Low Sweet Chariot“ oder das Traditional “Aint Gonna Let Nobody Turn Me Around“ werden hier zu un-erhörten Neu-Entdeckungen. Das Re-Mastering von Kevin Gray hat da großen Anteil daran. Die ausdruckstarken Zeichnungen auf der Covervorderseite und auf der Coverrückseite stammen von Joan Baez selber. Eine sehr runde Sache. Mastering durch Kevin Gray bei Cohearent Audio und gepresst bei Quality Record Pressings auf 200 g-schwerem Vinyl. ***************************************************************************************** Rezension: Eine Stierkampfarena mag ein seltsamer Ort für eine Friedensaktivistin sein, doch in einer solchen, in der baskischen Metropole Bilbao, hatte die Sängerin im Jahre 1989 einen ihrer größten Live-Momente. Schon die erste Hälfte des Albums ist stark, eingeleitet von ihrem eigenen, titelspendenden "Diamonds And Rust", mit einem exzellenten "No Woman No Cry", einem berückend schönen "Famous Blue Raincoat", einem a capella gesungenen "Swing Low Sweet Chariot" und einer erstaunlich guten "Let It Be"-Version im Gospel-Idiom. Für die zweite Seite wechselte Baez in die ihr ja bestens vertraute Landessprache; die Begeisterung des Publikums hat eine Rückkopplungs-Funktion auf das Bühnengeschehen: Viele Momente von solcher Intensität hatte Baez vermutlich nicht einmal in ihrer größten Zeit in den frühen 60ern. Für "Gracias A La Vida" kam dann noch ihre große argentinische Kollegin Mercedes Sosa auf die Bühne… – Ein lange Zeit kaum beachtetes Album, dessen musikalische wie klangliche Qualitäten eine endgültige Version auf 45 Touren aber unbedingt rechtfertigen! (1989/2020) ******************************************************************************************* * Gatefold Cover Joan Baez (arr, voc, g); Mercedes Sosa (voc); Laythan Armor (keyb); Cesar Cancino (p); Jean Marie Ecay (g); John Acosta, Costel Restea (vc); Jose Agustin Guereu (b); Begnat Amorena (dr); u. a. »Diamond & Rust« ist eine sehr schwer zu findende LP, die ursprünglich auf einem kleinen, unabhängigen Label veröffentlicht wurde und nur in einer sehr begrenzten Auflage auf Vinyl. Eine schöne Aufnahme mit absolut fantastischem Klang, die Original-LPs werden auf dem asiatischen Markt zu einem sehr hohen Preis gehandelt. Mit dabei sind Aufnahmen ihres Hits »Diamonds And Rust« sowie der audiophile Klassiker »Famous Blue Raincoat«. Dies mag ein Titel unter dem Radar sein, für den anspruchsvollen Audiophilen darf er aber nicht fehlen. Das Album konserviert einen Auftritt von Joan Baez im Jahr 1988 in einer Stierkampfarena in, natürlich, Bilbao in Spanien; es zeigt aber auch auf, weshalb die Sängerin im Ausland solche Anziehungskraft besitzt. Die Hälfte der Song-Zusammenstellung, die gesamte B-Seite der LP, besteht aus auf spanisch gesungenen Liedern. Jetzt haben wir uns für echtes audiophiles Vergnügen selbst übertroffen - die 2LP-Version mit 45rpm reduziert Verzerrungen und Hochtonverluste, da Ihr Tonabnehmer den breiteren Rillen präziser folgen kann. Natürliche Tonalitäten, hervorragende Ausgewogenheit, makellose Klarheit und vieles mehr kommen zum Vorschein. »Diese Platte wurde 1988 in einer Stierkampfaren in Bilbao in Spanien aufgenommen. Sie ist dem Bürgermeister und den Einwohnern der Stadt gewidmet, die trotz Gewittern kamen, um meinen Auftritt zu sehen. Das Lied in katalanischer Sprache »Txoria Txori« handelt von einem hübschen kleinen Vogel ... Ich möchte Pasku danken, von dem ich es gelernt habe, und auch dem Publikum in Bilbao, das so wunderbar mitgesungen hat.« — Joan Baez. Abbildungen von Joan Baez; zweite Gesangstimme Mercedes Sosa. *********************************************************************************************** Description AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head Analogue Productions - AAPF 080-45 - 200 Gram Virgin Vinyl AAA 100% Analogue - Mastered by Kevin Gray at Cohearent Audio Limited Edition - Pressed at QRP Quality Record Pressings Impeccably mastered from the original analog tape by Kevin Gray at Cohearent Audio the 200-gram vinyl was plated & pressed at Quality Record Pressings. This small treasure preserves the essence of what makes Baez such a beloved figure on the world stage. - The Absolute Sound Mastered from the original analog tape by Kevin Gray at Cohearent Audio 200-gram vinyl plated and pressed at Quality Record Pressings! Tip-on jacket by Stoughton Printing The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection (side two of the LP and cassette, tracks seven through 12 of the CD) consists of songs sung in Spanish. "This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people pf Bilbao, who came out between thunderstorms to see me perform. The song in Catalan TXORIA TXORI is about a sweet little bird...I want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully." — Joan Baez. Illustrations by Joan Baez; additional vocals Mercedes Sosa. A very difficult-to-find LP, originally released on a small, independent label. Originally released on a very limited run of vinyl. The original LPs are demanding a nice price on the Asian market. A beautiful recording with absolutely fantastic sound. Includes a performance of her hit song "Diamonds and Rust" as well as the audiophile classic "Famous Blue Raincoat." This may be an under-the-radar title, but it's a can't miss for the discerning audiophile. The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection consists of songs sung in Spanish. 1. Diamonds and Rust 2. Ain't Gonna Let Nobody Turn Me Around 3. No Woman No Cry 4. Famous Blue Raincoat 5. Swing Low Sweet Chariot 6. Let It Be 7. El Preso Numero Nueve 8. Llego Con Tres Heridas 9. Txoria Txori 10. Ellas Danzan Solas (Cueca Sola) 11. Gracias A La Vida 12. No Nos Moveran : Diamonds & Rust (J. Baez) Ain't Gonna Let Nobody Turn Me Around (traditional, arr. by J. Baez) No Woman, No Cry (V. Ford) Famous Blue Raincoat (L. Cohen) Swing Low, Sweet Chariot (traditional, arr. by J. Baez) Let It Be ( J. Lennon, P. McCartney) El Preso Numero Nueve (H. Cantoral) Llego Con Tres Heridas (M. Hernandez, arr. by J. Baez) Txoria Txori (J. A. Arze, M. Laboa) Ellas Danzan Solas (Cueca Sola) (R.Livi, Sting) Gracias A La Vida (V. Parra, arr. by J. Baez) No Nos Moveran (traditional, arr. by J. Baez) Additional musicians and vocalists: John Acosta, Begnat Amorena, Laythan Armor, Cesar Cancino, Jean Marie Eday, Jose Agustin Guereu, L. A. Mass Choir (led by Donald Taylor), Costel Restea, Mercedes Sosa Image result for ANALOGUE PRODUCTIONS Image result for QRP QUALITY RECORD PRESSINGS ORIGINAL MASTER TAPES AAA 100% ANALOGUE We use the Original Tapes and work with only the Best Mastering Studios QUALITY RECORD PRESSINGS Plated and Pressed at QRP the world`s Best Pressing Plant on Virgin Vinyl UNMATCHED QC Meticulous Test Pressing evaluation and Quality Control DELUXE PACKAGING Highest Quality Jackets and Rice Paper Inner Sleeves LIMITED EDITION Less than 1,000 Records per Stamper Released in Limited Quantities ******************************************************************************************* Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 45RPM 200GRAM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- MASTERED BY KEVIN GRAY AT COHEARENT STUDIOASIN USA ----- 200GRAM HIGH QUALITY PRESSING MADE BY QUALITY RECORD PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION !! ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) .....VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... ) Preis:** EUR 599,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 299,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 45RPM 200GRAM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- MASTERED BY KEVIN GRAY AT COHEARENT STUDIOASIN USA ----- 200GRAM HIGH QUALITY PRESSING MADE BY QUALITY RECORD PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION !! ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) .....VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... ) In den Warenkorb


ANALOGUE PRODUCTIONS APP 060-45 ----- ANALOGE-45RPM-DOPPEL-LP/RECORD ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED)	THE BEACH BOYS ----- SURFER GIRL ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2017 IN USA ----- MASTERING BY KEVIN GRAY AT THE COHEARENT AUDIO IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION - MAXIMAL 2500 COPIES WORLDWIDE ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM-DOPPEL-LP/RECORD / ..... ACOUSTIC SOUNDS RECORDING IN USA / ..... ANALOGUE 45RPM DOPPEL-LP/RECORD BY ANALOGUE PRODUCTION IN USA 2017 / ..... ORIGINAL AUFNAHMEN 1963 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1963 BY CAPITOL RECORDS IN USA / ..... ORIGINAL HIGH QUALITY 200GRAM VINYL PRESSING IN USA BY QUALITY RECORD TECHNOLOGY 2017 IN USA / ..... EIN BESONDERES HÖRERLEBNIS !!! / ..... LIMITED EDITION (MAX. 2500 EXEMPLARY) / ..... EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN AUDIOPHILEN LP/RECORD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY PRIVATE AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ..... DIESE AUDIOPHILE 45RPM DOPPEL-LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... )----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! ----- Weitere Details: ************************************************************************************************** Surfer Girl (Vinyl, LP, 45 RPM, Album, Reissue, Remastered, Stereo) album cover The Beach Boys ‎– Surfer Girl Label: Analogue Productions ‎– APP 060-45, Capitol Records ‎– ST 1981 Format: 2 × Vinyl, LP, 45 RPM, Album, Reissue, Remastered, Stereo, 200 Gram Country: US Released: 04 Aug 2017 Genre: Rock, Pop Style: Surf, Pop Rock, Vocal Tracklist Hide Credits A1 Surfer Girl Written-By – Brian Wilson 2:24 A2 Catch A Wave Written-By – Brian Wilson, Mike Love 2:15 A3 The Surfer Moon Written-By – Brian Wilson 2:17 B1 South Bay Surfer Written-By – A. Jardine, B. Wilson, D. Wilson* 1:49 B2 The Rocking Surfer Arranged By – Brian WilsonWritten-By – Traditional 1:56 B3 Little Deuce Coupe Written-By – Brian Wilson, Roger Christian 1:50 C1 In My Room Written-By – Brian Wilson, Gary Usher 2:11 C2 Hawaii Written-By – Brian Wilson, Mike Love 2:02 C3 Surfer's Rule Written-By – Brian Wilson, Mike Love 1:42 D1 Our Car Club Written-By – Brian Wilson, Mike Love 2:15 D2 Your Summer Dream Written-By – Bob Norberg (2), Brian Wilson 2:31 D3 Boogie Woodie Arranged By – Brian WilsonWritten-By – Traditional 2:04 Companies, etc. Licensed From – Universal Music Special Markets Manufactured By – Universal Music Enterprises Mastered At – Cohearent Audio Pressed By – Quality Record Pressings Copyright (c) – Capitol Records, LLC Credits Mastered By – Kevin Gray Photography By [Cover Photo / Capitol Photo Studio] – Ken Veeder Barcode and Other Identifiers Barcode: 753088604577 *********************************************************************************************** Um den Standards von Analogue Productions zu genügen, gab es bei der Wiederauflage der Beach Boys Alben ein zentrales Ziel: die Musik der Band so wiederzugeben, wie es der Auffassung von Brian Wilson dem berühmten Mitgründer der Beach Boys, Songschreiber und Arrangeur entsprach. Die Mono-Abmischungen unter Wilsons Oberaufsicht waren das Format, mit dem damals die kalifornische Surfrock-Truppe berühmt wurde! Und wir haben sie! In der frühen Phase der Karriere der Beach Boys wurden ihre sämtlichen Singles ausschließlich im Mono-Format gemixt, gemastert und veröffentlicht die erste Stereo-Single kam erst 1968 heraus. Damals wurden Hits für das Mittelwellenradio in Mono produziert. Dem teilweise ertaubten Wilson kamen die Monoaufnahmen der damaligen Zeit durchaus entgegen. Dennoch, von "Surfin' Safari" mal abgesehen, das es nur in Mono gibt, haben die Beach Boys von all ihren frühen Alben bis 1965 Stereo-Masterbänder produziert. "Beach Boys Today" war die erste LP, für die sie nur ein Mono-Masterband einreichten. Die Stereoeditionen von "Surfin' USA", "Surfer Girl", "Little Deuce Coupe", "Shut Down Vol. 2", "All Summer Long", "Beach Boys Christmas Album" und "Beach Boys Concert" wurden sämtlich vom Lieblings-Ingenieur der Beach Boys, Chuck Britz, in Stereo abgemischt, eindeutig unter der Oberaufsicht der Band. Brian könnte bei den Mixingsessions anwesend gewesen sein oder auch nicht anscheinend vertraute er Chucks Fähigkeiten genügend, um ihn die Abmischungen selbst vorbereiten zu lassen aber die Gruppe behielt die Rechte an ihren mehrspurigen Bändern und an den an Capitol ausgehändigten Stereobändern, statt Capitol eigene Stereoversionen machen zu lassen. Später, als Brian nur noch Mono-Masterbänder lieferte, pflegte Capitol die duophonischen Pseudo-Stereo-Editionen für den Stereomarkt selbst herzustellen, erklärt Alan Boyd, Produzent und Beach Boys Archivar. Sämtliche neueren Stereo-Abmischungen auf diesen neu gemasterten Alben ("The Beach Boys Today!", "Summer Days (And Summer Nights!!)", "The Beach Boys' Party", "Pet Sounds" und "Smiley Smile") wurden von Mark Linett im Auftrag der Beach Boys angefertigt. Um es auf den Punkt zu bringen, den Mono-Mixes schenkte Brian Wilson die allergrößte Aufmerksamkeit und diese Hingabe hat sich gelohnt! Zehn der Mono-Klassiker und am besten klingenden Beach Boy-Titel wurden von Acoustic Sounds ausgewählt und in ihrer ganzen großartigen Qualität reproduziert! Dennoch bieten sich die mehrstimmigen Harmonien und einzigartigen Rhythmen von Hits wie "Surfer Girl", "In My Room", "Little Deuce Coupe" und anderen geradezu für Stereoaufnahmen an. Deshalb veröffentlicht Acoustic Sounds die ursprünglich nur in Mono erschienenen Titel auch in erstklassigen Stereomix-Versionen. Von Kevin Gray größtenteils von den originalen Masterbändern neu gemastert, galvanisiert und gepresst bei Quality Record Pressings, einem der besten Presswerke weltweit, sind dies überwältigende Produktionen. Und der Anblick jedes Albums passt zu seinem überragenden Klang! Sie präsentieren sich in Stoughton-Covern alter Schule mit von Hand aufgeklebtem Deckblatt, an der typischen Falzung erkennbar, so dass diese altehrwürdigen LP-Klassiker noch beeindruckender sind als im Original! "Surfin' USA" war das Album, mit dem die Beach Boys den Durchbruch schafften, mit dem Brian Wilson sich im Studio als erstklassiger Songwriter und Arrangeur gleichermaßen durchsetzte. Mstering durch Kevin Gray bei Cohearent Audio, USA. Nach den überraschenden Erfolgen ihrer ersten beiden Alben versuchten die Beach Boys, so viel wie möglich von dieser Welle mitzunehmen, und nur wenige Monate nach ihrem Debüt erschien 1963 bereits ihr drittes Album, „Surfer Girl“. Es ist eines von nur zwei Alben, das die Beach Boys als Sextett zeigt, zusammen mit David Marks, der eigentlich nur als Tour-Ersatzmann für Brian Wilson fungierte, damit dieser sich mehr auf das Songschreiben konzentrieren konnte - eine Abmachung, die sich auszahlte. Auf „Surfer Girl“ erreicht Wilsons Songwriting und auch seine Arrangements und die Produktion (die hier erstmals allein von ihm stammt) neue Höhen. Der Titeltrack des Albums war die erste Single der Band, die eine Ballade war - ein Wagnis, das funktionierte, weil man endlich sehen konnte, dass die fünf Kalifornier mehr konnten, als nur rocknrolligen Surfer-Beat zu zaubern. Und mit Songs wie „In My Room“ finden sich hier echte Perlen aus Wilsons Schaffen. Analogue Productions bringt dieses Album jetzt vom Original Mono-Masterband remastert heraus, klanglich ein echter Genuss, und musikalisch eine der stärksten Scheiben aus der Frühphase der Beach Boys. Titel: Side 1 1. Surfer Girl 2. Catch A Wave 3. The Surfer Moon 4. South Bay Surfer 5. The Rocking Surfer 6. Little Deuce Coupe Side 2 7. In My Room 8. Hawaii 9. Surfers Rule 10. Our Car Club 11. Your Summer Dream 12. Boogie Woodie *************************************************************************************** Rezension: Der Titelsong, mehr noch das himmlische "In My Room" zeigten nun endgültig, was diese Band für ein Genius in ihren Reihen hatte: Das sind Songs, die den orchestralen Pop der "Pet Sounds" / "Smile"-Ära schon vorwegnehmen. Der Hot Rod-Rocker "Little Deuce Coupe" zeigt eine andere Facette der Band, manches ist auch eindeutig Füllmaterial – doch das wenig bekannte "Your Summer Dream" ist ein weiteres Wilson-Meisterstück, das den Besitz dieses Albums alleine schon rechtfertigen würde… Auch diese Reedition ist in jeder Beziehung vorbildlich! (1963/2015) **************************************************************************************** Ein musikalisches Vermächtnis, das in Hawthorne in Kalifornien begann und von dort aus die Welt erobert hat. Analogue Productions präsentiert die ultimativen Neuauflagen von den vierzehn wichtigsten Beach Boys Alben. Von Kevin Gray größtenteils von den originalen Masterbändern neu gemastert, galvanisiert und gepresst bei Quality Record Pressings, einem der besten Presswerke weltweit, bieten diese Aufnahmen ein überwältigendes Erlebnis. Und der Anblick jedes Albums passt zu seinem überragenden Klang! Sie präsentieren sich in Stoughton-Covern alter Schule mit von Hand aufgeklebtem Deckblatt, an der typischen Falzung erkennbar, so dass diese altehrwürdigen LP-Klassiker noch beeindruckender sind als im Original! »Surfer Girl«, das dritte Album der Beach Boys' bei Capitol Records, war das erste, das Brian Wilson selbständig produzierte (die beiden vorherigen, »Surfin Safari« und »Surfin USA« (Mono & Stereo Remasters), wurden koproduziert mit dem inzwischen verstorbenen Capitol A&R-Mann, Nik Venet). Dieses Album war die erste wirklich große Leistung der Boys; es gibt kein einziges zweitklassiges Stück auf diesem Album, zu dem der Titelsong, »Catch A Wave«, »In My Room«, »Hawaii«, »Our Car Club«, »Little Deuce Coupe«, »Your Summer Dream« und weitere gehören. Von »Surfin' Safari« mal abgesehen, das es nur in Mono gibt, haben die Beach Boys von all ihren frühen Alben bis 1965 Stereo-Masterbänder produziert. »Beach Boys Today« war die erste LP, für die sie nur ein Mono-Masterband einreichten. Die Stereoeditionen von »Surfin' USA«, »Surfer Girl«, »Little Deuce Coupe«, »Shut Down Vol. 2«, »All Summer Long«, »Beach Boys Christmas Album« und »Beach Boys Concert« wurden sämtlich vom Lieblings-Ingenieur der Beach Boys, Chuck Britz, in Stereo abgemischt, eindeutig unter der Oberaufsicht der Band. »Brian war während der Mixingsessions nur zeitweise anwesend – anscheinend vertraute er Chucks Fähigkeiten in ausreichendem Maße, um ihn die Abmischungen selbst vorbereiten zu lassen – aber die Gruppe behielt die Rechte an ihren mehrspurigen Bändern und an den an Capitol ausgehändigten Stereobändern, statt Capitol eigene Stereoversionen machen zu lassen. Später, als Brian nur noch Mono-Masterbänder lieferte, pflegte Capitol die duophonischen Pseudo-Stereo-Editionen für den Stereomarkt selbst herzustellen«, erklärt Alan Boyd, Produzent und Beach Boys Archivar. Die Angewohnheit der Beach Boys, ihren Gesang zweispurig aufzunehmen, bietet sich geradezu für Stereoaufnahmen an. Im klassischen Ping Pong-Stereo, wie bei vielen der frühen Stereoaufnahmen, kann dieser quasi verdoppelte Gesang den Hörer richtiggehend einhüllen, ihn einkreisen mit Wilsons, Loves und Jardines! Sämtliche neueren Stereo-Abmischungen auf diesen neu gemasterten Alben (»The Beach Boys Today!«, »Summer Days (And Summer Nights!!)«, »The Beach Boys' Party«, »Pet Sounds« und »Smiley Smile«) wurden von Mark Linett im Auftrag der Beach Boys angefertigt. ********************************************************************************************* The ultimate pressings of the Beach Boys discography from Analogue Productions! Audio production — Mark Linett For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Double LP 45 RPM pressing! Deluxe gatefold tip-on jacket from Stoughton Printing! Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings! "These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals! Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nick Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, "Catch A Wave," "In My Room," "Hawaii," "Our Car Club," "Little Deuce Coupe," "Your Summer Dream," and more. Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master. The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision. "Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist. The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines! All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys. ********************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2017 IN USA ----- MASTERING BY KEVIN GRAY AT THE COHEARENT AUDIO IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) Preis:** EUR 799,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 399,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE HIGH QUALITY 200GRAM VINYL 45RPM-DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- THE ACOUSTIC SOUNDS REISSUES 2017 IN USA ----- MASTERING BY KEVIN GRAY AT THE COHEARENT AUDIO IN USA FROM THE ORIGINAL MASTER TAPES ----- LIMITED EDITION ----- OUT OF PRINT ---- ( ..... RARE AUDIOPHILE 45RPM DOPPEL-LP/RECORD ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS (LOOK AT THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... ) In den Warenkorb


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