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ANALOGUE PRODUCTIONS POPE MUSIC1001 ----- ( SALE = AUSVERKAUF-A 10/18 ) ----- OUT OF PRINT ----- ( NEU / NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! )

LORI LIEBERMANN ----- A THOUSAND DREAMS ----- LIMITED EDITION ----- ( ..... ANALOGE LP AUS DEN USA !! / ..... NEU / NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! / ..... 180g HEAVY VINYL / ..... ORIGINAL RECORDING 1997 BY POPE MUSIC RECORDS, USA / ....... ORIGINAL AUFNAHMEN 1997 BEI POPE MUSIC RECORDS IN USA / ...... ANALOGUE PRODUCTIONS,USA 2004 / .... .MASTERED BY KEVIN GREY AT ACOUSTECH MASTERING !! / ...... EXCELLENTER KLANG !! / ..... LIMITED EDITION !! ........ EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK) IN MEINER PRIVATEN, GEPFLEGTEN,AUDIOPHILEN UND ANALOGEN LP/RECORD & CD-SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY AUDIOPHILE, ANALOGUE LP/RECORD & CD-COLLECTION (ONE EXEMPLARY)!! ....... DIESE WERTVOLLE ANALOGUE LP/RECORD IST = NEU / NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! ........ )

Weitere Details: ****************************************************************************************** .............. Track Listing .............. 1. Song for the Asking .............. 2. Switzerland .............. 3. Drive On .............. 4. Love Takes Time .............. 5. One Thing .............. 6. He's a Leaver .............. 7. Women Like Me .............. 8. My Heart Longs for You .............. 9. I'll Never Have the Heart (To Leave This Town) .............. 10. Time After Time .............. 11. Blue Memory .............. 12. It Was a Time .............. 13. Killing Me Softly .............. 14. A Thousand Dreams .............. ************************************************************************************************** .............. Album Notes .............. .............. Personnel: Lori Lieberman (vocals); Amanda McBroom (vocals); George Doering (guitar, acoustic guitar, mandolin); Stephen Erdody (acoustic guitar, cello); Dean Parks, John Goux (acoustic guitar); Katie Kirkpatrick (harp); Ray Kelley (cello); Tommy Morgan (harmonica); Gary Scott (piano); Chuck Domanico (upright bass); Paulinho Da Costa (percussion); Stacey Lyn Shaffer (background vocals).Recording information: John Raitt Theatre, Pepperdine University.Photographer: Theresa Vargo.Unknown Contributor Roles: Scott Reader; T.J. Steib; Earl Marchesi.Arranger: Gary Scott. .............. *********************************************************************************************

Zustand: NEU = NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! ----- ANALOGE LP/RECORD AUS DEN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE RECORD-COLLECTION (ONE EXEMPLARY !! ) . ....SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!).....BITTE ANKLICKEN(CLICK ON THE XXL-PICTURES !!) .......)

Preis: EUR 599,99 ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 299,99 euro ) NEU = NEW = UNGESPIELT = UNPLAYED = NEVER PLAYED !! ----- NALOGE LP/RECORD AUS DEN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE RECORD-COLLECTION (ONE EXEMPLARY !!) . ....SIEHE XXL-FOTO(LOOK THE XXL-PICTURES !!).....BITTE ANKLICKEN(CLICK ON THE XXL-PICTURES !!) .......)

In den Warenkorb

ANALOGUE PRODUCTIONS AAPB 097-45 ----- LIMITED EDITION ----- OUT OF PRINT ----- (AUDIOPHILE-BLACK VINYL LP/RECORD-REISSUE/OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

STEVIE RAY VAUGHAN AND DOUBLE TROUBLE ----- COULD´T STAND THE WEATHER ----- AUDIOPHILE BLUES-ROCK 45RPM--DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- HIGH QUALITY 180GRAM 45RPM-VINYL PRESSING BY ANALOGUE PRODUCTIONS IN USA ----- FROM THE ORIGINAL MASTER TAPES ----- MASTERED BY STERLING SOUND IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... AUDIOPHILE 45RPM-DOPPEL-LP/RECORD / ..... HIGH QUALITY 180GRAM VINYL / ..... ORIGINAL AUFNAHMEN 1984 BEI EPIC RECORDS IN USA / ...... ORIGINAL RECORDING 1984 BY EPIC RECORDS IN USA / ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE COPY) !! ...... DIESE ANALOGE 45RPM - SOUNDTRACK-LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ..... ----- TAS EMPFEHLUNG !! ---- KLANG EMPFEHLUNG !! -----)

Weitere Details: ************************************************************************************************* Stevie Ray Vaughan And Double Trouble* – Couldn't Stand The Weather Label: Analogue Productions – APB 097-45, Sony Music Entertainment – 88875177711 Format: 2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Reissue, Remastered, Gatefold, 200 Gram Country: US Released: Nov 4, 2016 Genre: Rock, Blues Style: Texas Blues Tracklist A1 Scuttle Buttin' Music By – S. R. Vaughan* 1:49 A2 Couldn't Stand The Weather Guitar [Second] – Jimmie Vaughan Words By, Music By – S. R. Vaughan* 4:40 A3 The Things (That) I Used To Do Guitar [Second] – Jimmie Vaughan Words By, Music By – E. Jones* 4:53 B1 Voodoo Chile (Slight Return) Words By, Music By – J. Hendrix* 7:58 B2 Cold Shot Words By, Music By – M. Kindred*, W. Clark* 3:57 C1 Tin Pan Alley Words By, Music By – B. Geddins* 9:10 D1 Honey Bee Words By, Music By – S. R. Vaughan* 2:40 D2 Stang's Swang Drums – Fran Christina Music By – S. R. Vaughan* 2:41 Companies, etc. Mastered At – Sterling Sound Manufactured For – Analogue Productions Manufactured By – Sony Music Entertainment Pressed By – Quality Record Pressings Phonographic Copyright ℗ – Epic Records Copyright © – Epic Records Copyright © – Ray Vaughan Music, Inc. Copyright © – Hard Case Music Copyright © – Trio Music Company Published By – BUG Music Group Published By – Sony/ATV Songs LLC Credits Bass – Tommy Shannon Cover – Holland Macdonald Drums – Chris "Whipper" Layton* Engineer – Richard Mullen Engineer [Assistant] – Rob "Ace" Eaton* Executive-Producer – John Hammond Photography By – Benno Friedman Photography By [Weather] – Shostal Associates Plated By – Gary Salstrom Producer – Chris Layton, Jim Capfer, Richard Mullen, Stevie Ray Vaughan, Tommy Shannon Remastered By, Lacquer Cut By – RKS* Vocals, Guitar – Stevie Ray Vaughan Notes Individual release of the 45 RPM version, also found in the 2014 Texas Hurricane box set. Back cover art incorrectly lists B2 Cold Shot as D1 Cold Shot. Etched runouts on C side has a crossed-out D. Barcode and Other Identifiers Barcode: 753088097416 Matrix / Runout (Stamped, A-D Sides): QRP STERLING Matrix / Runout (Etched, A Side): AAPB 39304-45-A-RE1 RKS Matrix / Runout (Etched, B Side): AAPB 39304-45-B-RE1 RKS Matrix / Runout (Etched, C Side): AAPB 39304-45-D̶C RKS Matrix / Runout (Etched, D Side): AAPB 39304-45-D-RE1 RKS Rights Society: ASCAP Rights Society: BMI ******************************************************************************************** Rezension: Das Meisterwerk des letzten der großen Gitarrenhelden, mit dem er seinen durch das Debüt gewonnenen Ruf zementierte: Allein schon “Scuttle Buttin’” (vom Meister gerne zum Aufwärmen bei Konzerten eingesetzt) macht das Album zur gitarristischen Sternstunde. Hier war einer der seltenen Menschen am Werk, die höchste technische Virtuosität mit Musik zu verbinden in der Lage waren – Vaughan spielt zwar eine Menge Noten pro Sekunde, aber man hat nie den Eindruck, es seien zu viele. Ein solcher Musiker darf sogar Hendrix covern, und seine Fassung von „Voodoo Chile (Slight Return)“ besteht lässig jeden Vergleich. – Pure Pleasure hat den Klassiker nun in ziemlich definitiver Version wieder aufgelegt: Die vormals zwei Seiten auf drei verteilt, die vierte enthält einen (kurzen!) Kommentar von SRV selbst und satte vier Bonustitel! Pressung und Klangqualität wie immer vorbildlich. (1984/2016) ******************************************************************************************* Stevie Ray Vaughan (g, voc); Stan Harrison (ts); Tommy Shannon (b); Chris ›Whipper‹ Layton (dr) Die 45rpm Analogue Productions-Neuauflage von Stevie Ray Vaughans »Couldn't Stand The Weather« ist so gut wie ihre 45rpm-Begleiter »Texas Flood« und »Soul To Soul« – dass sie wirklich das repräsentieren, was Gregg Geller, Produzent und A&R-Vertreter beschrieben als »bisher beste Replikation der Masterbänder«» Wir haben Ihnen bereits das 33 1 / 3 U/min Box-Set ›Texas Hurricane‹ mit dem größten Stevie Ray Vaughan-Tribute aller Zeiten gebracht – sechs von Vaughans klassischsten Albumtiteln, remastert für ultimative Blues- und Gitarrenfans. Wir haben jetzt den zusätzlichen Schritt gemacht und 45rpm-Versionen dieser drei herausragenden LPs gemacht. Für all diese Alben haben wir die originalen analogen 30-Zoll-pro-Sekunde-, 1/2-Zoll-Masterbänder verwendet. Ryan K. Smith von Sterling Sound schnitt die Lacke für die LPs mit der ultimativen VMS 80-Schneidemaschine. Gary Salstrom kümmerte sich um die Plattierung und das Vinyl wurde natürlich bei unseren Quality Record Pressings gepresst, dem Hersteller der am besten klingenden LPs der Welt. ›Could't Stand The Weather‹ ist das bemerkenswerte zweite Album von Stevie Ray Vaughan und Double Trouble. Es folgt ihr von der Kritik gefeiertes Debüt ›Texas Flood‹. Mit der gleichen Erfolgsformel aus Musikalität und Songwriting festigt ›Couldn't Stand The Weather‹ Vaughans Platz als einen der größten der Musik. Es ist ihr erstes Gold-Zertifikat und ihr erster Platin-Verkäufer. Es enthält atemberaubende Interpretationen von Clarks »Cold Shot« und Hendrixs »Voodoo Child«. Dieses Meisterwerk ist ein fester Bestandteil der Billboard-Charts und wurde von Entertainment Weekly, Q, Down Beat und vielen anderen gelobt. Es gibt kein Glied in dieser Produktionskette, das nicht absolut erstklassig war. Das absolut Beste, was man mit Geld kaufen kann. Aber darüber hinaus haben wir unsere Leidenschaft in dieses Projekt gesteckt. Acoustic Sounds ist ein großer Fan des Blues und Stevie Ray Vaughan. Es ist ein großer Traum, an diesem Projekt zu arbeiten und diese Platten so gut wie möglich klingen und aussehen zu lassen. ******************************************************************************************* Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound Cut at 45 RPM, 200-gram pressing by Quality Record Pressings "The new remastering sounds amazing. Better than it ever did. I'm happy and pleasantly surprised." Chris "Whipper" Layton The 45 RPM Analogue Productions reissue of Stevie Ray Vaughan's Couldn't Stand The Weather is so good, as are its 45 RPM companions Texas Flood and Soul To Soul that they truly represent what Gregg Geller, producer and A&R representative described as "the best replication of the master tapes to date." We've already brought you the 33 1/3 RPM box set Texas Hurricane featuring the greatest Stevie Ray Vaughan tribute ever reissued six of Vaughan's most classic album titles remastered for ultimate blues and guitar fanatics. We've now taken the extra step and done 45 RPM versions of these three standout LPs. We've used the original 30 inches-per-second, half-inch analog master tapes for all of these albums. Ryan K. Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at our Quality Record Pressings, maker of the world's finest-sounding LPs. Couldnt Stand The Weather is the remarkable sophomore album by Stevie Ray Vaughan and Double Trouble. It follows their critically acclaimed debut, Texas Flood. Incorporating the same winning formula of musicianship and songwriting, Couldnt Stand The Weather cemented Vaughans place as one of musics greatest. It is their first to earn gold certification and their first platinum-seller. It includes breathtaking renditions of Clarks “Cold Shot and Hendrixs “Voodoo Child. A staple on the Billboard charts, this definitive masterpiece received praise from Entertainment Weekly, Q, Down Beat and many others. There's not a link in this production chain that wasn't absolute first-rate. The absolute best that money can buy. But beyond that we've poured our passion into this project. Acoustic Sounds is a big fan of the blues and Stevie Ray Vaughan. It's a big dream come true to work on this project and to make these records sound and look the best they ever have. Mastering und Schnitt durch Ryan Smith bei Sterling Sound. Gepresst auf 200-Gramm schwerem Vinyl bei Quality Record Pressings! Titel: 1. Scuttle Buttin' 2. Couldn't Stand The Weather 3. The Things (That) I Used To Do 4. Voodoo Child (Slight Return) 5. Cold Shot 6. Tin Pan Alley (AKA Roughest Place in Town) 7. Honey Bee 8. Stang's Swang ************************************************************************************************* Description AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head Analogue Productions - AAPB 097-45 - 200 Gram Virgin Vinyl AAA 100% Analogue - Mastered by Ryan K Smith at Sterling Sound Limited Edition - Pressed at QRP Quality Record Pressings The Absolute Sound Super Disc List TAS Harry Pearson Super LP List Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound Cut at 45 RPM, 200-gram pressing by Quality Record Pressings "The new remastering sounds amazing. Better than it ever did. I'm happy and pleasantly surprised." — Chris "Whipper" Layton The 45 RPM Analogue Productions reissue of Stevie Ray Vaughan's Couldn't Stand The Weather is so good, as are its 45 RPM companions — Texas Flood and Soul To Soul — that they truly represent what Gregg Geller, producer and A&R representative described as "the best replication of the master tapes to date." We've already brought you the 33 1/3 RPM box set Texas Hurricane featuring the greatest Stevie Ray Vaughan tribute ever reissued — six of Vaughan's most classic album titles remastered for ultimate blues and guitar fanatics. We've now taken the extra step and done 45 RPM versions of these three standout LPs. We've used the original 30 inches-per-second, half-inch analog master tapes for all of these albums. Ryan K. Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at our Quality Record Pressings, maker of the world's finest-sounding LPs. Couldn’t Stand The Weather is the remarkable sophomore album by Stevie Ray Vaughan and Double Trouble. It follows their critically acclaimed debut, Texas Flood. Incorporating the same winning formula of musicianship and songwriting, Couldn’t Stand The Weather cemented Vaughan’s place as one of music’s greatest. It is their first to earn gold certification and their first platinum-seller. It includes breathtaking renditions of Clark’s “Cold Shot” and Hendrix’s “Voodoo Child.” A staple on the Billboard charts, this definitive masterpiece received praise from Entertainment Weekly, Q, Down Beat and many others. There's not a link in this production chain that wasn't absolute first-rate. The absolute best that money can buy. But beyond that we've poured our passion into this project.as big fan of the blues and Stevie Ray Vaughan. It's a big dream come true to work on this project and to make these records sound and look the best they ever have. Musicians: Stevie Ray Vaughan, vocals, guitars Tommy Shannon, bass Chris "Whipper" Layton, drums Jimmie Vaughan, 2nd guitar Fran Christina, drums Stan Harrison, tenor sax 1. Scuttle Buttin' 2. Couldn't Stand The Weather 3. The Things (That) I Used To Do 4. Voodoo Child (Slight Return) 5. Cold Shot 6. Tin Pan Alley (AKA Roughest Place in Town) 7. Honey Bee 8. Stang's Swang Stevie\u0020Ray\u0020Vaughan\u0020\u002D\u0020Couldn\u0060t\u0020Stand\u0020The\u0020Weather\u0020\u002D\u002045rpm\u0020200g\u00202LP ORIGINAL MASTER TAPES AAA 100% ANALOGUE We use the Original Tapes and work with only the Best Mastering Studios QUALITY RECORD PRESSINGS Plated and Pressed at QRP the world`s Best Pressing Plant on Virgin Vinyl UNMATCHED QC Meticulous Test Pressing evaluation and Quality Control DELUXE PACKAGING Highest Quality Jackets and Rice Paper Inner Sleeves LIMITED EDITION Less than 1,000 Records per Stamper Released in Limited Quantities ****************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE BLUES-ROCK 45RPM--DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- HIGH QUALITY 180GRAM 45RPM-VINYL PRESSING BY ANALOGUE PRODUCTIONS IN USA ----- FROM THE ORIGINAL MASTER TAPES ----- MASTERED BY STERLING SOUND IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE COPY) !! ...... SIEHE XXL-FOTO (LOOK THE XXL-PHOTOS !!) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... )

Preis: EUR 599,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 299,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE BLUES-ROCK 45RPM--DOPPEL-LP/RECORD IN EINEM WERTIGEN KLAPPCOVER(GATEFOLD JACKET) ----- HIGH QUALITY 180GRAM 45RPM-VINYL PRESSING BY ANALOGUE PRODUCTIONS IN USA ----- FROM THE ORIGINAL MASTER TAPES ----- MASTERED BY STERLING SOUND IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE LP/RECORD-COLLECTION(ONE COPY) !! ...... SIEHE XXL-FOTO (LOOK THE XXL-PHOTOS !!) ..... BITTE FOTO ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ..... )

In den Warenkorb

ANALOGUE PRODUCTIONS AAPF 112 ----- ( SALE = AUSVERKAUF-A 10/18 ) ----- DOPPEL-LP/RECORD ----- LIMITED EDITION ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

JOAN BAEZ ----- RECENTLY ----- AUDIOPHILE 200GRAM HIGH QUALITY PRESSING MADE BY ANALOGUE PRODUCTION IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS FOLK-LP/RECORD / ..... ANALOGE LP/RECORD-REISSUE MADE IN 2016 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL STEREO-AUFNAHMEN 1987 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL STEREO-RECORDING 1987 BY CAPITOL RECORDS IN USA / ..... REMASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2016 / ..... LIMITED EDITION ..... ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY!!) ..... DIESE WERTVOLLE ANALOGE LP/RECORD IST = OVP = ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )

Weitere Details: *************************************************************************************************** Joan Baez - Gesang, Gitarre Caleb Quaye, Fred Tackett, Paul Jackson - Gitarre Cesar Cancino, John Hobbs - Keyboards, Synthesizer Aythan Armor - Keyboards, Synthesizer, Klavier Tony Wilkins - Orgel Abraham Laboriel - Bass, Gitarre Alex Acua, John Robinson - Schlagzeug u.a. Aufnahmen 1987 in den Capitol Studios in Los Angeles, USA. Als Joan Baez 1985 beim Live-Aid-Konzert auftrat, stellte man überrascht fest, dass die fünfundvierzigjährige Folk-Legende vielen jüngeren Zuhörern überhaupt kein Begriff mehr war. Kein Wunder, hatte sie doch seit den 70ern kein neues Album mehr veröffentlicht. Das sollte sich ändern, als sie 1987 mit „Recently“ auf den Musikmarkt zurückkehrte. Die neun Songs umfassende Scheibe zeigte Joan Baez ganz in ihrem Element, und keineswegs angestaubt: Zwischen einigen selbstgeschriebenen Songs lieh sie wie immer ihre strahlende Stimme den großen Songwritern ihrer Zeit, und die waren andere als damals in den 60ern; so finden sich auf „Recently“ Songs von Mark Knopfler, Peter Gabriel oder U2. Und allesamt Songs mit politischer Sprengkraft. Denn ruhig war Miss Baez keinesfalls geworden. Mit Knopflers „Brothers In Arms“ singt sie gegen den Krieg, mit U2s „MLK“ setzt sie Martin Luther King ein Denkmal, mit Peter Gabriels „Biko“ protestiert sie gegen die Apartheid. Eine starke, kämpferische Platte, die die Kraft der Folk-Bewegung in die 80er transportierte. Jetzt bei Acoustic Sounds in erstklassiger Klangqualität remastert. Mastering durch Kevin Gray bei Cohearent Audio. Gepresst auf 200g-schwerem Vinyl bei Quality Record Pressings in den USA. Die LP steckt in einem extra dicken Karton. ************************************************************************************************** Rezension: Anstatt sich wie so viele Kollegen ihrer Generation lächerlich zu machen, ließ die Folk-Mutter den größten Teil der 80er erst einmal an sich vorüberziehen, bevor sie wieder ein Studio betrat. Als sie es tat, war die Dekade genug vorangeschritten um sie aufarbeiten zu können – mit einem Album, auf dem sie Song von Künstlern interpretierte, deren politisches Gewissen in nicht geringem Maße einst eben von ihr geprägt worden war. Das Programm dieses sehr gelungenen musikalischen Zirkelschlusses enthält Songs von Mark Knopfler ("Brothers In Arms"), U2 ("MLK") und Peter Gabriel ("Biko") neben Klassikern von Jimmy Webb und Aretha Franklin, einem Ausflug nach Südafrika (Johnny Cleggs "Asimbonanga"), einem Traditional-Medley und zwei neuen eigenen Songs. Die frühere Protestsong-Ikone bewies dabei absolute Integrität und Souveränität; obendrein war in der vergangenen Dekade ihr einst glockenheller Sopran auf durchaus angenehme Art nachgedunkelt. Ein großer Charterfolg war das Album damals leider überhaupt nicht; seine Wiederentdeckung indes ist lohnend – zumal in der hier zu erlebenden Klangqualität! (1987/2017) ************************************************************************************************* *** Gatefold Cover Joan Baez (voc, g); Caleb Quaye, Fred Tackett, Paul Jackson Jr. (g); Cesar Cancino, John Hobbs (keyb, synth); Laythan Armor (keyb, synth, p); Tony Wilkins (org); Abraham Laboriel (b, g); Alex Acuña, John Robinson (dr); u. a. 1987 kehrte die ›Madonna des Folk‹ mit aller Macht in die US-Plattenläden zurück mit Interpretationen von Songs von Dire Straits, Johnny Clegg, U2 und Peter Gabriel – alles Künstler, deren politisches Bewusstsein, wie AllMusic schreibt, entstanden war, indem sie frühere Joan Baez Alben gehört hatten. Wir haben diesen Klassiker um einen Tick verbessert – eigentlich gleich um mehrere. Diese 200g Vinyl sind eine Wucht, gepresst bei Quality Record Pressings, neu gemastert von Kevin Gray, dem Experten von Cohearent Audio, galvanisiert vom Meister von QRP, Gary Salstrom, und als Krönung mit einer schweren, aufklappbaren Kartonhülle versehen aus dem Hause Stoughton Printing, die die künstlerische Gestaltung des Originals exakt wiedergibt. Wie könnte es noch besser werden? Das Titelstück von »Recently« ist ein umwerfendes Original von Joan Baez, in dem sie ihrem Ex-Ehemann David Harris kühn auf seine in langsamem Tempo gehaltene Denkschrift aus den Sechzigerjahren, »Dreams Die Hard«, ebenso antwortet wie anderen Revisionisten der Achtzigerjahre. Das Stück »Asimbognagna« war nominiert für einen Grammy als beste zeitgenössische Folk-Aufnahme. ************************************************************************************************ Titel: Seite 1: "Brothers in Arms" (Mark Knopfler) "Recently" (Joan Baez) "Asimbonanga" (Johnny Clegg) "The Moon Is a Harsh Mistress" (Jimmy Webb) "James and the Gang" (Baez) Seite 2: "Let Us Break Bread Together"/"Oh Freedom" (Traditional) "MLK" (Paul David Hewson, David Howell Evans, Larry Mullen, Jr., Adam Clayton) "Do Right Woman, Do Right Man" (Chips Moman, Dan Penn) "Biko" (Peter Gabriel) ************************************************************************************************* Mastered by Kevin Gray at Cohearent Audio from the original analog tapes 200-gram vinyl pressing by Quality Record Pressings! Deluxe tip-on jacket by Stoughton Printing In 1987, the "Madonna of Folk" returned to U.S. record shops with a vengeance, delivering here interpretations of songs by Dire Straits, Johnny Clegg, U2 and Peter Gabriel — performers, writes AllMusic, whose political consciousness had been formed by listening to old Joan Baez albums. We've taken a classic and kicked it up a notch. Several notches, in fact. This 200-gram stunner, pressed at Quality Record Pressings, was expertly remastered by Kevin Gray at Cohearent Audio. Lacquer plating was by QRP's master technician Gary Salstrom, topped off by a heavy cardboard tip-on jacket from Stoughton Printing with vibrantly reproduced original artwork. How does it get any better? The title track from Recently is a stunning Joan Baez original, where she boldly answers ex-husband David Harris' downbeat memoir of the '60s, Dreams Die Hard, as well as other '80s revisionists. The track "Asimbognagna" was nominated for a Grammy Award for Best Contemporary Folk Recording. ************************************************************************************************* Description Mastered from the Original Analog Tapes by Kevin Gray at Cohearent Audio Joan Baez. A musical force of nature - who unselfconsciously introduced Bob Dylan to the world in 1963, marched on the front lines of the Civil Rights movement with Martin Luther King, Jr., inspired Vaclav Havel to fight for a Czech Republic, and sang on the first Amnesty International tour. She brought the Free Speech Movement into the spotlight at Berkeley, took to the fields with Cesar Chavez, organized resistance to the war in Southeast Asia, then 40 years later saluted the Dixie Chicks for their courage to protest the Iraq war. Her earliest recordings fed a host of traditional ballads into the rock vernacular and she's continued to lend her voice to songwriters of various generations and causes ever since. 1987's Recently served as both her first release of the 1980s and first in nearly a decade. Here the "Madonna of Folk" offers up sterling interpretations of material by more modern artists like Mark Knopfler, U2, Peter Gabriel and Johnny Clegg to go along with a pair of stunning originals ("Recently," "Jame and the Gang"). Her take on Clegg's "Asimbognagna" was nominated for a Grammy Award for Best Contemporary Folk Recording. Features: • 200g vinyl from Analogue Productions • Mastered from the original analog tapes by Kevin Gray at Cohearent Audio • Pressed at Quality Record Pressings • Plating by Gary Salstrom • Deluxe tip-on Stoughton gatefold jacket *********************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM FOLK-LP/RECORD ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )

Preis: EUR 399,99 Euro ( minus 50% SALE-DISCOUNT / minus 50% AUSVERKAUFS-RECHNUNGSRABATT = 199,99 Euro ) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM FOLK-LP/RECORD ----- OUT OF PRINT ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN (PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS " FACTORY SEALED " QUALITY !! ..... )

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ANALOGUE PRODUCTIONS AAPP 060 ----- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

THE BEACH BOYS ----- SURFER GIRL ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2014 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2014 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1963 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1963 BY CAPITOL RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND VON KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2014 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Weitere Details: ************************************************************************************************* Surfer Girl (Vinyl, LP, Album, Stereo) album cover The Beach Boys ‎– Surfer Girl Label: Analogue Productions ‎– APP 060, Capitol Records ‎– ST 1981 Format: Vinyl, LP, Album, Stereo, 200 Gram Country: US Released: 29 Jan 2015 Genre: Rock, Pop Style: Surf, Pop Rock, Vocal Tracklist Hide Credits A1 Surfer Girl Written-By – Brian Wilson 2:24 A2 Catch A Wave Written-By – Brian Wilson, Mike Love 2:15 A3 The Surfer Moon Written-By – Brian Wilson 2:17 A4 South Bay Surfer Written-By – A. Jardine*, B. Wilson*, D. Wilson* 1:49 A5 The Rocking Surfer Arranged By – Brian WilsonWritten-By – Traditional 1:56 A6 Little Deuce Coupe Written-By – Brian Wilson, Roger Christian 1:50 B1 In My Room Written-By – Brian Wilson, Gary Usher 2:11 B2 Hawaii Written-By – Brian Wilson, Mike Love 2:02 B3 Surfer's Rule Written-By – Brian Wilson, Mike Love 1:42 B4 Our Car Club Written-By – Brian Wilson, Mike Love 2:15 B5 Your Summer Dream Written-By – Bob Norberg (2), Brian Wilson 2:31 B6 Boogie Woodie Arranged By – Brian WilsonWritten-By – Traditional 2:04 Companies, etc. Licensed From – Universal Music Special Markets Manufactured By – Universal Music Enterprises Mastered At – Cohearent Audio Pressed By – Quality Record Pressings Copyright (c) – Capitol Records, LLC Credits Mastered By – Kevin Gray Photography By [Cover Photo / Capitol Photo Studio] – Ken Veeder Notes © 2014 Capitol Records, LLC Barcode and Other Identifiers Barcode: 0753088006012 Matrix / Runout (Side A, Label): ST1-1981 Matrix / Runout (Side A, Runout): ST-1981-A APP-060 KG@CA QRP KEVIN GRAY Matrix / Runout (Side B, Label): ST2-1981 Matrix / Runout (Side B, Runout): ST-1981-B APP-060 KG@CA QRP KEVIN GRAY ************************************************************************************************ Um den Standards von Analogue Productions zu genügen, gab es bei der Wiederauflage der Beach Boys Alben ein zentrales Ziel: die Musik der Band so wiederzugeben, wie es der Auffassung von Brian Wilson dem berühmten Mitgründer der Beach Boys, Songschreiber und Arrangeur entsprach. Die Mono-Abmischungen unter Wilsons Oberaufsicht waren das Format, mit dem damals die kalifornische Surfrock-Truppe berühmt wurde! Und wir haben sie! In der frühen Phase der Karriere der Beach Boys wurden ihre sämtlichen Singles ausschließlich im Mono-Format gemixt, gemastert und veröffentlicht die erste Stereo-Single kam erst 1968 heraus. Damals wurden Hits für das Mittelwellenradio in Mono produziert. Dem teilweise ertaubten Wilson kamen die Monoaufnahmen der damaligen Zeit durchaus entgegen. Dennoch, von "Surfin' Safari" mal abgesehen, das es nur in Mono gibt, haben die Beach Boys von all ihren frühen Alben bis 1965 Stereo-Masterbänder produziert. "Beach Boys Today" war die erste LP, für die sie nur ein Mono-Masterband einreichten. Die Stereoeditionen von "Surfin' USA", "Surfer Girl", "Little Deuce Coupe", "Shut Down Vol. 2", "All Summer Long", "Beach Boys Christmas Album" und "Beach Boys Concert" wurden sämtlich vom Lieblings-Ingenieur der Beach Boys, Chuck Britz, in Stereo abgemischt, eindeutig unter der Oberaufsicht der Band. Brian könnte bei den Mixingsessions anwesend gewesen sein oder auch nicht anscheinend vertraute er Chucks Fähigkeiten genügend, um ihn die Abmischungen selbst vorbereiten zu lassen aber die Gruppe behielt die Rechte an ihren mehrspurigen Bändern und an den an Capitol ausgehändigten Stereobändern, statt Capitol eigene Stereoversionen machen zu lassen. Später, als Brian nur noch Mono-Masterbänder lieferte, pflegte Capitol die duophonischen Pseudo-Stereo-Editionen für den Stereomarkt selbst herzustellen, erklärt Alan Boyd, Produzent und Beach Boys Archivar. Sämtliche neueren Stereo-Abmischungen auf diesen neu gemasterten Alben ("The Beach Boys Today!", "Summer Days (And Summer Nights!!)", "The Beach Boys' Party", "Pet Sounds" und "Smiley Smile") wurden von Mark Linett im Auftrag der Beach Boys angefertigt. Um es auf den Punkt zu bringen, den Mono-Mixes schenkte Brian Wilson die allergrößte Aufmerksamkeit und diese Hingabe hat sich gelohnt! Zehn der Mono-Klassiker und am besten klingenden Beach Boy-Titel wurden von Acoustic Sounds ausgewählt und in ihrer ganzen großartigen Qualität reproduziert! Dennoch bieten sich die mehrstimmigen Harmonien und einzigartigen Rhythmen von Hits wie "Surfer Girl", "In My Room", "Little Deuce Coupe" und anderen geradezu für Stereoaufnahmen an. Deshalb veröffentlicht Acoustic Sounds die ursprünglich nur in Mono erschienenen Titel auch in erstklassigen Stereomix-Versionen. Von Kevin Gray größtenteils von den originalen Masterbändern neu gemastert, galvanisiert und gepresst bei Quality Record Pressings, einem der besten Presswerke weltweit, sind dies überwältigende Produktionen. Und der Anblick jedes Albums passt zu seinem überragenden Klang! Sie präsentieren sich in Stoughton-Covern alter Schule mit von Hand aufgeklebtem Deckblatt, an der typischen Falzung erkennbar, so dass diese altehrwürdigen LP-Klassiker noch beeindruckender sind als im Original! "Surfin' USA" war das Album, mit dem die Beach Boys den Durchbruch schafften, mit dem Brian Wilson sich im Studio als erstklassiger Songwriter und Arrangeur gleichermaßen durchsetzte. Mstering durch Kevin Gray bei Cohearent Audio, USA. Nach den überraschenden Erfolgen ihrer ersten beiden Alben versuchten die Beach Boys, so viel wie möglich von dieser Welle mitzunehmen, und nur wenige Monate nach ihrem Debüt erschien 1963 bereits ihr drittes Album, „Surfer Girl“. Es ist eines von nur zwei Alben, das die Beach Boys als Sextett zeigt, zusammen mit David Marks, der eigentlich nur als Tour-Ersatzmann für Brian Wilson fungierte, damit dieser sich mehr auf das Songschreiben konzentrieren konnte - eine Abmachung, die sich auszahlte. Auf „Surfer Girl“ erreicht Wilsons Songwriting und auch seine Arrangements und die Produktion (die hier erstmals allein von ihm stammt) neue Höhen. Der Titeltrack des Albums war die erste Single der Band, die eine Ballade war - ein Wagnis, das funktionierte, weil man endlich sehen konnte, dass die fünf Kalifornier mehr konnten, als nur rocknrolligen Surfer-Beat zu zaubern. Und mit Songs wie „In My Room“ finden sich hier echte Perlen aus Wilsons Schaffen. Analogue Productions bringt dieses Album jetzt vom Original Mono-Masterband remastert heraus, klanglich ein echter Genuss, und musikalisch eine der stärksten Scheiben aus der Frühphase der Beach Boys. ************************************************************************************************* *********************************************************************************************** Um den Standards von Analogue Productions zu genügen, gab es bei der Wiederauflage der Beach Boys Alben ein zentrales Ziel: die Musik der Band so wiederzugeben, wie es der Auffassung von Brian Wilson – dem berühmten Mitgründer der Beach Boys, Songschreiber und Arrangeur – entsprach. Die Mono-Abmischungen unter Wilsons Oberaufsicht waren das Format, mit dem damals die kalifornische Surfrock-Truppe berühmt wurde! Und wir haben sie! In der frühen Phase der Karriere der Beach Boys wurden ihre sämtlichen Singles ausschließlich im Mono-Format gemixt, gemastert und veröffentlicht – die erste Stereo-Single kam erst 1968 heraus. Damals wurden Hits für das Mittelwellenradio in Mono produziert. Dem teilweise ertaubten Wilson kamen die Monoaufnahmen der damaligen Zeit durchaus entgegen. Dennoch, von »Surfin' Safari« mal abgesehen, das es nur in Mono gibt, haben die Beach Boys von all ihren frühen Alben bis 1965 Stereo-Masterbänder produziert. »Beach Boys Today« war die erste LP, für die sie nur ein Mono-Masterband einreichten. Um es auf den Punkt zu bringen, den Mono-Mixes schenkte Brian Wilson die allergrößte Aufmerksamkeit und diese Hingabe hat sich gelohnt! Zehn der Mono-Klassiker und am besten klingenden Beach Boy-Titel wurden von Acoustic Sounds ausgewählt und in ihrer ganzen großartigen Qualität reproduziert! Dennoch bieten sich die mehrstimmigen Harmonien und einzigartigen Rhythmen von Hits wie »Surfer Girl«, »In My Room«, »Little Deuce Coupe« und anderen geradezu für Stereoaufnahmen an. Deshalb veröffentlicht Acoustic Sounds die ursprünglich nur in Mono erschienenen Titel auch in erstklassigen Stereomix-Versionen. Von Kevin Gray größtenteils von den originalen Masterbändern neu gemastert, galvanisiert und gepresst bei Quality Record Pressings, einem der besten Presswerke weltweit, sind dies überwältigende Produktionen. Und der Anblick jedes Albums passt zu seinem überragenden Klang! Sie präsentieren sich in Stoughton-Covern alter Schule mit von Hand aufgeklebtem Deckblatt, an der typischen Falzung erkennbar, so dass diese altehrwürdigen LP-Klassiker noch beeindruckender sind als im Original! »Surfer Girl«, das dritte Album der Beach Boys' bei Capitol Records, war das erste, das Brian Wilson selbständig produzierte (die beiden vorherigen, »Surfin Safari« und »Surfin USA« (Mono & Stereo Remasters), wurden koproduziert mit dem inzwischen verstorbenen Capitol A&R-Mann, Nik Venet). Dieses Album war die erste wirklich große Leistung der Boys; es gibt kein einziges zweitklassiges Stück auf diesem Album, zu dem der Titelsong, »Catch A Wave«, »In My Room«, »Hawaii«, »Our Car Club«, »Little Deuce Coupe«, »Your Summer Dream« und weitere gehören. ********************************************************************************************* The ultimate pressings of the Beach Boys discography from Analogue Productions! Original stereo mixes created in 1963 under Brian Wilson's supervision One of 10 titles featuring 33 1/3 mono and stereo remastered editions: Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (And Summer Nights!!), Beach Boys Party!, Pet Sounds and Smiley Smile Audio production — Mark Linett For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings! "These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds "These reissues restore whatever was really on the tapes — and given who was involved and where they were recorded, you can be sure the bass heard on these reissues was not added by Kevin Gray. ... As for the quality of these reissues, it's quite clear that, whether or not you like the sonic results, Analogue Productions sets the reissue standard. The company insists upon using analog master tapes (where available), not analog copies, it uses the best available artwork, and packages in 'Tip-on'TM jackets. It masters where the tapes are located using Kevin Gray in California, Ryan K. Smith in New York and Willem Makkee in Germany." — Michael Fremer, AnalogPlanet.com "Listening to the stereo version, I was struck by the separation, the wide soundscape, the detail, and the depth; I could imagine the voices filling a cathedral. ... The rich blending of the vocal harmonies on the stereo versions of 'Surfer Girl,' 'In My Room,' and other songs is praiseworthy ... the voices envelop you in a three-dimensional soundscape that can be mesmerizing." — Jeff Wilson, The Absolute Sound, October 2015 "What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition "Here you have a choice between mono and stereo versions. I think the mono version has it all over the stereo version, which, while not hard left/right like early Beatles albums, still sounds as if the intent was to combine the elements to create a mono mix. The mono mix holds together far better in every way — particularly the way in which Dennis's drums are mixed and in the vocal integrity. ... Both the mono and stereo reissues sound open, transparent and full frequency." — Michael Fremer, AnalogPlanet.com. Read the whole review here. A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals! Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nick Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, "Catch A Wave," "In My Room," "Hawaii," "Our Car Club," "Little Deuce Coupe," "Your Summer Dream," and more. Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master. The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision. "Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist. The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines! All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were done by Mark Linett on behalf of the Beach Boys. *********************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2014 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2014 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

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ANALOGUE PRODUCTIONS AAPP 061 ----- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

THE BEACH BOYS ----- LITTLE DEUCE COUPE ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2014 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2014 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1963 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1963 BY CAPITOL RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND VON KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2014 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Weitere Details: ************************************************************************************************* Little Deuce Coupe (Vinyl, LP, Album, Reissue, Stereo) album cover The Beach Boys ‎– Little Deuce Coupe Label: Analogue Productions ‎– APP 061, Capitol Records ‎– ST 1998 Format: Vinyl, LP, Album, Reissue, Stereo, 200 Gram Country: US Released: Feb 2015 Genre: Rock Style: Surf Tracklist A1 Little Deuce Coupe A2 Ballad Of Ole’ Betsy A3 Be True To Your School A4 Car Crazy Cutie A5 Cherry, Cherry Coupe A6 409 B1 Shut Down B2 Spirit Of America B3 Our Car Club B4 No-Go Showboat B5 A Young Man Is Gone B6 Custom Machine Barcode and Other Identifiers Barcode: 0753088006111 Matrix / Runout: ST-1998-A APP-061 KG@CA QRP KEVIN GRAY Matrix / Runout: ST-1998-B APP-061 KG@CA QRP KEVIN GRAY ************************************************************************************************* Ein musikalisches Vermächtnis, das in Hawthorne in Kalifornien begann und von dort aus die Welt erobert hat. Analogue Productions präsentiert die ultimativen Neuauflagen von den vierzehn wichtigsten Beach Boys Alben. Von Kevin Gray größtenteils von den originalen Masterbändern neu gemastert, galvanisiert und gepresst bei Quality Record Pressings, einem der besten Presswerke weltweit, bieten diese Aufnahmen ein überwältigendes Erlebnis. Und der Anblick jedes Albums passt zu seinem überragenden Klang! Sie präsentieren sich in Stoughton-Covern alter Schule mit von Hand aufgeklebtem Deckblatt, an der typischen Falzung erkennbar, so dass diese altehrwürdigen LP-Klassiker noch beeindruckender sind als im Original! "Little Deuce Coupe", nur einen Monat nach dem "Surfer Girl"-Album veröffentlicht, war erstaunlicherweise das vierte Album der Beach Boys in weniger als einem Jahr. Brian Wilson und die Band machten daraus ihr vielleicht schlüssigstes Werk bis dahin ein Konzeptalbum noch dazu. "Deuce Coupe" erweiterte die Sujets der Band und fügte ihnen die 1963 aufkeimende Liebesaffäre Amerikas mit Hot Rods (getunte Oldtimer) hinzu, umgeben von früher veröffentlichten Stücken wie dem Titelsong, "409", und anderen mit starkem neuem Material (vieles davon unter Co-Autorschaft von Wilson und einem DJ, Roger Christian). Ein Höhepunkt: der a cappella-Tribut an James Dean "A Young Man Is Gone" (eine Überarbeitung von Bobby Troups herrlichem "Their Hearts Were Full of Spring"), ein erstklassiges Beispiel für Wilsons Genialität als Arrangeur sowie der stimmlichen Fähigkeiten der Band. "Their Hearts Were Full Of Spring" war ein Standard der Vokalgruppe The Four Freshmen gewesen, deren großartige und unverkennbare jazz-basierte Vokal-Arrangements großen Einfluss auf Brians musikalische Entwicklung hatten. Von "Surfin' Safari" mal abgesehen, das es nur in Mono gibt, haben die Beach Boys von all ihren frühen Alben bis 1965 Stereo-Masterbänder produziert. "Beach Boys Today" war die erste LP, für die sie nur ein Mono-Masterband einreichten. Die Stereoeditionen von "Surfin' USA", "Surfer Girl", "Little Deuce Coupe", "Shut Down Vol. 2", "All Summer Long", "Beach Boys Christmas Album" und "Beach Boys Concert" wurden sämtlich vom Lieblings-Ingenieur der Beach Boys, Chuck Britz, in Stereo abgemischt, eindeutig unter der Oberaufsicht der Band. Brian war während der Mixingsessions nur zeitweise anwesend anscheinend vertraute er Chucks Fähigkeiten in ausreichendem Maße, um ihn die Abmischungen selbst vorbereiten zu lassen aber die Gruppe behielt die Rechte an ihren mehrspurigen Bändern und an den an Capitol ausgehändigten Stereobändern, statt Capitol eigene Stereoversionen machen zu lassen. Später, als Brian nur noch Mono-Masterbänder lieferte, pflegte Capitol die duophonischen Pseudo-Stereo-Editionen für den Stereomarkt selbst herzustellen, erklärt Alan Boyd, Produzent und Beach Boys Archivar. Die Angewohnheit der Beach Boys, ihren Gesang zweispurig aufzunehmen, bietet sich geradezu für Stereoaufnahmen an. Im klassischen Ping Pong-Stereo, wie bei vielen der frühen Stereoaufnahmen, kann dieser quasi verdoppelte Gesang den Hörer richtiggehend einhüllen, ihn einkreisen mit Wilsons, Loves und Jardines! Sämtliche neueren Stereo-Abmischungen auf diesen neu gemasterten Alben ("The Beach Boys Today!", "Summer Days (And Summer Nights!!)", "The Beach Boys' Party", "Pet Sounds" und "Smiley Smile") wurden von Mark Linett im Auftrag der Beach Boys angefertigt. Mstering durch Kevin Gray bei Cohearent Audio, USA. Es war Herbst 1963, als die Beach Boys ihr viertes Album innerhalb nur eines Jahres veröffentlichten. Die Fans waren offenbar nur allzu dankbar - „Little Deuce Coupe“ hielt sich satte 46 Wochen in den Charts. Hintergrund der Produktion des Albums war die plötzlich in Amerika ausbrechende Begeisterung für „Hot Rods“, getunte Oldtimer-Autos. Innerhalb nur eines Monats schrieben Brian Wilson und seine geniale Band ein ganzes Album mit Songs, die sich beinah ausschließlich um Autos drehen. Dabei gibt es herrlich gewitzte Spiele mit den bekannten Arrangements und Vokal-Harmonien, und dazwischen auch beeindruckende Songwriting-Perlen wie „A Young Man Is Gone“, eine berührende Hymne an James Dean, die auch heute noch so mancher professionellen A-Capella-Truppe Schweißperlen auf die Stirn treibt. Jetzt kann man Wilson komplexe und perfekt produzierte Arrangements endlich in der fantastischen Klangqualität hören, die ihnen gebührt. ************************************************************************************************** Rezension: Wie Capitol Records seine Hit-Kuh zu melken suchte, zeigt dieses Album überdeutlich: Eine Art Konzept-Sammlung zum Thema Hot Rod-Kultur, veröffentlicht nur Wochen nach dem Vorgänger und tatsächlich trotzdem Platz vier der Album-Charts. Der Titelsong, "409" und "Shut Down" waren auf den vorangegangen LPs bereits zu hören gewesen; da wurde den Fans schon recht unverhohlen das Geld aus der Tasche gezogen. Doch gibt es durchaus schlagende Argumente auch für diese LP: Das fabelhaft gesungene "Betsy" etwa, das zwar textlich fragwürdige, doch musikalisch unangreifbare "Be True To Your School", vor allem aber das noch nicht einmal zweieinhalbminütige Mini-Requiem für James Dean titels "A Young Man Is Gone": So eindeutig wie hier hatte sich Brian Wilson nie zuvor auf seine erklärten Vorbilder The Four Freshmen berufen, und weder in puncto Arrangement noch in Fragen der Ausführung muß sich seine Familien-Band(e) hier vor jenen Großmeistern des Harmoniegesangs verstecken! – Auch hier hat man die Wahl zwischen der Mono- und der Stereo-Version, beides von den Original-Bändern gemastert von Kevin Gray. (1963/2015) ************************************************************************************************* Um den Standards von Analogue Productions zu genügen, gab es bei der Wiederauflage der Beach Boys Alben ein zentrales Ziel: die Musik der Band so wiederzugeben, wie es der Auffassung von Brian Wilson – dem berühmten Mitgründer der Beach Boys, Songschreiber und Arrangeur – entsprach. Die Mono-Abmischungen unter Wilsons Oberaufsicht waren das Format, mit dem damals die kalifornische Surfrock-Truppe berühmt wurde! Und wir haben sie! In der frühen Phase der Karriere der Beach Boys wurden ihre sämtlichen Singles ausschließlich im Mono-Format gemixt, gemastert und veröffentlicht – die erste Stereo-Single kam erst 1968 heraus. Damals wurden Hits für das Mittelwellenradio in Mono produziert. Dem teilweise ertaubten Wilson kamen die Monoaufnahmen der damaligen Zeit durchaus entgegen. Dennoch, von »Surfin' Safari« mal abgesehen, das es nur in Mono gibt, haben die Beach Boys von all ihren frühen Alben bis 1965 Stereo-Masterbänder produziert. »Beach Boys Today« war die erste LP, für die sie nur ein Mono-Masterband einreichten. Um es auf den Punkt zu bringen, den Mono-Mixes schenkte Brian Wilson die allergrößte Aufmerksamkeit und diese Hingabe hat sich gelohnt! Zehn der Mono-Klassiker und am besten klingenden Beach Boy-Titel wurden von Acoustic Sounds ausgewählt und in ihrer ganzen großartigen Qualität reproduziert! Dennoch bieten sich die mehrstimmigen Harmonien und einzigartigen Rhythmen von Hits wie »Surfer Girl«, »In My Room«, »Little Deuce Coupe« und anderen geradezu für Stereoaufnahmen an. Deshalb veröffentlicht Acoustic Sounds die ursprünglich nur in Mono erschienenen Titel auch in erstklassigen Stereomix-Versionen. Von Kevin Gray größtenteils von den originalen Masterbändern neu gemastert, galvanisiert und gepresst bei Quality Record Pressings, einem der besten Presswerke weltweit, sind dies überwältigende Produktionen. Und der Anblick jedes Albums passt zu seinem überragenden Klang! Sie präsentieren sich in Stoughton-Covern alter Schule mit von Hand aufgeklebtem Deckblatt, an der typischen Falzung erkennbar, so dass diese altehrwürdigen LP-Klassiker noch beeindruckender sind als im Original! »Little Deuce Coupe«, nur einen Monat nach dem »Surfer Girl«-Album veröffentlicht, war erstaunlicherweise das vierte Album der Beach Boys in weniger als einem Jahr. Brian Wilson und die Band machten daraus ihr vielleicht schlüssigstes Werk bis dahin – ein Konzeptalbum noch dazu. »Deuce Coupe« erweiterte die Sujets der Band und fügte ihnen die 1963 aufkeimende Liebesaffäre Amerikas mit Hot Rods (getunete Oldtimer) hinzu, umgeben von früher veröffentlichten Stücken wie dem Titelsong, »409«, und anderen mit starkem neuem Material (vieles davon unter Co-Autorschaft von Wilson und einem DJ, Roger Christian). Ein Höhepunkt: der a cappella-Tribut an James Dean »A Young Man Is Gone« (eine Überarbeitung von Bobby Troups herrlichem »Their Hearts Were Full of Spring«), ein erstklassiges Beispiel für Wilsons Genialität als Arrangeur sowie das stimmliche Können der Band. »Their Hearts Were Full Of Spring« war ein Standard der Vokalgruppe The Four Freshmen gewesen, deren großartige und unverkennbare jazz-basierte Vokal-Arrangements großen Einfluss auf Brians musikalische Entwicklung hatten. ************************************************************************************************** The ultimate pressings of the Beach Boys discography from Analogue Productions! Original stereo mixes created in 1963 under Brian Wilson's supervision One of 10 titles featuring 33 1/3 mono and stereo remastered editions: Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (And Summer Nights!!), Beach Boys Party!, Pet Sounds and Smiley Smile Audio production — Mark Linett For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings! "These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds "These reissues restore whatever was really on the tapes — and given who was involved and where they were recorded, you can be sure the bass heard on these reissues was not added by Kevin Gray. ... As for the quality of these reissues, it's quite clear that, whether or not you like the sonic results, Analogue Productions sets the reissue standard. The company insists upon using analog master tapes (where available), not analog copies, it uses the best available artwork, and packages in 'Tip-on'TM jackets. It masters where the tapes are located using Kevin Gray in California, Ryan K. Smith in New York and Willem Makkee in Germany." — Michael Fremer, AnalogPlanet.com "Listening to the stereo version, I was struck by the separation, the wide soundscape, the detail, and the depth; I could imagine the voices filling a cathedral. ... The rich blending of the vocal harmonies on the stereo versions of 'Surfer Girl,' 'The Warmth of the Sun,' 'In My Room,' and other songs is praiseworthy ... the voices envelop you in a three-dimensional soundscape that can be mesmerizing." — Jeff Wilson, The Absolute Sound, October 2015 "What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition "Here you have a choice between mono and stereo versions. I think the mono version has it all over the stereo version, which, while not hard left/right like early Beatles albums, still sounds as if the intent was to combine the elements to create a mono mix. The mono mix holds together far better in every way — particularly the way in which Dennis's drums are mixed and in the vocal integrity. ... Both the mono and stereo reissues sound open, transparent and full frequency." — Michael Fremer, AnalogPlanet.com. Read the whole review here. A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals! Surfin' USA was the Beach Boys' real breakthough album, showing Brian Wilson asserting himself in the studio as both a premier songwriter and arranger on a set of material that was stronger than their Surfin' Safari debut. Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master. The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision. "Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist. The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines! All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were done by Mark Linett on behalf of the Beach Boys. Besides the hit title track on Surfin' USA and its popular drag-racing flip side ("Shut Down"), AllMusic.com notes that Surfin' USA has a lovely, heartbreaking ballad ("Lonely Sea") and a couple of strong Brian Wilson originals ("The Noble Surfer" and "Farmer's Daughter"). "There are also a surprisingly high quotient of instrumentals (five) that demonstrate that ... the Beach Boys could play respectably gutsy surf rock as a self-contained unit. Indeed, the album as a whole is the best they would make, prior to the late '60s, as a band that played most of their instruments, rather than as a vehicle for Brian Wilson's ideas. The LP was a huge hit, vital to launching surf music as a national craze, and one of the few truly strong records to be recorded by a self-contained American rock band prior to the British Invasion." — AllMusic.com "What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition "Even when in haste though, the group's vocal performances are outstanding. '409' was never recorded in stereo so here on the stereo version of the record you get the echoey 'Duophonic' take. ... The album ends with 'Custom Machine' another number obviously written and performed in haste, but by this time the group had gotten so damn good that even its trifles were ear-pleasing. Because of the 'Duophonic' tracks and the rushed nature of the production I'd go for the mono version." — Michael Fremer, AnalogPlanet.com. Read the whole review here. A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals! Released just one month after the Surfer Girl album, Little Deuce Coupe was, incredibly, the Beach Boys' fourth album in less than a year. Brian Wilson and the band responded by turning in arguably their most consistent effort to date — and a concept album, to boot. Little Deuce Coupe expanded the band's subject matter to encompass 1963 America's burgeoning love affair with hot rods, surrounding previously released cuts such as the title track, "409," and others with strong new material (much of it cowritten by Wilson and a DJ, Roger Christian). A highpoint: the a cappella James Dean tribute "A Young Man Is Gone" (a reworking of Bobby Troup's beautiful "Their Hearts Were Full of Spring"), a prime example of Wilson's arranging genius and the band's vocal prowess. "Their Hearts Were Full Of Spring" had been a standard for the vocal group The Four Freshmen, whose lush and distinctive jazz-based vocal arrangements had a huge influence on Brian's musical development. Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master. The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision. "Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist. The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines! All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were done by Mark Linett on behalf of the Beach Boys. **************************************************************************************************

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Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2014 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

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ANALOGUE PRODUCTIONS AAPP 063 ----- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

THE BEACH BOYS ----- ALL SUMMER LONG ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2015 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2015 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1964 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1964 BY CAPITOL RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND VON KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2015 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Weitere Details: *********************************************************************************************** All Summer Long (Vinyl, LP, Album, Remastered, Stereo) album cover The Beach Boys ‎– All Summer Long Label: Analogue Productions ‎– APP 063 Format: Vinyl, LP, Album, Remastered, Stereo Country: US Released: 2015 Genre: Rock, Pop Style: Surf Tracklist Hide Credits A1 I Get Around Written-By – Brian Wilson 2:10 A2 All Summer Long Written-By – Brian Wilson 2:05 A3 Hushabye Written-By – Doc Pomus, Mort Schuman* 2:37 A4 Little Honda Written-By – Brian Wilson, Mike Love 1:50 A5 We'll Run Away Written-By – Brian Wilson, Gary Usher 2:00 A6 Carl's Big Chance Written-By – Brian Wilson, Carl Wilson 2:00 B1 Wendy Written-By – Brian Wilson 2:20 B2 Do You Remember? Written-By – Brian Wilson 1:37 B3 Girls On The Beach Written-By – Brian Wilson, Mike Love 2:25 B4 Drive-In Written-By – Brian Wilson 1:50 B5 Our Favorite Recording Sessions Written-By – Brian Wilson, C. Wilson*, D. Wilson* 2:00 B6 Don't Back Down Written-By – Brian Wilson 1:50 Companies, etc. Pressed By – Quality Record Pressings Licensed From – Capitol Records – T 2110 Credits Arranged By, Producer – Brian Wilson Lacquer Cut By – Kevin Gray Photography By – Capitol Photo Studio, George Jerman, Ken Veeder Barcode and Other Identifiers Matrix / Runout (Side A Runout, etched): ST-2110-A APP-063 KPG@CA KEVIN GRAY (stamped) QRP (stamped) Matrix / Runout (Side A Runout, etched): ST-2110-B APP-063 KPG@CA KEVIN GRAY (stamped) QRP (stamped) ****************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

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ANALOGUE PRODUCTIONS AAPP 064 ----- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

THE BEACH BOYS ----- THE BEACH BOAYS TODAY! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2015 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2015 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1965 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1965 BY CAPITOL RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND VON KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2015 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Weitere Details: **************************************************************************************************** The Beach Boys Today! (Vinyl, LP, Album, Reissue, Stereo) album cover The Beach Boys ‎– The Beach Boys Today! Label: Analogue Productions ‎– APP 064, Capitol Records ‎– ST 2269 Format: Vinyl, LP, Album, Reissue, Stereo, 200g Country: US Released: 06 Jan 2016 Genre: Rock, Pop Style: Tracklist A1 Do You Wanna Dance? 2:17 A2 Good To My Baby 2:16 A3 Don't Hurt My Little Sister 2:05 A4 When I Grow Up 2:02 A5 Help Me, Ronda 3:07 A6 Dance, Dance, Dance 2:05 B1 Please Let Me Wonder 2:39 B2 I'm So Young 2:29 B3 Kiss Me, Baby 2:34 B4 She Knows Me Too Well 2:28 B5 In The Back Of My Mind 2:06 B6 Bull Session With The "Big Daddy" 2:17 Companies, etc. Marketed By – Universal Music Special Markets Pressed By – Quality Record Pressings Credits Liner Notes – Dick Clark (2) Mixed By – Alan Boyd, Mark Linett Photography By – John Engstead Producer – Brian Wilson Remastered By – Kevin Gray Notes Stereo mix produced by Mark Linett and Alan Boyd. Mixed by Mark Linett. Barcode and Other Identifiers Matrix / Runout: Side 1: ST-2269-A APP064 KPG@CA (etched) QRP KEVIN GRAY (stamped) Matrix / Runout: Side 2: ST-2269-B APP064 KPG@CA (etched) QRP KEVIN GRAY (stamped) ************************************************************************************************** Fünf auf einen Streich! Der pure analoge Wahnsinn. Ein wahrer Soundrausch. Super Remastering. Nur jeweils 1000 Exemplare pro Pressvorgang. Extra Heavy Virgin Vinyl und richtig schwerer fetter amerikanischer Karton, der die Art-Work authentisch und wertig in Szene setzt. Die Beach Boys haben es auch wahrlich verdient, dass nochmals gleichzeitig fünf ihrer Frühwerke veröffentlicht werden. Die Brüder Dennis, Carl und Brian Wilson haben zusammen mit Al Jardine und Mike Love ganz große Musikgeschichte geschrieben. Das Gefühl der Band, insbesondere das des Haupt-Kompositeurs Brian Wilson, für komplexe und gleichzeitig eingängige Melodien ist einzigartig. Auch der wundervolle Harmonie-Gesang ist outstanding. „All Summer Long“ ist das 1964er Album mit den Hits „All Summer Long“ und dem weltberühmten „I Get Around“. Klasse Fotos zieren das Cover und signalisieren die Leichtigkeit eines ausgelassenen kalifornischen Sommers. Aber lassen wir uns nicht blenden. Ganz neben dem Easy-going-Lebensstil der Surf-Freunde herrschten bei den Musikern oft Depression und Tragödien. Vielleicht sind dies aber auch die Triebfedern, die den Songs diese neben aller Heiterkeit enorme Reife und Tiefe geben. Gleich drei Scheiben aus dem Jahr 1965 liegen pressfrisch vor. „Beach Boys Party“ im edlen Klapp-Cover, „Summer Days (And Summer Nights), mit den Jahrhundert-Hits „Help Me Rhonda“ und „California Girls“ und last but not least „The Beach Boys Today“. Auf letztgenanntem Album tummeln sich Kracher wie „Do you Wanna Dance?“, aber auch unbekanntere, aber umso nachhaltigere Sound-Perlen wie „When I Grow Up“ oder „In The Back Of My Mind“. Abgerundet wird das Vinyl-Quintett von dem 1966er Meisterwerk und großartigen Konzeptalbum „Pet Sounds“. Es gilt als ihr wichtigstes Werk. Neben den klassischen Rockinstrumenten setzte Wilson hier Waldhörner, vorbeifahrende Züge und klappernde Cola-Dosen ein. „Pet Sounds“ regte übrigens die Beatles an, ihr Werk „Sgt. Peppers Lonely Heart Club Band“ zu komponieren und zu veröffentlichen. Allein daran erkennt man schon die Bedeutung dieser Scheibe. Fazit: Insgesamt eine fünffach gelungene runde Sache. Es wird schwierig auszusuchen welche der 5 Platten in den Plattenschrank wandern sollen. Am besten, wenn man sich alle zulegt. Wir jedenfalls legen Ihnen mit ruhigem Gewissen ALLE ans Herz bzw. ans Ohr. Mstering durch Kevin Gray bei Cohearent Audio, USA. *************************************************************************************** Rezension: Die Saat der British Invasion war im Hause Wilson aufgegangen. Außerdem hatte Mastermind Brian nach einer schweren Panikattacke das Touren seinen Brüdern und Cousins überlassen und konzentrierte sich auf Komposition und Arrangements. Das Ergebnis war das erste makellose Meisterwerk der Band, vom ersten bis zum, na gut, vorletzten Song (der letzte ist ein Spoken-Word-Anhängsel). Die Hits fanden sich dabei auf der ersten Seite ("Do You Wanna Dance?", "Help Me Rhonda", "Dance, Dance, Dance"), aber es ist vor allem die Balladen-orientierte zweite, die den Weg weist zum Über-Meisterwerk "Pet Sounds"… – Auch hier setzt der Klang neue Maßstäbe! (1965/2015) ******************************************************************************************* The ultimate pressings of the Beach Boys discography from Analogue Productions! Stereo edition of Today!, released on vinyl for the first time! Today! stereo mix created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes! The album, having been recorded to analog tape, was then transferred to high resolution digital and then mixed from high resolution digital assembled masters (88.2 kHz/24 bit) and printed to 1/4" analog tape at 15 ips CCIR. Stereo mixes produced by Mark Linett and Alan Boyd / Mixed by Mark Linett One of 10 titles featuring 33 1/3 mono and stereo remastered editions: Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (And Summer Nights!!), Beach Boys Party!, Pet Sounds and Smiley Smile Audio production — Mark Linett For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings! "These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds "The most astonishing change in Today! and Summer Days are the balanced, lush stereo mixes, available on vinyl for the first time in these reissues from Analogue Productions. Pressed by AP's own Quality Record Pressings, the mixes are nothing short of a brilliant rejuvenation that all fans of this most American of 1960s pop bands will find entirely essential. They aren't merely different, or even just better — they're terrific. ... New colors and dimensions in the music abound. Wilson's grand arrangements are hugely well served by these breakthrough stereo mixes." — Robert Baird, Stereophile, Recordings of the Month, March 2016 "What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals! Today! was released in stereo for the first time in 2012. These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes! Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master. The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision. "Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist. All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were done by Mark Linett on behalf of the Beach Boys. "Put simply, this is the Beach Boys at their mid-'60s prime. Ironically, the band's greatest evolutionary leap was spurred by its leader, Brian Wilson, who decided to drop out of the band's live performances after a December 1964 nervous breakdown to concentrate on honing the Beach Boys' studio sound. With Wilson's productions gaining a significant new depth and confidence (note the innovative modulations on 'Dance, Dance, Dance'), the first half of Today seems a logical, upbeat step forward from its predecessors. But it's the album's second act that steals the show, setting the stage for the triumph of Pet Sounds. Indeed, it's easy to imagine gorgeous, introspective tracks such as 'Please Let Me Wonder,' 'She Knows Me Too Well,' and 'In the Back of My Mind' intertwined with the best of Sounds." — Amazon.com ****************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2015 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2015 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

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ANALOGUE PRODUCTIONS AAPP 064 ----- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

THE BEACH BOYS ----- LITTLE DEUCE COUPE ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2014 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2014 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1963 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1963 BY CAPITOL RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND VON KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2014 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

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Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2014 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2014 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

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ANALOGUE PRODUCTIONS AAPP 065 ----- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

THE BEACH BOYS ----- SUMMER DAYS ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2016 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1965 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1965 BY CAPITOL RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND VON KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2016 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Weitere Details: ************************************************************************************************** Summer Days (And Summer Nights!!) (Vinyl, LP, Album, Reissue, Remastered, Stereo) album cover The Beach Boys ‎– Summer Days (And Summer Nights!!) Label: Analogue Productions ‎– APP 065, Capitol Records ‎– ST 2354, Universal Music Special Markets ‎– B0021071-1 Format: Vinyl, LP, Album, Reissue, Remastered, Stereo, 200g Country: US Released: 06 Jan 2016 Genre: Rock, Pop Style: Pop Rock, Psychedelic Rock Tracklist A1 The Girl From New York City A2 Amusement Parks U.S.A. A3 Then I Kissed Her A4 Salt Lake City A5 Girl Don't Tell Me A6 Help Me, Rhonda B1 California Girls B2 Let Him Run Wild B3 You're So Good To Me B4 Summer Means New Love B5 I'm Bugged At My Ol' Man B6 And Your Dream Comes True Companies, etc. Pressed By – Quality Record Pressings Lacquer Cut At – Cohearent Audio Copyright (c) – Capitol Records, LLC Manufactured By – Universal Music Enterprises Credits Mastered By – Kevin Gray Mixed By – Mark Linett Photography By [Cover Photo] – Ken Veeder Producer – Brian Wilson Notes Stereo mix produced by Mark Linett and Alan Boyd. Mixed by Mark Linett. Barcode and Other Identifiers Matrix / Runout (Side A (etched)): ST-2354-A APP-065 Matrix / Runout (Side B (etched)): ST-2354-B APP-065 Matrix / Runout (Side A (stamped)): QRP KEVIN GRAY Matrix / Runout (Side B (stamped)): QRP KEVIN GRAY ************************************************************************************************** Fünf auf einen Streich! Der pure analoge Wahnsinn. Ein wahrer Soundrausch. Super Remastering. Nur jeweils 1000 Exemplare pro Pressvorgang. Extra Heavy Virgin Vinyl und richtig schwerer fetter amerikanischer Karton, der die Art-Work authentisch und wertig in Szene setzt. Die Beach Boys haben es auch wahrlich verdient, dass nochmals gleichzeitig fünf ihrer Frühwerke veröffentlicht werden. Die Brüder Dennis, Carl und Brian Wilson haben zusammen mit Al Jardine und Mike Love ganz große Musikgeschichte geschrieben. Das Gefühl der Band, insbesondere das des Haupt-Kompositeurs Brian Wilson, für komplexe und gleichzeitig eingängige Melodien ist einzigartig. Auch der wundervolle Harmonie-Gesang ist outstanding. „All Summer Long“ ist das 1964er Album mit den Hits „All Summer Long“ und dem weltberühmten „I Get Around“. Klasse Fotos zieren das Cover und signalisieren die Leichtigkeit eines ausgelassenen kalifornischen Sommers. Aber lassen wir uns nicht blenden. Ganz neben dem Easy-going-Lebensstil der Surf-Freunde herrschten bei den Musikern oft Depression und Tragödien. Vielleicht sind dies aber auch die Triebfedern, die den Songs diese neben aller Heiterkeit enorme Reife und Tiefe geben. Gleich drei Scheiben aus dem Jahr 1965 liegen pressfrisch vor. „Beach Boys Party“ im edlen Klapp-Cover, „Summer Days (And Summer Nights), mit den Jahrhundert-Hits „Help Me Rhonda“ und „California Girls“ und last but not least „The Beach Boys Today“. Auf letztgenanntem Album tummeln sich Kracher wie „Do you Wanna Dance?“, aber auch unbekanntere, aber umso nachhaltigere Sound-Perlen wie „When I Grow Up“ oder „In The Back Of My Mind“. Abgerundet wird das Vinyl-Quintett von dem 1966er Meisterwerk und großartigen Konzeptalbum „Pet Sounds“. Es gilt als ihr wichtigstes Werk. Neben den klassischen Rockinstrumenten setzte Wilson hier Waldhörner, vorbeifahrende Züge und klappernde Cola-Dosen ein. „Pet Sounds“ regte übrigens die Beatles an, ihr Werk „Sgt. Peppers Lonely Heart Club Band“ zu komponieren und zu veröffentlichen. Allein daran erkennt man schon die Bedeutung dieser Scheibe. Fazit: Insgesamt eine fünffach gelungene runde Sache. Es wird schwierig auszusuchen welche der 5 Platten in den Plattenschrank wandern sollen. Am besten, wenn man sich alle zulegt. Wir jedenfalls legen Ihnen mit ruhigem Gewissen ALLE ans Herz bzw. ans Ohr. Mstering durch Kevin Gray bei Cohearent Audio, USA. ************************************************************************************************* Rezension: Grundsätzlich zwar (gemessen an "Today!") ein Rückschritt, da nicht frei von Füllern und Leichtgewichten. Was damit zusammenhing, daß Capitol Records an Brian Wilson herangetreten war mit der deutlichen Aufforderung, doch gefälligst "Beach Boys style music" zu machen und seine Ambitionen im Zaum zu halten. Dennoch: Die besten Songs hier knüpfen an den brillanten Vorgänger durchaus an. "Help Me, Rhonda" und das genialisch arrangierte "California Girls" sowieso, noch spannender aber sind die nie als Single ausgekoppelten (und ergo auch nicht auf den vielen Hit-Samplern anzutreffenden) Perlen "Let Him Run Wild" (Brian Wilsons größter Gesangs-Moment auf diesem Album) und das exzellente "Girl Don't Tell Me", gleichzeitig Carl Wilsons Debüt als Leadsänger! (1965/2015) ************************************************************************************************ The ultimate pressings of the Beach Boys discography from Analogue Productions! Stereo edition of Summer Days (And Summer Nights!!), released on vinyl for the first time! Summer Days (And Summer Nights!!) stereo mix created between 2005 and 2012 using the original multi-track masters and overdubs synced to create the first true stereo mixes! The album, having been recorded to analog tape, was then transferred to high resolution digital and then mixed from high resolution digital assembled masters (88.2 kHz/24 bit) and printed to 1/4" analog tape at 15 ips CCIR. Stereo mixes produced by Mark Linett and Alan Boyd / Mixed by Mark Linett One of 10 titles featuring 33 1/3 mono and stereo remastered editions: Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (And Summer Nights!!), Beach Boys' Party!, Pet Sounds and Smiley Smile Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings! "These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds "The most astonishing change in Today! and Summer Days are the balanced, lush stereo mixes, available on vinyl for the first time in these reissues from Analogue Productions. Pressed by AP's own Quality Record Pressings, the mixes are nothing short of a brilliant rejuvenation that all fans of this most American of 1960s pop bands will find entirely essential. They aren't merely different, or even just better — they're terrific. ... New colors and dimensions in the music abound. Wilson's grand arrangements are hugely well served by these breakthrough stereo mixes." — Robert Baird, Stereophile, Recordings of the Month, March 2016 "What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals! Summer Days (And Summer Nights!!) was released in stereo for the first time in 2012. These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes. The exception is "Help Me Rhonda," which is a computer-generated stereo mix by Derry Fitzgerald. A remix in stereo for that track isn't possible because many overdubs were added as the song was mixed for the original mono single. The stereo mixes for "Today!", "Summer Days (And Summer Nights!!)," "Beach Boys' Party!" and "Smiley Smile" were produced and mixed by Mark Linett, and co-produced by Alan Boyd. Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master. The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision. "Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist. All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were done by Mark Linett on behalf of the Beach Boys. Summer Days features another Wilson world-beater production, "California Girls," and the band's second No. 1 single, "Help Me, Rhonda." Ever pressured by commercial concerns, Wilson and the band created what was in essence the true follow-up to the All Summer Long album. Still, there's a level of musical sophistication to tracks such as "Salt Lake City," the Phil Spector tribute "Then I Kissed Her," "Summer Means New Love" and "Let Him Run Wild." Side 1 The Girl From New York City Amusement Parks U.S.A. Then I Kissed Her Salt Lake City Girl Don’t Tell Me Help Me, Rhonda Side 2 California Girls Let Him Run Wild You’re So Good To Me Summer Means New Love I’m Bugged At My Ol’ Man And Your Dream Comes True *************************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Preis: EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

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ANALOGUE PRODUCTIONS AAPP 068 ----- AUDIOPHILE 200GRAM-33RPM-VINYL PRESSINGS IN USA ----- LIMITED EDITION ----- OUT OF PRINT ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !!)

THE BEACH BOYS ----- SMILY SMILE ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION = MAXIMAL 1000 COPIES WORLDWIDE !! ----- OUT OF PRINT ----- ( ..... (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / ..... AUDIOPHILE ANALOGUE PRODUCTIONS RECORDS-LP/RECORD / ..... ANALOGE 33RPM-LP/RECORD-REISSUE MADE IN 2016 BY ANALOGUE PRODUCTIONS IN USA / ..... ORIGINAL AUFNAHMEN 1969 BEI CAPITOL RECORDS IN USA / ..... ORIGINAL RECORDING 1969 BY CAPITOL RECORDS IN USA / ..... RE-MASTERED FROM THE ORIGINAL ANALOGUE MASTERBAND VON KEVIN GRAY ON 200GRAM VINYL BY QUALITY RECORD PRESSINGS IN USA 2016 / ..... LIMITED EDITION ..... OUT OF PRINT ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION(ONE EXEMPLARY !!) ..... DIESE WERTVOLLE LP/RECORD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED!! ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Weitere Details: *********************************************************************************************** Smiley Smile (Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo) album cover The Beach Boys ‎– Smiley Smile Label: Analogue Productions ‎– APP 068, Brother Records (3) ‎– APP 068, Brother Records (3) ‎– ST 9001 Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo, 200 Gram Country: US Released: 2016 Genre: Rock, Pop Style: Pop Rock, Art Rock, Avantgarde, Psychedelic Rock Tracklist Hide Credits A1 Heroes And Villains Written-By – Brian Wilson, Van Dyke Parks 3:36 A2 Vegetables Written-By – Brian Wilson, Van Dyke Parks 2:05 A3 Fall Breaks Back To Winter (W.Woodpecker Symphony) Written-By – Brian Wilson 2:14 A4 She's Goin' Bald Written-By – Wilson*, Love*, Parks* 2:12 A5 Little Pad Written-By – Brian Wilson 2:30 B1 Good Vibrations Written-By – Brian Wilson, Mike Love 3:35 B2 With Me Tonight Written-By – Brian Wilson 2:13 B3 Wind Chimes Written-By – Brian Wilson 2:36 B4 Gettin' Hungry Written-By – Brian Wilson, Mike Love 2:27 B5 Wonderful Written-By – Brian Wilson 2:20 B6 Whistle In Written-By – Brian Wilson 1:02 Companies, etc. Licensed To – Capitol Records, LLC Licensed From – Universal Music Special Markets – B0021076-01 Manufactured By – Universal Music Enterprises Copyright (c) – Brother Records, Inc. Pressed By – Quality Record Pressings Printed By – Stoughton Printing Co. Mastered At – Cohearent Audio Lacquer Cut At – Cohearent Audio Credits Engineer – Jim Lockert Lacquer Cut By – KPG* Plated By [Lacquers Plated By QRP's] – Gary Salstrom Producer – The Beach Boys Reissue Producer [Audio Production] – Mark Linett Remastered By – Kevin Gray Research [Archive And Research] – Alan Boyd Notes On sticker: ORIGINAL MASTER TAPES We use the original tapes and work with only the best mastering studios. QUALITY RECORD PRESSINGS Plated and pressed at the world's best pressing plant on virgin vinyl. UNMATCHED QC Meticulous test pressing evaluation and quality control. DELUXE PACKAGING Highest-quality jackets and rice paper inner sleeves. LIMITED EDITION Less than a 1,000 records per stamper. Released in limited quantities. Stoughton Printing tip-on heavyweight premium cardboard jacket Includes 4-page Analogue Productions reissue program insert Barcode and Other Identifiers Barcode (On sticker): 7 53088 00681 4 Matrix / Runout: ST-9001-A KPG@CA APP-068 Matrix / Runout: ST-9001-B KPG@CA APP-068 Matrix / Runout: QRP KEVIN GRAY Other (Universal Music Special Markets number on insert): B0019454-01NS01 ************************************************************************************************ Nachdem die Beach Boys 1966 mit ihrem elften Album „Pet Sounds“ eines der erfolgreichsten und einflussreichsten Alben der 60er veröffentlicht hatten, lag die Messlatte für den Nachfolger extrem hoch. Bandleader Brian Wilson plante ein aufwändiges und überkomplex arrangiertes Konzeptalbum, das den Titel „Smile“ tragen sollte. Doch die Aufnahmen und Planungen erwiesen sich als so schwierig und konfliktreich, dass Wilson, der in eine handfeste kreative Sinnkrise stürzte, schließlich 1967 „Smile“ komplett verwarf und die Flucht nach vorn antrat: Die Band ging in Wilsons Haus in ein improvisiertes Heimstudio, man warf alle Selbstansprüche und Publikumserwartungen über Bord und nahm in lockerer und humoriger Atmosphäre ein bewusst unaufwändiges Lo-Fi-Album auf: „Smiley Smile“. Heute beeindruckt dieses Album mit seiner sympathischen Do-It-Yourself-Attitüde und den originellen und witzigen Songs und Arrangements, die herrlich unprätentiös daherkommen. Wie alle Remasterings der Beach-Boys-Alben vor 1967 bei Acoustic Sounds kommt auch dieses Album in der originalen Mono-Version und einer von den originalen Mehrspurbändern erstellten Stereo-Version (mit Ausnahme der Hitsingle „Good Vibrations“, deren Originalbänder leider verschollen sind). Mastering durch Kevin Gray bei Cohearent Audio, USA. Gepresst bei Quality Record Pressings auf 200 g-schwerem Vinyl. Titel: 1. Heroes And Villains 2. Vegetables 3. Fall Breaks Back To Winter (W. Woodpecker Symphony) 4. Shes Goin Bald 5. Little Pad 6. Good Vibrations 7. With Me Tonight 8. Wind Chimes 9. Getting Hungry 10. Wonderful 11. Whistle In ************************************************************************************************* Rezension: Die berühmteste Notlösung der Popgeschichte: Nachdem Brian Wilson an dem "Smile" genannten Projekt, mit dem er "Pet Sounds" noch zu übertreffen suchte, buchstäblich zerbrochen war, stellte die Band aus den (neu aufgenommenen) Überresten jenes Mammutwerkes und einigen Neuaufnahmen "Smiley Smile" zusammen – ein Album, das von den meisten Hörern und Kritikern als Enttäuschung empfunden wurde. Mit dem zeitlichen Abstand von heute relativiert sich dieser Eindruck freilich: "Vegetables" oder das textfreie "Fall Breaks And Back To Winter" mögen skurril sein; fraglos aber auch genialisch. Überhaupt steckt das Album voller faszinierender Merkwürdigkeiten, die zwar den Eindruck eines zusammenhängenden Werkes à la "Pet Sounds" verhindern, aber dennoch darauf hinweisen, welch unglaublicher Geniestreich da beinahe zustande gekommen wäre. Vor allem aber enthält "Smiley Smile" zwei absolut essentielle Songs: "Heroes And Villains" und das perfekteste Stück Popmusik überhaupt – "Good Vibrations"! Ob mono oder stereo: Die Analogue Productions-Ausgaben überragen alles, was bisher war, bei weitem! (1967/2016) ************************************************************************************************ The ultimate pressings of the Beach Boys discography from Analogue Productions! Stereo edition of Smiley Smile, released on vinyl for the first time! Smiley Smile stereo mix created using the original 1967 session multitracks. The album, having been recorded to analog tape, was then transferred to high resolution digital and then mixed from high resolution digital assembled masters (88.2 kHz/24 bit) and printed to 1/4" analog tape at 15 ips CCIR. Stereo mixes produced by Mark Linett and Alan Boyd / Mixed by Mark Linett Original mono mix of "Good Vibrations" produced by Brian Wilson One of 10 titles featuring 33 1/3 mono and stereo remastered editions: Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (And Summer Nights!!), Beach Boys Party!, Pet Sounds and Smiley Smile Audio production — Mark Linett For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings! "These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds "What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals! First mixed and released in stereo for the first time in 2012. These stereo mixes were created using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes. The exception is "Good Vibrations," which is a computer-generated stereo mix by Derry Fitzgerald. A remix in stereo wasn't possible because the original multi-track tape has never been located. The stereo mixes for Today!, Summer Days (And Summer Nights!!), Beach Boys' Party! and Smiley Smile were produced and mixed by Mark Linett, and co-produced by Alan Boyd. All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were done by Mark Linett on behalf of the Beach Boys. "After the much-discussed, uncompleted Smile project — which was supposed to take the innovations of Pet Sounds to even grander heights — collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.)," writes AllMusic.com For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. "'Wind Chimes,' 'Wonderful,' 'Vegetables,' and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time." — AllMusic.com ***********************************************************************************************

Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

Preis: EUR 599,99 (minus 50% discount/rechnungsrabatt = 299,99 euro) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- AUDIOPHILE 200GRAM STEREO HIGH QUALITY 33RPM PRESSING MADE BY ANALOGUE PRODUCTION IN USA 2016 IN EINEM WERTIGEM KLAPPCOVER(GATEFOLD-JACKET) ----- FROM THE ORIGINAL STEREO MASTER TAPES ----- QUALITY RECORD PRESSINGS ----- DELUXE PACKAGING ----- LIMITED EDITION =(MAXIMAL 1000 COPIES WORLDWIDE !!) ----- OUT OF PRINT ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN, GEPFLEGTEN, ANALOGEN & AUDIOPHILEN LP/RECORD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL, WELL TENDED, ANALOGUE & AUDIOPHILE LP/RECORD-COLLECTION (ONE EXEMPLARY !!) ...... SIEHE XXL-FOTOS(LOOK THE XXL-PICTURES !!) ..... BITTE FOTOS ANKLICKEN(PLEASE CLICK ON THE XXL-PICTURES !!) ...... VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !! ..... )

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