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DCC GZS 1098 (GOLD-CD) (COMPACT DISC) ----- OUT OF PRINT - D ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	JOHN COLTRANE ....WITH THE RED GARLAND TRIO ----- TRANEING IN ----- MADE IN USA ----- (..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.......... ORIGINAL MOMOAURAL RECORDING 1957 IN USA BY PRESTIGE RECORDINGS USA / ......LIMITED EDITION....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!!......) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ************************* ORIGINAL DCC 24KARAT-GOLD-CD AUS DEN USA *************************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** *-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE DCC-GOLD-CD!!-**** *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** *********************************************************************************************** .............................Coltrane, John - Traneing In ....................................... John Coltrane - tenor sax. ..... Red Garland - piano ..... Paul Chambers - bass ..... Art Taylor - drums .......................................... Aufnahmen 23. August 1957 ............................................... Die Aufnahmen, die John Coltrane für das Label Prestige machte, sowohl mit als auch ohne Miles Davis, verschafften ihm seine bis heute andauernde Ausnahmestellung in der Welt des Jazz. Er hatte bewiesen, dass er Blues spielen kann, natürlich auf seine ganz besondere Weise. Wie auch immer er Tempo und Rhythmus variierte, er setzte seine Musik immer in einer ganz persönlichen Kombination von Verstand und Emotion um. Das Garland Trio, das für das Label eine eigene Größe darstellte, brachte das richtige Einfühlungsvermögen für Coltranes extravaganten Stil mit. Höhepunkt ist die rasante Nummer „Soft Lights And Sweet Music“, bei der Coltrane ein unglaubliches Solo hinlegte! ......................... ***************************************************************************************** ......................... Track listing ......................... 1. Traneing In ................... 2. Slow Dance ................... 3. Bass Blues ................... 4. You Leave Me Breathless ................... 5. Soft Lights and Sweet Music ................... *************************************************************************************** ................... Album notes ................... Personnel: John Coltrane (tenor saxophone); Red Garland (piano); Paul Chambers (bass); Art Taylor (drums). Recorded at the Van Gelder Studio, Hackensack, New Jersey on August 23, 1957. Originally released on Prestige (7123). Includes liner notes by Ira Gitler and Ralph Berton. Digitally remastered by Steve Hoffman. With this session, recorded in the summer of 1957, John Coltrane came out from behind the harmonic safety net of a three-horn frontline to focus on his own imposing gifts as an improviser. As the only horn on TRANEING IN, the young tenor giant revels in the spotlight, demonstrating some of the hard-won lessons from his long apprenticeship with Thelonious Monk's group that very summer at New York's Five Spot club. Red Garland basks in the cruise-control cool of the Art Taylor/Paul Chambers rhythm team on the title tune, and his jaunty opening chords serve to italicize this blues' deep, deep groove. When Coltrane enters, the rhythm section ups the ante, from Basie-esque tippling to a driving testimonial. Coltrane's dense harmonic variations unwind in nervous, compulsive layers of sound. Yet for all his complexity, a fervent preacher's cry remains at the heart of his every utterance. After a stunning Chambers solo, Garland returns with intricate Bud Powell-like variations and stately, driving block chords which incite Coltrane to further melodic delirium. Typical of his other Prestige dates, Coltrane carefully contrasts edgy moments of tension with interludes of gentle restraint. Chambers' sultry opening chords to "Slow Dance" give this ballad an oddly spectral cast, until Trane doubles up on the changes. "Bass Blues" finds the limber Chambers doubling the melody with Coltrane, as Garland and Taylor intersperse witty little asides, while "You Leave Me Breathless" is Coltrane at his most romantic, soaring on angel wings into an expressive upper register. Finally, Coltrane and Chambers roar ahead like...well, like a runaway train, on "Soft Lights And Sweet Music," as Taylor and Garland hold on for dear life. ................... ******************************************************************************************* Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR 399,99 (minus 50% discount/rechnungsrabatt = 199,99 euro) ----- (GOLD-CD) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


DCC GZS 1099 (GOLD-CD) (COMPACT DISC) ----- OUT OF PRINT - D ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	BONNIE RIATT ----- NICK OF TIME ----- MADE IN USA ------ ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.....ORIGINAL AUFNAHMEN 1989 BEI CAPAITOL RECORDS IN USA /..........ORIGINAL RECORDING 1989 IN USA BY CAPITOL RECORDS USA / ......LIMITED EDITION.....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!!.......) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ************************* ORIGINAL DCC 24KARAT-GOLD-CD AUS DEN USA *************************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** *-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE DCC-GOLD-CD!!-**** *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** *********************************************************************************************** ................... TRACKLISTING ................... 1. Nick of Time ................... 2. Thing Called Love ................... 3. Love Letter ................... 4. Cry On My Shoulder ................... 5. Real Man ................... 6. Nobody's Girl ................... 7. Have A Heart ................... 8. Too Soon To Tell ................... 9. I Will Not Be Denied ................... 10. I Ain't Gonna Let You Break My Heart Again ................... 11. The Road's My Middle Name ................... ************************************************************************************** ................... Album Notes ................... Personnel: Bonnie Raitt (vocal, slide guitar, piano); Johnny Lee Schell (acoustic guitar), Michael Landau, Arthur Adams (guitar); J.D. Maness (epdal steel guitar); Marty Grebb (tenor saxophone); Kim Wilson (harmonica); Scott Thurston, Jerry Williams, Herbie Hancock (piano); Michael Ruff, Don Was (keyboards); Chuck Domanico (acoustic bass); Hutch Hutchinson (bass); Ricky Fataar (drums, percussion); Tony Braunagel (drums, percussion, timbales); Fran Christina (drums); Paulinho Da Costa (percussion, congas); Arnold McCuller, Sir Harry Bowens, Sweet Pea Atkinson, David Crosby, Graham Nash, Larry John McNally, David Lasley (background vocals).The Heart Attack Horns: Bill Bergman, Dennis Farias, Greg Smith, John Berry, Jr.NICK OF TIME was the 1989 Grammy winner for Album Of The Year.Personnel: Bonnie Raitt (vocal, guitar, slide guitar, piano); Johnny Lee Schell (acoustic guitar, guitar, vocals); John Jorgenson, Michael Landau, Arthur Adams (guitar); J.D. Maness (pedal steel guitar); Marty Grebb (tenor saxophone); Kim Wilson (harmonica); Jerry Williams, Herbie Hancock (piano); Scott Thurston, Michael Ruff, Don Was (keyboards); Chuck Domanico (acoustic bass); Hutch Hutchinson (bass); Ricky Fataar (drums, percussion); Tony Braunagel (drums, percussion, timbales); Fran Christina (drums); Paulinho Da Costa (congas, percussion); Arnold McCuller, Sir Harry Bowens, Sweet Pea Atkinson, David Crosby, Graham Nash, Larry John McNally, David Lasley (background vocals).The Heart Attack Horns: Bill Bergman, Dennis Farias, Greg Smith, John Berry, Jr.Although famed primarily for her interpretation of compositions by the likes of Joni Mitchell, John Hiatt, James Taylor and Paul Brady, NICK OF TIME includes two fine Raitt-penned songs. "The Road's My Middle Name" is an up-tempo blues number, harking back to her early career performing alongside Son House and Mississippi Fred McDowell. The title track is one of her best, a sensitive examination of the traumas of ageing. Throughout the album her voice is haunting and controlled, bringing new meaning and depth to a varied range of material. Bonnie turned 40 gracefully with this album and it gave her unexpected massive success just in the nick of time. ................... ******************************************************************************************** ................... NICK OF TIME, winner of four Grammy Awards in 1989 and a multi-platinum Album famed primarily for interpretation of compositions by the likes of Joni Mitchell, John Haitt, James Taylor and Paul Brady, includes two fine Bonnie Raitt penned songs. “The Roads My Middle Name” is an uptempo Blues number harking back to an earlier career performing alongside Son House and Mississippi Fred McDowell. The title track is one of her best, a sensitive examination of the traumas of aging. Throughout the Album her voice is haunting and controlled bringing new meaning and depth to a varied range of material. Bonnie turned 40 gracefully with this Album and it gave her unexpected massive success just in the NICK OF TIME. ................... ********************************************************************************************* ................... Nick of Time is the tenth blues rock album by Bonnie Raitt, released on March 21, 1989. Nick of Time topped the Billboard 200 chart, selling five million copies, and won three Grammy Awards, including Album Of The Year. In 2003, the album was ranked number 229 on Rolling Stone magazine's list of the 500 greatest albums of all time. ................... ******************************************************************************************** ................... Background ................... Bonnie Lynn Raitt (born November 8, 1949) is an American blues singer-songwriter and slide guitar player. During the 1970s, Raitt released a series of acclaimed roots-influenced albums which incorporated elements of blues, rock, folk and country, but she is perhaps best known for her more commercially accessible recordings in the 1990s including "Nick of Time", "Something to Talk About", "Love Sneakin' Up on You", and the slow ballad "I Can't Make You Love Me". Raitt has received ten Grammy Awards (as of 2013) in her career and is a lifelong political activist. ................... After nearly 20 years, Bonnie Raitt achieved belated commercial success with her tenth album, Nick of Time. Released in the spring of 1989, Nick of Time went to the top of the U.S. charts following Raitt's Grammy sweep in early 1990. This album has been voted number 230 in the Rolling Stone magazine list of 500 Greatest Albums Of All Time. Raitt herself pointed out that her 10th try was "my first sober album." ................... At the same time, Raitt received a fourth Grammy Award for her duet "In the Mood" with John Lee Hooker on his album The Healer. Nick of Time was also the first of many of her recordings to feature her longtime rhythm section of Ricky Fataar and James "Hutch" Hutchinson (Although previously Fataar had played on her Green Light album and Hutchinson had worked on Nine Lives). Nick of Time has sold over six million copies in the US alone. Raitt followed up this success with three more Grammy Awards for her 1991 album, Luck of the Draw which has currently sold nearly 8 million copies in the United States. Three years later, in 1994, she added two more Grammys with her album Longing In Their Hearts, her second no. 1 album. Both of these albums were multi-platinum successes. Raitt's collaboration with Don Was would amicably come to an end with 1995's live release, Road Tested. Released to solid reviews, it sold well enough to be certified gold. ................... For her next studio album, Raitt hired Mitchell Froom and Tchad Blake as her producers. "I loved working with Don Was but I wanted to give myself and my fans a stretch and do something different," Raitt said. Her work with Froom and Blake was released on Fundamental in 1998. ................... ****************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR 599,99 (minus 50% discount/rechnungsrabatt = 299,99 euro) ----- (GOLD-CD) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


DCC GZS 1100 (GOLD-CD) (COMPACT DISC) ----- SOLD OUT = AUSVERKAUFT ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	THE NEW MILES DAVIS QUINTET ----- MILES ----- MADE IN USA ----- ORIGINAL MONOAURAL RECORDING 1955 IN USA ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.....ORIGINAL MONO AUFNAHMEN 1955 IN USA BEI PRESTIGE RECORDS /..... ORIGINAL MONOAURAL RECORDING 1955 IN USA BY PRESTIGE RECORDINGS USA / ......LIMITED EDITION.....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!!............. ) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ************************* ORIGINAL DCC 24KARAT-GOLD-CD AUS DEN USA *************************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** *-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE DCC-GOLD-CD!!-**** *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** *********************************************************************************************** ....................... Davis Quintet, Miles - Miles ........................... Miles Davis - trumpet ..... John Coltrane - tenor sax ..... Red Garland - piano ..... Paul Chambers - bass ..... Philly Joe Jones - drums .............................. Aufnahmen 16. November 1955 (Mono) ........................................................ Mit seinem neuen Quintett schlug Miles Davis den Weg zum Hardbop vollends ein und machte der damaligen Jazzwelt deutlich, welch' geniale Musik sie da zu erwarten hatte. Auf die getragenen Melodien der beiden Balladen "Just Squeeze Me (But Don't Tease Me)" und "There Is No Greater Love" folgen forschere Nummern, bei denen nicht nur Philly Joe Jones und Paul Chambers brillieren konnten, sondern eben auch die tolle Spiellaune von Miles deutlich wird. John Coltrane kam hier leider noch nicht so zur Geltung, seine Zeit sollte erst später kommen, auch wenn er in "How Am I To Know" schon einmal andeutete, dass er der kommende Star am Himmel der Tenöre sein wird. ............................................. ********************************************************************************** ..............Track Listing .............. 1. Just Squeeze Me .............. 2. There Is No Greater Love .............. 3. How Am I to Know? .............. 4. S'Posin .............. 5. The Theme .............. 6. Stablemates .............. ************************************************************************************ ..................... Album Notes ...................... Miles Davis Quintet: Miles Davis (trumpet); John Coltrane (tenor saxophone); Red Garland (piano); Paul Chambers (bass); Philly Joe Jones (drums).Recorded at the Van Gelder Studio, Hackensack, New Jersey on November 16, 1955. Originally released on Prestige (7014). Includes liner notes by Ira Gitler and Robert Levin.Digitally remastered by Steve Hoffman.The New Miles Davis Quintet made its first visit to the recording studios on November 16, 1955. By October 26, 1956, when they made their last session for Prestige, Davis had signed with recording giant Columbia, he had featured the most influential band in all of jazz (which would spawn the most charismatic musician of the '60s), and was well on his way toward international stardom. Listen to The Musings of Miles, an earlier quartet date with bassist Oscar Pettiford, then listen to the difference bassist Paul Chambers and tenor saxophonist John Coltrane make. Philly Joe Jones' dancing hi-hat reverie introduces "How Am I to Know," and the band takes it at a galloping tempo. The youthful bassist pushes the music into more modern directions with his solid time, driving beat, ringing tone, and uncanny sense of melodic counterpoint. He opens the music right up, and his rhythmic flexibility frees up Jones to play ahead of the beat and instigate an insistent polyrhythmic dialogue. From the finger-snappin' opening groove of Benny Golson's "Stablemates," it's clear that this rhythm section just swings harder (and in more different styles), than anyone this side of Basie's All-Americans or the drummer-led bands of Art Blakey and Max Roach. In Red Garland, the trumpeter found a pianist who understood his idea about touch, voicings, and space, and was able to orchestrate in the expansive style Davis favored. (Listen to his discreetly rocking, two-handed intro to "Just Squeeze Me," or his rhapsodic responses to Davis' little boyish Harmon mute on "There Is No Greater Love.") And Coltrane's restless, turbulent lines show how Davis had finally found his perfect foil, much as the trumpeter's introspective lyricism complemented Charlie Parker's harmonic flights. On "S'Posin'," Trane follows Davis' lilting, floating mute work by getting right on top of the beat with relentless syncopations. On the vaudevillian airs of "The Theme," he answers Davis' playful melodies by scurrying about with the screaming intensity of a blues guitarist, playing catch-up-and-fall-behind, trying to double- and triple-up with every other breath......................... ************************************************************************************ ...................... Review by Scott Yanow ..................... Although they had made a few slightly earlier cuts that would later be issued on Columbia, the first full-length album by the Miles Davis Quintet is quite intriguing in that it gives one a look at tenor saxophonist John Coltrane when he still had a hesitant style. This audiophile CD reissue has the same music that is currently available on an Original Jazz Classics set: five jazz standards plus "The Theme." Unlike Coltrane, who would develop rapidly within the next year, Miles was already very much in his prime, sounding quite lyrical on "Just Squeeze Me" and "There Is No Greater Love," and the classic rhythm section (pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones) was quickly starting to gel. .......................... ************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR ----- SOLD OUT = AUSVERKAUFT ----- (GOLD-CD) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


DCC GZS 1101 (GOLD-CD) (COMPACT DISC) ----- OUT OF PRINT - D ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	CHET BAKER ----- IN NEW YORK ----- MADE IN USA ----- ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.....ORIGINAL MONO STEREO AUFNAHMEN 1958 BEI RIVERSIDE RECORDS IN USA /..........ORIGINAL STEREOPHONIC RECORDING 1955 IN USA BY RIVERSIDE RECORDS USA / ......LIMITED EDITION.....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!!.......) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ************************* ORIGINAL DCC 24KARAT-GOLD-CD AUS DEN USA *************************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** *-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE DCC-GOLD-CD!!-**** *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** *********************************************************************************************** ..................... Track listing ..................... 1. Fair Weather..................... 2. Polka Dots and Moonbeams..................... 3. Hotel 49..................... 4. Solar..................... 5. Blue Thoughts..................... 6. When Lights Are Low..................... 7. Soft Winds - (bonus track)..................... ********************************************************************************** ..................... Album notes ..................... Personnel: Chet Baker (trumpet); Johnny Griffin (tenor saxophone); Al Haig (piano); Paul Chambers (bass); Philly Joe Jones (drums). Recorded at Reeves Sound Studios, New York, New York in September 1958. Originally released on Riverside (1119). Includes original liner notes by Orrin Keepnews. Digitally remastered by Joe Tarantino (1988, Fantasy Studios, Berkeley, California). Chet Baker could hang just as well as the cats back East, as he proves on the classic CHET BAKER IN NEW YORK. To quell the East vs. West debate, Baker joined New York all-stars like Johnny Griffin, Al Haig, and the Miles Davis rhythm team of Paul Chambers and Philly Joe Jones for a rousing session that is one for the history books. Listening to these seven standards, there's little doubt that this cross-pollination was a successful experiment. Baker, sticking to trumpet, sounds just as smooth and laid back as usual. From brisk numbers such as "Hotel 49" to blue ballads such as "Polka Dots and Moonbeams," the trumpeter always projects his cool image, only now with a subtle urging from his East Coast sidemen. Griffin is complimentary to the leader, and shines on tasty solo spots such as Benny Golson's swinging opener "Fair Weather." Chambers and Jones get a chance to record a very different take of Davis' classic "Solar," here featuring Baker's velvety wanderings at a mid-tempo lope. Other choice cuts in this experiment include the bouncing "When Lights Are Low" and Benny Goodman's lazily swinging "Soft Winds." ..................... ************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR 599,99 (minus 50% discount/rechnungsrabatt = 299,99 euro) ----- (GOLD-CD) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


DCC GZS 1102 (GOLD-CD) (COMPACT DISC) ----- OUT OF PRINT - D ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	BILL EVANS ----- INTERPLAY ----- MADE IN USA ----- ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.....ORIGINAL STEREO AUFNAHMEN 1962 BEI RIVERSIDE RECORDS IN USA /..........ORIGINAL STEREOPHONIC RECORDING 1962 IN USA BY RIVERSIDE RECORDS USA / ......LIMITED EDITION.....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!!.......) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ************************* ORIGINAL DCC 24KARAT-GOLD-CD AUS DEN USA *************************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** *-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE DCC-GOLD-CD!!-**** *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** *********************************************************************************************** ................... Rezension ................... Man werfe fünf Musiker aus verschiedenen Lagern der Moderne in einen Topf, und heraus kommt - erstklassiger Jazz. Weil jeder auf den anderen hört und auf eigene Dominanz verzichtet. Beeindruckend neben Trompeter Hubbard und Pianist Evans vor allem der ungemein musikalisch trommelnde Phily Joe Jones.................... © Audio -- Audio .................... ***************************************************************************************** ...................................... Fast alle elf Alben, die während Bill Evans' wichtigen frühen Jahre von 1954 - 1964 für Riverside entstanden und ihn in den Vordergrund stellten, waren Trio-Aufnahmen. Eine der wenigen Ausnahmen ist "Interplay", bei der Evans erstmals auch einen Bläser in sein Soundkonzept einbezog. Das mit Freddie Hubbard und Jim Hall ungewöhnliche besetzte Quintett erweitert den bekannten Stil von Bill Evans, der mit eleganten Melodien und feinem Swing Standardthemen, mit dem Titelstück "Interplay" aber auch eine eigene Komposition präsentiert. Die beiden bilden bemerkenswerte Kontrapunkte zu Evans, ihre Soli sorgen bei Jazzliebhabern für echte Begeisterung, wobei das Rhythmusgespann Jones-Heath ebenfalls einen vorzüglichen Part abgab. Ein herrliches Album mit traumhaft gutem Klang!..................................... =================================================================================================== ................... Track listing ................... 1. You and the Night and the Music ................... 2. When You Wish Upon a Star ................... 3. I'll Never Smile Again ................... 4. Interplay ................... 5. You Go to My Head ................... 6. Wrap Your Troubles in Dreams ................... 7. I'll Never Smile Again - (alternate take, bonus track) ................... ******************************************************************************************* ................... Album notes ................... Bill Evans Quintet: Bill Evans (piano); Freddie Hubbard (trumpet); Jim Hall (guitar); Percy Heath (bass); Philly Joe Jones (drums). Recorded at Nola Penthouse Studio, New York, New York on July 16, 1962. Originally released on Riverside (9445). Includes liner notes by Joe Goldberg. Digitally remastered by Steve Hoffman. INTERPLAY is not your typical Bill Evans record. Usually, the pianist preferred to record in a trio setting, exploring the quiet intimacy that it allowed. This is a rare quintet session featuring a line up of all-stars from the hard-bop era that emphasized faster tempos and a more robust approach. With Freddie Hubbard (trumpet), Jim Hall (guitar), Percy Heath (bass) and the fiery Philly Joe Jones (drums), Evans shows a brighter, more spirited execution in his playing than usual. On the jumping opener "You And The Night And The Music" Evans is in exceptional form as he nimbly executes very bop-ish right hand lines that weave and swirl through the changes. Hubbard, Hall and Evans all take stunning solo turns on the energized "I'll Never Smile Again," which appears here in two versions. That classic Evans touch is fully realized, though, with a beautiful arrangement of "When You Wish Upon A Star" and the bluesy title track. The Evans/Heath/Jones rhythm section drives hard through the swinging "You Go To My Head," followed by the delightful romp of "Wrap You Troubles In Dreams" to tie the knot on a stellar session. INTERPLAY is not your typical Bill Evans record. Usually, the pianist preferred to record in a trio setting, exploring the quiet intimacy that it allowed. This is a rare quintet session featuring a line up of all-stars from the hard-bop era that emphasized faster tempos and a more robust approach. With Freddie Hubbard (trumpet), Jim Hall (guitar), Percy Heath (bass) and the fiery Philly Joe Jones (drums), Evans shows a brighter, more spirited execution in his playing than usual. On the jumping opener "You And The Night And The Music" Evans is in exceptional form as he nimbly executes very bop-ish right hand lines that weave and swirl through the changes. Hubbard, Hall and Evans all take stunning solo turns on the energized "I'll Never Smile Again," which appears here in two versions. That classic Evans touch is fully realized, though, with a beautiful arrangement of "When You Wish Upon A Star" and the bluesy title track. The Evans/Heath/Jones rhythm section drives hard through the swinging "You Go To My Head," followed by the delightful romp of "Wrap You Troubles In Dreams" to tie the knot on a stellar session. ................... ********************************************************************************************** ................... Review by Thom Jurek ................... Interplay, recorded by a pair of Bill Evans-led quintets, decades later stands as some of Bill Evans' most enigmatic and unusual music in makeup as well as execution. Recorded by Orrin Keepnews between July and August of 1962, the second quintet date remained unreleased until 20 years later -- after Evans' death -- as part of a double LP. On CD, both sessions were released as part the Original Jazz Classics editions by Fantasy, the first as Interplay, the second as Loose Bloose. This is the first time the complete sessions have been together on CD, replicating the LP release. Up until 1962, Evans recorded primarily as a leader in the piano trio format and not with horns. (He was a seminal part of Miles Davis' Kind of Blue sessions, and was on Cannonball Adderley's debut in 1958 and a duet recording with Jim Hall called Intermodulation in 1959.) His musical relationship with bassist Scott LaFaro produced only four recordings (two of them taken from live dates at the very end of LaFaro's life -- he was killed in an auto accident in 1959), but they remain some of the most profoundly communicative and intuitive in the jazz canon. According to Keepnews' notes in 1961, Evans became despondent and wondered if he would work again. He went into seclusion for a period. He also had "health" problems -- i.e., a severe case of narcotics addiction. He emerged again in the summer of 1962 and produced four and a half albums' worth of solo, trio, and quintet sessions. (He needed cash, and in order to be responsible, Keepnews, who signed the checks at Riverside, needed to put material in the can to justify paying him. ................... The Interplay quintets are comprised of a pair of different sessions: both featured Hall on guitar and Philly Joe Jones on drums. The July 1962 sessions (which came out as Interplay on OJC) included a very young Freddie Hubbard from the Jazz Messengers and bassist Percy Heath from the Modern Jazz Quartet. The August sessions included saxophonist Zoot Sims in Hubbard's place, and bassist Ron Carter. The tunes with Hubbard are the most revelatory, in that Evans had a more blues-based approach to playing: harder, edgier, and in full flow, fueled in no small part by Hall, who is at his very best here, swinging hard whether it be a ballad or an uptempo number. Hubbard's playing, on the other hand, was never so restrained as it was here. Using a mute most of the time, his lyricism is revealed to jazz listeners for the first time -- with Art Blakey it was a blistering attack of hard bop aggression. This, however, was a program of standards from the '30s and '40s, most of which Hubbard wasn't familiar with; he slipped into them quite naturally without the burden of history -- check his reading and improvisation on "When You Wish Upon a Star." Ironically, it's on the sole original, the title track, where the band in all its restrained, swinging power can be best heard, though the rest is striking finger-popping hard bop jazz, with stellar crystalline beauty in the ballads. ................... The latter session with Sims and Carter stands in sharp contrast to those recorded a month earlier. For starters, this one is made up of all-original material. Secondly, it sticks closer to the hard bop format and walks a thin line between Evans' elegant sense of balladry -- as influenced by Debussy and Darius Milhaud -- and his tougher, leaner, hard-swinging approach to the hard bop blues. It begins with "Loose Bloose" and a standard blues vamp, with beautiful solos by Hall and Sims following in gorgeous steamy form. Evans' chords here shift to his more ornate side, but he's in the cut time-wise. This is in sharp contrast to the ballad "Time Remembered," which is languid, mysterious, and full of sheer elegance by way of what is not "said." "Funkallero" contains one of sharpest, steamiest solos ever by Hall, before coming to a nearly rapturous second head that is harmonically extrapolated from the first. This session is the vastly underrated of the two, and perhaps it lies in some of the strangeness in some of these compositions: check the classical counterpoint in the melody of "Fudgesickle Built for Four," where Hall, Evans, and Sims all engage in a triangulated exchange of counterpoint as an intro, or the haunting, very slowly developing "There Came You," which, until heard closely, can resemble a kind of lounge jazz -- but Sims (playing his best Ben Webster) offers what's hidden inside and Evans plays atmospherically during his solo. In sum, this complete edition of Interplay is a welcome addition to the compact disc shelf of any Evans fan, but also because it has been preserved as originally released in America. ................... ********************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR 799,99 (minus 50% discount/rechnungsrabatt = 399,99 euro) ----- (GOLD-CD) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


DCC GZS 1103 (GOLD-CD) (COMPACT DISC) ----- OUT OF PRINT - D ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	STEVE MILLER BAND ----- GREATEST HITS 1974-1978 ----- MADE IN USA ----- ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.....ORIGINAL STEREO AUFNAHMEN 1974 - 1978 BEI CAPITOL-SAILOR-HAWORTH RECORDS IN USA /..........ORIGINAL STEREO RECORDING 1974 - 1978 IN USA BY CAPITOL-SAILOR-HAWORTH RECORDS USA / ......LIMITED EDITION.....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!!.......) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ************************* ORIGINAL DCC 24KARAT-GOLD-CD AUS DEN USA *************************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** *-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE DCC-GOLD-CD!!-**** *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** ************************************************************************************************* ...............................Erstveröffentlichung 1978. .................................................................... Wenn man die Musik des Bluesrockers Steve Miller kennenlernen möchte, dann ist „Greatest Hits 1974-78“ zweifellos die beste Wahl. Und nun hat man mit diesem (leider wieder limitierten) Reissue vom EMI die Gelegenheit, diese Platte in seinen eigenen Schrank stellen zu dürfen. Lohnenswert ist sie allemal, da das Remastering gelungen ist und die Pressung höheren Ansprüchen gerecht wird. Die Musik dieser LP ist ohnehin grandios, nahezu jede Nummer war ein Hit, sie haben sich im Gedächtnis festgesetzt. Ob „Rock NMe“, „Jungle Love“, „Serenade“, „Take The Money And Run“, „Fly Like An Eagle“ oder das berühmte „The Joker“, das sind alles Rock-Klassiker, die hier einer echten Greatest Hits-Compilation mehr als gerecht werden. Sie zeigen, dass die Steve Miller Band eine der großen Rockbands der 70er Jahre war! ............................... * Interpret: Steve Band Miller ..... * Titel: Greatest Hits '74 -'78 ..... * Normale LP (180 g, Lim. Ed.) ..... ********************************************************************************************** ...............................Tracks ............................... 1. Swingtown (3:59) ............................... 2. Jungle Love (3:14) ............................... 3. Take The Money And Run (2:51) ............................... 4. Rock N' Me (3:08) ............................... 5. Serenade (3:13) ............................... 6. True Fine Love (2:42) ............................... 7. The Stake (4:03) ............................... 8. The Joker (4:28) ............................... 9. Fly Like An Eagle (6:02) ............................... 10. Threshold (1:07) ............................... 11. Jet Airliner (4:30) ............................... 12. Dance, Dance, Dance (2:20) ............................... 13. Winter Time (3:16) ............................... 14. Wild Mountain Honey (4:51) ............................... **************************************************************************************** ...............................Produktbeschreibungen ............................... Greatest Hits-Alben bringen den Hörer oft um den Genuß, die wirkliche Bandbreite eines Künstlers kennenzulernen. Nicht so bei Steve Miller. Seine Stärke lag schon immer eher darin, eine Serie radiotauglicher Hits herauszuhauen, statt elf solide Albumsongs zu komponieren. Greatest Hits 1974-1978 vereint die besten Singles aus Millers Erfolgsjahren, nachdem er aus seiner bluesig-ausgeflippten Periode zu leichter zugänglichem bluesangehauchten Poprock fand. Hier finden sich die Schlangengrooves von "The Joker" und "Fly Like An Eagle", sowie die klassischen Riffnummern für Luftgitarrenfreunde "Take The Money And Run", "Jungle Love", "Rockin´Me" und natürlich "Jet Airliner". Erwarten Sie hier bitte keine welterschütternden Kunstwerke. Was sie bekommen ist grundsolider, ehrlicher Knabberparty-Rock. --Neal Weiss ........... Audio.............. ************************************************************************************** ...............................Alles Miller oder was? 100 Prozent! Steve Miller, der "Gangster Of Love & Rock", vereinte mit seiner Band auf dieser Sammlung auf nur fünf Jahren 14 große Songs - ein echter Coup. So spielt er aus "Greatest Hits 1974-78" etwa den Single-Trumpf "The Joker" aus, der im Oktober '73 die US-Charts anführte. Aber auch die übrigen 13 Stücke des Sängers und Gitarristen aus Milwaukee im US-Bundesstaat Wisconsin halten fast durchweg das "Joker"-Niveau: so das flippige "Jungle Love" aus dem Jahr 1977, das knackige "Rock'n Me" von '76, der Song zum Abheben, "Jet Airliner" ('77), das Country-Liedchen "Dance, Dance, Dance" ('76, vom Album "Fly Like An Eagle"), das psychedelische "Winter Time" ('77, die B-Seite der Single "Jungle Love"), auch das bissige "Take The Money And Run" von '76 und das Gitarren-getriebene "The Stake" ('77, von der LP "Book Of Dreams"). Steve Miller, der früher unter anderen mit Boz Scaggs spielte, zeigt sich als Meister des relaxten Rocks. Daß seine "Greatest-Hits" nun als Gold-CD-Version vorliegen, ist um so erfreulicher, denn die remasterte Edelscheibe wuchtet ein gutes Pfund Klangdynamik auf die Lade des Digitalplayers - gerade recht für beherzte HIFI-Sessions im eigenen Wohnzimmer. Der Wahl-Texaner mit der spacigen Stimme kann im Oktober seinen 55. Geburtstag feiern - Millers Songs scheinen derweil keinerlei Verfallsdatum zu kennen. Wie heißt es doch in seinem 76er Titel "Fly Like An Eagle": "Time keeps on slippin', slippin', slippin' into the future ..." Klang: 03-04 ...............© Audio .................................... ************************************************************************************************ ...............................Review by Stephen Thomas Erlewine ................... Greatest Hits 1974-1978 collects the majority of Steve Miller's biggest hits — "The Joker," "Take the Money and Run," "Rock 'n Me," "Fly Like an Eagle," "Jet Airliner," "Jungle Love," "Swingtown" — and seven album tracks that received a fair amount of airplay on album rock radio. The collection only covers a total of three albums — The Joker, Fly Like an Eagle, Book of Dreams — with the latter two providing the bulk of the material. Because of this, "Living in the USA," one of Miller's biggest hits of the late '60s/early '70s, isn't included, but it isn't missed, since all of his other hits of the '70s are included. The thoroughness of Greatest Hits 1974-1978 makes it an excellent introduction to Miller, and for many casual fans, it also means that they can contain their Steve Miller collection to one disc. ............................... ********************************************************************************************** ...............................Album Notes ............................... The Steve Miller Band: Steve Miller (vocals, guitar, sitar, synthesizer); David Denny, Greg Douglass (guitar, slide guitar); John McFee (dobro); Norton Buffalo (harmonica); Byron Allred (piano, keyboards, synthesizer); Jachym Young (Hammond B-3 organ); Lonnie Turner, Bob Glaub (bass); Gary Mallaber (drums, percussion).Engineers: Jim Gaines, Mike Fusaro, Jay Ranellucci.Recorded at CBS Recording Studios, San Francisco, California.The Steve Miller Band: Steve Miller (vocals, guitar, sitar, harmonica, synthesizer); Greg Douglass (guitar, slide guitar); David Denny (guitar); John McFee (dobro); Norton Buffalo (harmonica); Byron Allred (piano, keyboards, synthesizer); Jachym Young (Hammond B-3 organ); Dickie Thompson (organ, Clavinet); Lonnie Turner, Bob Glaub, Gerald Johnson (bass); Gary Mallaber (drums, percussion); John King (drums).Engineers: Jim Gaines, Mike Fusaro, Jay Ranellucci.Recorded at CBS Recording Studios, San Francisco, California.All tracks have been digitally remastered by Steve Hoffman.Although Steve Miller had been rocking and rolling since the late 1960s, he experienced some of the greatest chart success of his career during the mid-1970s, as exemplified by this GREATEST HITS 1974-1978 compilation. Nearly all 14 of the album's tracks have become classic rock radio standards over the years.This period in particular saw Miller streamline his early blues rock sound into something more mainstream-friendly. With not a single weak track in the bunch, the creme de la creme would have to include the tasty rockers "Jungle Love," "Take the Money and Run," "Rock N' Me," "The Joker," "Fly Like An Eagle," and "Jet Airliner." ............................... ************************************************************************************************ ***************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR 1199,99 (minus 50% discount/rechnungsrabatt = 599,99 euro) ----- (GOLD-CD) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


DCC GZS 1104 (GOLD-CD) ----- SOLD OUT = AUSVERKAUFT = OUT OF STOCK ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	NAT KING COLE ----- LOVE IS THE THINK ----- MADE IN USA ----- ORIGINAL STEREOPHONIC SOUND ----- ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.....ORIGINAL STEREO AUFNAHMEN-ZUSAMMENFASSUNG 1987 BEI EMI-CAPITOL RECORDS IN USA /..........ORIGINAL STEREO RECORDING-COMPIALTION 1987 IN USA BY EMI-CAPITOL RECORDS USA / ......LIMITED EDITION.....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!!....... ) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ************************* ORIGINAL DCC 24KARAT-GOLD-CD AUS DEN USA *************************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** *-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE DCC-GOLD-CD!!-**** *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** *********************************************************************************************** ........................ Track listing ...................... 1. When I Fall in Love .................. 2. Stardust .................. 3. Stay as Sweet as You Are .................. 4. Where Can I Go Without You? .................. 5. Maybe It's Because I Love You Too Much - (mono) .................. 6. Love Letters - (mono) .................. 7. Ain't Misbehavin' .................. 8. I Thought About Marie .................. 9. At Last .................. 10. It's All in the Game .................. 11. When Sunny Gets Blue .................. 12. Love Is the Thing .................. 13. Someone to Tell It To - (bonus track) 14. End of a Love Affair, The - (bonus track) 14. If Love Ain't There - (bonus track) .................. ******************************************************************************************* ...................... Album Notes ......................... "Someone To Tell It To", "The End Of A Love Affair" & "If Love Ain't There" were previously released on WHERE DID EVERYONE GO?Personnel includes: Nat "King" Cole (vocals); Gordon Jenkins (conductor).Recorded at Capitol Tower Studios, Hollywood, California in December, 1956.Nat King Cole's collaborations with Gordon Jenkins rank among the finest from either artist or arranger. Cole's first stereophonic long player, 1957's Love Is the Thing remains the epitome of the pair's undeniable compatibility, and it topped the album charts for eight weeks. The opener "When I Fall in Love" is considered by many to be nothing short of definitive; the restrained orchestration perfectly adapts to the singer's verdant vocals. Similarly, "Stardust" sparkles as a flawless musical alliance is formed with Cole's warm and inviting narrative weaving over Jenkins' intimate score. Simply stated, both songs are unmitigated masterworks -- and we're only two cuts into the dozen-song LP. Another key to the project's success is Jenkins ability to reign in just enough instrumentation to support Cole's uniformly restrained leads. Examples abound throughout, with "Stay as Sweet as You Are," "At Last," and the rural sophistication of "When Sunny Gets Blue." The heartfelt "Love Letters" and even the comparatively light "Ain't Misbehavin'" incorporate a sonic synergy as the airy string section glides between Cole's line by line phrasing. Also worth mentioning is the Jenkins original "I Thought About Marie," as it sits comfortably beside some of the most time-honored tunes in 20th century popular music. [Some reissues add three bonus tracks.] ~ Lindsay Planer. ......................... ******************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR ----- SOLD OUT = AUSVERKAUFT = OUT OF STOCK ----- (GOLD-CD) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


DCC GZS 1105 (GOLD-CD) (COMPACT DISC) ----- OUT OF PRINT - D ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	JETHRO TULL ----- AQUALUNG ----- MADE IN USA ----- ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.....ORIGINAL STEREO AUFNAHMEN 1971 BEI CRYSALIS RECORDS IN ENGLAND /..........ORIGINAL STEREO RECORDING 1971 IN ENGLAND BY CRYSALIS RECORDS / ......LIMITED EDITION.....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!!.......) Weitere Details: **********************************************************************************************Jethro Tull ist eine Rockband aus Blackpool, England, die 1967 von dem Schotten Ian Anderson (Flöte und Multiinstrumentalist) gegründet wurde. Die Band ist nach dem Pionier der modernen Landwirtschaft, Jethro Tull (1674-1741), benannt. Ihre Musik zeichnet sich vor allem durch die dominante Präsenz der Flöte aus, die vom charismatischen Führer Ian Scott Anderson gespielt wird. Ursprünglich im Stil des Blues, ging Jethro Tull durch die Geschichte des Rock, durch verschiedene Genres, von Klassik bis Folk Rock, von progressiver bis ethnischer Musik, Jazz und Art Rock. Sie haben weltweit über 60 Millionen Alben verkauft. Zunächst die Band unter der Leitung von Ian Anderson und dem Gitarristen Mick Abrahams, der sich hauptsächlich am Blues orientierte. Ihr erstes Album, This Was (1968), brachte eine Reihe von Blues-Rock-Songs in die Reihe, darunter Song for Jeffrey. In der Gruppe eröffnete sofort eine Diskussion darüber, in welche Richtung er gehen sollte: Er gewann den Ian Anderson und Mick Abrahams verließ die Trainingsbasis, indem er zum Pig Blodwyn ging, der ihren Weg im britischen Blues ging. Tull Ich ging einen Weg entlang, der gleichzeitig mit vier Stilen flirtet, durch unterschiedliche Ausgewogenheiten in den verschiedenen Phasen ihres langen Lebens, die man in Volksmusik, Jazzmusik, klassischer Musik und sogar im Blues findet, der in den Zutaten für ihre Produktion verbleibt . Zu dieser Zeit diente er für kurze Zeit in der Ausbildung Tony Iommi, Gitarrist von Black Sabbath, bevor der zukünftige langjährige Begleiter von Jethro Tull-Gitarrist Martin Barre eintraf. Aqualung ist ihr viertes Studioalbum, das ursprünglich 1971 veröffentlicht wurde. Das Album traf das Publikum mit dem berühmten Cover, das einen Obdachlosen zeigt, der dem Gruppenleiter Ian Anderson sehr ähnlich ist. Es ist besonders beeindruckend für die Grobheit des Ausdrucks und das Aussehen des Gesichts von Aqualung, das durch ein Plakat ergänzt wird, das für eine elegante und teure Weihnachtszeit wirbt. Es scheint, dass der Albumtitel von dem heiseren Rasseln von Pennern wie diesem - laut Anderson - zum Klang eines Beatmungsgeräts stammt (der Aqualung ist ein bestimmtes Modell). Die Texte erzählen vom Leben in einer harten Aqualung, die in der Schule und in zwischenmenschlichen Beziehungen gescheitert ist. Sein einziger lebensfähiger Gesprächspartner ist Gott, dem der Todespunkt - in einem letzten wütenden Atemzug - Aqualung nur verächtliche Worte widmet. Die Jethro Tull, die einen obdachlosen pädophilen Protagonisten ihres Konzeptalbums auswählen, wollen das Unternehmen kritisieren. Das folgende Gefühl des Verlustes führt dazu, dass der Mensch jegliches Vertrauen verliert und die Welt selbst hasst. Aqualung flucht gegen Gott und erkennt ihr Leiden an. Großartiger Reifetest für Jethro Tull, der in Aqualung und Thick als Ziegelstein in der nächsten Zeit zeigte, dass er weit mehr als "Minnesänger progressiv" ist, wie sie vielleicht im Lichte der vorherigen Tests erscheinen könnten. Das Album enthält einige der Kriegspferde der Gruppe, vom Titeltrack über ein Muss bei Live-Auftritten bis hin zu Tull Locomotive Breath und My God. Es ist ohne Zweifel einer der bedeutendsten Songs der Bandkarriere. Die Gruppe hat es zum ersten Mal während der Benefit-Sitzung aufgezeichnet, es jedoch zurückgestellt, weil er beurteilte, dass diese Version einfach fehlgeschlagen ist. Das Lied wurde noch einige Zeit auf Tour gespielt und war eine der Lieblingskompositionen von Anderson. Ursprünglich sollte das Album Ihr My God heißen, aber der Titel wurde geändert, weil der Markt einen gleichnamigen Stich zu raubkopieren schien, dessen Klangqualität so gut war, dass er leicht mit einer offiziellen Veröffentlichung verwechselt werden konnte. Der für den Titeltrack gebundene Song bleibt einer der meistgespielten Live-Songs und ist bislang einer der beliebtesten. Das Rolling Stone Magazin hat den 337. Platz auf seinem Platz aufgenommen ******************************************************************************************** Track Listing:................................ Aqualung ................................ A1 Aqualung ...... Lyrics By [Words] – Jennie Anderson .... 6:31 ................................ A2 Cross-Eyed Mary 4:06 ................................ A3 Cheap Day Return 1:21 ................................ A4 Mother Goose 3:51 ................................ A5 Wond'ring Aloud 1:53 ................................ A6 Up To Me 3:14 ................................ My God B1 My God 7:08 ................................ B2 Hymn 43 3:15 ................................ B3 Slipstream 1:12 ................................ B4 Locomotive Breath 4:23 ................................ B5 Wind-Up 6:01 ................................ ********************************************************************************************** Album Notes: ................... Jethro Tull: Ian Anderson (vocals, acoustic guitar, flute); Martin Barre (guitar, descant recorder); Jeffrey Hammond (alto recorder, bass, background vocals); John Evan (piano, organ, Mellotron); Clive Bunker (drums, percussion).Recorded at Island Studios, London, England. Originally released as Reprise (2035).The leap from 1970's BENEFIT to the following year's AQUALUNG is one of the most astonishing progressions in rock history. In the space of one album, Tull went from relatively unassuming electrified folk-rock to larger-than-life conceptual rock full of sophisticated compositions and complex, intellectual lyrical constructs. While the leap to full-blown prog-rock wouldn't be taken until a year later on THICK AS A BRICK, the degree to which Tull upped the ante here is remarkable. The lyrical concept--the hypocrisy of Christianity in England--is stronger than on most other '70s conceptual efforts, but it is ultimately the music that makes the album.Tull's winning way with a riff was never so arresting as on the chugging "Locomotive Breath," or the character studies "Cross Eyed Mary" and "Aqualung," which portray believably seedy participants in Ian Anderson's story. The fable imagery of "Mother Goose" and the vitriolic anti-authoritarian sentiments of "Wind Up" both serve notice of Anderson's willful iconoclasm and his disillusionment with the spiritual traditions to which he was born. Varied but cohesive, AQUALUNG is widely regarded as Tull's finest hour. ****************************************************************************************** Jethro Tull is a rock band originally from Blackpool, England, founded in 1967 by Scotsman Ian Anderson (flute and multi-instrumentalist). The band is named after the pioneer of modern agriculture, Jethro Tull (1674-1741). Their music is characterized especially by the dominant presence of the flute, played by the charismatic leader Ian Scott Anderson. Initially style blues, Jethro Tull went through the history of rock, through various genres, from classical to folk rock, from progressive to ethnic music, jazz, art rock. They have sold over 60 million albums worldwide. Initially the band, led by Ian Anderson and guitarist Mick Abrahams who was basically oriented toward the blues. Their first album, This Was (1968), got in line a series of blues-rock songs among which Song for Jeffrey. In the group immediately opened a discussion on which direction to take: he won the Ian Anderson and Mick Abrahams left the training base by going to the Pig Blodwyn which went their way in the British blues. Tull I walked along a trail that flirts simultaneously with four styles, by different balances in the various stages of their long life, you can find in folk music, jazz music, classical music, and even the blues, which remains in ingredients for their production. At that time he served in education for a short time Tony Iommi, guitarist of Black Sabbath before the arrival of the future long-time companion of Jethro Tull guitarist Martin Barre. Aqualung is their fourth studio album, originally released in 1971. The album hit the audience with the famous cover depicting a homeless man, very similar to the group leader Ian Anderson. It is impressive especially for the crudeness of the expression and the look of the face of Aqualung, which is matched by a poster that advertises elegant and expensive holiday season. It seems that the album title comes from the hoarse rattle of bum like that - according to Anderson - to the sound of a respirator (the Aqualung is one particular model). The lyrics tell of life in a harsh Aqualung, failed at school and in interpersonal relationships. His only viable interlocutor is God to whom the point of death - in a last gasp angry - Aqualung devotes only contemptuous words. The Jethro Tull choosing a homeless pedophile protagonist of their concept album they want to criticize the company. The sense of loss that follows leads man to lose all confidence and to hate the world itself. Aqualung curses against God and acknowledge their suffering. Great test of maturity for Jethro Tull, who demonstrated in Aqualung and Thick as a Brick in the next to be much more than "minstrels progressive", as perhaps they could appear in the light of the previous tests. The album contains some of the warhorses of the group, from the title track, a must in live performances as well as the Tull Locomotive Breath and My God it is without doubt one of the most significant songs of the band's career. The group recorded it for the first time during the session of Benefit, but shelved it because he judged that version just failed. The song was still played on tour for quite some time, and was one of favorite compositions by Anderson himself. Initially, the album was to be called your My God, but the title was changed because the market had appeared to pirate an engraving of the same name, which had a sound quality so good that he could easily be mistaken for an official publication. The song, tied for the title track, remains one of the most performed live and is so far and one of the most popular. The Rolling Stone magazine has included the 337 th place on his Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR 1199,99 (minus 50% discount/rechnungsrabatt = 599,99 euro) ----- (GOLD-CD) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


DCC GZS 1106 (GOLD-CD) ----- SOLD OUT = AUSVERKAUFT = OUT OF STOCK ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	THE MILES DAVIS QUARTET ----- THE MUSINGS OF MILES ----- MADE IN USA ----- ORIGINAL MONOAURAL RECORDING 1955 IN USA ----- ( ..... OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.....ORIGINAL MONO AUFNAHMEN 1955 IN USA BEI RIVERSIDE RECORDS /..... ORIGINAL MONOAURAL RECORDING 1955 IN USA RIVERSIDE RECORDINGS USA / ......LIMITED EDITION.....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!!............. ) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ************************* ORIGINAL DCC 24KARAT-GOLD-CD AUS DEN USA *************************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** *-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE DCC-GOLD-CD!!-**** *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** *********************************************************************************************** .................. Track listing .................. 1. Will You Still Be Mine?.................. 2. I See Your Face Before Me.................. 3. I Didn't.................. 4. Gal in Calico, A.................. 5. Night in Tunisia, A.................. 6. Green Haze.................. ****************************************************************************************** .................. Album notes.................. Personnel: Miles Davis (trumpet); Red Garland (piano); Oscar Pettiford (bass); Philly Joe Jones (drums)................... Recorded at the Van Gelder Studio, Hackensack, New Jersey on June 7, 1955. Originally released on Prestige (7007). Includes liner notes by Ira Gitler. By the time Miles Davis recorded THE MUSINGS OF MILES on June 7, 1955, he'd expanded and refined his approach to the bop idiom which had nurtured him, and the cool approach--which he'd championed. He learned to refine and edit his line, discovered what aspects of his style were derivative and which were truly his own, and, most importantly, zeroed in on his own signature sound and style of phrasing. THE MUSINGS OF MILES is a quartet dry run for the first Miles Davis Quintet, which became the most popular, influential band of the 1950s. Already on hand are pianist Red Garland--with his elegant closed voicings and driving comp--and drum innovator Joseph Rudolph Jones (Philly Joe to you). Bassist Oscar Pettiford, who rounds out the quartet, is also a great innovator, perhaps a generation removed from Miles and his young turks. Listen especially to how he makes the band sound on "Green Haze," a slow, after hours blues. Miles employs gorgeous long tones and smears, heroically laid-back (a la Billie Holiday), as Garland feeds him lush block chords. Pettiford constructs his solo from a succession of arpeggios, in the manner of Coleman Hawkins. Compare his short attack and centered, uniform beat, with the more resonant, bell-like attack and complex beat of Paul Chambers on this and subsequent recordings of "A Night In Tunisia." And dig Miles' nod to his mentor with a Dizzyish ascent into the upper register after several relaxed choruses................... ******************************************************************************************* .................. Review by Scott Yanow.................. Miles Davis was in the process of forming his first classic quintet when he recorded this date, a Prestige set reissued by the audiophile label DCC Compact Classics. The trumpeter is featured on a quartet outing with pianist Red Garland, bassist Oscar Pettiford, and drummer Philly Joe Jones, playing four standards plus a blues ("Green Haze") and "I Didn't," his answer to Thelonious Monk's "Well, You Needn't." Garland and Jones would soon be in Miles' group, although the fiery Pettiford proved too difficult for the trumpeter to handle and was quickly succeeded by Paul Chambers. The interpretations are generally lyrical and melodic; even "A Night in Tunisia" sounds a bit mellow. Likable if not essential music................... ****************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR ----- SOLD OUT = AUSVERKAUFT = OUT OF STOCK ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


DCC GZS 1107 (GOLD-CD) (COMPACT DISC) ----- OUT OF PRINT - D ----- ORIGINAL DCC-24KARAT-GOLD-CD ----- MADE IN USA ----- (OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ) XXL-Foto XXL-Foto	BONNIE RIATT ----- LUCK OF THE DRAW ----- MADE IN USA ----- ( .....OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! / .....ULTRA RAR !! /.....LIMITED EDITION /.....DCC-GOLD-CD / .....24kt GOLD PLATED / .....ORIGINALLY REMASTERED BY STEVE HOFFMANN /.....THE ULTIMATE SOUND QUALITY FROM DCC COMPACT CLASSICS /......FROM THE ORIGINAL MASTER TAPE !! / ....24karat GOLD-DISC /.....BOOKLET INCLUDED COMPLETE ORIGINAL ARTWORK / .....MADE IN USA /.....ORIGINAL STEREO AUFNAHMEN 1991 BEI CAPITOL RECORDS IN USA /..........ORIGINAL STEREO RECORDING 1991 IN USA BY CAPITOL RECORDS / ......LIMITED EDITION.....EINZIGES ORIGINAL EXEMPLAR(EINZELSTÜCK)IN MEINER PRIVATEN SAMMLUNG !! = ONLY ONE ORIGINAL SAMPLE IN MY COLLECTION (LAST SAMPLE)!!.....OUT OF PRINT .....DIESE WERTVOLLE DCC-GOLD-CD IST NOCH ORIGINAL VERSIEGELT = FACTORY SEALED !!......WELTWEIT EINES DER LETZTEN ORIGINAL VERSIEGELTEN EXEMPLARE!!......WELTWEIT IN DIESER QUALITÄT SEHR GESUCHT !!......VERY-HARD-TO-FIND-WORLDWIDE IN THIS - FACTORY SEALED - QUALITY !!..........) Weitere Details: ************************************************************************************************** ********************************* LONG-OUT OF PRINT ***************************************** *********************************************************************************************** ************************* ORIGINAL DCC 24KARAT-GOLD-CD AUS DEN USA *************************** *********************************************************************************************** ************************ OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ************************* *********************************************************************************************** *-EINE IN DIESER ORIGINAL VERSIEGELTEN QUALITÄT KAUM NOCH ZU FINDENDE AUDIOPHILE DCC-GOLD-CD!!-**** *********************************************************************************************** ************** VERY-HARD-TO-FIND-WORLDWIDE IN THIS FACTORY SEALED QUALITY !! ****************** *********************************************************************************************** *********************************************************************************************** .................. Tracks .................. 1. Something To Talk About 3:48 .................. 2. Good Man, Good Woman [Duet With Delbert Mcclinton] 3:33 .................. 3. I Can't Make You Love Me 5:32 .................. 4. Tangled And Dark 4:52 .................. 5. Come To Me 4:20 .................. 6. No Business 4:24 .................. 7. One Part Be My Lover 5:06 .................. 8. Not The Only One 5:03 .................. 9. Papa Come Quick (Jody And Chico) 2:43 .................. 10. Slow Ride 3:59 .................. 11. Luck Of The Draw 5:16 .................. 12. All At Once 5:03 .................. ****************************************************************************************** ........................... Rezensionen ........................................ Wie der Titel ("Gückssache") schon klarzumachen versucht, war es für Bonnie Raitt nicht selbstverständlich, daß der Nachfolger ihres Platin-Albums Nick Of Times, mit dem sie den Durchbruch schaffte, so erfolgreich sein würde wie sein Vorgänger. Sie war ernsthafter geworden, kommerzieller orientiert und hatte die Früchte des letzten Albums geerntet, doch Luck Of The Draw zeigt eine noch festere, beinahe wilde Entschlossenheit, Musik zu machen, so als ob ihr Leben davon abhinge. .................. Im Team mit Don Was, der auch ihre vorherige Platte produziert hat, übertrifft sie sich selbst und macht obendrein noch ihre bis dato beste Platte: Die zwölf starken Songs, die von so sorgfältig ausgesuchten Komponisten wie Paul Brady, John Hiatt, Bonnie Hayes, Shirley Eikhard und Billy Vera stammen, werden von ihrer üppigen, bluesigen Stimme und ihrer kurvigen Slide-Gitarre umrahmt, und Bonnie Raitts eigene Kompositionen gehören mit zu den besten Stücken, die sie jemals geschrieben hat. .................. Songs wie das freche "Something to Talk About", das temperamentvolle "Slow Ride", das schwebende "Not the Only One" und das herzzerreißende "I Can't Make You Love Me" werden von Gastmusikern, wie den Backgroundsängern Brady und Delbert McClinton, dem Gitarristen Richard Thompson und dem "Heartbreaker" Benmont Tench an den Keyboards interpretiert. Das hat nichts mit Glück zu tun, das ist wahre Kunst. --Sam Sutherland .................. ************************************************************************************** .................. Audio .................. Da dachte man nun, daß Bonnie Raitt mit dem x-fach ausgezeichneten multi- platinierten Nick Of Time von 1989 den Höhepunkt ihrer beachtlichen Kreativität erreicht hatte, wonach nur noch der Abstieg bleibt. Doch die mittlerweile 41jährige Sängerin bleibt mit ihrem elften Longplayer ganz oben: Luck Of The Draw zeigt die unleugbar tief im Rhythm And Blues wurzelnde Künstlerin sowohl als phantastische Interpretin treffsicher ausgesuchter Songs von Kollegen wie Paul Brady, John Hiatt oder Womack & Womack als auch als schnörkellose Komponistin. Groovende, blechgepfefferte Uptempo-Nummern wie I Can't Make You Love Me gehen ihr genauso gut von den sanft aufgerauhten Stimmbändern wie traumhafte Balladen à la One Part Be My Lover oder Country-Feeling wie in Papa Come Quick. Die gefragte Session-Musikerin bat zudem mit Delbert McClinton einen Duett-Partner für das soulige Good Man, Good Woman ans Mikro, der die richtige Dosis schwarze Seele reinbringt. Aber auch bei den anderen Songs stimmen die arrangierten Zutaten aufs I-Tüpfelchen: Dafür sorgte schon das bestens eingespielte Produzenten-Paar Bonnie Raitt/Don Was, das auch den Sound aufs knackigste anrichtete. .................. © Audio .................. ************************************************************************************* .................. Stereoplay .................. Nach ihrem fantastischen Millionenseller "Nick Of Time" (1989) schaffte es die Sängerin und Gitarristin auf dem 1991er Nachfolger "Luck Of The Draw" tatsächlich fast, das Niveau zu halten. Eingängige Grooves und tolle Balladen balancieren perfekt zwischen Blues und Kommerz. Bonnie Raitt zeigte sich erneut geschmackvoll in der Auswahl von Fremdkompositionen, stark in den eigenen Titeln. Don Was produzierte dazu einen süffig-satten Sound. Der kommt jetzt dank Steve Hoffmans Remastering und Goldbeschichtung etwas runder in den Höhen, straffer im Baß und voller in den Mitten. .................. © Stereoplay .................. ******************************************************************************************* .................. Album Notes .................. Personnel: Bonnie Raitt (vocals, slide guitar, acoustic & electric guitars, electric piano); Stephen Bruton (acoustic guitar, background vocals); Mark Goldenberg (acoustic guitar); Randy Jacobs, Robben Ford (electric guitar); Scott Thurston (acoustic & electric guitars, keyboards); Billy Vera (electric guitar); Ivan Neville, Ian McLagan (Hammond B-3 organ); Benmont Tench (Hammond C-3, piano); Steve Conn (accordion); James "Hutch" Hutchinson (bass); Don Was (jug bass); Ricky Fataar, Curt Bisquera, Tony Braunagel, Jeff Porcaro (drums); Debra Dobkin, Paulinho DaCosta (percussion); Sweet Pea Atkinson, Sir Harry Bowens, David Lasley, Arnold McCuller, Kris Kristofferson, Paul Brady, Danny Timms, Glen Clark (background vocals).Recorded at Ocean Way Recording and Capitol Studios, Los Angeles.An extremely strong follow-up to the superb NICK OF TIME, LUCK OF THE DRAW continues where that Grammy winner left off--and in a way, surpasses it. Co-produced by Raitt and Don Was, LUCK OF THE DRAW again plays on the singer's rich blues roots and potent slide guitar, with a fair share of the softer, lovelorn ballads that distinguished NICK OF TIME. A gutsy woman who revels in her sexuality, Raitt shapes "Something to Talk About" and the reggae-tinged "Come To Me" into brilliant come-ons, then counters the seduction hauntingly with songs like the heartbreaking "I Can't Make You Love Me," featuring Bruce Hornsby on piano.The complicated emotional reverie of "One Part Be My Lover" emerged from a poem that Raitt's husband Michael O'Keefe left on her pillow after the couple had argued one night. "Not the Only One" is a beautiful, buoyant love song with Raitt's sand-and-smoke vocals riding Paul Brady's lyrics with reverent, hopeful abandon. Further establishing the fiery redhead as the grand blues mama (not to mention one of the most formidable slide guitarists) of the contemporary rock scene, LUCK OF THE DRAW is Raitt at her raunchy and romantic best. .................. ******************************************************************************************* As its title makes clear, the 1991 sequel to Bonnie Raitt's platinum breakthrough on NICK OF TIME takes nothing for granted. Raitt had achieved sobriety, renewed commercial focus, and then the payday that the prior album yielded, but Luck Of The Draw mirrors an even fiercer determination to make music as if her life depended on it. .................. Again teamed with producer Don Was, Raitt surpasses herself with her best album to date: her wonderfully lush, blues-rimmed voice and sinuous slide guitar wrap themselves around a dozen potent songs culled from a typically shrewd mix of writers including Paul Brady, John Hiatt, Bonnie Hayes, Shirley Eikhard, and Billy Vera, and Raitt herself turns in her most generous batch of originals yet. .................. Sympathetic guests include Brady and Delbert McClinton on harmony vocals, Richard Thompson on guitar, and Heartbreaker Benmont Tench on organ, in a program including the sassy "Something to Talk About," the sultry "Slow Ride," a soaring "Not the Only One," and the heartbreaking "I Can't Make You Love Me." This isn't luck, it's artistry. .................. ****************************************************************************************** Zustand: OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) Preis:** EUR 599,99 (minus 50% discount/rechnungsrabatt = 299,99 euro) ----- (GOLD-CD) ----- OVP = ORIGINAL VERSIEGELT = FACTORY SEALED !! ----- ORIGINAL 24KARAT-DCC-GOLD-CD ----- LONG-OUT OF PRINT ----- MADE IN USA - WITH ORIGINAL DCC-SLIP-CASE !! ----- LIMITED EDITION ----- ( ..... EINZIGES EXEMPLAR IN MEINER PRIVATEN AUDIOPHILEN DCC-24KARAT-GOLD-CD-SAMMLUNG = ONLY ONE SAMPLE IN MY PERSONAL AUDIOPHILE DCC-24KARAT-GOLD-CD-COLLECTION (LAST SAMPLE) !! ..... SIEHE XXL-FOTO(LOOK THE PICTURE) !! ..... BITTE ANKLICKEN !! ....... ) In den Warenkorb


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